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Posts Tagged ‘Tara Lazar’

INTERVIEW WITH MIDDLE GRADE AUTHOR AND ILLUSTRATOR LAURIE SMOLLETT KUTSCERA

I’d like to introduce Laurie Smollett Kutscera, author and illustrator of the exciting middle grade book Misadventures of a Magician’s Son, published by Blue Whale Press. Her book launched on April 1, 2020. Today, I share an interesting interview with Laurie about her experience as an author and illustrator. She also offers tips for writers and illustrators!

First, I’ll share excerpts of a recent review of Misadventures of a Magician’s Son, and I will follow that with the book trailer.

Midwest Book Review

“. . . Laurie Smollett Kutscera weaves a strong story of personal struggle and achievement into a tale that takes some unusual twists and turns as Alex continues to learn about the magic of human emotion, recovery, and resiliency from his unusual mentors: “Isn’t it possible everyone would appreciate you for who you are?” What could have been a singular story of a boy’s special talents thus evolves into an unusual exploration of the roots of magic, ability, and support systems that come into play when loss changes one’s familiar life patterns. . . .

Readers who choose the book anticipating a dose of magical encounters will not be disappointed, while those who like interpersonal relationships, intrigue, and growth as subplots in their stories will find Misadventures of a Magician’s Son holds an action-packed touch of all three to keep readers guessing about Alex’s future and incredible adventure, right up to the end.”                         

 — by Diane Donavan, Sr. Reviewer, Midwest Book Review

Book Trailer

Interview

Alayne: How did you get your start as a children’s book writer? And illustrator? What brought you to this world?

Laurie: Thank you for that lovely introduction. It’s a pleasure to be here with you!

I knew art was always going to be my path from a young age. As a teenager, flipping through the pages of Mademoiselle, I reveled at Betsey Johnson’s quirky illustrations with dreams of being a fashion illustrator. But once I entered Queens College, my drawing teacher Marvin Bileck, introduced me to the magic of children’s books and changed the course of my life. He was a remarkably talented artist and an award-winning children’s book illustrator. He taught drawing, printmaking, and book design, all of which were filled with energy and exploration. He invited other illustrators to the class including his dear friend Ashley Bryan. What a talented artist and author. And when I was ready to show my portfolio- Professor Bileck arranged for me to meet with Margaret McElderry! I was terrified. I’ll never forget, sitting beside her, she paused at one of my illustrations and smiled.

After college, I spent the next eight years freelancing as a graphic designer when two dear friends approached me about illustrating a story they had written about a cliff dwelling tribe and a fearless girl named Ravita. I was thrilled. I decided to work in pastel—a medium I had never used before. I used my handy dandy Xerox machine and made dummies that the three of us sent to various publishers. Rizzoli Books in NY loved the story and a year and a half later, Ravita and the Land of Unknown Shadows was published and in the windows of Barnes and Noble all over Manhattan!

Ferdinand and Joker from Misadventures of a Magician’s Son by Laurie Smollett Kutscera copyright 2020

It never dawned on me that I would ever be an author. In truth, I hadn’t thought about writing seriously until ten years later. A writer friend suggested I take an essay writing workshop that lead me to a memoir class. Memoir was fascinating. I learned so much about world building, dialogue and writing in the moment. But knowing memoir is a challenging sell, I decided to take elements of what I had written, and incorporate it into Misadventures of a Magician’s Son. Soon after, I found a critique group at Media Bistro that focused on MG/YA. Once I opened a Twitter account, I discovered Julie Hedlund’s 12×12 Picture Book Challenge. What a find! I learned so much about the craft of writing picture books and also connected with my current (and may I say, amazing) critique partners.

Alayne: You are also a wonderful illustrator. Which came first? Writing or illustrating?

Laurie: Thank you Alayne. Can you guess? Following is a photo of me with my first paint set when I was 3 or so. ( Nice bangs!) My mother was an artist so I was lucky in that I received plenty of encouragement, (even when I drew people with wheels for feet!) In school, art was always the best class. One of the few I paid attention in. As I grew older, I loved writing poetry and in high school I wrote a fractured fairy-tale that made my English teacher laugh out loud. That always stayed with me, but that was as far as I took it. I didn’t have the confidence to take a writing course until much later. Art was always going to be my profession, or so I thought.

Laurie with her first paint set at age three.

Alayne: Does your art influence your writing or does your writing influence your art?

Laurie: That’s a great question. Most of the time, I think the tone of the story affects the art. It doesn’t happen often, but I have written a few stories based on an illustration.

Alayne: Do you think you would ever do a wordless picture book or a graphic novel?

Wordless picture book dummy THE RED BALL, pastel (2019) Laurie Smollett Kutscera

Laurie: As daunting as that sounds, I just recently finished a dummy for my first wordless picture book and am excited to find a home for it. I’d love to learn more about graphic novels, then get down to some serious playing!

Alayne: What is it like to see your printed book for the first time?

Laurie: As you yourself know, there are no words to describe what it feels like to hold your book, years of hard work in your hands. Writing, editing, sweat. Re-writing, editing, tears. Re-writing editing, prayers. Blue Whale Press did such a lovely job designing it. I am beyond thrilled to finally share Alex’s adventure with everyone!

Alayne: Misadventures of a Magician’s Son is super creative and unique. The characters are so special. Where did you get the inspiration for the story?

Laurie: It was a kind of perfect storm. I had just finished a long conversation with a dear friend who was trying to help me out of an emotional slump. We both agreed I needed to find a creative project to delve into. Later that week, I was sitting in a movie theater with my husband watching the opening credits of Casino Royale. I was immediately struck by the graphics that filled the screen. These larger than life card characters suddenly consumed me, and became the impetus for Misadventures of a Magician’s Son. Had I not had the conversation with my friend, I don’t think I would have been as receptive. This was before Tara Lazar’s Storystorm, which for those of us who join every year know has the same powerful intention.

Alex and King Anton from Misadventures of a Magician’s Son by Laurie Kutscera copyright 2020

Alayne: Blue Whale Press offered quite a few edit suggestions. I know we all had trying times with that process. But you have been very gracious and such a pleasure to work with in all ways. Do you have any tips for authors regarding how to keep from taking edits personally?

Laurie: Well that’s the key really, not taking it personally. I think most creative people are super sensitive to begin with, so having an editor revise what seems like a brilliantly crafted sentence can feel like a stab in the heart, LOL. I think communication, intention and flexibility play a big part here. Editing takes on many surprising facets, including when the author and editor live in different parts of the country, or world for that matter! But stepping back always helps. Take a break and come back to it. Have someone unfamiliar with the story read the revisions. The bottom line, editing is part of the process and will only make your work stronger.

Alayne: I’ve mentioned your wonderful characters before, but only asked where you found the inspiration for your “story.” Where did you find your inspiration for so many great characters and their voices?

Laurie: This is a fun question to answer. In high school and college, I was totally into acting in plays and tried to tap into the personalities around me. I guess I still do. In our charter boat business, I’ve met and worked with some interesting people. Not all were delightful. Joker for example, (who is hilarious and whom I love dearly!) was based on two extremely annoying people I worked with. They were beyond self-involved and snapped their fingers at everyone. I found myself shaking my head in disbelief at many of their comments. Queen Olivia was based on a very dear neighbor who reminded me of Eleanor Roosevelt. With her queen-like demeanor, she always found something nice to say about people…most of the time. Alex’s character was inspired by my nephew. He is insightful and resilient, but struggled quite a bit when it came to navigating relationships in school. There are parts of me in Alex, too. We moved when I was 10 and I felt so lost in a new school, and I’m pretty sure my teacher had it out for me, too!

Alexander Finn and friends from Misadventures of a Magician’s Son by Laurie Kutscera copyright 2020

Alayne: Are you a pantser or a planner? Did you plan and outline, or did you just let the story flow out of you organically.

Laurie: I am a total pantser! Before I understood the definition, I would sit at the kitchen counter, open my laptop and begin typing, anxious to see where the story was headed. It was a bit freaky, like I was being channeled and had nothing to do with the outcome. Undiagnosed, that first draft was an exciting process!

Alayne: I recently did a Chapter Book Challenge guest post where I analyzed Misadventures of a Magician’s Son using The Hero’s Journey. Did you study that storytelling structure before writing the book, our do you just have that natural storytelling ability?

Laurie: Wow. That sounds interesting. I was not familiar with The Hero’s Journey when I began writing. I approached Misadventures of a Magician’s Son much like I was watching a movie unfold. I tried to build an arc to the story line based on lots of visual action. Once I joined that MG/YA critique group at Media Bistro, I learned more about structure and was able to strengthen Alex’s voice, clarify details, and build more tension using short sentences.

Alayne: This is your debut middle grade book. How long had you been writing and submitting before signing with Blue Whale Press?

Laurie: I began writing in 2007, but with only a few winter months to devote to the process, it took me several years to complete it. I took a break for a year to work on another project, then came back to it in 2012. In 2014, I began subbing with no bites. The following year, I signed up for the Writer’s Digest Pitch Slam Event in NYC. I created a deck of cards with the characters, fanned them open, and pitched my heart out to a number of agents. 500 people, 1 hour and lines 15 minutes long, I was so nervous, I left my bag somewhere in the ballroom–but I found my agent! She pitched it to a number of publishers including Simon & Schuster who loved the manuscript and asked for revisions. That was the high point. But unfortunately, they passed. (I think they had another project in the works about magic.) Soon after, my agent left the company. That was the low point. I took some time off to clear my head. When I started subbing again I discovered Blue Whale Press was open to submissions. That was 2018. And here we are!

Alayne: How long did it take you to the write the book—from first line until confident enough to submit?

Laurie: I don’t want to frighten people because my experience (and work schedule) are probably not quite the norm. But from the time I began to write until I started submitting took 8 years.

Alayne: Did you have the book critiqued or edited before submitting?

Laurie: Yes, first through my critique group at Media Bistro. I received feedback on every chapter and once I revised the manuscript based on their feedback, I hired an editor to review again. He had some excellent ideas regarding juggling and strengthening a few scenes and suggested I write a prologue for the ending. He also recommended I call the book- Dance of Suits: An Alexander Finn Magical Adventure, which I was never crazy about, but submitted it for a while with that title. I think it confused people. I finally changed it to Misadventures of a Magician’s Son a year later.

Alayne: Did you have beta readers at any time?

Laurie: Yes, I had a few beta readers, including a middle grade librarian.

Alayne: We’ve touched a little on the illustrator side of you, but I’d like to dig into that a little deeper. I’ll start with the question, Do you have a preferred medium?

Laurie: So much has changed since I opened that first paint set. In truth my work used to be very linear and detailed. Now I’m trying to find a more ethereal approach to my art. I love working in pastel–it’s dreamy and soft and likes to take the lead which is kind of cool. I love playing with colored pencil and watercolor then fine tuning in Photoshop. I also love working in Pro-Create. I’ve recently gotten to a place where I don’t need a sketch as a starting point. OK…that in itself is an amazing accomplishment especially for a control freak like me!

Polar Bears by Laurie Smollett Kutscera – pastels and Procreate

Illustration from Painted Desert Dummy by Laurie Smollett Kutscera – Pastel

Illustration from Maya’s Treasure by Laurie Smollett Kutscera – Pastel

 

Alayne: Have any other artists or children’s literature illustrators influenced you during your journey so far?

There are so many illustrators that have inspired me. After reading The Miraculous Journey of Edward Tulane, I was elated to see that illustrations for middle grade readers didn’t necessarily have to be cartoony. Cartoony is fine, but Bagram IbatoulIine’s artwork evokes such depth and warmth. It was the perfect choice for Kate DiCamillos work.

Illustrators I love: Brian Selznick, Erin E. Stead, James Christopher Carroll, Brian Lies, Sophie Blackall, and Pamela Zagarenski just to name a few. I love Gauguin, Degas, Toulouse Lautrec, and my all-time favorite, Leon Bakst. He was a costume and set designer, and his illustrations are exquisite. I can only imagine what he would have brought to picture book illustrations.

Alayne: What medium and process did you use for Misadventures of a Magician’s Son?

Laurie: Many of the original illustrations were done in colored pencil. Soon after, an editor I met at the SCBWI conference in NY explain to me that middle grade readers prefer black and white illustrations. At first, I was disappointed to learn that, but once I converted all my work into grayscale, I was happily surprised at the results. The rich grays and deep blacks added quite a bit of mystery that complimented to tone of the story. I did the remaining illustrations in black and gray Prisma pencils on vellum paper and adjusted them in Photoshop.

Alayne: Where did you find the inspiration for the illustrations of the book’s characters?

Theo and Mr. Raymond from Misadventures of a Magician’s Son by Laurie Smollett Kutscera copyright 2020

Laurie: I always try to take advantage of the resources around me…like friends. I started eyeing them up right away. For instance, the model I used for Joker is a very dear friend who was born in England and lives up in the Adirondacks. Unlike Jokers snarky character, Chris is charming and brilliant and was unbelievably patient as I took photo after photo of him. Two of our first mates posed as Theo and Mr. Raymond, and another friend’s grandson posed for Alex. I also had Joel, my technical magician/adviser pose while Alex shuffles the cards. And our dearest neighbors posed as the King and Queen of Hearts.

Alex from Misadventures of a Magician’s Son by Laurie Smollett Kutscera copyright 2020

 

Alayne: How is illustrating a middle grade different from illustrating a picture book?

Laurie: There are always exceptions to the rules, which I love, but in general, there are fewer illustrations in middle grade books and most are created in black and white. Picture books are different in that much of the story is told through the illustrations and are done in full color.

Alayne: How many years did you work on the art for Misadventures of a Magician’s Son? When did you do the very first drawing?

Laurie: I started working on the first illustrations back in 2007. Mostly character studies, lots of hands and card tricks in motion. I finished the last illustration a few weeks ago. All in all, twelve and a half years of illustrating.

Alayne: For this specific project, Did the drawings inspire your writing? Or did your writing inspire the drawings.

Laurie: I visualized many of the scenes before I started illustrating them. So, in a sense, the illustrations in my head inspired the writing. Once I began, I jumped back and forth between writing and illustrating. Working this way helped me visualize specific scenes and details I might otherwise have missed.

Alayne: Do you have any advice for illustrators who are waiting for their first contract?

Jack from Misadventures from a Magician’s Son by Laurie Smollett Kutscera copyright 2020

Laurie: Try not to focus on the contract. I know it’s easier said than done, but if you focus on crafting wonderful stories, the contract will follow. Keep submitting, try to develop a thick skin—someone just told me this, so again easier said than done. If you’ve received feedback, try to take a step back. Put it away and re-read it again later. It’s easier to grasp when you’re not so close to it.

Alayne: I know that being a writer/illustrator submissions are different than those who are writers or illustrators only. Do you ever submit as a writer/illustrator?

Laurie: Most of the time. It’s a bit more work. Not only are you offering a polished manuscript but you’re creating an entire book with illustrations. This is the heart and soul of your story.

Alayne: Do you ever submit as a writer only? Or as an illustrator only.

Laurie: The answer is yes to both. I actually have several manuscripts that I feel would be better using an illustrator with a more whimsical approach. I also just completed a wordless picture book that I just started submitting.

Alayne: Do you have any advice for writer/illustrators?

Laurie: Read out loud. Savor every word. Have fun with your dummies. Don’t be afraid to take chances. Break rules!

Alayne: Now, I will put on you the spot, even more than I already have 😉 Why do you write?

Laurie: I have to! I love sharing stories that will touch young readers and adults. Maybe Alex’s journey will help someone who’s having a difficult time navigating this ever-changing world we live in. Maybe I can get them to laugh and see the light is closer than they think.

Alayne: It is an absolute pleasure to work with you, Laurie. Your story has brought me so many smiles. You know I am in love with Joker 😉 Thank you for helping Blue Whale Press make a wonderful book that we are so proud of.

Joker and his scepter Emilio. King Anton, Queen Olivia, and Jack. Characters from Misadventures of a Magician’s Son by Laurie Smollett Kutcera copyright 2020

Thank you Alayne–for believing in me and Alex’s journey.
C#&sffinxaagpzzz@l. OHHH, hey, no. Wait! UGH! Joker just climbed on my laptop. He wants me to tell you…you haven’t heard the last of him!

Misadventures of a Magician’s Son is  available wherever books are sold. Some places currently are

Amazon

BookTopia

The Book Depository

Barnes & Noble

About Laurie

laurie-smollett-kutsceraLaurie Smollett Kutscera was born in Greenwich Village and grew up in Queens, New York. At the age of 11, she performed her first magic trick and was destined to be a ventriloquist with the aid of her childhood friend, Neil, who today is a real magician! But rather than follow in the footsteps of Houdini, she went on to study fine art and children’s book illustration at Queens College with Caldecott medalist Marvin Bileck. She is an award-winning graphic designer, a published children’s book illustrator, and toy designer.

Laurie’s passion for writing began 12 years ago while cruising the eastern seaboard from Nantucket to the Virgin Islands. Today she continues to write and illustrate and is currently working on several contemporary picture books and middle grade novels.

Laurie lives on the North Shore of Long Island with her husband Nick and rescue doggie, Cody. You can learn more about Laurie by going to lskillustration.com.

For Aspiring Magician’s

Laurie has interviewed the young man who helped her learn about magic as part of her research for Misadventures of a Magician’s Son. He offers some tips on to get started and improve as a magician.

Introducing Joel Goldman, Magician Extraordinaire!

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Lydia Lukidis is on Fire! And . . . No Bears Allowed Book Trailer

LydiaLudikis2 Head shot

Lydia Lukidis is a children’s author with over thirty-four books and eBooks published, a dozen educational books as well as numerous short stories, poems and plays. She writes fiction and nonfiction for ages 3-12. Her background is multi-disciplinary and spans the fields of literature, science and puppetry.

Lydia is passionate about spreading the love for literacy. She regularly works with children in elementary schools across Quebec through the Culture in the Schools program giving literacy and writing workshops. In addition to her creative work, she enjoys composing educational activities and curriculum aligned lesson plans.

Why is Lydia on fire? She’s been blazing the blog and podcast trail talking about her latest picture book No Bears Allowed and giving writing and publishing tips to writers and children. I initially thought I would interview Lydia myself, but I decided why not just share all the fantastic interviews she’s already featured in? So you will find the links below, beginning with her feature on the wonderful Tara Lazar’s blog, and then moving on to the podcast interview with Jed Doherty and more!

Before we move on to Lydia’s interviews, I’d like to share a sampling of her fun book in the trailer below.

 

Here’s what Midwest Reviews has to say about No Bears Allowed: “. . . As Rabbit gets to know one real Bear, he discovers the roots of prejudice and changes his mind about generalizations. . . These excellent revelations encourage kids to face their fears and think about not just the reality of danger, but different personalities and choices involved in interacting with the world with notions that don’t stem from personal experience. Tara J. Hannon’s whimsical, fun, colorful drawings enhance a fine picture book story highly recommended for either independent pursuit by ages 4-7, or read-aloud pleasure.” —Diane Donovan, Sr. Reviewer, Midwest Reviews

Following is a Kirkus review, “A bespectacled rabbit gets over his fear of bears and finds a new friend in this picture book. . . . Young readers may be familiar with the theme of appearances being deceiving and frightening-looking creatures turning out to be benevolent. But Lukidis’ (A Real Live Pet!, 2018, etc.) clever framework that allows Rabbit a moment to be a hero, despite his trepidation, is a nice touch. The story, which features an all-male cast, is told in approachable vocabulary. . . . This adventure offers an effective brain exercise in graphic storytelling for young readers . . .”

 

No Bears Allowed is available for pre-orders at most of your favorite online stores. And it’s on sale at Book Depository with free shipping around the world.

Lydia’s Interviews

Lydia shares her publishing timeline on Tara Lazar’s blog.

Lydia gives all kinds of writing tips and discusses No Bears Allowed on Jed Doherty’s Podcast Jedlie’s Reading With Your Kids.

Lydia answers Melissa Stoller’s three questions about stories, creativity, and connections.

Lydia talks with Sherri Jones Rivers about No Bears Allowed on the GROG Blog.

To learn more about Lydia, her books and her workshops, visit her website where you’ll also find free worksheets for teachers and kids and resources for writers.

In my next blog post, I’ll be interviewing Tara J. Hannon, the illustrator of No Bears Allowed. And she will be giving lots of tips to illustrators.

Visit Blue Whale Press for more information or to see our other children’s books.

 

Actibity book cover

 

Teachers, parents, and kids,

Request the No Bears Allowed free activity book with puzzles, worksheets, and coloring pages by contacting Alayne (click contact tab at top of page) or Lydia or Blue Whale Press

 

 

 

You can find No Bears Allowed at the following stores and more.

Amazon

https://www.amazon.com/No-Bears-Allowed-Lydia-Lukidis/dp/0981493890/

Books-A-Million

https://www.booksamillion.com/p/No-Bears-Allowed/Lydia-Lukidis/9780981493893?id=7593314550667

Barnes & Noble

https://www.barnesandnoble.com/w/no-bears-allowed-lydia-lukidis/1131677601?ean=9780981493893

Book Depository

https://www.bookdepository.com/No-Bears-Allowed-Lydia-Lukidis-Tara-J-Hannon/9780981493893

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I’ve been busy working on the next Sienna, the Cowgirl Fairy book and rewriting my picture book writing course, Art of Arc. That’s only part of what I’ve been up to. But what’s important here is that I haven’t written a blog post in a while, so it’s high time I wrote one.

Today, I thought I would take a little time to share a few other things that I’ve been up to because I want to share some news, opportunities, and resources.

Teachers, librarians, parents – this one is for you.

I was just invited to be a judge for a fun writing contest for children in grades 3-5. Rosie Pova is offering the contest on her blog. This is a nationwide competition for creative writing with a theme, a twist and, of course, PRIZES! Teachers and librarians have 30 days from the contest opening date to submit the best entries that they select.

The contest began January 18 and will end at 11:59 pm February 16, 2018.

Writers, this one is for you.

I’ve signed up for my sixth year as a 12 X 12 member and my third year as a 12 X 12 critique ninja. As a member of Julie Hedlund’s 12 x 12, you get the motivation and accountability you need to write picture book drafts in 2018. There are opportunities to learn from industry experts, receive advice on the craft of writing picture books from published authors, literary agents, and editors, and enjoy the fellowship of community. Registration is open until February 28.

Just so you know, a critique ninja is a person who works in the 12 X 12 forum offering critiques on posted picture book manuscripts. There is a whole team of critique ninjas – all professional critique writers.

Another one for writers.

I’ve joined Tara Lazar’s Storystorm challenge for, I think, my sixth year. The Storystorm challenge is to create 30 story ideas in 30 days. You don’t have to write a manuscript (but you can if the mood strikes). You don’t need potential best-seller ideas. The registration is over and the challenge is more than half over, but you can still get some great inspiration for finding ideas from the month-long Storystorm posts on Tara’s blog. Once upon a time, Storystorm was called PiBoIdMo or  Picture Book Idea Month.

This one is for illustrators, artists, and illustrator wannabes (like me 😉 )  

I have bounced around the idea of trying my hand at art with this KIDLIT411 illustration contest, but I haven’t gained the courage. But YOU might want to give it a try. Excellent opportunity! The deadline is February 9.

Another one for illustrators, artists, and illustrator wannabes (like me 😉 )

I’ve been practicing art using a bunch of different books, but I also recently signed up with the Society of Visual Storytelling (SVS). Here’s a little blurb from their site. Our videos are custom made to show you how to get the skills necessary to break into the dynamic field of illustration. We have a wide range of subjects that fit any interest you may have in art. On top of our huge video library of art videos, we are now offering multi-week interactive classes where you get direct feedback from the instructor. In addition to our video content, we offer a forum where you can chat with other students and ask for help or just show off your stuff!

Now, if only I could get reliable Internet access on the road so I can watch my courses!

And one last bit of fun for writers.

If you don’t know about it, Sub Six is a Facebook support group for kid lit writers who are focusing on submitting their work. I’ve had a hard time keeping up with it, and the wonderfully smart and talented Manju Gulati Howard has volunteered to help. And boy has she helped. She does so much to inspire and encourage the group. She’s secured monthly prizes for the whole year from generous donors. And now, she has started Rejection Bingo, which is a blast. The game is in play until June 1.

 

  

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To art note picture

Guess what? Tara Lazar has a little more to share! She reached out to me about doing a second post on illustration notes. Why? Because she had just a little more to say. And I totally agree with what she has to say. So here it is. . . .

 

WAIT — THERE’S MORE
by Tara Lazar

 

Alayne, when it comes to art notes, I thought I said it all…

But the day my post was published, a friend said to me, “But I talked to [well-known illustrator] and he said he never looks at art notes. He told me not to bother.”

Well, I know this illustrator is widely published and award winning, but do not listen to him. (At least about this. Sorry, dude.)

The illustrator is not the first person to read your manuscript.

But who is?

The EDITOR you want to ACQUIRE IT.

So don’t think about the art notes being solely for your illustrator. They are more for your editor.

The editor must understand the story and your vision for it. If there is something they do not comprehend because you’ve been too stingy or cryptic with the art notes, then they may just send a rejection.

If an art note is necessary to understand the action, put it in. If your text says “Harry was happy” but you really want him to be hopping mad, the editor isn’t going to know that without [Harry is angry]. Editors cannot read your mind. This is your chance to ensure that she or he gets what’s happening.

After the editor acquires your manuscript, lots of changes may happen, including the stripping of art notes. And that’s OK. By the time illustration work commences, your illustrator has already been pitched on the story and its vision. There have been talks between the illustrator, editor, designer and art director. Your illustrator will be brilliant and do things that you cannot even yet imagine. They will blow you away.

But if the editor is confused while initially reading your manuscript, you will never even get to that step. Your story could be doomed to dwell in a drawer forever.

Remember, the art notes aren’t necessarily for your illustrator…but for your EDITOR.

Thank you for the bonus, Tara!

If you haven’t seen it, be sure to read Tara’s first post How Picture Book Writers can Leave Room for the Illustrator.

Check out – Illustration Notes: To Include Or Not Include on Johnell Dewitt’s site. It is loaded with info and resources on the topic of art notes.

Kidlit.com also has some good information about including illustration notes. (Full disclosure – I discovered this post in the Kidlit411 Weekly)

 

ABOUT TARA

Tara loves children’s books. Her goal is to create books that children love. She writes picture books and middle grade novels. She’s written short stories for Abe’s Peanut and is featured in Break These Rules, a book of life-lesson essays for teens, edited by author Luke Reynolds.

Tara created PiBoIdMo (Picture Book Idea Month) as the picture book writer’s answer to NaNoWriMo (National Novel Writing Month). PiBoIdMo is held on this blog every November. In 2015, PiBoIdMo featured nearly 2,000 participants from around the world.

Tara was diagnosed with Multiple Sclerosis in 2010 and has permanently lost feeling in her feet and legs. She has an inspirational story to share about overcoming a chronic illness to achieve your goals and dreams. Tara can speak to groups big and small, young and old—just contact her for more information.

Tara is the co-chair of the Rutgers University Council on Children’s Literature Conference, a picture book mentor for We Need Diverse Books and an SCBWI member. She speaks at conferences and events regarding picture books, brainstorming techniques, and social media for authors. Her former career was in high-tech marketing and PR.

Tara is a life-long New Jersey resident. She lives in Somerset County with her husband and two young daughters.

Her picture books available now are:
• THE MONSTORE (Aladdin/S&S, 2013)
• I THOUGHT THIS WAS A BEAR BOOK(Aladdin/S&S, 2015)
• LITTLE RED GLIDING HOOD (Random House Children’s, Oct 2015)
• NORMAL NORMAN (Sterling, March 2016)
• WAY PAST BEDTIME (Aladdin/S&S, April 2017)
• 7 ATE 9: THE UNTOLD STORY (Disney*Hyperion, May 2017)

To learn more about Tara and her work, visit her website.

 

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At a recent SCBWI conference, one editor mentioned leaving room for the illustrator. So, I asked Tara Lazar if she would share what that means to her and give some advice on how to do it.

 

HOW PICTURE BOOK WRITERS CAN LEAVE ROOM FOR THE ILLUSTRATOR
by Tara Lazar

“Leave room for the illustrator.” You hear it all the time.

But what does it mean?

I imagine the school bus, smelling like moldy socks and overripe bananas (which have an eerily similar aroma). Should you scoot over? Stop saving that seat for your bestie?

Well, kinda. The illustrator’s art is the elephant on the school bus. It’s the first thing people see when your bus…err, I mean book…rolls into the world. So it’s in your best interest to make that pachyderm shine.

So let the elephant speak for himself. Don’t shove words into his mouth. Don’t over-describe what he’s doing.

The elephant picked the perfect seat. [elephant in back, bus on two wheels]

The kids made him feel welcomed. [kids crowd in first row to balance bus]

It was a smooth ride to school. [flat tires]

OK, you see what I did there?

Read those lines without the art notes:

The elephant picked the perfect seat.

The kids made him feel welcomed.

It was a smooth ride to school.

Eh, rather ordinary without those notes. But with them, it’s funny. It might even be hilarious.

A picture book comes together when the words and the text play together. And sometimes there’s a tug-of-war between them that elicits giggles and guffaws.

Leaving some things unsaid is a technique you must learn as a picture book writer.

So go ahead, DON’T WRITE!

And that, my friends and elephants, is how you write a picture book.

Alayne: Tara’s guest post prompted me to ask one of the most common questions that picture book writers ask. . . .

“I’ve been told by agents that text should be clear enough that art notes are not necessary, so how do you leave room for the illustrator without art notes?”

Here is Tara’s answer. . . .

Well, what you’ve been told by agents is true…and also not true at all.

Often at conferences and workshops geared toward new writers, presenters steer picture book writers away from art notes. That is mostly because new writers tend to use unnecessary art notes. New writers either try to dictate what their characters should look like or describe action that is perfectly clear by the text (or at least well implied). So it is sometimes easier to put the ix-nay on the ote-nay at that level.

Also, some illustrators will tell you they don’t look at the art notes. And that’s fine. Once they understand the overall story, they can tuck the notes away and think of something better.

However, if what you have written is not understandable without art notes, if the story does not make sense without art notes, YOU MUST USE ART NOTES.

Look at DUCK, DUCK, MOOSE by Sudipta Barhan-Quallen. There are only three words in that book–really, two, because DUCK is repeated. If she submitted that manuscript without art notes, there would be no story. Her story is IN THE ART, IN THE ACTION.

I have written manuscripts that use so many art notes it renders the story difficult to read. In those cases, my agent and I submit the manuscript in grid format. There’s a handy post on my blog that talks all about it. (https://taralazar.com/2012/10/03/art-notes-in-picture-book-manuscripts/)

The art of playing tug-of-war with text and image is best demonstrated by author-illustrators. It’s a difficult skill for authors-only to master, but it is one that all the best authors use.

Alayne: For additional information, see my post on including art notes in manuscripts.

Tara Lazar head shot

 

About Tara

Street magic performer. Hog-calling champion. Award-winning ice sculptor. These are all things Tara Lazar has never been. Instead, she writes quirky, humorous picture books featuring magical places that everyone will want to visit.

Tara loves children’s books. Her goal is to create books that children love. She writes picture books and middle grade novels. She’s written short stories for Abe’s Peanut and is featured in Break These Rules, a book of life-lesson essays for teens, edited by author Luke Reynolds.

Tara created PiBoIdMo (Picture Book Idea Month) as the picture book writer’s answer to NaNoWriMo (National Novel Writing Month). PiBoIdMo is held on this blog every November. In 2015, PiBoIdMo featured nearly 2,000 participants from around the world.

Tara was diagnosed with Multiple Sclerosis in 2010 and has permanently lost feeling in her feet and legs. She has an inspirational story to share about overcoming a chronic illness to achieve your goals and dreams. Tara can speak to groups big and small, young and old—just contact her for more information.

Tara is the co-chair of the Rutgers University Council on Children’s Literature Conference, a picture book mentor for We Need Diverse Books and an SCBWI member. She speaks at conferences and events regarding picture books, brainstorming techniques, and social media for authors. Her former career was in high-tech marketing and PR.

Tara is a life-long New Jersey resident. She lives in Somerset County with her husband and two young daughters.

7 Ate 9

Tara’s picture books available now are:

• THE MONSTORE (Aladdin/S&S, 2013)
• I THOUGHT THIS WAS A BEAR BOOK(Aladdin/S&S, 2015)
• LITTLE RED GLIDING HOOD (Random House Children’s, Oct 2015)
• NORMAL NORMAN (Sterling, March 2016)
• WAY PAST BEDTIME (Aladdin/S&S, April 2017)
• 7 ATE 9: THE UNTOLD STORY (Disney*Hyperion, May 2017)

A big THANKS to Tara for sharing her wisdom with us. To learn more about Tara and her work, visit her website at https://taralazar.com/

 

 

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Melissa bookThe Winner

The winner of Melissa Stoller’s giveaway is Jane Heitman Healy! Congratulations, Jane, you have won a signed copy of The Enchanted Snow Globe: Return to Coney Island.

 

Tara Lazar’s Upcoming Guest Post

Tara bannerI’m excited to share that next week, the one and only Tara Lazar will share some of her expertise regarding how to leave room for the picture book illustrator.

More – Lots of resources for chapter book writers

  • Do you have a chapter book idea, but don’t know where to start?
  • Do you have a chapter book idea, but feel something is missing in your first draft?
  • Do you have a chapter book that you’ve been unable to finish?

Grog bannerIf you answered “yes” to any of the above, you might want to check out my guest post on the GROG blog I Have a Chapter Book Idea – Now What? The post is full of chapter book writing resources and my own checklist for developing or editing your chapter book.

sienna-cover-1butterfly kisses cover

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SHOULD MY PICTURE BOOK BE A CHAPTER BOOK?

by Alayne Kay Christian

I’m excited to reveal the cover of my forthcoming chapter book SIENNA, THE COWGIRL FAIRY: TRYING TO MAKE IT RAIN – coming April 2017! This is the first book in the Sienna, the Cowgirl Fairy series. Didn’t Brian Martin do a fantastic job?

sienna-cover-1

In this story, Sienna is not your normal cowgirl. She’s half-human and half-fairy. But Sienna wants nothing to do with fairies. When her ma sends her to fairy camp instead of cowgirl camp, she ain’t none too happy. Not only must she deal with cliquish fairies who reject her spunky spirit and outspoken ways, she must also noodle out how to help Mother Nature end the Texas drought. Can Sienna balance cowgirling with some tried ‘n’ true fairy skills to both fit in and make it rain? This is a story about perseverance, friendship, teamwork, self-acceptance, and acceptance of others.

This book and the second book in the series AUNT ROSE’S FLOWER GIRL started as picture books. So, how did they become chapter books? It all started in 2012. I was invited by the Institute of Children’s Literature’s (ICL) faculty to participate in their advanced program, Writing and Selling Children’s Books. About that time, I visited my then five-year-old granddaughter in Chicago.

“What if you could fly?” my granddaughter asked.

I responded, “I’d come to see you more often. What if you could fly?”

“I’d fly up to that ceiling fan and take a ride,” she said.

Boing! Idea time! I thought, There must be a picture book in there somewhere. So I started brainstorming. My first version was titled THE GIRL WHO COULD FLY, and it included a protagonist that took a ride on a ceiling fan. Then I changed the title to THE GIRL WHO SAVED TEXAS. My ICL instructor wasn’t really sold on the fairy angle I had developed, but she did say that she’d like to see me Texas the character up. That thought led her to suggesting that I make the protagonist a cowgirl fairy. I ran with those ideas and fell in love with Sienna.

In 2013, I took my SIENNA, THE COWGIRL FAIRY: TRYING TO MAKE IT RAIN picture book manuscript to the North Texas SCBWI conference. And I was lucky enough to have the first page read on stage and commented on by Lin Oliver. I could see by her smile that she liked the voice. But in her comments, she wondered if the story was too old for the picture book audience. I later found a few minutes of one-on-one time with Lin, and she encouraged me to consider expanding the story into a chapter book.

The conference gave me the confidence that I needed to submit the picture book manuscript. Three agents offered me representation. One agent was actually interested in shopping it as a picture book. I didn’t discuss it with the second agent because I chose the third agent to represent me. This agent agreed that it would be wise to turn the Sienna story into a chapter book. We worked together for about a year and then we parted ways amicably. As time went by, not being able to attract a new agent caused my confidence to wane. I spent a year floundering and nearly another year halfheartedly submitting.

In 2016, I went to a weekend workshop with a highly-respected literary agency where we presented our work in a roundtable forum. The senior agent who led the group loved Sienna’s voice and asked me to send her the whole manuscript. Yes! Perhaps my beloved Sienna would be published after all. But after months of nothing but crickets, I nudged the agent. Finally, I heard back with a form letter rejection – not one clue as to why it wasn’t right for her. I had a brief setback, but instead of letting it get me down, I immediately started submitting again. Two months later, I had a contract for the Sienna, the Cowgirl Fairy chapter book series with Spork, an imprint of Clear Fork Publishing.

So, why were the Sienna picture book stories better suited for the chapter book audience? The characters were too old for a picture book. As much as I wanted to limit Sienna’s age in my mind to a spunky eight-year-old girl, she wanted to be older. Her voice was older. Her actions were older. And since the story was written in first person (Sienna narrator), the storytelling voice was better suited for an older audience. Another reason a chapter book was a good idea is because I was able to expand on the story and further develop this fantastic character. These are only a few reasons why a picture book manuscript or picture book idea might work better as a chapter book.

Do you have any picture books that really should be a chapter book? It might be worth thinking about.

Check out Is Your Idea a Picture Book, Chapter Book or Middle Grade Novel? By Hillary Homzie and Mira Reisberg on Tara Lazar’s blog.

Anastasia Suen answers the question “Should I write a picture book or a chapter book?” on her blog.

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giftPRIZE ANNOUNCEMENT

In my last post MY GIFT – YOUR GIFT, I asked people to share inspirational quotes or short stories as gifts to others. In return, those who participated were included in a drawing to win complimentary admission to my picture book writing course Art of Arc. I also offered two Art of Arc students or alumni complimentary picture book critiques. I’ve decided to give a bonus gift, so three people have won the course and two have won critiques. Congratulations to the following winners!

COMPLIMENTARY ART OF ARC COURSE

Ann Magee

Julie Bergmann Lacombe

Chris M. Regier

COMPLIMENTARY CRITIQUE

Gabrielle Schoeffield

Linda Schueler

 

A fun drawing by Teresa Robeson from her blog ONE GOOD THING.

A fun drawing by Teresa Robeson from her blog ONE GOOD THING. Click on the image to see more of her work.

 

th (1)

JUST SAY NO TO NEW YEAR’S RESOLUTIONS 

I first offered a version of this post in 2012. It was titled THIRTY-ONE JUST FOR FUN. Each year since, I’ve modified my original post and reposted it. Before I share the 2016 modified version, I’d like to thank everyone who has supported my blog and me throughout the year. I wish you all a very Happy New Year. May the New Year bring each of you all that your heart desires.

Now for JUST SAY NO TO NEW YEAR’S RESOLUTIONS. . . .

A common question in life coaching is, “What’s the difference between a life coach and a therapist?” The answer goes something like this: Imagine you are driving a car through life with a psychotherapist as your driving instructor. The psychotherapist will spend a lot of time instructing you to look through your rearview mirror at where you have been. A “life coach” driving instructor will encourage you to look out your windshield at where you are going.

A NEGATIVE DRAIN

Today, I am going to swim against the life coaching current and ask you to look back at where you have been. New Year’s resolutions often have roots in the past. We look back, with a certain amount of regret, at what we failed to accomplish in the outgoing year. Focusing on our shortcomings, we resolve to make up for them in the New Year; usually with bigger and better plans than before. Although setting these goals can leave you feeling hopeful, looking back with self-judgment can sap your confidence and drain your spirit.

ENERGIZE YOUR SPIRIT

Instead of looking back at your shortcomings with regret, look back at your successes with confidence and gratitude. Looking back and acknowledging your accomplishments will give you the opportunity to celebrate your successes and energize your spirit as you look forward to your new year.

YOUR LIST

Over the next couple of weeks, take some time to reflect on 2016 and list the things that you accomplished throughout the year. I hope you will celebrate your successes by coming back and sharing some of your discoveries in the comments section of this post or share them on your own blog. The most important part of this challenge is recognizing the positive, energizing events of 2016.

QUESTIONS TO HELP YOU GET STARTED ON YOUR LIST

  • How did you grow personally, professionally or as a writer?
  • Did you have a positive impact on others?
  • What writing skills did you learn or strengthen?
  • Did you improve organizational skills?
  • Did you find the secret to time management?
  • Did you complete any writing challenges?
  • Did you join any groups?
  • What personal strengths did you gain?
  • What goals did you achieve?
  • What unplanned accomplishments did you achieve?
  • What character qualities did you strengthen?
  • Have you improved your communication skills?
  • Have you gotten better at saying no to others, to yourself, or to activities that drain you?
  • What acts of kindness did you share?
  • What special, memory building moment did you have with family, friends, writing groups, by yourself and so on?
  • Did you submit any of your writing? If you want to challenge yourself to submit more in 2016 join my Sub Six private manuscript submission support group on Facebook.
  • Did any submissions get accepted for publication?
  • Did you get any rejections with encouraging notes?
  • Did you find a positive way to accept rejections?

For tips on celebrating your achievements see CELEBRATE YOUR ACHIEVEMENTS BIG AND SMALL. Be sure to scroll down to the section about the achievement jar, so you can celebrate all through 2017.

Below I share some my 2016 achievements.

  1. I signed a four-book deal for my chapter book series SIENNA THE COWGIRL FAIRY with Clear Fork Publishing. In the process, I met some great new friends and my fantastic editor Callie Metler-Smith.
  2. I attended the Big Sur Cape Cod workshop and spent time with my lovely friends Sylvia Liu, Victoria Warneck, and Teresa Robeson.
  3. I continued to help other writers via my Art of Arc course and critiques. And other writers helped me with some great critiques and brainstorming.
  4. I completed the Nonfiction Archaeology course.
  5. I made my first serious attempts at writing two different nonfiction picture books. And I found the courage to submit them!
  6. I celebrated many, many friends’ successes – book contracts, book releases, agent representation and so on. Go Kid lit Community!
  7. I took care of myself during rough times and celebrated my fun times with joy.
  8. I continued to practice one of my favorite author survival skills, which is write from the heart – submit with detachment. I also encouraged others with positive and inspirational quotes on Facebook and Twitter.
  9. I completed my 5th 12 X 12 writing challenge and had the pleasure of working as a 12 x 12 Critique Ninja.
  10. I ended 2016 by gifting my picture book writing course ART OF ARC: How to Analyze Your Picture Book Manuscript (deepen your understanding of picture books written with a classic arc) and some picture book critiques.

Now it’s your turn. Celebrate with us by sharing your accomplishments.

Best wishes in 2017! Wait, there’s more. This would have been my sixth year of participating in Tara Lazar’s PiBoIdMo (Picture Book Idea Month) challenge, but there have been some changes. My sixth year will have to wait until January 2017, and I will be participating in STORYSTORM instead. To read about the changes and how to register click on the following badge. Thirty story ideas in thirty days, with inspiration, great faculty, and prizes, too!

storystorm-badge

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This post was originally part of Marcie Flinchum Atkins’s blog seried WE’RE ALL IN THIS TOGETHER.

Marcie had asked the contributors to this series the following question: How do you keep yourself motivated? We all like to have written, but find it hard to stay motivated to write.

Following is my response to the question.

Some words my thesaurus gives for “motivated” are inspired, stimulated and encouraged. Some antonyms for those words are demotivated, uninspired, depressed and discouraged.

When it comes to writing, do you ever feel demotivated? Discouraged? Uninspired? Depressed or frustrated? What might be behind those feelings? Following are ten obstacles to consider when you lack the motivation to write. I have listed a few ways to combat each obstacle. Can you find some other ways of your own?

1. Fear
List the beliefs, thoughts, events, situations etc. that are behind the fear and find a way around those obstacles.

2. Lack of Knowledge
Take classes; read; ask questions; participate in writing community discussions; attend conferences; join a critique group; read blogs; join a group like Julie Hedlund’s 12 x 12, or kidlit411, or Sub Six, or WOW nonficpic, and many more.

3. Lack of Ideas
Join Tara Lazar’s PiBoIdMo; start an idea file; live life thinking like a writer – eventually you’ll hardly go through a day without hearing, seeing, smelling, tasting or feeling something that sparks an idea; ask other writers how they get ideas. This is a common question in author interviews, so read interviews.

4. Rejections
Read “We’re All in This Together” posts on rejection (post #1 and post #2) and my post on TWELVE METHODS FOR COPING WITH REJECTIONS.

5. Other People’s Successes
Instead of letting the green-eyed monster frustrate, discourage or depress you, do something nice. Congratulate the other writers. Buy their books. Share their success on your blog or elsewhere. Let their success inspire you. Believe the same is possible for you.

6. Feeling Overwhelmed or Overloaded
Take a break by doing enjoyable things that you have not allowed yourself to do for a long time. Cut yourself some slack and prioritize. Are all those “shoulds” spinning around your head really that important? See time management link in #10 this post. Journal, meditate, vent to someone that you know truly understands.

7. Distractions
Set limits on social media and other computer distractions. Find a place and time to write that is void of distractions. Are you a distracted mom? See Marcie’s “Mom’s Write” series.

8. Writing for the Wrong Reasons
Ask yourself why you are writing. If it is to become famous or make lots of money, those reasons might not be enough to motivate you after you’ve received a few rejections. They might not be enough to motivate you away from distractions. There has to be something in it that makes you want to write no matter what. Even if no one ever reads it, you are compelled to write. What makes you love writing? According to my Webster’s Dictionary, the definition for motivate is “To provide with a motive.” The definition of motive is “Something (as a need or desire) that causes a person to act.” What is your motive for writing?

9. Beating a Dead Horse
After sending the same story to your critique group twenty times, you might feel like you are beating a dead horse. After getting twenty rejections for the same manuscript, you might feel like you are beating dead horse. When going around in circles editing the same old five stories, you might feel like you are beating five dead horses. Try putting the dead horses away for a while and start writing five fresh stories.

10. No Time
Look at your time realistically. Are you trying to fit a 72-hour day into 12 hours? If so, you have too much on your plate and something must go. What will it be? When considering this, the first place to look is time wasters. Check out these time management tools.

Your turn: What keeps you motivated when things in your writing life get tough?

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th (1)JUST SAY NO TO NEW YEAR’S RESOLUTIONS WITH THIRTY-ONE JUST FOR FUN

I offered my first THIRTY-ONE JUST FOR FUN CHALLENGE in 2012. Each year since, I have modified my original post and reposted it. Before I share the modified version, I’d like to thank everyone who has supported my blog throughout the year. I wish you all a very Happy New Year. May the new year bring each of you all that your heart desires.

Now for THIRTY-ONE JUST FOR FUN. . . .

A common question in life coaching is, “What’s the difference between a life coach and a therapist?” The answer goes something like this: Imagine you are driving a car through life with a psychotherapist as your driving instructor. The psychotherapist will spend a lot of time instructing you to look through your rearview mirror at where you have been. A “life coach” driving instructor will encourage you to look out your windshield at where you are going.

A NEGATIVE DRAIN

Today, I am going to swim against the life coaching current and ask you to look back at where you have been. New Year’s resolutions often have roots in the past. We look back, with a certain amount of regret, at what we failed to accomplish in the outgoing year. Focusing on our shortcomings, we resolve to make up for them in the New Year; usually with bigger and better plans than before. Although setting these goals can leave you feeling hopeful, looking back with self-judgment can sap your confidence and drain your spirit.

ENERGIZE YOUR SPIRIT

Instead of looking back at your shortcomings with regret, look back at your successes with confidence and gratitude. Looking back and acknowledging your accomplishments will give you the opportunity to celebrate your successes and energize your spirit as you look forward to your new year.

THIRTY-ONE JUST FOR FUN

Over the next couple of weeks, take some time to reflect on 2015 and list 31 things that you accomplished throughout the year. I hope you will celebrate your successes by coming back and sharing some of your discoveries in the comments section of this post or share them on your own blog. The most important part of this challenge is recognizing the positive, energizing events of 2015. Even if you are unable to list 31 achievements, come back and celebrate with us by bragging a little about your year.

QUESTIONS TO HELP YOU GET STARTED ON YOUR LIST

  • How did you grow personally, professionally or as a writer?
  • Did you have a positive impact on others?
  • What writing skills did you learn or strengthen?
  • Did you improve organizational skills?
  • Did you find the secret to time management?
  • Did you complete any writing challenges?
  • Did you join any groups?
  • What personal strengths did you gain?
  • What goals did you achieve?
  • What unplanned accomplishments did you achieve?
  • What character qualities did you strengthen?
  • Have you improved your communication skills?
  • Have you gotten better at saying no to others, to yourself, or to activities that drain you?
  • What acts of kindness did you share?
  • What special, memory building moment did you have with family, friends, writing groups, by yourself and so on?
  • Did you submit any of your writing? If you want to challenge yourself to submit more in 2016 join my Sub Six private manuscript submission support group on Facebook.
  • Did any submissions get accepted for publication?
  • Did you get any rejections with encouraging notes?
  • Did you find a positive way to accept rejections?

For tips on celebrating your achievements see CELEBRATE YOUR ACHIEVEMENTS BIG AND SMALL. Be sure to scroll down to the section about the achievement jar, so you can celebrate all through 2016.

Below I share ten of my thirty-one achievements.

  1. I started 2015 with my first SCBWI annual winter conference in New York where I met many of my friends in person for the first time, including four out of six of my Penguin Posse critique partners.
  2. I developed a highly detailed picture book writing course. This was a long and challenging process that I must celebrate by sharing. I consider it a huge achievement. Yay!
  3. I completed Renee LaTulippe’s fantastic course  The Lyrical Language Lab: Punching Up Prose with Poetry
  4. I attended the excellent SCBWI workshop, Tammi’s Top Picture Book Writing Secrets with Tammi Sauer and Janee Trasler
  5. I started art classes.
  6. I completed Sudipta Bardhan-Quallen’s and Kami Kinard’s Kid Lit Summer School: The Plot Thickens
  7. I helped as many fellow writers as possible with their manuscripts.
  8. I learned to practice one of my favorite survival skills, which is write from the heart – submit with detachment.
  9. I completed my 4th 12 X 12 writing challenge and my 5th PiBoIdMo challenge.
  10. I ended 2015 with a very successful launch of my picture book writing course ART OF ARC: How to Analyze Your Picture Book Manuscript (deepen your understanding of picture books written with a classic arc).

I’m already planning for next year. I recently signed up for the 2016 Big Sur at Cape Cod, Andrea Brown Literary workshop. This is doubly exciting for me because I will be meeting up with some of my Penguin Posse sisters once again.

Best wishes in 2016!

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