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Happy Double Book Birthday!

What Will Change?

With Blue Whale Press’s recent announcement about becoming an imprint of Clear Fork Publishing, questions are starting to arise. I will answer a few here.

  • First, let me say I am excited and happy to be working with the amazing Callie Metler-Smith.
  • The simplest way to explain things is to say that nothing is changing with Blue Whale Press when it comes to authors, illustrators, and submissions. Any changes with Blue Whale Press being an imprint of Clear Fork Publishing are about behind-the-scenes business management.
  • Blue Whale Press submissions will remain the same. Visit the BlueWhalePress.com submissions page for guidelines. We will be putting out a special celebration call for submissions very soon. For announcements, follow the Blue Whale Press Facebook Page https://www.facebook.com/BlueWhalePress/ or you can search Facebook with @BlueWhalePress. You can also follow the Blue Whale Press Twitter page @BlueWhalePress.
  • If you have submitted to Blue Whale Press in February THERE IS NO NEED to resubmit.
  • Alayne Kay Christian will remain the acquisitions editor and creative director for Blue Whale Press. Steve Kemp will remain the publisher.
  • Blue Whale Press will still design the books.
  • Any changes in how things work that might impact authors and illustrators will be announced.

What About Submissions? What is Blue Whale Press Looking For?

People often ask what we are looking for. Currently, our focus is on picture books. STEM and clever and/or humorous informational fiction that is written with young readers in mind is at the top of our list. Even the STEM books must have a great hook. To see what a great STEM book hook (or any book hook) is, read RANDALL AND RANDALL, WHO WILL? WILL YOU? and PORCUPETTE AND MOPPET. Blue Whale press is looking for unusual characters, strong narrative arc, strong voice, fresh/unique premises, and surprise twists. We are drawn to unique stories that standout from all the rest. We gravitate toward humor, but we would love some stories that tug at the heartstrings, but again, in a unique, standout way. Alayne also has a soft spot in her heart for nature.

Some have asked what we are not interested in, so I will offer that we are not interested in trends. Trends eventually lead to an abundance of similar stories. If you haven’t seen it before, your chances are probably better with us. We aren’t able to produce board books at this time, so manuscripts for the newborn to three age range are not for us. We are not against faith-based stories that give a mild universal message. However, heavy messages or stories about specific beliefs based on specific religions aren’t a good fit for us.

Remember: Always read the submission guidelines carefully. Do not send attachments other than PDFs for art. We usually discard Word attachments for security reasons. Contact information is not just your email. Provide your name, physical address, phone number, email, and website/blog if you have one/them.

Ask yourself what makes your story different. Read Blue Whale Press books. They will give you a better feel for what appeals to us. If we aren’t able to acquire your story, don’t let that discourage or stop you. But do keep working to hone your craft. Now, having said that, there are many reasons that we pass on manuscripts and sometimes it has nothing at all to do with writing skills. No matter what, always do your best and keep on keeping on.

Always check our website before submitting. If we are closed to submissions and you send a manuscript, it will most likely not be read or responded to.

An Old Man and His Penguin: How Dindim Made João Pereira de Souza an Honorary Penguin is Here!

Can be found at the following and more!

Amazon

Book Depository

Barnes and Noble

Books-A-Million

We are excited about this good news, and I (Alayne) looks forward to working with Callie Metler-Smith and being part of the Clear Fork Family.

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The winners have been chosen for the No Bears Allowed photo caption contest and the Who Will? Will You? What’s in Lottie’s Wagon? writing contest.

Thanks to everyone who participated in the fun. We have some great caption entries. Most of them are funny and one is sweet. They are all creative. And the stories for What’s in Lottie’s Wagon? are all entertaining, and some are very touching. Each writer did an excellent job with the limited word count of 100 words. And then trying to fit in the required words the contest rules listed on top of that? Wowza! Hats off to you all.

We’ll start with the caption contest winners and then move on to the writing contest winners. But before I move on, I want to wish everyone a joyous holiday season. May 2020 bring each of you all that your heart desires.

Also, I want to share an old-old blog post from 2013 Just Say No to New Year’s Resolutions. It offers up a perfect way for writers, artists, or anyone really, to end a year and begin a new one.

PHOTO CAPTION WINNERS

First place goes to . . .

pamela's caption

Pamela Courtney

Pamela has won a pre-release proof (hardcover) of No Bears Allowed and a fifteen-minute “first impressions” critique from me (Alayne) via Skype or telephone.

Winners who placed second through fourth will each win a softcover copy of No Bears Allowed. If outside of the U.S., the prize will be an e-ARC

Second place goes to . . .

Stuffed Teddy Bear

Ciara O’neal

 

Third place goes to . . .

Hare in my Stuffing

Tara Cerven

And fourth place goes to . . .

Thankful We're Together

Katie Williams

 

WHAT’S IN LOTTIE’S WAGON WRITING CONTEST WINNERS

Who Will 1 giftaway

I must say, the judges struggled to choose the first place winner. If there could have been a tie, we would have had one. You can read the winning stories at the end of this blog post. Spoiler alert! I give away the ending of each story in the prize announcements. If you want to read the stories and be surprised by the ending, jump to the end of the blog post and then come back to see where each story placed.

First place goes to . . .

What’s In Lottie’s Wagon?

By Mona Pease

In Mona’s story, Lottie’s wagon is filled with found treasures, love, hope, and dreams. Lovely story.

Mona has won a pre-release proof (hardcover) of Who Will? Will You? along with a picture book critique from the author of the book Sarah Hoppe, PLUS a fifteen-minute “first impressions” critique from me (Alayne) via Skype or telephone. If outside of the U.S., the prize will be an e-ARC and Alayne’s critique will have to be Skype or written.

Winners who placed second through fourth will each win a soft cover ARC of Who Will? Will You? If outside of the U.S., the prize will be an e-ARC

Second place goes to . . .

Lottie’s Little Treasure

by Kristen Reinsel

In Kristen’s story, a sea turtle is in Lottie’s wagon. A creative and poetic story filled with imagery.

Third place goes to . . .

Precious Cargo

by Linda Staszak

In Linda’s story, Lottie’s aging dog is in her wagon. A very touching story.

Fourth place goes to . . .

The Mystery of the Missing Sandwich

by Kiley Orchard

In Kiley’s story Lottie’s wagon holds mysterious bread crusts, a beach pail, and one sandal. A humorous ending with a twist.

Congratulations to all the winners!

Please come back in 2020 for more giftaways and informative blog posts. And visit Blue Whale Press to see what’s coming next year.

AND JUST IN CASE YOU’RE CURIOUS, HERE ARE THE WINNING STORIES

What’s In Lottie’s Wagon?

By Mona Pease

98 Words

Lottie felt sad. It was almost Christmas. Mom and Dad were deployed. Grandma tried to help make things special. Still, nothing felt right.

No snow.

No live tree.

No Mom and Dad.

Gazing toward the horizon, Lottie’s mood lightened. “Come on Pup. Let’s walk along the beach and fill our wagon with treasures.”

Afterwards, she decorated Grandma’s shrub with shells, sea glass, driftwood.

Then, Lottie took her rarest finds from the wagon: blue glass, wishing rock, and large shell that whispered sea songs.

Lottie listened. Mom and Dad felt close. Grandma listened. She smiled. What songs did that shell whisper?

 

Lottie’s Little Treasure

by Kristen Reinsel

88 Words

Lottie gently pulled her wagon

Toward the shore with urgency

She knew her precious cargo

Was indeed an emergency.

 

She found this little treasure

In a surprising sort of spot

While on a beach vacation

In the hotel parking lot!

 

Green and gold, yet hidden

In the grass nearby their space

Her helpful pup ol’ Rufus

Was quickly on the case.

 

Placed in her wagon with great care

For it was lost and lured to roam

Away from sea, toward the lights

A baby turtle… far from home.

 

Precious Cargo

by Linda Staszak

90 Words

Lottie tugged on her squeaky wagon. She inched her way down the beach, walking past the rainbow shells and sparkly stones.

The wagon was hard to move through the deep sand.

“Do you need help?” a lady asked.

“No thank you,” Lottie said. She dragged the wagon close to the water and sat next to it.

“You liked the beach when you were a puppy,” she said to the wagon.

A tail thumped. Lottie gently patted her old dog’s head.

“I thought you’d like to be here one more time.”

 

The Mystery of the Missing Sandwich

by Kiley Orchard

100 Words

 

“Lottie, I found another clue!” Pup dropped two bread crusts into the wagon. SOMEONE had eaten Lottie’s sandwich—but who? Pup considered the clues: bread crusts, a beach pail, and one sandal.

“Maybe our thief doesn’t like crusts,” said Pup.

“Crusts are gross,” said Lottie.

“And was on their way to the beach,” Pup continued.

“Just like us!”

“And they’re probably only wearing one sandal.”

“Great thinking!” said Lottie. Pup was so helpful!

Pup looked down. “Um, Lottie…”

“Yes, Pup?”

“You’re only wearing one sandal.”

Lottie looked at her feet. “Hey, Pup?”

“Yes?”

“I just remembered… I ate my sandwich!”

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PLEASE HELP YOUR FELLOW CREATIVES BY VOTING! IT WILL TAKE LESS THAN ONE MINUTE!

It’s time to pick the winners of the No Bears Allowed photo caption contest.

We were supposed to announce the winners of the contest on December 7. But we are having trouble deciding between some of the finalists as far as placement. So, we thought instead of drawing from a hat, we would do a survey vote. If you have entered the contest and don’t see your caption here, please note that not all finalists are shown in this blog post. So, you may still be a winner. Finalists, please spread the word and share the link to this post, so people will vote. But please do not tell them which caption is yours.

HOW TO VOTE

You will find the photos with captions below and a title at the bottom of each caption photo. Go to the survey by clicking here, and vote for your favorite. But first, here is the voting criteria . . .

  1. Thanksgiving appeal. May just include words like thankful or grateful.
  2. Originality and creativity.
  3. Humor or heart tugging.

VOTING WILL CLOSE FRIDAY, SATURDAY DECEMBER 14, AT 11:59 pm CENTRAL. Winners will be announced Sunday, December 15 via this blog, twitter, and facebook.

The titles you are looking for by the photo and then on the survey are . . .

  • Stuffed Teddy Bear
  • Thankful We’re Together
  • Alfalfa and Carrot Masterpiece
  • Hare in my Stuffing

Thank you for joining in the fun and helping out your fellow creatives by voting.

Stuffed Teddy Bear

Stuffed Teddy Bear

Thankful We're Together

Thankful We’re Together

Alfalfa and Carrot Masterpiece

Alfalfa and Carrot Masterpiece

Hare in my Stuffing

Hare in my Stuffing

If you’ve purchased or read No Bears Allowed, please help the author and illustrator out by leaving an Amazon and/or Goodreads review. Another way you can help the author and illustrator is by asking your librarian to purchase it for you library. Thank you! 

Cover from BWP site 978-0-9814938-9-3

by Lydia Lukidis art by Tara J. Hannon

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The Experiment is Over

When I decided to do “the experiment” mentioned in my last blog post, I forgot to set an end date. Well, actually, I had no idea what type of response I would get, so it would have been difficult to set an end date. At this point, I believe I have had enough response to the experiment that I am ready to take the link to the webinar down. For those of you who are still interested in watching it, see the information below. If you have saved the link of the webinar with plans to watch it later, please feel free to watch and make a donation using the payment link below.

Based on the experiment, “affordable” for this particular webinar, Top Ten Reasons for Rejection, seems to be $15.00. And I will honor that. I don’t know anywhere else that you can get a mini course or a webinar for $15.00. So, if you want tips on some corrective action that you might take to improve your chances of submission success, and/or if you would like to deepen your understanding of plot and arc, this webinar is for you. You may pay for the webinar as follows.

BEFORE CLICKING TO PAY, READ ALL INSTRUCTIONS BELOW. If you would like to view the webinar, click here to pay. Once payment is received, you will be sent a link for the webinar. If you would like the webinar link sent to a different email than the one used for PayPal, please put it in the notes section at time of payment.

If you have questions or need help with the payment, you can contact me by clicking on the “contact” tab at the top of this page, message me on Facebook or Twitter. Or message me here.

Follow Writing for Children’s Webinars and Courses on Facebook to stay informed about new webinars and courses and specials.

 

 

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Following is my story for Susanna Hill’s Valentine’s Day writing contest. It should be a story about someone who is hopeful. I tried my hand at the new watercolor pencils I got for Christmas to do a couple of illustrations. Guess what? I’ve got a lot to learn 😉 And a lot of experimenting and practicing to do. But I will give myself some credit for trying.

 

LADYBUG LOVE
by Alayne Kay Christian

 

ladybug flyEmma kissed her ladybug.
She made a wish and set it free.
Emma missed her ladybug.
She wept and launched a hunting spree.

Spying, eying swaying swings
and ’round the dandelion patch.
Seeking polka dotted wings,
to find her ladybug to catch.

Glancing at a garden glove,
she asked herself, “Where could it be?”
Peeking, seeking Lady love,
she whispered, “Please come back to me.”

gnome2Looking high and looking low
at trees, a bush, a garden gnome.
Walking over nice and slow,
she stopped near Froggy’s leafy home.

Checking under rows of rocks
and over every anthill mound.
Searching flowers and garden crocs,
she cried. No ladybugs were found.

Emma wished for Bug’s return
with hopes that maybe it would stay.
Drifting off with rolling clouds,
she slept the sunny day away.

Tiny, tickly Lady legs
and sparkly blinking eyes –
SURPRISE!
Was she dreaming, could it be
her wish had brought this brilliant prize?

“Ladybug!” She crossed her eyes,
she laughed aloud, and then she rose.
Ladybug had found a home
upon the tip of Emma’s nose.

ladybugnose crop2

 

 

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To art note picture

Guess what? Tara Lazar has a little more to share! She reached out to me about doing a second post on illustration notes. Why? Because she had just a little more to say. And I totally agree with what she has to say. So here it is. . . .

 

WAIT — THERE’S MORE
by Tara Lazar

 

Alayne, when it comes to art notes, I thought I said it all…

But the day my post was published, a friend said to me, “But I talked to [well-known illustrator] and he said he never looks at art notes. He told me not to bother.”

Well, I know this illustrator is widely published and award winning, but do not listen to him. (At least about this. Sorry, dude.)

The illustrator is not the first person to read your manuscript.

But who is?

The EDITOR you want to ACQUIRE IT.

So don’t think about the art notes being solely for your illustrator. They are more for your editor.

The editor must understand the story and your vision for it. If there is something they do not comprehend because you’ve been too stingy or cryptic with the art notes, then they may just send a rejection.

If an art note is necessary to understand the action, put it in. If your text says “Harry was happy” but you really want him to be hopping mad, the editor isn’t going to know that without [Harry is angry]. Editors cannot read your mind. This is your chance to ensure that she or he gets what’s happening.

After the editor acquires your manuscript, lots of changes may happen, including the stripping of art notes. And that’s OK. By the time illustration work commences, your illustrator has already been pitched on the story and its vision. There have been talks between the illustrator, editor, designer and art director. Your illustrator will be brilliant and do things that you cannot even yet imagine. They will blow you away.

But if the editor is confused while initially reading your manuscript, you will never even get to that step. Your story could be doomed to dwell in a drawer forever.

Remember, the art notes aren’t necessarily for your illustrator…but for your EDITOR.

Thank you for the bonus, Tara!

If you haven’t seen it, be sure to read Tara’s first post How Picture Book Writers can Leave Room for the Illustrator.

Check out – Illustration Notes: To Include Or Not Include on Johnell Dewitt’s site. It is loaded with info and resources on the topic of art notes.

Kidlit.com also has some good information about including illustration notes. (Full disclosure – I discovered this post in the Kidlit411 Weekly)

 

ABOUT TARA

Tara loves children’s books. Her goal is to create books that children love. She writes picture books and middle grade novels. She’s written short stories for Abe’s Peanut and is featured in Break These Rules, a book of life-lesson essays for teens, edited by author Luke Reynolds.

Tara created PiBoIdMo (Picture Book Idea Month) as the picture book writer’s answer to NaNoWriMo (National Novel Writing Month). PiBoIdMo is held on this blog every November. In 2015, PiBoIdMo featured nearly 2,000 participants from around the world.

Tara was diagnosed with Multiple Sclerosis in 2010 and has permanently lost feeling in her feet and legs. She has an inspirational story to share about overcoming a chronic illness to achieve your goals and dreams. Tara can speak to groups big and small, young and old—just contact her for more information.

Tara is the co-chair of the Rutgers University Council on Children’s Literature Conference, a picture book mentor for We Need Diverse Books and an SCBWI member. She speaks at conferences and events regarding picture books, brainstorming techniques, and social media for authors. Her former career was in high-tech marketing and PR.

Tara is a life-long New Jersey resident. She lives in Somerset County with her husband and two young daughters.

Her picture books available now are:
• THE MONSTORE (Aladdin/S&S, 2013)
• I THOUGHT THIS WAS A BEAR BOOK(Aladdin/S&S, 2015)
• LITTLE RED GLIDING HOOD (Random House Children’s, Oct 2015)
• NORMAL NORMAN (Sterling, March 2016)
• WAY PAST BEDTIME (Aladdin/S&S, April 2017)
• 7 ATE 9: THE UNTOLD STORY (Disney*Hyperion, May 2017)

To learn more about Tara and her work, visit her website.

 

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At a recent SCBWI conference, one editor mentioned leaving room for the illustrator. So, I asked Tara Lazar if she would share what that means to her and give some advice on how to do it.

 

HOW PICTURE BOOK WRITERS CAN LEAVE ROOM FOR THE ILLUSTRATOR
by Tara Lazar

“Leave room for the illustrator.” You hear it all the time.

But what does it mean?

I imagine the school bus, smelling like moldy socks and overripe bananas (which have an eerily similar aroma). Should you scoot over? Stop saving that seat for your bestie?

Well, kinda. The illustrator’s art is the elephant on the school bus. It’s the first thing people see when your bus…err, I mean book…rolls into the world. So it’s in your best interest to make that pachyderm shine.

So let the elephant speak for himself. Don’t shove words into his mouth. Don’t over-describe what he’s doing.

The elephant picked the perfect seat. [elephant in back, bus on two wheels]

The kids made him feel welcomed. [kids crowd in first row to balance bus]

It was a smooth ride to school. [flat tires]

OK, you see what I did there?

Read those lines without the art notes:

The elephant picked the perfect seat.

The kids made him feel welcomed.

It was a smooth ride to school.

Eh, rather ordinary without those notes. But with them, it’s funny. It might even be hilarious.

A picture book comes together when the words and the text play together. And sometimes there’s a tug-of-war between them that elicits giggles and guffaws.

Leaving some things unsaid is a technique you must learn as a picture book writer.

So go ahead, DON’T WRITE!

And that, my friends and elephants, is how you write a picture book.

Alayne: Tara’s guest post prompted me to ask one of the most common questions that picture book writers ask. . . .

“I’ve been told by agents that text should be clear enough that art notes are not necessary, so how do you leave room for the illustrator without art notes?”

Here is Tara’s answer. . . .

Well, what you’ve been told by agents is true…and also not true at all.

Often at conferences and workshops geared toward new writers, presenters steer picture book writers away from art notes. That is mostly because new writers tend to use unnecessary art notes. New writers either try to dictate what their characters should look like or describe action that is perfectly clear by the text (or at least well implied). So it is sometimes easier to put the ix-nay on the ote-nay at that level.

Also, some illustrators will tell you they don’t look at the art notes. And that’s fine. Once they understand the overall story, they can tuck the notes away and think of something better.

However, if what you have written is not understandable without art notes, if the story does not make sense without art notes, YOU MUST USE ART NOTES.

Look at DUCK, DUCK, MOOSE by Sudipta Barhan-Quallen. There are only three words in that book–really, two, because DUCK is repeated. If she submitted that manuscript without art notes, there would be no story. Her story is IN THE ART, IN THE ACTION.

I have written manuscripts that use so many art notes it renders the story difficult to read. In those cases, my agent and I submit the manuscript in grid format. There’s a handy post on my blog that talks all about it. (https://taralazar.com/2012/10/03/art-notes-in-picture-book-manuscripts/)

The art of playing tug-of-war with text and image is best demonstrated by author-illustrators. It’s a difficult skill for authors-only to master, but it is one that all the best authors use.

Alayne: For additional information, see my post on including art notes in manuscripts.

Tara Lazar head shot

 

About Tara

Street magic performer. Hog-calling champion. Award-winning ice sculptor. These are all things Tara Lazar has never been. Instead, she writes quirky, humorous picture books featuring magical places that everyone will want to visit.

Tara loves children’s books. Her goal is to create books that children love. She writes picture books and middle grade novels. She’s written short stories for Abe’s Peanut and is featured in Break These Rules, a book of life-lesson essays for teens, edited by author Luke Reynolds.

Tara created PiBoIdMo (Picture Book Idea Month) as the picture book writer’s answer to NaNoWriMo (National Novel Writing Month). PiBoIdMo is held on this blog every November. In 2015, PiBoIdMo featured nearly 2,000 participants from around the world.

Tara was diagnosed with Multiple Sclerosis in 2010 and has permanently lost feeling in her feet and legs. She has an inspirational story to share about overcoming a chronic illness to achieve your goals and dreams. Tara can speak to groups big and small, young and old—just contact her for more information.

Tara is the co-chair of the Rutgers University Council on Children’s Literature Conference, a picture book mentor for We Need Diverse Books and an SCBWI member. She speaks at conferences and events regarding picture books, brainstorming techniques, and social media for authors. Her former career was in high-tech marketing and PR.

Tara is a life-long New Jersey resident. She lives in Somerset County with her husband and two young daughters.

7 Ate 9

Tara’s picture books available now are:

• THE MONSTORE (Aladdin/S&S, 2013)
• I THOUGHT THIS WAS A BEAR BOOK(Aladdin/S&S, 2015)
• LITTLE RED GLIDING HOOD (Random House Children’s, Oct 2015)
• NORMAL NORMAN (Sterling, March 2016)
• WAY PAST BEDTIME (Aladdin/S&S, April 2017)
• 7 ATE 9: THE UNTOLD STORY (Disney*Hyperion, May 2017)

A big THANKS to Tara for sharing her wisdom with us. To learn more about Tara and her work, visit her website at https://taralazar.com/

 

 

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Melissa bookThe Winner

The winner of Melissa Stoller’s giveaway is Jane Heitman Healy! Congratulations, Jane, you have won a signed copy of The Enchanted Snow Globe: Return to Coney Island.

 

Tara Lazar’s Upcoming Guest Post

Tara bannerI’m excited to share that next week, the one and only Tara Lazar will share some of her expertise regarding how to leave room for the picture book illustrator.

More – Lots of resources for chapter book writers

  • Do you have a chapter book idea, but don’t know where to start?
  • Do you have a chapter book idea, but feel something is missing in your first draft?
  • Do you have a chapter book that you’ve been unable to finish?

Grog bannerIf you answered “yes” to any of the above, you might want to check out my guest post on the GROG blog I Have a Chapter Book Idea – Now What? The post is full of chapter book writing resources and my own checklist for developing or editing your chapter book.

sienna-cover-1butterfly kisses cover

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Hurricane Harvey rocked the state of Texas, and its impact continues to wave and ripple across our country. While the destruction has been inconceivable, the response to Harvey and Irma has been a reassuring emblem of love. A reflection of the positive potential of humanity.My friend and picture book writing critique partner Rosie J. Pova…

via When the World Acts Up, Give it a Hug – A Guest Post by Rosie J. Pova — Blog – Anitra Rowe Schulte

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It's wild

I’m excited to announce that Sienna is finally here. If you order the book, I would be happy to mail you a signed bookplate. Just contact me with your address. Below, you will find a video of me reading the first five pages of

Sienna, the Cowgirl Fairy: Trying to Make it Rain.

DSCN4076

Proud Mama – Me!

 

 

 

DSCN4077

Proud and happy Grandma – My mom.

 

 

 

 

Available at Amazon, Barnes & Noble, and Clearfork Publishing

 

IN CASE YOU MISSED IT

Following are some links to blog posts I wrote about chapter book writing and a couple of interviews that give a glimpse into my writing world.

A guest post by me for the Chapter Book Challenge – How Writing a Chapter Book is Like Writing a Picture Book

One of my earlier posts – Should my Picture Book be a Chapter Book?

Melissa Stoller gives an inside glimpse into my writing world with her Stories, Creativity, Connection questions.

Laura Clement asks great questions in this interview about my writing life and me on her blog Clement Creations.

BOOK AND CRITIQUE GIVEAWAYS

BOOK GIVEAWAY

If you would like to win a copy of Sienna, the Cowgirl Fairy: Trying to Make it Rain, please leave a comment and specify “book.” Reblog, tweet, or talk about Sienna on Facebook with a link and you will get additional chances to win. Just let me know the other things you did to share the good news, so I can put the right amount of tickets in the hat for you. Check back to discover the winner.

Don’t forget to include your name in the comment.

CRITIQUE GIVEAWAY

If you would like to win a critique of the first three chapters of your chapter book manuscript, please leave a comment and specify “critique.” Reblog, tweet, or talk about Sienna on Facebook with a link and you will get additional chances to win. Just let me know the other things you did to share the good news, so I can put the right amount of tickets in the hat for you. Check back to discover the winner.

Don’t forget to include your name in the comment.

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