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Archive for the ‘Critique Groups’ Category

This post was originally part of Marcie Flinchum Atkins’s blog seried WE’RE ALL IN THIS TOGETHER.

Marcie had asked the contributors to this series the following question: How do you keep yourself motivated? We all like to have written, but find it hard to stay motivated to write.

Following is my response to the question.

Some words my thesaurus gives for “motivated” are inspired, stimulated and encouraged. Some antonyms for those words are demotivated, uninspired, depressed and discouraged.

When it comes to writing, do you ever feel demotivated? Discouraged? Uninspired? Depressed or frustrated? What might be behind those feelings? Following are ten obstacles to consider when you lack the motivation to write. I have listed a few ways to combat each obstacle. Can you find some other ways of your own?

1. Fear
List the beliefs, thoughts, events, situations etc. that are behind the fear and find a way around those obstacles.

2. Lack of Knowledge
Take classes; read; ask questions; participate in writing community discussions; attend conferences; join a critique group; read blogs; join a group like Julie Hedlund’s 12 x 12, or kidlit411, or Sub Six, or WOW nonficpic, and many more.

3. Lack of Ideas
Join Tara Lazar’s PiBoIdMo; start an idea file; live life thinking like a writer – eventually you’ll hardly go through a day without hearing, seeing, smelling, tasting or feeling something that sparks an idea; ask other writers how they get ideas. This is a common question in author interviews, so read interviews.

4. Rejections
Read “We’re All in This Together” posts on rejection (post #1 and post #2) and my post on TWELVE METHODS FOR COPING WITH REJECTIONS.

5. Other People’s Successes
Instead of letting the green-eyed monster frustrate, discourage or depress you, do something nice. Congratulate the other writers. Buy their books. Share their success on your blog or elsewhere. Let their success inspire you. Believe the same is possible for you.

6. Feeling Overwhelmed or Overloaded
Take a break by doing enjoyable things that you have not allowed yourself to do for a long time. Cut yourself some slack and prioritize. Are all those “shoulds” spinning around your head really that important? See time management link in #10 this post. Journal, meditate, vent to someone that you know truly understands.

7. Distractions
Set limits on social media and other computer distractions. Find a place and time to write that is void of distractions. Are you a distracted mom? See Marcie’s “Mom’s Write” series.

8. Writing for the Wrong Reasons
Ask yourself why you are writing. If it is to become famous or make lots of money, those reasons might not be enough to motivate you after you’ve received a few rejections. They might not be enough to motivate you away from distractions. There has to be something in it that makes you want to write no matter what. Even if no one ever reads it, you are compelled to write. What makes you love writing? According to my Webster’s Dictionary, the definition for motivate is “To provide with a motive.” The definition of motive is “Something (as a need or desire) that causes a person to act.” What is your motive for writing?

9. Beating a Dead Horse
After sending the same story to your critique group twenty times, you might feel like you are beating a dead horse. After getting twenty rejections for the same manuscript, you might feel like you are beating dead horse. When going around in circles editing the same old five stories, you might feel like you are beating five dead horses. Try putting the dead horses away for a while and start writing five fresh stories.

10. No Time
Look at your time realistically. Are you trying to fit a 72-hour day into 12 hours? If so, you have too much on your plate and something must go. What will it be? When considering this, the first place to look is time wasters. Check out these time management tools.

Your turn: What keeps you motivated when things in your writing life get tough?

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AAS Q&A 4This month, I asked the All about Submissions team the following questions: How do you cope with rejections? What do you do with the rejection letters – even if they are just form letters? I shared some of our answers yesterday in Part One. Here are the remaining answers plus links to some excellent posts. Please feel free to comment and share your tips for coping with rejections. And remember, if you have questions you would like answered, either ask it in the comment section or contact me by clicking the “contact” button at the top of this page.

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Teresa Robeson, author and artist

teresarobeson.com

Rejections used to get me into a deep funk. I think that’s partly why I gave up writing for a while in the 2000s (that, combined with the stress of homeschooling two young kids during that period). I had some wonderfully encouraging, personalized rejections among the form ones, but it was still so depressing.

I think that, with age, I have grown a thicker skin and now rejections don’t bother me as much. They still do, but they don’t define my self-worth. Also, I’ve gotten fan letters and compliments (from readers and editors) on my published works, and that really helps to sustain me when I receive a rejection.

Because I’m semi-organized (more hypothetically than in practice), I save all my rejection letters in files, either real or virtual. I occasionally, like once every seven years, pull out the encouraging ones to look at, but I don’t do anything with them otherwise. No need to re-live the angst of the form rejections, and I hold the good ones in my heart anyway.

As much as rejections pain me, in today’s world of “we’ll reply only if interested,” I would rather receive a form rejection than no rejection at all!

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Sophia Mallonée, Children’s Writer

www.sophiamallonee.com

Rejections suck. Yeah, your skin might grow a little thicker over time, but there really is no getting used to the rejection process.

For me, my coping mechanisms vary from rejection to rejection. The best rejections are the personalized ones. With those, I like to pick apart the letter and try to view my manuscript the way the agent or editor did. Can I utilize their advice? I’ll pour over my manuscript and try to find any weak links that I might be able to strengthen. I take these rejections as learning experiences. Yes, it still sucks to be rejected. But at least in these cases (most often) I’ve received a little bit of knowledge as a consolation prize.

It’s the form rejections that are the worst. It’s more difficult to take away a great lesson when you receive an “It’s wonderful…but just not for me” type of letter. That always stings. It’s like a breakup where you’re never able to say how you felt in the end, and the closure is never had. Why? Just give me something. If it’s so wonderful, then why is it not for you? It took me a while to let go of those rejections. But I get it. I know that a manuscript can be good and still not connect with you – I read stories like that all of the time – for no particular reason. I understand that to respond to every single query/submission would be a ridiculous waste of time. But still, just because I understand the rejection process, doesn’t mean I have to like it. I definitely allow myself to have a mini pity-party, followed by a phone call or lunch with my critique buddies, where we all commiserate. After that, I’ll write something new. Nothing makes me feel more accomplished and happy than diving into a new story.

I like to keep my rejection letters. I keep all of my electronic rejection letters filed away (even if they’re form) in my email. That way, if I query or submit to the same agent/editor again in the future, I can reference back to any correspondence we might have had in the past.

I don’t, however, keep any paper rejections unless they’re personalized and mailed to me. I don’t have the time or space for extra paperwork.

I’ll mention that I also have a running “Submission Tracking” spreadsheet that I maintain. I track all letters received, dates and any specific notes next to the agent/editor info on this sheet. That way, even if I don’t have the letters themselves, I’m still able to reference specifics quickly.

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Cindy Williams Schrauben, Children’s Writer

Raising Book Monsters – kids who devour books and hunger for knowledge

http://www.RaisingBookMonsters.com

What do I do with form rejections? I log them (on my submission spreadsheet) and forget them. Done.

How do I cope with rejections? This question sounds very straight forward, but there are many variables. I can say, though, that my coping mechanisms have become much stronger over time and I can even say that I am grateful for them – okay, not grateful that they said NO, but grateful for the fact that they responded at all.

My first few rejections were very difficult – I, simply, didn’t know how it worked. I had written a story – a good story, so I thought – and put it out there for the world to see. Time for agents to start knocking at my door, right? Finding that others didn’t share my passion for this manuscript was, initially, really tough. I know now that it isn’t quite that easy. But I can say that I ALWAYS read a rejection like a critique, quickly the first time… let it sit… and then read it again later with less emotion and more objectivity.

Call it rationalization if you like, but I cope with rejections by asking myself a couple questions:

Was this a dream agent? If the answer is no, I tell myself that this rejection is just getting me closer to the right one. If the answer is yes, well, I blubber away for a while and then I eat some ice cream.

Another determining factor is the type of rejection – they are not all created equal. Form rejections, for example just suck; that’s all there is to it. There is nothing to learn from them other than perseverance and a tough skin. One way to help is to go to Literary Rejections and read about all the hugely successful authors who have been rejected hundreds of times.  Their tagline is: “helping writers persevere through rejection.” Their web and Facebook sites both offer commiseration and inspiration.

Personalized rejections are a different story entirely. I recently received one from an agent that included real reasons for rejecting my work. It wasn’t a copy/paste response like: “I wasn’t in love” blah, blah, blah, or “not a good fit” blah, blah, blah, but offered some constructive criticism.  I treat these rejections like gold. They are, in fact, critiques from someone who truly knows the business. Sure, it is just another opinion, but an informed one to say the least.

My final piece of advice/rationalization is to tell myself that I want an agent who LOVES my work. Period. If they don’t… well, they aren’t right for me.

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Sylvia Liu, Writer-illustrator

portfolio: www.enjoyingplanetearth.com

blog: www.sylvialiuland.com

Sylvia Liu is a winner of the Lee & Low New Voices Award. http://blog.leeandlow.com/2014/01/15/announcing-our-2013-new-voices-award-winner/

I am very practical and dispassionate about rejections. I figure it’s a numbers game and I will need to rack up many rejections before I find the right fit. I also look on the bright side. If I get deafening silence, I can imagine that the agent or publisher is still pondering the story. If I get a form letter, I get closure. If I get a quick rejection, I’m happy to move on. If I get personalized feedback, I am thrilled to improve my story and am buoyed by the prospect that it is one step further out of the slush pile.

The hardest rejections are after an agent has requested more work and they end up passing on my work. It’s hard not take that personally, but it does spur me to keep strengthening all my pieces.

I keep all my rejections. In the olden days, I’d get photocopies of form letters that I still have in an accordion file. Nowadays, I keep an “Agent Correspondence” file in my emails. My favorite rejection was one where my husband and I submitted a piece he wrote and I illustrated about six years ago. The rejection was addressed to him, but the line, “Tell Ms. Liu her illustrations are brilliant,” still sustains me today.

* * *

Alayne Kay Christian, Award Winning Children’s Author

Butterfly Kisses for Grandma and Grandpa

Represented by Erzsi Deak, Hen&ink Literary Studio

Before I share this month’s links, I want to make one point. Many of the All about Submissions team members mentioned developing tough or thick skin. First I want to say that a form letter rejection, a kind/helpful rejection, or the emptiness of no response from a manuscript submission can all be perceived as criticism. I believe one excellent way to develop thick skin and practice coping with criticism is to join a critique group. But here’s the thing about critique groups, a critique partner who is afraid of hurting someone’s feelings and therefore is not as honest as they can be about their crit partners’ manuscripts is doing a disservice to their fellow writers. Be honest. Tell what you see, think, feel. Critiques are like dress rehearsals for rejections. The author of the manuscript can decide if they agree with you or not. Of course, you want to give positive feedback as well. Ask your critique partners to help you out by honestly telling it as they see it.

Links:

From Jessica P. Morrell

Three posts (all appear on the same page – if you click on any one of the three links below, you will access the page):

What Editor’s Notice

Top Eleven Reasons Why a Manuscript is Rejected

Tips for staying out of the rejection pile

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From OneWildWorld.com:  SIX GUIDELINES FOR TURNING REJECTION INTO SUCCESS by Carol Despeaux

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From Distractify: 10 PAINFUL REJECTION LETTERS TO FAMOUS PEOPLE PROVING YOU SHOULD NEVER GIVE UP YOUR DREAMS by Averi Clements

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From Kristin Lamb’s blog: HOW TO TAKE CRITICISM LIKE A PRO by J.E. Fishman

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From MORE online magazine: KATHRYN STOCKETT’S “THE HELP” TURNED DOWN 60 TIMES BEFORE BECOMING A BEST SELLER

by Kathryn Stockett

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TOP 10 FAMOUS BOOKS THAT WERE ORIGINALLY REJECTED

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From Schuler Books Weblog: 30 FAMOUS AUTHORS WHOSE WORKS WERE REJECTED, by Michelle Kerns

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Romelle Broas shares a humorous post, REJECTION LETTERS FROM A POSITIVE PERSPECTIVE

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Tidbits from Alayne

Two responses to rejections that I see in the writing community that I enjoy are as follows:

Onword and upword! (spelling intentional)

Now I’m one step closer to publication (variations: signing with an agent, a book contract)

A list of all the ALL ABOUT SUBMISSIONS posts.

 

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AAS Q&A 4DO YOU HAVE A QUESTION ABOUT SUBMISSIONS THAT YOU WOULD LIKE ANSWERED? ASK YOUR QUESTION IN A COMMENT.

When I first got the idea for the ALL ABOUT SUBMISSIONS series, I asked children’s book writers what questions they would like answered regarding manuscript submissions. Several people asked similar questions about agents and editors. I decided to share all the questions with the team, as I believed it would offer them more brainstorming power. I think if I were to combine all the questions asked, they would lead to two basic questions.

1) How do you manage your agent/editor searches, information gathering, and so on?

2) How do you determine who you sub to?

Here are the questions as asked:

  • How to narrow down your “where to submit” list?
  • I find researching agents and editors overwhelming. Where is the best place to start?
  • How do I know if I am really targeting my manuscript to the right publisher? I know that we are supposed to study publisher’s websites, market guides, read other books published by them in the same genre, etc., but how do I “really” know if mine is right for their list? Are there any tips or tricks that help you to narrow down potential publishers? Are there any “tried and true” methods used by those of you who are published? I don’t know about anyone else, but I tend to feel somewhat overwhelmed when I peruse those market guides.

Once again, the team came through with excellent answers. And once again, they have offered so much information that I will do two posts. Part Two will go live tomorrow.

* * *

Teresa Robeson, Author and Artist

teresarobeson.com

My least favorite part of the writing life is not coming up with ideas, or the initial writing, or even the several hundred revisions I have to do on each manuscript. No, my least favorite part is doing market research to send it to the appropriate agent or editor. I don’t know why I dislike it; perhaps it seems so dry and methodical after the creative process of writing a story.

The following are steps I take to ensure I’m targeting the right person, be it an agent or publisher:

1)   I determine what specific category (that is, age range) and genre my story is in. This is very important since agents and editors have their likes and dislikes and won’t rep or publish anything that’s not on their want-list.

2)   I look through a copy of a children’s writers market guide and see who is accepting works in the category/genre of my story. Usually, I use the Writer’s Digest one – CHILDREN’S WRITERS AND ILLUSTRATOR’S MARKET or the Institute of Children’s Literature version – BOOK MARKETS FOR CHILDREN’S WRITERS. Those market guides will have not just a general alphabetized listing of publishing houses and agency names, but they also have listings by specialization. For example, the Category Index of the “2014 Book Markets for Children’s Writers” goes from Action/Adventure to Fantasy to Young Adult Nonfiction, and everything in between.

3)   After narrowing it down to a section comes the tedious but necessary part of skimming through all the entries under that section. You may decide to choose more than one section to look at. For example, if you have a fantasy for middle-graders, you should check both the Fantasy section and the Middle Grade Fiction section. The optimal agents/editors to send to would be the ones that fall into both categories.

4)   While doing step 3, I put the agents/editors into three categories: Most Desirable, Somewhat Desirable, and Last Resort.

5)   I start with the Most Desirable and look up their websites to see if they’re currently accepting clients/manuscripts and see if there’s more info about their likes and dislikes. Plus, their websites will have their most updated mailing (or emailing) addresses.

6)   Step 5 might help you further rank all the people/places in your Most Desirable list from your dream agent/publisher on down. Start submitting!

There is no guarantee that, even with all that work, you are targeting the best person/place for your manuscript — perhaps Agent A just broke up with her boyfriend the day she reads your story, and even though she normally loves YA romance, she may hate your romance that particular day. You can’t control these things, but if you’ve done the research above, you can be certain you’re sending your story to the people who would be interested.

Note from Alayne: The market guides that Teresa mentions in her answer also offer a variety of manuscript submission related articles, information and examples. They also have lists of contests. The info provided is different every year, so if you get a chance, give them a look. Some libraries have these guides in their reference section, plus Amazon has their look inside feature.

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Cindy Williams Schrauben, Children’s Writer

Raising Book Monsters – kids who devour books and hunger for knowledge

http://www.RaisingBookMonsters.com

I am still an agent-orphan, but . . . I have studied, researched, and absorbed information for quite a while now, so I will share what I believe to be best and worst practices.

This process is overwhelming; one that is driven by passion and a desire to reach a goal as quickly as possible. Blind drive and determination can be problematic at times. It can, I’m afraid, cloud our vision and instigate reckless behavior. Let me give you an example: I have my list of “dream agents” carefully chronicled on a spreadsheet with links to their interviews, wish lists, current titles, and agency sites. I have created this list with care and a clear mind. I know what I want and who can help me to get there based on hours of research. But then . . . my internet writing family starts buzzing about the fabulous Agent X who has just opened up to submissions. Hmmm, doesn’t sound familiar; I check my list, but he’s not there. I check out his stats, current clients, past sales, and desired projects and realize that he isn’t really a good fit. But, as the buzz continues and I get caught up in the excitement . . . Maybe I will be the exception. Agent X says he doesn’t like quirky-zany stories, but surely he will like mine! So, I spend hour upon hour researching and writing a killer query, and I send my story off. Wait, why did I just do that? Because I lost sight of my writing . . . my goals . . . and the best path to get there.

Instead of reiterating the Internet sites and market guides that are available for research, I will end here with general advice. This journey to publishing is a rough one, and it should be traveled with a sure foot and discriminating mind. Do your research. Keep careful records. Determine a path and stick to it. Stay true to yourself and your writing. Submitting your work to long-shot agents not only wastes countless hours, it plays games with your self-confidence as well. So, garner your patience, use the down-time to learn more about your craft and stay on a straight road toward your goal.

Note from Alayne: After I read Cindy’s answer, I asked her the following: You mention when Agent X pops up, that you get sidetracked and check out his stats, current clients, past sales, and desired projects. Do you have a specific place you go to get these stats? If so, would you be willing to share?

Cindy’s answer: As far as researching, I use an agent’s site, first and foremost. Facebook, Twitter, Literary Rambles, Query Tracker, and good old Google for interviews. I feel that interviews give me the best insight into the agent and not only their wish list, but their writing preferences related to style, voice, etc.

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Marcie Flinchum Atkins, Children’s and YA Writers

www.marcieatkins.com

1) Read, read, read. When you find books like the ones you write, look up the author. Google the author’s agent. Then you can say, “I really like your client xxx’s work, and my work is similar to xxx.” Knowing who agents represent or the types of authors they represent is very important. You aren’t going to send a picture book to an agent who represents adult thrillers. It’s a waste of everyone’s time. Reading books like those you write will help you know the market, but it will also help you get a leg up on agent research.

2) Follow blogs and industry newsletters. I find Literary Rambles a helpful site as a starting point. I also subscribe to Children’s Writer Newsletter and Children’s Book Insider. They often write about agents and what they are looking for. If an agent mentions that she is looking for a middle grade magical realism novel, and you have a completed one, then that might be an agent you should consider researching a little bit more. You can also Google the agent’s name + interviews. I’ve found interviews all over the internet just by Googling.

3) Go to SCBWI conferences or join groups like 12×12. Agents go to these conferences or participate in 12×12. Live conferences help you get an idea of personalities of different agents.

4) Connect with other writers. Once you get to know people in critique groups, Facebook groups, and at conferences, ask them about various agents. My critique group had dinner together the other night, and between the five of us, many of us had experiences with various agents through in-person critiques, e-mail contact, or even representation. Nothing can beat networking in that form.

5) Stay organized. I recently wrote a post on this blog about submission organization. Once you do your research, keep track of it. I use a spreadsheet. Every time I find someone who I might be interested in, I put them on the spreadsheet. I make notes to myself, paste in website addresses, then it makes researching much easier next time. If I just have a name, I don’t know why I put them there. But if I put a name, a web address, and a note to myself “looking for multicultural YA,” then I even know what manuscript I want to send.

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Alayne Kay Christian, Award Winning Children’s Author

Butterfly Kisses for Grandma and Grandpa

Represented by Erzsi Deak, Hen&ink Literary Studio

First I want to announce my professional picture book manuscript critique service.  Click here to learn more about my service. Between today’s answers and those that will be posted tomorrow, I believe the team has done a thorough job of answering the question. Therefore, I have decided to share some links that fit well with this topic. But first, I want to tell you about tomorrow.

RESEARCHING AGENTS AND EDITORS PART TWO

  • Sylvia Liu will offer some additional resources plus her five step strategy for researching and querying agencies.
  • Sophia Mallonée will give her photography industry ex-agent perspective on the importance of finding the right agent.
  • Julie Falatko will talk about her super-focused, very personalized approach to finding, and signing with the agent that appreciates her “oddball” writing style.
  • Kirsti Call will share three things that help her decide where to submit. And I will offer more links to other agent/editor resources.

Alayne’s Links for HOW DO YOU DETERMINE WHO TO SUBMIT TO? Part One

Perfect fit! MARCH 27 WEBINAR through Michigan SCBWI – HAROLD UNDERDOWN PRESENTS: FINDING THE RIGHT FIT – RESEARCING THE RIGHT AGENT, EDITOR, AND/OR PUBLISHING HOUSE.

https://michigan.scbwi.org/events/webinar-3-researching-the-right-agent-editor-andor-publishing-house/

https://www.facebook.com/events/402818103189026/?ref=3&ref_newsfeed_story_type=regular

Since a couple answers mention Literary Rambles, I thought it might be good to start with the following:

THREE PART SERIES ON LITERARY RAMBLES: RESEARCHING LITERARY AGENTS

PART ONE

PART TWO

PART THREE

THE FOLLOWING HAS BEEN BUZZING AROUND THE WRITING COMMUNITY THIS WEEK.

ON TWITTER, GET THE INSIDE SCOOP: EDITORS AND AGENTS POST THEIR MANUSCRIPT WISH LISTS – OVER AND ABOVE GUIDELINES.

 #MSWL PICTURE BOOK

#MSWL MG (Middle Grade)

#MSWL (Other)

SHARON K. MAYHEW OFFERS A LIST OF AGENTS, EDITORS, ETC. 

http://skmayhew.blogspot.com/p/blog-awards.html

Click here to find all other ALL ABOUT SUBMISSION posts.

DO YOU HAVE A QUESTION ABOUT SUBMISSIONS THAT YOU WOULD LIKE ANSWERED? ASK YOUR QUESTION IN A COMMENT.

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AAS Q&A 4HOW DO YOU KNOW WHEN YOUR MANUSCRIPT IS READY TO SUBMIT? 

Elaine Kiely Kearns, Children’s Writer

www.kidlit411.com

That is a really good question and I think that it may be a little different for everyone you ask. For me, though, I feel that my manuscript is complete when it has gone through the following stages:

1.) I have written and rewritten my draft at least three times by myself.

2.) I have had the manuscript critiqued by the members of my group.

3.) Based on that feedback, I have revised the manuscript again.

4.) Then, I send the manuscript off to my freelance editor for critiquing and general feedback based on its strength and marketability.

5.) I revise again based on her feedback.

6.) After another pass to the freelance editor, I send it back again to my critique group.

7.) Usually by then the suggestions from the group are minor. Only then do I feel it is ready to be subbed around to agents and editors.

This procedure is lengthy, and it requires lots of revision hours and patience! It has worked for me so far though, I have received great feedback from agents, and a few have even requested additional manuscripts. I also recommend reading Ann Whitford Paul’s book, Writing Picture Books: A Hands-On Guide from Story Creation to Publication. I use that book to get me through the drafting process and initial revisions. If you’re a picture book author, that book is a MUST!

Thanks for having me visit your blog today, Alayne!

Cindy Williams Schrauben, Children’s Writer

This is one of the hardest question of all – for me, anyway. It is one that has taken me quite some time to reconcile. In fact, I still struggle with it at times. Feeling comfortable with the answer has required some self-imposed rules and “tough love.” I marvel when I look back at some of my early stories – stories that I loved. YUCK! Not only has my writing improved, but I can see that they simply weren’t ready. It is extremely difficult to be objective with your own work unless you are diligent. If you have a story that you have worked on over a long period of time, take a look back at an early draft – you’ll see what I mean.

So, here are a few simple, common sense guidelines that I have set for myself.

#1 – Write – follow all the rules for first drafts, revising, editing, etc.

#2 – Let it sit for at least a week, preferably longer – you’re too close to your story to see it clearly. You need distance to develop a fresh, objective eye.

#3 – Revise

#4 – Share – recruit new eyes

Share your work with other writers – ALWAYS. Relatives, friends, your kids? Sorry, they don’t count. Remember you should be true to your own work, but critiques almost always have some merit. If you get a critique that is tough to digest, read it over quickly – swear, cry, whatever you need to do – and then let it sit for a couple days. If you are anything like me, you will realize when you revisit it that there is wisdom there after all.

#5 – Revise, using the critique and your own best judgment. Be true to yourself while weighing the opinions of others.

#6 – When you can’t stand to look at it another minute – STOP – don’t submit –  let it sit, again.

#7 – Start all Over

Revise, print, read aloud 100 times, evaluate title, share, let it sit.

This step might be repeated many times over a period of weeks, months or even years – give it as long as it takes. If you just can’t stand to look at it anymore, let it rest for a while – a long while. Never send off a story just because you are sick of looking at it. Chances are, it’s not ready.

#8 – When you LOVE it again and feel confident – DO IT! Congratulate yourself and don’t look back.

Alayne Kay Christian, Award Winning Children’s Author

Butterfly Kisses for Grandma and Grandpa

Represented by Erzsi Deak, Hen&ink Literary Studio

Most of what I would have shared has been shared by the other team members. One thing I would like to mention doesn’t exactly have to do with how to know when your manuscript is ready to submit. But it is about when you know “you” are ready to submit. If you only have one polished manuscript, it would be smart to wait to submit. It is common for agents and editors to request more work if they like the manuscript you have submitted. Therefore, it is wise to have at least three (preferably more) polished manuscripts before you begin submitting.

Since the team did such a great job of answering this question, I spent my time researching what other people have to say on the subject. Following are some links for more excellent tips regarding being ready to submit.

Is Your Manuscript Ready for Submission?

8 Essential Steps Before Submitting Your Manuscript, by Karen Cioffi

http://www.karencioffiwritingandmarketing.com/2009/11/is-your-manuscript-ready-for-submission.html#.Uu0Ry_ldUjo

10 Tests to Prove Your Manuscript is Ready for Submission, by Ingrid Sundberg

http://ingridsnotes.wordpress.com/2010/12/29/10-tests-to-prove-your-manuscript-is-ready-for-submission/

Ready or Not, Here I Sub, by Tara Lazar

http://taralazar.com/2008/09/08/ready-or-not-here-i-sub/

Is Your Manuscript Ready to be Submitted to a Children’s Book Publisher? from Write4Kids

http://www.write4kids.com/blog/business-of-publishing/is-your-manuscript-ready-to-be-submitted-to-a-childrens-book-publisher/

Is Your Manuscript Ready to Submit, by Mary Keeley

http://www.booksandsuch.com/blog/is-your-manuscript-ready-to-submit/

CLICK HERE TO READ PART ONE OF HOW DO YOU KNOW WHEN YOUR MANUSCRIPT IS READY TO SUBMIT?

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AAS Q&A 4Welcome to the launch of ALL ABOUT SUBMISSIONS Q & A. This will be a monthly feature with some bonus posts here and there. I have been collecting questions about submitting to agents, editors, etc. from writers with inquiring minds. I have recruited a fantastic team of children’s writers who have many years of experience with submitting. I developed this team because I thought it would be beneficial to writers to see answers from a variety of perspectives. This month’s answers have some common threads. Two strong threads are “Join a critique group – maybe even more than one.” And “Don’t be in a hurry. Take time to let the story marinate.”

The team had so much to offer that I will be posting more answers tomorrow. Elaine Kiely Kearns will share the seven stages that her manuscripts go through before she considers them ready. Cindy Williams Schrauben will give you eight simple, common sense guidelines for determining if your manuscript is ready. I will share a few tips and provide some links with more tips, including some additional checklists that you can use to decide if your story is ready for submission. Before I move on I would like to announce my new picture book manuscript critique service. Click here to learn more about what I offer.

Introducing the team members!

Marcie Flinchum Atkins

Kirsti Call

Julie Falatko

Elaine Kiely Kearns

Sylvia Liu

Sophia Mallonée

Cindy Williams Schrauben

Alayne Kay Christian

HOW DO YOU KNOW WHEN YOUR MANUSCRIPT IS READY TO SUBMIT?

 Sylvia Liu, Writer-illustrator

portfolio: www.enjoyingplanetearth.com

blog: www.sylvialiuland.com

You know your manuscript is ready if: (1) it has sat in your computer and marinated for a while; (2) it has gone through at least two rounds of critiques and revisions, one for big picture issues and one for fine-tuning and word-smithing; (3) you’ve street tested it (read it out loud to children in your target age group, preferably not your own children); (4) optionally, it has gone through a professional paid critique, and (5) you read it and get that feeling that you have captured magic in a bottle. Getting to the fifth step is the hardest in my experience. I’ve sent out plenty of manuscripts that weren’t quite there and in retrospect, they were not ready. The one that met all of these criteria ended up being the manuscript that got me a publishing contract.

A BIG CONGRATULATIONS to Sylvia Liu. She is the winner of the Lee & Low New Voices Award. She tells all about it in her Interview on Clarike Bowman-Jahn’s blog.

Marcie Flinchum Atkins, Children’s and Young Adult Writer

www.marcieatkins.com

I consider my manuscript ready to go when I’ve vetted it through all of my critique groups (sometimes multiple times). When they start fiddling with commas and moving a word here or there, then I know it’s pretty close. Sometimes I’m so immersed in revisions that I think it’s ready before it really is. This year my goal is to take the manuscript as far as I can, put it away for 2-3 months, then re-evaluate it again. Sometimes that manuscript I think is really ready is really not.

Sophia Mallonée, Children’s Writer

www.sophiamallonee.com

This is probably the single most difficult question to answer when it comes to writing, and honestly there’s no clear sign or finish line. It would be so much easier if there was!

For me, I like to pound out a very rough first draft and then leave it for a week or two before I do anything with it. I usually then go through 1-3 rounds of personal revisions before I send it off to my critique group and then 1-2 rounds of edits with my crit partners. After a series of thorough revisions, I’ll leave the story to sit and marinate on its own for a couple of weeks.

The passage of time is really my best tool to judge the strength of a manuscript. After enough time has passed for me to feel distant from the story, I’m then able to pick it back up and read it with fresh eyes. If it reads smoothly, makes me smile in the right places and so on, I’ll send it out. Otherwise, I start the process all over again and might add a few new eyes into the mix for more suggestions.

I also prefer to do small batches of submissions at a time and that way, if I get any helpful feedback from my submissions, I’m able to make further revisions before I send it out again. So you might find that even after you think a manuscript is ready to submit, there are still changes to be made!

Kirsti Call, Children’s Author

www.kirsticall.com

Her debut book: The Raindrop Who Couldn’t Fall! (trailer)

I started submitting almost immediately after I got back into writing 3 years ago. I thought my first story was fabulous and ready to be published.  Sadly, no publisher agreed with me!

Now that I’ve had more time working in the industry, I realize that it wasn’t ready.  I needed to go to a critique group, get a writing partner, revise, revise and revise some more!  I needed to attend conferences and hone my craft.

Now that I do that, I know my manuscript is ready when I have no qualms about the beginning, middle or ending. I know it’s ready when I can read it out loud without stumbling.  I know it’s ready when my critique partners have nothing much to say about the story, except for how wonderful it is, of course!  Nothing’s better than making a manuscript sing!

Julie Falatko, Author

http://worldofjulie.com/

Her debut book: SNAPPSY THE ALLIGATOR (DID NOT ASK TO BE IN THIS BOOK) (Viking Children’s, 2015)

Represented by Danielle Smith, Foreword Literary

In so many ways, it’s very, very hard to know when a manuscript is ready to submit. For me, at least. It took me years — YEARS — to understand that first drafts are SUPPOSED to be terrible. And that it is my job to fix them. So usually when I write, I go through a fairly normal cycle of “this is awful/this is brilliant.” I need to make sure that when I think a manuscript is done, that it is really done, and it’s not that I just happened to catch myself at a “this is brilliant” upswing. Having more than one critique group helps. Taking some time away from it helps, too, so you can come back to it like someone else wrote it, to see what still needs to be fixed.

But eventually, you’ll know in your gut that there’s nothing else you can change in a manuscript. You have to be really honest with yourself about this. It might, and probably should, take months. Take your time. Take it seriously. It’s a tough balance — you need to give yourself enough time to get it right, but at a certain point you also have to let go and trust that you’ve done all you can.

Alayne Kay Christian, Award Winning Children’s Author

Butterfly Kisses for Grandma and Grandpa

Represented by Erzsi Deak, Hen&ink Literary Studio

As I mentioned earlier, one of the strong themes in this month’s answers is do not rush to submission. Don’t let your desire to be published or get an agent interfere with good judgment. In a recent Interview on kidlit411, I offered the following advice to writers. Do not be in a hurry. I don’t want to discourage any writer from submitting because there are some people who are new to the writing scene who find success in achieving publication in a very short time. However, I believe that this is rare. I know it is tempting to jump right into submitting, but I caution you to take your time. Learn your craft, and learn it well. If you can afford it, take classes, get professional critiques, and read, read, read. Be sure to join a critique group. Immerse yourself in the writing community, and learn from those who have already learned from their mistakes. It is not a race – it is a journey.

Click her for HOW DO YOU KNOW WHEN YOUR MANUSCRIPT IS READY TO SUBMIT – PART TWO with additional answers and some excellent resources for deciding when your manuscript is ready for submission.

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ANNOUNCING MY NEW PICTURE BOOK MANUSCRIPT CRITIQUE SERVICE. Click her to learn what I offer.

Thank you for your interest in my webinar “Perfecting Your Critique” and this additional information. If you haven’t seen the webinar yet, it may be viewed by clicking the link below. The password is nonficpic. When you are done watching, I hope you will read the blog all the way to the end. There are some excellent resources and great information.

PERFECTING YOUR CRITIQUE webinar video  Remember the password is nonficpic.

Clicking on the following will open my sample critique and Hannah Holt’s sample critique.

Bunky Bear Alayne’s crit pdf

Bunky Bear Doesn’t Like to Share Hannah Critique

Learn more about Hannah Holt

My critique partner, Anthony Pearson, is doing a series on his blog where he is sharing critiques he has received on one of his stories. Currently, he has two critiques up. I did a critique on the story a few weeks ago, and he should have mine added to the blog next week. So, if you want to see more example critiques from me and a few other writers click on the link below.

ANTHONY PEARSON SHARES CRITIQUES

Clicking on the following will open a list of questions that can be used as a guideline when writing critiques.

LIST OF QUESTIONS FOR CRITIQUES

Clicking on the following will open a questions and answers page. These are questions about critiques that people had asked but were not answered during the webinar.

ANSWERS TO QUESTIONS THAT DID NOT GET ANSWERED DURING THE WEBINAR

In the answers I mention Nancy Cofflelt’s books, here is a link Nancy Coffelt’s Amazon Page

Thanks to Russ Cox, Julie Falatko, Sabrina Marchal, and Jennifer Young for helping me answer the question about in-person versus online critique groups.

A BIG THANK YOU TO KRISTEN FULTON and WOW nonficpic for making this webinar available. Every year, starting June 21, Kristen challenges the members of WOW nonficpic to write a nonfiction picture book a day for the week, and there are prizes! All year long, the group has fun writing, networking, revising, learning, and winning. Now, Kristen has added extremely informative free webinars as one of the group benefits. Also, in February 2014, there will be a mini challenge that will be centered around doing research for nonficiton works. To join, click on the link below, and ask to join. It is a great group of writers.

Join WOW nonficpic

Learn more about WOW nonficpic

For additional information regarding critique groups click on the links below.

HOW TO CRITIQUE FICTION, by Victory Crayne

From the Positive Writer blog: WHY WRITERS ARE THE MOST BRUTAL CRITICS OF OTHER WRITERS, by Bryan Hutchinson

One last link JINGLE BELLS: TALES OF HOLIDAY SPIRIT FROM AROUND THE WORLD is now available at Amazon

Jingle Bells cover

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