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Alayne’s Top Writing, Submitting and Promoting Tips

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Art by Kyle Howard

As the end of 2023 and Kid Lit Creatives (formally known as Sub Six) draw near, Manju Gulati Howard invited me to write a guest post on her blog, but she is having problems writing to her blog right now. Therefore, I will share the post on my blog.

Before I share my tips, I want to thank Manju for all the years she has given to the Kid Lit Creatives group. Many years ago, Manju took over a group I started way back in 2013 called Sub Six. She changed the name to Kid Lit Creatives and grew this great group that offers support and encouragement to kid lit writers as they travel the paths of their submission journey. Manju and her lovely co-admin Gabrielle Copeland Schoeffield have donated their time and love for kid lit and creatives by maintaining submission tally sheets, recruiting prize doners, offering encouragement to creatives, and keeping up with the Facebook page. Not to mention the blog posts from Manju! All I can say to you both is thank you, thank you, thank you. I am grateful for all that you do and all you have done. Also, I would be remiss if I didn’t thank the longtime Kid Lit Creative members and the many, many, many prize donors who contributed to the group.

For Kidlit Creatives Members, you have a chance to win my Art of Arc Picture Book Writing Course along with access to all my webinars. To WIN this special prize, follow the directions at the end of this post.

Now for my tips. . . .

Writing Tips 

  • Don’t be in a hurry.
  • Learn, learn, learn all that you can.
  • Get lots of critiques. Give lots of critiques.
  • For most of us, it takes a village to create a publishable story. Being in a critique group is a huge part of that village.
  • Read, read, read and read some more. But don’t just read, study how the book is written and what you love about it.
  • Of course, there are courses, craft books, professional critiques and so on.

New Things to Consider The consequences of being in a hurry is that you don’t know what you don’t know until you know it. This means that you will put work out there that two years later, you may regret putting out there. You may very well look back and say, “How in the world did I think this story was ready for submission?” We all love our work, right from the start, but knowing when it is truly good takes lots of experience, learning and a village.

Submit 

  • Read submission guidelines carefully and follow them carefully. When I was acquisition editor for Blue Whale Press, I was shocked at how many submissions made it evident that the writer had not read the submission guidelines carefully, and in some cases, it was cause for immediate rejection.
  • Just before you submit, double check that the agent or editor is open to submissions.
  • Unless guidelines give permission to send more than one manuscript, always send only one manuscript. And wait several months before submitting another.
  • Do research to learn what an agent is looking for. Read publishers’ books and look at their catalogs to see what kind of books they publish.
  • Don’t send attachments unless guidelines give you permission to do so. Many publishers want the manuscript pasted in the email with no attachments.
  • For picture books–always make a dummy of your manuscript, so you are certain that you don’t have too little or too much for a typical 32-page picture book. And that it flows well and has great page-turners.

Promote 

In my opinion, promoting is one of the hardest parts of being an author.

  • Try to find a way to promote to parents, teachers, and other adults who buy children’s books. And for middle grade and YA, try to find ways to promote to the readers. I say this because we tend to promote to other writers and illustrators, and there is nothing wrong with that, but that is truly a limited audience when it comes to book sales.
  • One of the most effective promotions I have seen for myself and with Blue Whale authors is to get an interview or announcement in local papers, magazines, and other publications. You will get a boost in sales, but it is short lived. So, you will have to keep on keeping on.
  • Even if your platform appeals mostly to writers, don’t stop promoting. In my opinion, your job is to promote your book forever or until it is no longer in print. My observation has been that people have a big burst of promotion activity when the book first comes out and then never promote again. Those who continue to promote periodically usually have better sales than those who walk away from their books after the initial excitement.
  • Illustrators need to promote, too! Another of my observations is that a smaller percentage of illustrators promote their books than authors. This isn’t a criticism of illustrators and I am not speaking about “all” illustrators. I just want to get illustrators who don’t promote to think about how much their books and authors need them. Working together with the author is a great way to promote.

ABOUT ALAYNE

Alayne penguin hat cropped 2 use this one

Alayne Kay Christian is the former acquisitions editor for Blue Whale Press, an imprint of Clear Fork Publishing. She’s an award-winning children’s book author and the creator and teacher of a picture book writing course Art of Arc. Her published works include the Sienna, the Cowgirl Fairy chapter book series, plus picture books . . .

Born in the Rockies, raised in Chicago, and now a true-blue Texan, Alayne’s writing shares her creative spirit and the kinship to nature and humanity that reside within her heart. To learn more about Alayne visit click here.

Prize offer: I am offering my Art of Arc Picture Book Writing Course along with access to all my webinars . For your chance to win, leave a comment on our Kidlit Creatives page (must be a member) and share this post on your social media. Deadline to enter is Tuesday, December 19.

Before I introduce today’s guest blogger, I want to apologize for my delay in choosing the winner of free access to all my webinars. I had to take some time off after the sudden death of my youngest brother. Because of the delay, I’ve decided to offer the giveaway prize to two faithful blog followers. Char Dixon and Tara Cerven. Congratulations and thank you for taking time to comment on my post. I’ll be in touch. 

kid-lit writing wisdom

Today, Beth Anderson shares her kid-lit writing wisdom gained from life and nonfiction writing experiences along with writing her latest picture book CLOAKED IN COURAGE: UNCOVERING DEBORAH SAMPSON, PATRIOT SOLDIER. Beth is also giving away a copy of CLOAKED IN COURAGE. To enter the drawing comment on this post, please state that you would like to be entered in the drawing, and please help Beth out by sharing the post link in social media.  The deadline for the drawing is February 20. A big thank you to Beth. And now for her . . .

Words of Wisdom

 

Digging Deep to Uncover Deborah Sampson

 By Beth Anderson

When Alayne asked if I’d do a Writing Wisdom post for CLOAKED IN COURAGE: UNCOVERING DEBORAH SAMPSON, PATRIOT SOLDIER, I was feeling terribly lacking in the wisdom department. But if wisdom is knowledge gleaned from life experience, no problem!  I learn more with every manuscript attempt, and I’m happy to share some of what this book taught me.

Beth's CLOAKED IN COURAGE Screen Shot 2022-10-20 at 4.51.42 PM

Deborah Sampson’s story is a lot about capableness. She was more capable than society expected, and I suspect early on she learned she was more capable than she thought. The strengths and self-knowledge she gained from life’s challenges pushed her forward, past fear, and into uncharted territory—serving as a man in the Continental Army!

Beth's CLOAKED IN COURAGE FINAL FC cover hi res copyYou can’t judge a book by its cover.

(Well, in the case of CLOAKED IN COURAGE, please do because the cover is amazing! 😊 )

But let’s take this in the sense of the character. Years back, I ran across Deborah Sampson and read just the basics. The story didn’t grab me. Though interesting, she came across as lacking integrity.

[In the meantime, I researched and wrote Tad Lincoln’s Restless Wriggle. At first look, he appeared to be a spoiled, undisciplined troublemaker of a child. What I learned from that manuscript led me back to Sampson.]

WISDOM TIP Dig for motivation, risk, and stakes.

In 2019, an article came out about a found diary that mentioned Sampson’s failed attempt at enlisting. This was intriguing. It made me think about motivation, risk, and stakes. I dug in. WHY would she do what she did? As always, it wasn’t as simple as it first appeared. Understanding her was impossible until I understood the risk. That cracked open the door to her character. And the driving question of the book became: What makes us who we are? And the more specific idea for Deborah that emerged was her ability to see possibility in challenges throughout her life.

Wisdom: Dig for motivation, risk, and stakes. (A lesson I need to revisit over and over!)

There are unexpected experts out there!

WISDOM TIP Dig for motivation, risk, and stakes. (3)Researching Sampson, I hit all the usuals – books, scholarly articles, Library of Congress, National Archives, museums, official records, historical societies, and local libraries. I was fortunate to find an expert through a historical society, and another expert on the war online. But with CLOAKED IN COURAGE, I had one different kind of source—a woman who does a historical interpretive performance of Deborah Sampson. (The connection came from a person I consulted when I researched REVOLUTIONARY PRUDENCE WRIGHT.) Judith Kalaora, founder of History At Play, was a tremendous resource. She answered many of my questions, and she shared resources I hadn’t encountered. All that took me deeper and wider. But it was her re-enactment of Sampson that helped bring this historical figure to life in my mind. Seeing the pieces of clothing and equipment involved, and hearing someone give voice to her affected me differently than text sources and reinvigorated my efforts.

Wisdom: Search past the usual sources; consider different modes of input. While print is indispensable, finding real live experts is huge.

Research widely into all aspects of setting.

This bit of wisdom has broadened and deepened with every manuscript. Setting is basically time and place, right? But if you think about it, there’s a lot to explore in a time and place, many factors that impact a person and events. I devoted a section to setting in the back matter piece “The Challenge of Being a History Detective” because so many aspects of setting affected motivation, stakes, and risk; as well as providing answers to questions like, “how did she manage to hide her gender in the close quarters of the Continental Army for seventeen months?”

Beth's CLOAKED IN COURAGE sampson young servant

The area that really opened up Sampson’s story was digging into media of the time. She was an avid reader, so…what would have been available to her? Gulliver’s Travels, Robinson Crusoe, Almanacs—ok, tales of adventure and information about the world could make her long for more than indentured servitude. Chapbooks, especially one called “The World Turned Upside Down”— cheap, readily available stories for common people show attitudes. And then…wait for it…varied versions of Joan of Arc’s story and Hannah Snell’s story—two women who dressed as men and held their own in a man’s world! Oh my! It turns out that ballads, poems, and stories of “warrior women” had been all the rage for a century! Eureka! Plenty of inspiration for young Deborah Sampson! That information was crucial because it allowed me to understand what she did in the context of her time.

If you’re interested in more on this, check out my blog post “Mining for Heart: Setting as a Window into Character” here: https://bethandersonwriter.com/2022/11/11/mining-for-heart-setting-a-window-into-character/

Wisdom: Research widely, into all aspects of setting—ten times wider than you think you need for the parameters of your story.

And lastly,

Patience!

WISDOM TIP Dig for motivation, risk, and stakes. (2)My initial draft of Sampson’s story was a dud, dead in the water. I didn’t know how to make it meaningful. So it sat a while. Then the pandemic hit. And anxiety. After a couple months, I knew I had to try to work on something, so I took it out again. I turned off the alerts on my computer and dug in again.  I reread my research, went wider and deeper. (That’s when I found Judith.) With more information and richer understanding, the story came together. It still took more than thirty revisions.

Wisdom: Hang in there and keep researching as you write. Like Deborah, you too can discover your capableness in the challenges!

About Beth

Beth Anderson hi res squareBeth Anderson, a former educator, has always marveled at the power of books. Driven by curiosity and a love for words, she writes untold tales, hoping to inspire kids to laugh, ponder, and question. She’s the award-winning author of CLOAKED IN COURAGE, FRANZ’S PHANTASMAGORICAL MACHINE, REVOLUTIONARY PRUDENCE WRIGHT, TAD LINCOLN’S RESTLESS WRIGGLE, “SMELLY” KELLY AND HIS SUPER SENSES, LIZZIE DEMANDS A SEAT!, and AN INCONVENIENT ALPHABET. Beth has more historical picture books on the way. To learn more about Beth and her books click here

 

HAPPY HOLIDAYS!

 

Story Monster award for blog and websiteIf you are looking for an excellent gift for the special child or children in your life, you may like this sweet picture book based on a true story. To give you a “try before you buy” opportunity, I’ve done a partial reading of An Old Man and His Penguin: How Dindim Made João Pereira de Souza an Honorary Penguin, which you can view below.

Giveaway #1

In the spirit of Christmas and the holidays, I am planning a drawing for free access to all my webinars. All you need to do is comment on this blog post, and state that you would like to be in the drawing. I would appreciate if you share this post in social media, too. The deadline for the drawing is January 3, 2023. For more information about my webinars, click here.

Giveaway #2

I currently have another giveaway with Seasons of Kit Lit until December 16. We are spreading holiday joy by giving away free access to my picture book writing course Art of Arc, which includes all my webinars, or a copy of my book The Weed That Woke Christmas: The Mostly True Tale of the Toledo Christmas Weed to one lucky winner. You may enjoy reading the interview where I share my inspiration for The Weed That Woke Christman along with some other tidbits about me and the story. To read the interview or learn more about the giveaway, click here. Thanks to Lynne Marie and Heather Macht for including me and my book in the holiday fun.

Now for the reading of An Old Man and His Penguin. Enjoy!

More Readings and gift ideas

My other two picture books make lovely gifts as well. In addition to children with long-distance grandparents, long-distance Grandma’s appreciate the gift of Butterfly Kisses for Grandma and Grandpa. The Weed That Woke Christmas: The Mostly True Tale of the Toldedo Christmas Weed brings the spirit and heart of Christmas to young one’s year round.

For a reading of Butterfly Kisses for Grandma and Grandpa, click here.

For a reading of The Weed That Woke Christmas, click here.

My Sienna, the Cowgirl Fairy chapter books are fun gifts and stocking stuffers for both girls and boys. 

I read the first five pages of Sienna, the Cowgirl Fairy: Trying to Make It Rain below.

I read the first three chapters of Sienna, the Cowgirl Fairy: Cowboy Trouble below.

Thanksgiving has come and gone, and the shopping has begun. If you are looking for a Christmas book for your family, classroom, or to give as a gift, The Weed That Woke Christmas is an excellent gift because it is a story that is perfect for reading the whole year through. To give you a feel for the story and Polina Gortman’s beautiful and engaging illustrations, I offer a partial reading. Enjoy!

I’m a little late in announcing the winner of a copy of Shana Silva’s cute picture book A Dog’s Guide to Being Human. The winner is Julie Kurtz! Congratulations Julie.

kid-lit writing wisdom

Today’s wisdom comes to you by Shanna Silva. In addition to sharing her wisdom, Shanna is offering a copy of her latest book A Dog’s Guide to Being Human, illustrated by Agnès Ernoult. You can find how to enter for the drawing at the end of this post. Here’s Shanna. . . .

Thanks to Alayne Christian for inviting me to be a guest blogger on Kid-Lit Writing Wisdom! Alayne asked me to write about the fusion of humor and heartwarming, which I explored in my new picture book, A Dog’s Guide to Being Human (Yeehoo Press).

A Dog's Guide to being Human

Just between us, I’m not an expert on humor. It’s subjective. If you look at how many different forms of comedy exist, there’s a full spectrum ranging from knock-knock to bawdy. Everyone gravitates to their own idea of funny.

But it’s hard to write funny if you’re not funny yourself. My adult sense of humor leans acerbic and sarcastic – not appropriate for Kid-Lit. So, I started to think about humor in children’s literature. What do kids find funny? So much! The ridiculous/improbable, bathroom/body humor (I have 3 sons, enough said), silly rhymes, messes, irreverent and the unexpected, and many more. Humor can be subtle or obvious, visual or spoken, or even implied.

To write humor for kids, I try to put myself in their mindset. We were all kids once! What books made us chuckle and why? It’s good to revisit these books and deconstruct the ha-has. My kids loved the “No, David” book by David Shannon. Mostly because there was a bare tushie picture, which they found endlessly hilarious. It was also about a kid doing all the wrong things and having no impulse control. The protagonist does all the things kids might want to try, but can’t. It’s vicarious misbehaving, and that’s why it’s funny.

I didn’t necessarily set out to write a funny story with A Dog’s Guide to Being Human but the material lent itself to humor. It’s a high concept story about a dog teaching a new baby how to be a human being. The book is from the dog’s POV, which is in itself, funny. How many times have I wondered what my dog was thinking? Sometimes I can almost see a thought bubble over his head because he’s so expressive. The takeaway is writing from an unexpected or unconventional POV can be funny.

When writing the book, I thought about the intersection between canine and human behavior. Why would a kid find these words/concepts funny? Can I picture an illustration that will further extend the joke?  Would an adult also find this funny or at least smile? There are certain universal funny things, and animal behavior can appeal to anyone.

Yehoo Press, my publisher, was wonderful in letting me be involved in the illustrator choice. My criteria were clear to me – the person has to “get” funny and be able to draw humor, which is a very specific skill set. I wanted nuanced art that showed the mutual love between a child and her pet, but that also portrayed some of the incorrigible traits of dogs.

Agnès Ernoult the illustrator, understood my words beautifully. She did an amazing job of bringing my story to life and capturing the very essence of what the book needed. And yes, she can draw funny (see below).

Human's Guide Alayne Christian blog image 1 v2

Now onto the heartwarming recipe. What makes something heartwarming? The key, for me, is relatability. What does the language/picture/thought evoke? Is it nostalgia? A memory? Recognition of a common human condition? There are certain universal feelings/experiences that should get a response from any human with a beating heart. It might be the preciousness of a child, the internal nod of “been there, done that,” knowing what will likely happen next, or even wishful thinking. For a child, this may happen on a different level than an adult reader, but the common thread is that it’s an emotional response.

Below is the opening spread from A Dog’s Guide to Being Human that reflects heartwarming.

[Note from Alayne: The text says, “My name is Smudge. I am a good boy who like treats, chasing squirrels, and playing fetch. My humans brought home a tiny baby. She has no fur. As she gets bigger, I will teach her all the things I have learned about being human.”]

Human's guide Alayne Christian blog image 2

This art has multiple layers of heartwarming for me: a new baby, an excited/welcoming dog with his tongue hanging out, a grandpa, birds in the trees, kids playing, a balloon released by a little girl, diversity of characters, a vibrant neighborhood, and pleasing colors. It looks like a pretty cool place to be, full of happy creatures and family warmth.

What do humor and heartwarming have in common? I think they’re both connective devices for people to find common ground in their experiences and feelings/thoughts. There are certain universal truths that even two people who disagree on everything can have in common. The combination of all these ingredients is a story that can temporarily take you out of your own troubles, refocus, and put a smile on your face. And isn’t that one of the things that books are for? An escape, which is very often critical to kids, and to show them how the world can be (even if it’s not their personal experience). But, that’s a whole different blog post for another time.

Human's Guide Alayne Christian blog image 3

I hope that readers of all ages enjoy A Dog’s Guide to Being Human, and find both humorous and heartwarming co-existing in the text and art. Smudge is a character born from my heart and I hope he will continue his mischief and tutorials in future books.

Thanks for reading my thoughts. I hope they’re helpful in some way to creators and readers.

I’m going to leave you with a quote from The Boss:

“Someday we’ll look back on this and it will all seem funny.”

Bruce Springsteen

About Shanna

head shot shanna silva copyShanna Silva is an author and Broadway Producer. She’s written three children’s books: A Dog’s Guide to Being Human, Passover Scavenger Hunt and Hannah’s Hanukkah Hiccups. In addition, she’s the author of over 45 hi/lo books for emerging readers. Sometimes, she writes for grown-ups, too. To learn more about Shanna and her books, click here.

To purchase A Dog’s Guide to Being Human, click here!

To enter the drawing for a chance to win a copy of A Dog’s Guide to Being Human, all you have to do is leave a comment. The deadline to enter is October 10, 2022.

WAIT THERE’S MORE!

BONUS LINKS TO ARTICLES ON WRITING FUNNY PICTURE BOOKS

Adding Humor to Children’s Stories. A presentation by John Bladek-PHD

Writing for Kids: How to Write Funny Stories by Allison Tate

Writing Humorous Picture Books by Laurie J. Edwards

Funny Books for Kids by Babies to Bookworms Blog

ReFoReMo Day 20: Author Cindy Williams Schrauben Packs a Punch with Humorous Picture Books

ReFoReMo Day 12: Author Todd Tarpley Explores Humor

Funny AND Female: A Research Project by a Hoity-Toity Otter (and not Abi Cushman)

Layers in Humorous Picture Books by Laura Lavoie

Writing Funny Picture Books by Darcy Pattison

The following is for chapter books, but some of it can be applied to picture books.

Funny Writing for the Unfunny by Cyndi Marko #ChaBooCha

BUT WAIT THERE’S EVEN MORE!

TO ACCESS OUR FREE COURSE WITH ALL OUR KID-LIT WRITING WISDOM POSTS, CLICK HERE!

 

978-0981493800So far, this year, I’ve been taking a break and being kind to myself. Meanwhile, the Kid-Lit Writing Wisdom team members have been doing their own thing. I believe that in the future I will be offering periodic guest posts from wise authors and/or illustrators, so keep an eye out. Before I move on to talking about picture book structures, I want to mention that my book BUTTERFLY KISSES FOR GRANDMA AND GRANDPA is featured in the summer reading section of the recent County Line Magazine. There are a couple cool things about this nice surprise. First, they put me in the great company of two other Texas authors Rosie Pova and Jen Betton. Rosie’s book SUNDAY RAIN (illustrated by Amariah Rauscher) is featured and author/illustrator Jen Betton’s cute book HEDGEHOG NEEDS A HUG is featured. The other thing that surprised me about BUTTERFLY KISSES FOR GRANDMA AND GRANDPA is that out of all my books, they picked the one that has been around the longest. What I love about this is the fact that my first picture book has had such a long life. I believe it may be the top seller of all my books, even after all these years.

The message that I want to leave with you is that some books do have long lives. One never really knows what the future will bring for our precious babies. You can see the magazine feature here.

Sunday RainHedgehog needs a hug

Now I will move on to picture book structures.

PICTURE BOOK STRUCTURES

A few months back, someone inquired about my course ART OF ARC, asking if it covers the many different picture book structures. The answer is yes, but not extensively. There is certainly enough information and lists of mentor texts to get one very familiar with books that don’t fall into the traditional story structure. This is not to say that many of the different structures don’t still have an arc of some sort. Anyway, after that inquiry, I decided it might be nice if I could share a little bit about the various structures with you. The best and wisest way to do that is to share what others have already created. So here is a list of links where you can learn all about picture book structures.

Enjoy!

2016 ReFoReMo Day 5: TAMMI SAUER MODELS HOW-TO DO THE STRUCTURE STRUT (ReFoReMo is now March on with Mentor Texts)

http://www.carriecharleybrown.com/reforemo/reforemo-day-5-tammi-sauer-models-how-to-do-the-structure-strut

2012 PiBoIdMo Day 7: EVERY DAY TAMMI SAUER IS STRUCTURIN’ (PiBoIdMo is now Storystorm)

https://taralazar.com/2012/11/07/piboidmo-day-7-tammi-sauer/

2014 PiBoIdMo Day 11: TAMMI SAUER’S HOW TO “HOW TO”

https://taralazar.com/2014/11/11/piboidmo-day-11-tammi-sauer/

2021 Picture Book Builders PICK AND COMMIT: CHOOSING A PICTURE BOOK STRUCTURE by Pat Zietlow Miller

https://picturebookbuilders.com/2021/08/pick-and-commit-choosing-a-picture-book-structure/

2020 Writer Magazine: HOW TO STRUCTURE YOUR PICTURE BOOKS FOR SUCCESS by Ryan G. Van Cleave

These tried-and-true structures can provide a blueprint for your picture book plot.

https://www.writermag.com/improve-your-writing/writing-for-young-readers/structure-your-picture-books/

2020 Writer’s Digest: 7 WAYS TO STRUCTURE YOUR PICTURE BOOK by Brian A. Klems

https://www.writersdigest.com/improve-my-writing/7-ways-to-structure-your-picture-book

Reading Rockets: STORY SKELETONS: TEACHING PLOT STRUCTURE WITH PICTURE BOOKS by Shutta Crum

https://www.readingrockets.org/article/story-skeletons-teaching-plot-structure-picture-books

Ms. Rosen Reads:  PICTURE BOOK PATTERNS (an extensive list of mentor texts for a variety of picture book structures)

https://msrosenreads.edublogs.org/read/picture-book-studies/picture-book-patterns/

2018 Mentor’s for Rent: HOW TO WRITE A NONFICTION PICTURE BOOK: STEP 6: STRUCTURE IT by Laura Purdie Salas

https://mentorsforrent.wordpress.com/2018/02/15/how-to-write-a-nonfiction-picture-book-step-6-structure-it/

Florida Writers Association: WRITING THE WORDLESS, OR ALMOST WORDLESS, PICTURE BOOK  by Shutta Crum

https://floridawriters.blog/writing-the-wordless-or-almost-wordless-picture-book/

2012 Kathy Temean’s Writing and Illustrating: WORDLESS PICTURE BOOKS

https://kathytemean.wordpress.com/2012/07/18/wordless-picture-books/

LINDA ASHMAN SHARES HER MANUSCRIPT FOR HER NEARLY WORDLESS PICTURE BOOK “RAIN”

An excellent demonstration of formatting a manuscript for a wordless or nearly wordless picture book.

https://lindaashman.com/wp-content/uploads/2015/03/RAIN_Submission.pdf

I hope some of this information helps you with possibly finding a new and interesting path for some of your picture book ideas.

If you missed the “Kid-Lit Writing Wisdom” posts, you can find them all here. Together, these posts are a free course in kid-lit writing.

Weed Appreciation

wild violetsTexas is heating up, and weeds are going wild! The other day, I was sitting in my yard watching the little girl and boy across the way watering their “flower gardens” with glasses of water that they repeatedly refilled. Their flower gardens are huge patches of weeds—wild violets to be exact. This brought me back to my childhood days where weeds were vegetables on my play dishes. And we had quite the variety of “vegetables” to play make-believe with. But my most favorite was the dandelion. I was so proud of the bouquets I picked for my mother who always showed such joy and appreciation when she put them in a jar of water. I loved making dandelion jewelry. And even until this day, I can’t resist blowing dandelion seeds in the air and making wishes. Even better, is to catch a seed floating in the air, catch it, make a wish and then return it on its journey. I have a strange belief that those are the best at making their way to the wish fairies.

Goodness and love washed over the city. Summer ReadingSpeaking of weeds, in The Weed That Woke Christmas my mostly true tale of the Toledo Christmas Weed, Weed gets its start as a seed tumbling on a breeze.

“When Weed was a seed, it tumbled on a breeze and snuggled in a crack, smack-dab in the middle of a busy traffic island.

Spring rains showered, and Weed sprouted.

Summer sun warmed. Weed grew.”

Don’t let the “Christmas” title fool you. The Weed That Woke Christmas (illustrated by Polina Gortman) is a wonderful spring and summer book. In fact, it is best read at those times. Kindness, generosity, love and unity are just as important in the spring and summer as they are at Christmas. Perhaps even more important because Christmas, for many of us, is the season of giving. But what if we kept the spirit of Christmas in our hearts and demonstrated it through our actions year round? What a wonderful world this could be. I encourage you to read the book, and inspire your kids to spread the spirit of Christmas no matter what time of year. You can find a lot of activity suggestions here. They are somewhat related to Christmas, but fun and great brainstorming seed. Or have fun dreaming up your own with the kids.

Dandelion wishesAt the end of this post, you will find some links to videos that demonstrate how to make dandelion necklaces, rings, and crowns. You can also make bracelets using the same method as the necklace. Have fun doing it on your own or with kids. Don’t forget to put some in a jar of water to sit on your table or counter. It’s sure to make you smile (at least on the inside.)

When it’s time to wish on dandelion seeds, suggest that your kids make some wishes for others. I like to think of it as praying on a breeze.

My intention today was to just mention that it is National Weed Appreciation Day and talk about my book and the two books that follow. But when I saw the children watering their “flowers” and my childhood memories came pouring in, I couldn’t help but expand a little.

Dawn_Prochovnic_Lucy's Blooms Cover Art

In honor of Weed Appreciation Day, I also want to share my friend Dawn Babb Prochovnic’s picture book Lucy’s Blooms (illustrated by Alice Brereton) is another good book for spring and summer reading. And another good book about kindness.

Here is the description borrowed from Amazon. “The town’s annual flower contest is coming soon, and a young girl puts her heart into growing a lively bunch of flowers she finds in a meadow. As her grandmother guides her in nurturing a garden, the girl learns that winning isn’t the true reward—it’s the special love found in caring for something or someone. Lucy’s Blooms celebrates the joy and happiness that the world has to offer, through the beauty of nature, the kindness and love of family, and the unique specialness in the most unexpected places.”

weeds find a wayA wonderful book about appreciating weeds is Weeds Find a Way by Cindy Jenson-Elliott and illustrated by Carolyn Fisher. It has great back matter talking about the value of weeds.

Here is the description borrowed from Amazon: “From bright yellow dandelions popping through cracks in sidewalks to purple loosestrife growing rampant along roadways, weeds offer unexpected splashes of color and life to the least likely of places. With lovely language and a sly sense of humor, this beautiful picture book celebrates the tenacious temperaments of these pesky plants and is sure to have little ones chanting, ‘Way to go, weeds!’”

Weed cover better quality for social mediaI hope my memories sparked some of your own. And I hope that you will share these books with your children. And always be thinking kindness, generosity, love and unity.

At the time of this writing The Weed That Woke Christmas (illustrated by Polina Gortman) hardcover is on sale for the amazing deal of $4.40 with free prime shipping! This is the time to stock up for Christmas gifts in addition to getting one for spring and summer reading and inspiration.

LINKS TO VIDEOS FOR MAKING DANDELION JEWELRY AND CROWNS

There are also some activity suggestions and some more info about the value of weeds here.

Dandelion necklace

A Classic Dandelion Activity to Try Today!

Dandelion rings

Dandelion crown

Dandelion crown

Untold stories will remain untold if we can only tell those with a complete historical record. (1)

A big thank you to Beth Anderson for sharing her wisdom with us. In this fabulous guest post, she walks us through how she found the theme and heart in two of her true-story picture books.

REVOLUTIONARY PRUDENCE WRIGHT (Illustrated by Susan Reagan 2/1/22) and FRANZ’S PHANTASMAGORICAL MACHINE (Illustrated by Caroline Hamel 5/3/22)

prudence and franz together

WRITING TRUE STORIES WITH THEME AND HEART

by Beth Anderson

One of the topics that Alayne wanted to explore on her blog is theme, the big universal ideas we find in stories. When I explore a person or event for a potential story, I look for themes that kids can relate to—themes are “connect-ers.” As I write, more emerge, and I need to choose my focus. For me, themes are the easy part. But it’s the “heart”—that golden nugget I’m after—that’s the hard part. It’s a unique angle, frame, or lens that filters the story through me to find special meaning. That’s the piece that will make my story different than someone else’s and resonate at the end for the reader.

With REVOLUTIONARY PRUDENCE WRIGHT (2/1/22) and FRANZ’S PHANTASMAGORICAL MACHINE (5/3/22), important themes naturally sprang from the stories as I researched. But with both, I had a problem. Limited information. And then the decision—do I abandon the story because I can’t verify or obtain all the details I need? This decision really rests on the potential “heart”—the thread that makes the story matter.

I discovered so much goodness with theme and character in both stories that I didn’t want to let them go. Untold stories will remain untold if we can only tell those with a complete historical record. I believe the heart is the vital part of any narrative, whether purely nonfiction or not. So if I can find a heart that rises above any missing details, I go after it and let the story be historical fiction. For me, what matters most is the story.

In REVOLUTIONARY PRUDENCE WRIGHT, I found a number of minor themes, but the most prominent theme is that of gender equality. You see it set up in the epigraph, before the story even starts.

These are the times that try men’s [and women’s] souls.”  – Thomas Paine

intro quote

That theme appears in the opening spread with Prudence as a child, expands when the women resist British rule with boycotts as weapons, and is reinforced by the women taking on the men’s work when they march off to Concord. Gender equality is also reflected in choices Susan Reagan, the illustrator, made. An early spread shows the men voting at the town meeting with a chorus of “Ayes,” and later, when Prudence rallies the women, we see their chorus of “Ayes.”

quilt min women

Though that theme is strong, it’s not the heart. My path to the heart started with examining “choices.” As I narrowed that idea, it moved toward rising above roles and breaking traditions to see possibility and one’s own capableness and agency. Personal independence requires throwing off confining expectations imposed by society—self-determination. I realized the most important take away from her story is, literally, the power of her story, a microcosm of the larger one of gaining independence. I’d seen that her story continues to inspire people today, despite the missing proofs. While passing down Prudence’s lantern makes me say “wow!” and contributes to the reality of her as a real person, it’s her story that makes that artifact significant and her story that carries forward her conviction and courage to empower others.

One look at the cover of FRANZ’S PHANTASMAGORICAL MACHINE tells you it’s a very different story than PRUDENCE’s. But actually, it’s another story that deals with seeing possibility. My immediate connection to Franz Gsellmann’s story was that I was also a child who loved to “tinker, putter, and build.” I wanted to see inside objects, create, and figure out how things worked. To this day, I can’t help but ask, “What’s going on in there?”—the question that echoes through the book.

The twin themes that carry FRANZ’S story are joy in creativity and the power of curiosity and wonder. Clearly, I love epigraphs, because this book has one, too, setting up theme.

The most beautiful thing we can experience is the mysterious. It is the source of all true art and science.”  -Albert Einstein

Screen Shot 2022-02-11 at 3.46.22 PM

FRANZ was one of my early stories on this writing journey, and I hadn’t learned about the importance of finding the unique heart, vital idea, so what?, or take-away when I started it. But somehow, a heart idea was lurking in my mind all along. I revised this story over several years as I learned more about craft. The heart thread emerged as a question, so appropriate for a story about curiosity.

In FRANZ’S story, I was fascinated by the intersection of science/technology and art. As all sorts of questions popped in my head, the heart of the story, the driving question, took shape. While I don’t want to provide any spoilers, I’ll share this much: Does a machine have to produce a physical object? Is the value of an effort or idea in fulfilling expectations?

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While themes are universals, the heart is personal. It’s the job of the writer to select one or two themes, and then to define and support them with word choices, imagery, and focus. Theme is not the same as “heart,” but the two ideas are connected. Each enhances the other. I see theme as up front and out there, and heart as more stealthy, blossoming at the end.

My first choice is to bring heart to a strictly nonfiction story. But if I can’t have both, I’ll let the uncertainty of a few details be explained in back matter and go for the heart. In my experience as a reader and a writer, all the verifiable details in the world can’t make up for a story without heart.

Beth Anderson hi res squareBeth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. With linguistics and reading degrees, a fascination with language, and a penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Loveland, Colorado where she laughs, ponders, and questions; and hopes to inspire kids to do the same. She’s the award-winning author of TAD LINCOLN’S RESTLESS WRIGGLE (10/2021), “SMELLY” KELLY AND HIS SUPER SENSES, LIZZIE DEMANDS A SEAT!, and AN INCONVENIENT ALPHABET. Beth has more historical gems on the way. Learn more about Beth at bethandersonwriter.com Signed copies of Beth’s books can be found here.

 

Since January 20 is National Penguin Day, I think this is a good time to share that I have finally found the answer to the question, “Whatever happened to Dindim and João Pereira de Souza?” In case you don’t know, these are the real-life characters from my picture book AN OLD MAN AND HIS PENGUIN: HOW DINDIM MADE JOÃO PEREIRA DE SOUZA AN HONORARY PENGUIN (illustrated by Milanka Reardon).

Winner for (1)

In February 2021, I was contacted by a television production company asking about the rights to my book. They questioned (as many people have) whatever happened to Dindim? From the time I started writing the story back in 2016, I had tried to answer that question. I never had any luck. But this time, the stars were aligned and I found some answers. Once again, I reached out to João Paulo Krajewski, PhD (I never heard back from him the first time.) He is a nature and wildlife documentarian at Natural History Brazil and the person who became friends with João Pereira de Souza and his family. His interviews with Pereira de Souza and documentary about him and Dindim are how I, and the rest of the world, first learned about this unusual father-son relationship between an old man and his penguin. This time, February 2021, I got a response.

He assured me that João Pereira de Souza was fine. And then he wrote, “I contacted Mr João Pereira last year about this story. Unfortunately, Dindim has not returned to Ilha Grande since one year I’ve filmed this story (I think this was 5 years ago). Since no tracking devices have been attached to him, it’s hard to know what happened to him.”

Again, the stars aligned, and I was able to find two videos from 2020 about João still waiting on the beach for Dindim’s return. I suspect he will faithfully and lovingly continue to wait for the rest of his days. Unfortunately, João is speaking in Portuguese with no subtitles. Fortunately, I have a friend who translated the key points for me. Sofia Flores also translated the documentary for me as part of my research for the book, and she is acknowledged in the book.

Following is what Sofia shared with me. Warning: It is quite sad.

Alayne, the first video is only him saying he has been waiting for Dindim. He is talking to Dindim and asking him to come, so Joao can be happy again and play with him. He shows his 3 friends and says they are always at the sea, so Joao asks them to keep on the lookout for Dindim. In the second one, he says how much he misses him and how he wishes Dindim would come back. He is calling him and he says that he is always thinking about him. He offers him sardines and that he can come play with his dog and he can pinch his dog as usual. He says, “I am waiting for you here day and night.”

Backmatter1_OldManAndHisPenguin_MilankaRI much more prefer the ending in my book. And as I wrote in my author’s note in the book, “Like João, I dream about Dindim. I imagine that he goes to the sea to be with other penguins and one day, he will return with his children to meet their human grandfather.

Dindim and family

Final spreadFollowing are the videos mentioned above.

João waits August 2020

and the winner is!

Congratulations to giveaway winner Angel Gantnier! She has chosen complimentary enrollment in my picture book writing course Art of Arc.

From the Kid-Lit Writing Wisdom team to you and yours . . . 

and a Happy New Year!

See you in 2022!

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