CURRENTLY, THIS COURSE IS ONLY INTENDED FOR PICTURE BOOK FICTION, WRITTEN IN CLASSIC STORYTELLING STRUCTURE, WRITTEN IN PROSE, AND NO LONGER THAN 800 WORDS. Note: if 800 words, I may encourage you to cut words and tighten the story to get it closer to 500 words. If you are in doubt about the story you want to work on, I’d be happy to look at the manuscript you have in mind for the course before you sign up.
You will receive
The Art of Arc course
All Alayne’s videos and webinars
Weekly to biweekly zoom recordings with Alayne’s feedback for your story and your classmates’ stories
Feedback from your classmates via a private Facebook group
Our analysis and your revisions will be based on the classic story/character arc structure. Though the course has much good material for you to read and consider on your own, our focus will be writing the beginning, middle, and ending. We will also cover some of the most common problems I see in manuscripts that I read or critique.
SUMMARY OF COURSE STRUCTURE AND SCHEDULE
Following is a short summary of how the course will be structured and scheduled. It will not be necessary for you to be available for live meetings, but you will need to get your assignments in on time. Detailed instructions will be supplied with the course materials. Schedule may vary slightly in unexpected circumstances.
Week One
You will read lesson eight (Showing vs Telling)
and read the first portion of lesson 10 (Other Common Issues)
You will do homework.
Week Two
You will read lessons one (Beginnings and Endings)
and read lesson two (After the Hook)
You will do the homework.
You will read supplemental blog posts and watch a webinar
Week Three
You will polish the beginning of your manuscript and submit it to Alayne by Friday
Week Four
You will read lesson three (Story (Plot) Structure Overview)
and read lesson four (Cause and Effect)
and read lesson five (Episodic Stories)
You will do the homework and watch some videos
A video (or link) with a Alayne’s feedback for week three (your beginning) will be sent to your email by Sunday
Week Five
You will read lesson six (The Middle – First, Second, and Third Attempts to Solve Problem) and do the homework
You will read additional supplemental blog posts and watch a webinar
Week Six
You will polish your manuscript’s middle
You will revise your beginning
and submit the work to Alayne by Friday
Week Seven
You will read lesson seven (Darkest Moment, Climax, and Ending) and do homework
You will read additional supplemental blog post, and possibly watch a webinar.
A video (or link) with Alayne’s feedback for week six (your revised beginning and polished middle) will be sent to your email by Sunday
Week Eight
You will polish your manuscript ending
You will revise your beginning and middle
and submit work to Alayne by Friday
Week Nine
You get a breather
A video (or link) with Alayne’s feedback for week eight will be sent to your email by Sunday
Week Ten
You will do a final polish of your full manuscript
and submit it to Alayne by Friday
Week Eleven
You will receive your final feedback recording from Alayne by Sunday
Alayne will be available via the private Facebook group to answer final questions until the following Sunday
Alayne Kay Christian is a multi-award-winning children’s book author and the creator and teacher of a picture book writing course Art of Arc. She is the former acquisitions editor and art director for Blue Whale Press. In addition, she shares her knowledge with writers through free and affordable webinars at Writing for Children Webinars. She has been a picture book and chapter book critique professional since 2014, and she worked as a 12 X 12 critique ninja for three years. Alayne spent fifteen years studying under some of the top names in children’s literature. Her published works include the Sienna, the Cowgirl Fairy chapter book series, and picture books–
BUTTERFLY KISSES FOR GRANDMA AND GRANDPA
AN OLD MAN AND HIS PENGUIN: HOW DINDIM MADE JOÃO PEREIRA DE SOUZA AN HONORARY PENGUIN
THE WEED THAT WOKE CHRISTMAS: THE MOSTLY TRUE TALE OF THE TOLEDO CHRISTMAS WEED
Alayne’s fourth picture book, FAITH BENEATH THE BRIDGE is planned for release in the fall of 2022. Born in the Rockies, raised in Chicago, and now a true-blue Texan, Alayne’s writing and book designs share her creative spirit and the kinship to nature and humanity that reside within her heart.
A COURSE AND CRITIQUE IN ONE FOR ONLY $155.00!
Enrollment will be open until December 17. Classes will begin January 10, 2022.
If you already have the Art of Arc course, your cost will be $100.
If interested, please contact Alayne or leave a comment. A review of your manuscript will be required before enrollment.
Yesterday, I shared my personal story and the inspiration for BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. Because I wrote that story a long time ago, I ended it with me imagining Jenni tucking Elle in and giving her a special butterfly kiss from Grandma and Grandpa. Today, Elle is way past the “tucking in” stage. She is now driving . . . sort of : – ) . She made varsity in tennis. She competes in Arabian horse shows. She recently started her first paying job. She has been invited to the National Honor Society. And so much more. And of course she towers over Grandma in height.
In today’s video, I read the original handmade book and talk a little bit about its path to publication as BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. In the video, I mention a blog post about what it took to become a publisher and start up Blue Whale Press. I’m so glad and proud that before I retired from publishing, Blue Whale Press was able to accomplish Steve’s goal of bringing many more books to market and hopefully help launch many authors’ and illustrators’ careers. To read the blog post about starting a publishing company click here.
Don’t forget to leave a comment to win a copy of BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. Also, if you want a copy in time for a Grandparents’ Day gift, there is still time to buy it on Amazon, Barnes & Noble, Walmart, Book Depository (with free shipping around the world) and more.
The next video will be a reading of the published version of BUTTERFLY KISSES FOR GRANDMA AND GRANDPA.
This “Wisdom” round’s question isn’t exactly a question. I asked the team to tell us about their travels down the long and winding road to publication. To learn more about why I chose to cover this topic, read Publication Doesn’t Happen Overnight Part 1 of 3 click here. To learn more about the “Wisdom” team and their books click here. And now for some . . .
IT’S IMPORTANT TO HAVE PEOPLE IN YOUR LIFE WHO UNDERSTAND THE TRIALS AND TRIBULATIONS YOU GO THROUGH
Yes, it is definitely a long and winding road to publication. But what a lot of people don’t understand is that the twisting and turning of that road doesn’t stop after one or two books. At least for me, it doesn’t. I’m still dealing with twists, turns, small bumps, and large hurdles. And like all of publishing, the movement along the road is SLOW. But honestly, there is no other road I’d rather be traveling now.
Everyone’s journey is different, and mine is a bit odd. My first published book was a result of Ellen Rothberg and me winning a picture book writing contest. We didn’t know a lot about writing PBs, so we took classes and revised with the publisher/editor a ridiculous number of times until we all thought it was ready. And we won! The prize was publication, and that’s how the first version of Don’t Eat the Bluebonnets was born. After that, I was hooked. Ellen and I wrote a few more together, but unfortunately, that publisher decided they didn’t want to do kidlit anymore. Those last two books (which I still love) faded into the sunset. However, another publisher wanted the bluebonnet book, so we sliced and diced to bring it up to date, and that, along with new illustrations, became the Ten Year Anniversary edition. I published another book with that same publisher, and then…another contest! This didn’t lead directly to publication, but because I was in the finals of Picture Book Contest, I signed with a wonderful agent who sold my recently released book in six month. Story over? Far from it. That agent was project by project at the time, and she didn’t connect to my other work. So although I sold another book on my own (signed in 2021…pub date 2023), I am back looking for agents. Or more publishers at open houses. I’m not sure. When Imposter Syndrome sits on my shoulder and invades my very being, I can fall into a dark place, but I don’t. When more rejections fill my inbox each day, I can give up. But I don’t. And the saving grace for all of that is this incredible kidlit community. It’s important to have people in your life who understand the trials and tribulations your go through and critique partners who will be honest and help you. I am lucky to have all that to help me persist and stay positive. So the road to publication for me has been twisty, and it still is. But as I said, it’s exactly the road I want to travel now.
YOU CAN’T REACH YOUR GOAL BY SITTING STILL. YOU HAVE TO KEEP MOVING AND LEARNING AND PUTTING ONE FOOT IN FRONT OF THE OTHER
I have to admit that I am still very much travelling along the road to being a full-fledged writer and I still hesitate at times over being called an ‘author’. It can be hard for imposter syndrome not to creep in when you haven’t quite fulfilled all of your dreams. My road feels particularly long as I have been writing stories and poetry since I was seven. At the age of 17 I drafted my first ever picture book and at the age of 20 I drafted my first ever novel, a YA. Both of these have sat on my computer ever since but I still couldn’t help but write more and more and more. I just love it!
Finally, 3 years ago when my daughter (child number 3) went to nursery I decided to take my passion more seriously and joined SCWBI and a local critique group. I took some old picture book manuscripts along and very quickly one of the members introduced me to a publisher she felt would like my writing. I was extremely lucky that she was right and they offered me a three book deal. I was thrilled and it has been incredibly exciting to finally step onto the road I have always dreamed of walking down.
That said, my journey is not over by a long shot. I have yet to find an agent and I would still love to one day publish my YA novel and chapter books written over the years. There is still much to do, much to learn, more twists and turns to navigate. As we all know, the kidlit writing industry is particularly tough and takes more staying power that others to keep picking up your pen because rejection is everywhere. I have had numerous rejections since querying and it can be disheartening and discouraging but if you love writing as much as I do, then keep going, because you can’t reach your goal by sitting still, you have to keep moving and learning and putting one foot in front of the other. It’s the only way and together, we can help each other get there. I say that because without the support network of other amazing writers it would be easy to stop, but they keep you going and moving forward.
I UNDERSTAND THAT A MANUSCRIPT HAS TO BE RIGHT FOR AN EDITOR AND THAT THERE’S MUCH MORE TO CONSIDER THAN MY STORY
I’ll try to make what could be a lengthy saga short by focusing on the timeline. I decided to go for it, to go after my “someday,” in fall 2013. I researched the industry, joined SCBWI and a critique group, and sought out writing groups online to guide me. All those pieces were immeasurably essential as I embarked on this journey. Spurred on by naiveté and the power of goal-setting, I thought I’d be subbing to agents and editors after a few months. [oh, silly me!] As I learned more from fellow creators and online courses, I realized that wasn’t realistic.
After examining options, I decided I wanted to pursue an agent first. I began subbing to agents in mid 2014 and racking up rejections. By the end of 2015, I was wondering at what point I should move on to a more worthwhile investment of my time and energy. But since I’d found some encouragement along the way, I felt I owed it to myself to double down my efforts, pushing myself into the discomfort zone, commit at a higher level. A month and a half later in early 2016, I signed with my agent. Having a knowledgeable partner made all the difference. Eight months later, I had my first offer. And in September 2018, I held my first book in my hands, five years after I began the journey.
Now, I have three books released and five more on the way. I learn more with each one, even the manuscripts that will never go anywhere. I still get plenty of rejections, but now it doesn’t hurt because I know that a rejection means I put it out there. I understand that a manuscript has to be right for an editor and that there’s much more to consider than my story. I’m fortunate to be retired and able to invest all the time I want in this endeavor. I’m continually amazed by all those who hold down jobs and raise kids while pursuing publishing. I think it’s important to not be too hard on yourself and be patient. But at the same time, I believe you have to put in your 10,000 hours and plunge in with an attitude of openness, push yourself by venturing past your comfort zone, dive into opportunities, and trust professionals. The road IS long. And winding. Full of bumps. And potholes. But if you take the kid lit community along, it’s an amazing ride!
BONUS! TEN-YEAR BOOK JOURNEY STORY BY MELISSA STEWART
As I was putting this post together, I discovered a post about Melissa Stewarts new book SUMMERTIME SLEEPERS: Animals that Estivate, which shows the timeline for the ten years it took to bring this book to publication. It is a perfect example of the sometimes long and winding road to publication. To read the post click here.
PART 3 COMING MAY 8
Next week, we’ll wrap up our thoughts on the path to publication with Laura Gehl who talks about how time only serves to make you a better author. Dawn Babb Prochovnic looks at the importance of continuing the work in spite of obstacles. Michelle Nott talks about trends and also demonstrates that it pays to never give up on old stories. Rosie Pova talks about how persistence pays off. Marcie Flinchum Atkins talks about enjoying the rituals of writing and having friends who “get” the writer’s experience.
TO READ PART 1 OF “LONG AND WINDING ROAD TO PUBLICATION” click here. TO READ THE TEAM MEMBERS’ ANSWERS TO “MY MOST IMPORTANT LESSON LEARNED” click here for Part One and here for Part Two. TO READ MORE ABOUT THE KID-LIT WRITING WISDOM TEAM AND THEIR BOOKS click here.
This “Wisdom” round’s question isn’t exactly a question. I asked the team to tell us about their travels down the long and winding road to publication. One of the reasons I wanted us to cover this topic is because every once in a while, you’ll see blog posts from an author who tells you the very first manuscript they sent out was acquired overnight—as though it’s the easiest thing one can do. That is not the norm nor is it reality. I also wanted emerging writers as well as those who have been at it for a long, long time to see similarities and differences in each writer’s experience. My wish for you and all our readers this round is that you might be inspired or pick up just one bit of wisdom that will help you in your journey. But also, that you adjust your expectations, so that if you find yourself on a long and winding road, you’re not disappointed or discouraged. And if you are one of the lucky ones who gets a contract overnight, you will be surprised and appreciate the moment even more than you might have.
Because it has been a long road for the “Wisdom” authors, we all had a lot to say. So, this topic will be shared in three parts over the next three weeks.
I’ve seen some similarities in answers, but everyone’s path has been a little different. I’m going to start with my own answer because it brings up a topic that didn’t pop up in any of the other answers.
I’m guessing, as with most team members, it would take an entire book to share my long journey. I’ll do my best to keep this short. My first picture book BUTTERFLY KISSES FOR GRANDMA AND GRANDPA was released way back in 2009. It won some awards and got great reviews, so I thought for sure, this kid-lit writing thing was going to be a breeze. I was wrong. I spent the next several years taking children’s book writing courses, attending SCBWI conferences and workshops, and getting involved in the online writing community. In 2013, I was on top of the world when I signed with an agent (my choice out of three agent offers—wasn’t I something?). I knew for sure that I was going to conquer the kid lit world now! Well, once again, I was wrong. In 2015, I parted ways with the agent. That set my confidence back for a couple of years. I did very little submitting, but I did continued to write, study children’s book writing, and work to grow my online presence. I also started a professional critique service and wrote an independent-study picture book writing course, Art of Arc. I also started working as a critique ninja for Julie Hedlund’s 12 X 12, which I did for three years. In 2016 I signed with a small publisher and in 2017, my chapter book series Sienna, the Cowgirl Fairy was launched. I continued to study children’s book writing and submit. Also in 2017, I helped my husband relaunch Blue Whale Press where I was the acquisitions editor and creative director. In addition to that, I spent the year going back and forth with an agent who I thought was going to sign me for sure. Once again, I was wrong. We even had what I thought was “the call.” But it turned out to be a “let you down easy” call. She loved one of my stories, but didn’t fully connect with the others I offered. That set me back for a while. But I had so much going on with Blue Whale Press and my other writing related work that I didn’t have time to fall into negative thinking. In 2019, I started offering affordable children’s writing webinars. But even with all of the above, I also continued to study, write, and submit. 2020 was an exciting year for me when finally; my next two picture books were published. I am so proud of AN OLD MAN AND HIS PENGUIN and THE WEED THAT WOKE CHRISTMAS and my latest Sienna book COWBOY TROUBLE. I’m so excited that THE WEED THAT WOKE CHRISTMAS recently won the Story Monsters Approved award for books that make a difference. And THE OLD MAN AND HIS PENGUIN won an award in the nonfiction picture book category.
It took thirteen years of hard work, but more than anything, perseverance, to get (soon to be) four published picture books and two chapter books into the world. I tried to include what I consider to be major parts of my journey to demonstrate that it’s not necessarily just about writing and submitting. It’s about learning, growing, and finding ways to apply your knowledge and creative energy when it sometimes feels as though all has failed. And like in the stories that we write, finding our way through our darkest moments will lead us to a satisfying ending.
I don’t regret my path for a minute because I love all the gifts I have given writers and illustrators over the years with my critiques, courses, work with Blue Whale Press and so on. I’ve found that for me, relaxing into where life takes me usually leads me to where I need to be. But a word of warning . . . when you say “yes” to one thing, you are saying “no” to another. In my case, I said a lot of “no” to writing and submitting by saying “yes” to helping others. Where might I have been had I been more focused? That is not a question of regret. It is a question that I pose to you as writers. Following is a little worksheet to help you see your “yes” and “no” choices more clearly. I hope some of you find it helpful. The worksheet was initially part of a much longer post I wrote on the topic. Click here to read it.
SHEER LUCK? SOMETIMES. SHEER GRIT? MOST OF THE TIME.
It happened backwards for me. I wrote my first couple of stories, joined a critique group, submitted THE RAINDROP WHO COULDN’T FALL about three months into my writing journey. Character Publishing gave me an offer almost immediately, and my first book came out in 2013. Then for 6 years I wrote and revised and submitted and submitted and submitted again. I FINALLY got my first agent who subsequently sold 4 books for me. Sheer luck led to my first book. Sheer grit led to others.
ALL THE TIME I PUT INTO LIVING LIFE, AND WRITING STORIES, LED ME TO STRENGTHEN MY CRAFT AND FIND MY WRITING VOICE
My journey to publication was indeed a “long and winding road.” I had started writing when my oldest daughter was a baby and I loved reading picture books to her and making up bedtime stories. Before that, I practiced as an attorney, taught legal research and writing to law students, and worked as a career counselor at a law school. When I received many rejections to my initial book queries, I turned my attention to writing parenting articles and doing freelance editing. But eventually, I returned to my dream of writing for children (and by that point, I had three children and lots more time doing field research into the KidLit world). In fact, I had joined the SCBWI in 1997 (!) and my first book, THE ENCHANTED SNOW GLOBE: RETURN TO CONEY ISLAND, was published in 2017! I am forever grateful to Callie Metler and Clear Fork Publishing for helping me turn my writing dreams into reality. My advice to aspiring writers is to keep pursuing your goals. Your writing journey may detour down some curving roads, like mine did, and your path to publication may not be straight. But all the time I put into living life, and writing stories, led me to strengthen my craft and find my writing voice. So, buckle up, get on whatever type of road best fits your career, and say ready, set, GO!
KEEP YOUR CHIN UP AND YOUR FINGERS ON THE KEYBOARD!
My journey to publishing started back in college. I paid my way through college and graduate school by writing religious educational materials. A few years later, I wound up working for the company for which I’d been writing, eventually becoming an editor and product designer there. But none of those materials were things kids would ever find in their public or school libraries or local bookstores. It wasn’t until I was 50 that I decided to pursue my dream of writing picture books. Two years later I made my first sale through a paid critique at SCBWI LA. A year later, I landed an agent. Selling my second book proved to be as difficult as selling the first and that pattern continues. Each of my manuscripts has to stand on its own merits and find its own home. I often remind myself of the advice my agent gave me when we first started working together: Keep your chin up and your fingers on the keyboard!
FIVE INGREDIENTS THAT ARE NECESSARY FOR SUCCESS IN ANY PROJECT
Whenever I do presentations about the path to publication, I talk about how becoming a picture book author was a lot like making a pizza. Whether I’m speaking with six-year-old school kids or sixty-year-old aspiring authors, I share the 5 P’s…5 ingredients that are necessary for success in any project: PASSION, PREPARATION, PRACTICE, PATIENCE, and PERSISTENCE. It’s a process and it takes time. I started my writing journey at the end of 2011 – we signed my first book deal at the end of 2015 – and that book launched in 2019. I had sent out a few submissions to editors on my own, but I knew I wanted an agent because I knew I didn’t want to focus on where to send my manuscripts…I wanted to focus on writing them. However, the path is different for each one of us – and what is right for one person might not be right for another. What is needed, however, whether you have an agent or not, is positivity. Oh…there’s another P…I guess you can tell I’m a picture book writer with all of that alliteration.😅 I remain positive because I know that the rejections…and YES, I do get lots of rejections…are not personal. I try to remember that this is a business…and the publisher/editor must make a profit from the books they produce. Otherwise, they have to close their doors. And if they don’t choose my manuscript, it’s because they don’t think they will make money. I also try to keep in mind that sometimes, publishers are wrong. So, when I get a rejection, I remind myself that I am in good company with J.K Rowling and Louisa May Alcott and Stephen King and many others: https://wildmindcreative.com/bookmarketing/6-famous-authors-who-once-faced-rejection.
COMING IN THE NEXT TWO WEEKS PART 2 AND PART 3
Next week, Ellen Leventhal and Pippa Chorley talk about their journeys, which both include dealing with imposter syndrome. And Beth Anderson shares her thoughts on what it takes to be successful as an author. Finally on May 8th, we’ll wrap up our thoughts on the path to publication with Laura Gehl who talks about how time only serves to make you a better author. Dawn Babb Prochovnic looks at the importance of continuing the work in spite of obstacles. Michelle Nott talks about trends and also demonstrates that it pays to never give up on old stories. Rosie Pova talks about how persistence pays off. Marcie Flinchum Atkins talks about enjoying the rituals of writing and having friends who “get” the writer’s experience.
On Friday, I announced changes for Blue Whale Press and me. I also announced a new series coming to my blog. I’m going to repeat it here, but also fully introduce you to the KID-LIT WRITING WISDOM team. So here goes . . . I’m resurrecting my “All About” blog series (All About Submissions and All About Platforms) combined with Marcie Flinchum Atkins’s “We’re All In This Together” series—with Marcie’s permission of course. Thanks, Marcie! And boy do we have some fantastic multi-published authors to tackle our old topics and lots of new ones. We’ll be sharing our wisdom and stories about the world of kid lit writing and publishing. And because of all our combined years of kid lit writing experience, we will be giving the series a new name. KID-LIT WRITING WISDOM (Over 170 years of combined experience as authors!)
We believe that kid-lit writers have lots of questions about writing, agents, publishing, editors, submissions, platforms, and more. Our intention is that Kid Lit Writing Wisdom will be a very helpful resource. Do you have a question?
IF YOU HAVE WRITING OR PUBLISHING QUESTIONS THAT YOU’D LIKE TO SEE THE TEAM ADDRESS, PLEASE LEAVE YOUR QUESTION IN A COMMENT.
Please allow me to introduce the Kid-Lit Writing Wisdom team.
All of our team members (except for one) have new picture books coming out or already released this year. We are either members of 2021 Word Birds or Twenty One-derful Picture Books in 2021 or both. Bios and more follow the list.
Beth Anderson
Marcie Flinchum Atkins
Kirsti Call
Pippa Chorley
Alayne Kay Christian
Laura Gehl
Vivian Kirkfield
Ellen Leventhal
Michelle Nott
Rosie Pova
Dawn Prochovnic
Rob Sanders
Melissa Stoller
Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. With linguistics and reading degrees, a fascination with language, and a penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Loveland, Colorado where she laughs, ponders, and questions; and hopes to inspire kids to do the same. She’s the award-winning author of TAD LINCOLN’S RESTLESS WRIGGLE (10/2021), “SMELLY” KELLY AND HIS SUPER SENSES, LIZZIE DEMANDS A SEAT!, and AN INCONVENIENT ALPHABET. Beth has more historical gems on the way. Learn more about Beth at bethandersonwriter.com Signed copies of Beth’s books can be found here.
Marcie Flinchum Atkins is a teacher-librarian by day and a children’s book writer in the wee hours of the morning. She holds an M.A. and an M.F.A. in Children’s Literature from Hollins University. Wait, Rest, Pause: Dormancy in Nature (Millbrook Press, 2019) is her most recent book. Marcie also serves as the nonfiction coordinator for the Mid-Atlantic SCBWI region. She muses about mentor texts and making time to write at marcieatkins.com. She’s on Twitter and Instagram as @MarcieFAtkins.
Kirsti Call is the co-hosts of the PICTURE BOOK LOOK podcast and co-runs ReFoReMo. She’s a critique ninja and elf for 12×12, a blogger for Writers’ Rumpus, and a Rate Your Story judge. She’s judged the CYBILS award for fiction picture books since 2015. Kirsti is a therapist trained life coach for creatives. Her picture book, MOOTILDA’S BAD MOOD (Little Bee) moooved onto shelves last fall. COW SAYS MEOW (HMH) and COLD TURKEY (Little Brown) release in 2021. Kirsti is represented by Emma Sector at Prospect Agency. Learn more about Kirsti by visiting kirsticall.com.
Pippa Chorley is the award-winning author of three picture books. She grew up in a picturesque village in England and now lives in sunny Singapore with her husband and their three children. As a child, she spent her days dreaming up magical worlds on her family dog walks. Today, Pippa can still be found composing stories on her morning walks with their springer spaniel, Jasper.
Trained as a primary school teacher, Pippa loves to write stories that make children giggle and think outside the box. Her newly released picture book, STUFFED! (illustrated by Danny Deeptown) empowers children to use their imaginations and problem solve with courage and kindness. Watch out for Pippa’s next picture book OUT OF THE BOX, which is due to be released at the end of 2021 and is sure to be ‘out of this world’! To learn more about Pippa and her books visit pippachorleystories.com.
Laura Gehl is the author of more than two dozen board books, picture books, and early readers, including One Big Pair of Underwear, the Peep and Egg series, I Got a Chicken for My Birthday, My Pillow Keeps Moving, Always Looking Up: Nancy Grace Roman, Astronomer, and the Baby Scientist series. Her work has won awards, appeared on state and national reading lists, and been translated into numerous languages. For information about new books and free downloadable teacher’s guides, please visit lauragehl.com.
Writer for children—reader forever…that’s Vivian Kirkfield in five words. Her bucket list contains many more words – but she’s already checked off skydiving, parasailing, and visiting kidlit friends all around the world. When she isn’t looking for ways to fall from the sky or sink under the water, she can be found writing picture books in the picturesque town of Bedford, New Hampshire. A retired kindergarten teacher with a masters in Early Childhood Education, Vivian inspires budding writers during classroom visits and shares insights with aspiring authors at conferences and on her blog where she hosts the #50PreciousWords International Writing Contest and the #50PreciousWordsforKids Challenge. Her nonfiction narratives bring history alive for young readers and her picture books have garnered starred reviews and accolades including the Silver Eureka, Social Studies Notable Trade Book, and Junior Library Guild Selection. Vivian’s books are available at Barnes & Noble and indie bookstores, as well as Bookshop.org and Amazon. If you order from her local indie, Toadstool Bookstore in Nashua, you can get a signed copy. If you order from anywhere else and would like a signed bookplate, please email her at: viviankirkfield@gmail.com. To learn more about Vivian and all of her books visit viviankirkfield.com.
Ellen Leventhal is an educator and writer in Houston, TX. Ellen is the co-author of Don’t Eat the Bluebonnets, the author of Lola Can’t Leap, and the upcoming A Flood of Kindness, which releases in April 2021 from Worthy Kids/Hachette Book Group. She has been published in magazines, newspapers, as well as in poetry and short story anthologies. Ellen loves school visits (in person or virtual)! When visiting schools, she coordinates with and supports literacy programs as well as diversity and anti-bullying programs. Ellen’s best days are when she can interact directly with the students and spread her love of literacy and kindness. To find out more about Ellen’s books and writing projects, please go to Ellenleventhal.com.
Michelle Nott is a freelance editor, published poet, and children’s book author. She writes fiction and nonfiction, in prose and verse. She has authored two early readers, Freddy, Hoppie and the Eyeglasses and Dragon Amy’s Flames. Her debut picture book, Teddy Let’s Go!, is forthcoming from Enchanted Lion Press (Fall 2021). Michelle grew up in the U.S. and has lived in Europe for extended periods of time. She holds American and French citizenship and is bilingual, English and French. Her extensive travel around the U.S., Europe and Africa fuels her imagination and appreciation for story and world cultures. To learn more about Michelle visit authormichellenott.com.
Rosie J. Pova is a multi-published, award-winning children’s author, poet, speaker, and writing coach. She’s a Writing Instructor for the Dallas Independent School District through The Writer’s Garret, an instructor with Writing Workshops Dallas, teaching online picture book courses to children’s writers, and also serves as a judge for Rate Your Story.
Rosie speaks on many women’s topics as well and has appeared on radio and print media.
Her upcoming picture book, Sunday Rain, celebrates imagination, the love of books, and new friendships. Her other upcoming picture book, The School of Failure: A Story About Success will be released in spring of 2022. Visit Rosie at rosiejpova.com.
Dawn Babb Prochovnic is the author of Lucy’s Blooms (forthcoming, 2021), Where Does a Cowgirl Go Potty?, Where Does a Pirate Go Potty?, and 16 books in the Story Time with Signs & Rhymes Series, including one title that was selected as an Oregon Book Awards finalist. She is a contributing author to the award-winning book, Oregon Reads Aloud. Dawn is a vocal advocate for school and public libraries and was honored as a 2015 Oregon Library Supporter of the Year by the Oregon Library Association. She is a frequent presenter at schools, libraries and educational conferences, and the founder of SmallTalk Learning, which provides American Sign Language and early literacy education. Dawn lives in Portland, Oregon with her husband, two kids, two cats, and a feisty dog. Learn more at dawnprochovnic.com.
Rob Sanders is a teacher who writes and a writer who teaches. He is known for his funny and fierce fiction and nonfiction picture books and is recognized as one of the pioneers in the arena of LGBTQ+ literary nonfiction picture books.
A native of Springfield, Missouri, he has lived in Texas, Alabama, and Tennessee. After earning a B.S. in Elementary Education and a Master’s Degree in Religious Education, Rob worked for fifteen years in children’s religious educational publishing as a writer, educational consultant, trainer, editor, editorial group manager, and product developer.
In 2006, Rob moved to Florida and began working as an elementary school teacher. Soon he was serving as a district writing trainer and resource teacher. But he spent most of his career teaching fourth graders about books and words and reading and writing. Rob took retirement in December 2020 and now is writing full time. To learn more about Rob visit robsanderswrites.com/.
He is represented by Rubin Pfeffer.
Melissa Stoller is the author of the chapter book series The Enchanted Snow Globe Collection – Return to Coney Island (Clear Fork Publishing); and the picture books Scarlet’s Magic Paintbrush, Ready, Set, GOrilla!, and Sadie’s Shabbat Stories. (Clear Fork). Melissa is a Blogger and Course Assistant for the Children’s Book Academy, a Regional Ambassador for The Chapter Book Challenge, a volunteer with SCBWI/MetroNY, and a founding member of The Book Meshuggenahs. In other chapters of her life, Melissa has worked as a lawyer, legal writing instructor, freelance writer and editor, and early childhood educator. She lives in New York City with her family, and enjoys theatre, museums, and long beach walks. To learn more about Melissa and her books visit MelissaStoller.com.
IF YOU HAVE WRITING OR PUBLISHING QUESTIONS THAT YOU’D LIKE TO SEE THE TEAM ADDRESS, PLEASE LEAVE YOUR QUESTION IN A COMMENT.
We’ll be back soon with our first words of wisdom.
Change is in the air for me, Blue Whale Press, and my blog. I have some announcements today and more to come. Where to start?
Well, I’ve been waiting for a big announcement to be made, but I let the cat out of the bag the other day during an interview with Mel Rosenberg. I loved the interview. It was like talking with a longtime friend.
I figured I should lead with the biggest news, which I just did on the above video. After very long consideration, I’ve made the tough decision to step down from my roles as acquisitions editor and art director at Blue Whale Press. It’s time for me to practice a little self-care and step into some new adventures (or maybe I should say ventures????), which time will slowly reveal. I recommended Jackie Kruzie to be my replacement, and I’m happy to share that she is stepping up to the challenge as acquisition editor. To learn more about Jackie at Blue Whale Press, click here. You can also find Jackie’s wish list and temporary submissions page here. I believe Callie will be doing a blog post about the change, which explains why I recommended Jackie for my replacement, and you’ll gain deeper knowledge about Jackie’s excellent credentials and kid lit experience.
It has been an honor for Steve and me to bring Blue Whale Press up to this point. We are extremely proud of our little press, and even more proud of the books we’ve produced and the wonderful authors and illustrators who entrusted their precious work to us. We are grateful for each and every author and illustrator and the relationships we have built with them. Knowing that Blue Whale Press will live on as an imprint of Clear Fork Publishing under the fine guidance of Callie Metler and Jackie Kruzie makes this difficult life choice much more palatable.
I am no longer taking submissions. However, I will continue with art directing and design through May 15, 2021. This will give the last four books that I acquired a good head start before I fully pass the baton to Callie and Jackie. After May 15, I will likely take a sorely needed hiatus. Once I regroup, I will be back better than ever with more surprises for kid lit writers and friends.
As for Blue Whale Press’s future, we would love to see Blue Whale Press continue to grow. After that, our wish for Blue Whale Press is that it will continue to publish quality books that have so much staying power that they have potential to one day be called a classic. I believe Blue Whale Press books will continue to entertain, inspire, and educate readers of all ages. From the beginning, one of our dreams was to launch authors and illustrators into long-lasting careers that they love and are proud of. We continue to want that for Blue Whale Press authors and illustrators. And we’d love to see our vision of many Blue Whale Press books becoming award winners on best-sellers lists.
I can’t say it enough; I’m extremely proud of Blue Whale Press and my accomplishments there. Maybe one day, I’ll write a blog post about it. For now, I will offer my latest photo (although slightly blurred) of my office Blue Whale shelf (top shelf). With four more books in production, I’m honored to share that I played a role in bringing 17 Blue Whale Press books into the world. It has been a beautiful and fulfilling ride. More to come in Callie’s blog post.
There are some changes coming to my blog as well. I’m resurrecting my “All About” blog series (All About Submissions and All About Platforms combined with Marcie Flinchum Atkins’s “We’re All In This Together” series—with Marcie’s permission of course. Thanks, Marcie! And boy do we have some fantastic multi-published authors to tackle our old topics and lots of new ones. We’ll be sharing our wisdom and stories about the world of kid lit writing and publishing. And because of all our combined years of kid lit writing experience, we will be giving the series a new name. KID LIT WRITING WISDOM (Over 170 years of combined experience as authors!) I will introduce the team after one more announcement.
As many of you know authors are always happy when another one of their babies comes into the world. So, I’m thrilled to see Sienna, the Cowgirl Fairy series bring a new story to readers. This time Sienna is having some COWBOY TROUBLE. Here’s the trailer.
Please allow me to introduce the Kid Lit Writing Wisdom team.
All of our team members (except for one) have new picture books coming out or already released this year. We are either members of 2021 Word Birds or Twenty One-derful Picture Books in 2021 or both.
In the video at the end of this post, I walk you through the visual story that is related to my text but independent of it in many ways. It demonstrates to illustrators how doing more than just showing what the text is saying can add layers of meaning to a story and make a picture book much more interesting. It also demonstrates to writers the importance of leaving room for the illustrator to help tell the story.
Western Washington SCBWI featured Polina on their blog Pen & Story. It is a worthwhile read to accompany this video because Polina talks a bit about her process and how she managed all the characters that she created that appear throughout the story. You can read the post by clicking here.
Also, in a recent article in the Toledo Blade Newspaper, Polina shared some interesting details about how this great visual story came to be. It all started with her not fully connecting with the story . . .
I hope that you will be patient and watch the video to the end because that is where the whole story that Polina created comes together. This visual story is all Polina’s creation–no one told her to tell the story, no one told her what characters to create, and there is no bakery, baker, or older woman with a dog mentioned in the text at all. I know that without the text it’s hard to know what Polina created in addition to the story told via text. But I can’t give the whole book away. My publisher wouldn’t like that 😉 Also, I intentionally left the text out because I wanted the visual story to stand on its own with just a little help from my guidance. I hope this video inspires both illustrators and writers, and if it does, please leave a comment to let us know.
WHAT IN THE WORLD IS AN ICHTHYOLOGIST? Mahalo and a final aloha to an amazing man.
I originally posted this story August 17, 2019. I am republishing it today in honor of Dr. John E. Randall, a distinguished ichthyologist and coral specialist who discovered and named more species of fish than anyone. He died April 26 in his home in Kaneohe, Hawaii. He was 95.
Since the original post, the picture book titled after Dr. Randall, Randall and Randall, has been released and was named as one of the best 100 indie books in 2019 by Kirkus Reviews. Author, Nadine Poper and the Blue Whale Press team will be forever grateful for Dr. Randall and his contributions to this educational and funny book. Our deepest sympathies go out to his family and friends. May he rest in peace.
With a final aloha to Dr. Randall, we offer the original post below.
Before I answer the ‘ichthyologist’ question, I want to explain why I’m presenting the question in the first place. Blue Whale Press’s latest picture book, Randall and Randall, is now available for pre-order, and this book just happens to have a foreword written by the renowned ichthyologist Dr. John E. Randall. Please read the post to the end because while I was writing it, I got some fantastic, must see, news. I want to share the surprise with you.
An ichthyologists is . . .
. . . a branch of zoology that deals with the study of fish and other marine life. Ichthyologists (ik-thee-AH-lo-gists) are also called marine biologists or fish scientists. They discover and study new and existing species of fish, their environment, and their behavior.
Ichthyologists dedicate their time to studying different kinds of fish species, though many will focus on one family of fish in particular. They generally focus on the biological history, behavior, growth patterns, and ecological importance of these fish. Most ichthyologists will go into the field to collect various samples or observe fish behavior and then return to a lab or office to analyze their collected data. If funded by a university, many of these scientists may be required to teach in addition to their other duties. Some of these scientists may also dedicate their time to educating others about the field and advocating for the importance of fish to ecosystems.
About Dr. Randall
Dr. John “Jack” Randall, ichthyologist emeritus at Bishop Museum, Honolulu, Hawaii, has over 900 publications and has described more valid marine species than anyone, living or dead—at least 800 of them.
Why did Dr. Randall write the foreword for Randall and Randall?
First, the author, Nadine Poper, named the characters and the book in Dr. Randall’s honor. But the answer goes deeper than that.
Why are goby fish named Amblyeleotris randalli and the pistol shrimp named Alpheus randalli? Either there is a strange coincidence between Dr. Randall, the Randalls in the book, and the scientific name randalli or there is a strong connection and explanation.
The explanation starts with Dr. John E. Randall.
“A dive pioneer and a dedicated taxonomist for over 70 years, it’s doubtful there is anyone who knows more about fish than Hawaii’s Jack Randall.”
–Christie Wilcox, Hakai Magazine
Some fun facts about Dr. Randall
• He is sometimes referred to as “Dr. Fish”
• His O‘ahu home is methodically littered with hundreds of pickled fish specimens sequestered in alcohol. Click here to read why he collects these specimens.
• For Dr. Randall, collecting the fish has been exciting and adventurous. He has dived on some of the most beautiful reefs in the world, but the actual process of identifying species takes passion and patience.
• Dr. Randall was one of the first to study fish in their ocean habitat. He first dove in the mid-1940s, before the acronym SCUBA (Self-Contained Underwater Breathing Apparatus) was even coined.
• He became one of the first scientists to use scuba gear, allowing him to access fish that no one else had ever seen.
• Dr. Randall even pioneered wet suits—sort of. He tried using long underwear to stay warm at first, but they didn’t retain heat. Then he got the brilliant idea to dip his long johns in liquid latex, creating a primitive wet suit years before the first neoprene was used.
All the above facts came from an article by Christie Wilcox at Hakai Magazine (May 15, 2016)
2) At the age of 91, he received the 2016 Darwin Medal from The International Society for Reef Studies. The award was presented at the 13th International Coral Reef Symposium on June 20. Jack gave an entertaining presentation on his work with coral reefs in the U.S. Virgin Islands to an enthralled audience of hundreds of conference attendees.
Dr. Randall has likely won many other awards, and here is one more example: At 94 years of age, he won the Marine Aquarium Societies of North America (MASNA) Pioneer Award for Science.
Dr. Randall’s scientific and academic achievements are too extensive to list in one blog post, instead I will share the following video. Although it doesn’t cover all his accomplishments, it is so much better than a list! It’s only six minutes long and definitely worth viewing.
This man is amazing, and I urge you to read more about him and to visit the links I have shared.
Finding Dr. Randall: Nadine Poper’s research for the book
During Nadine Poper’s research for this book, she was eventually led to Dr. Randall, and they became friends. Dr. Randall told Nadine anything she wanted to know about these creatures and their symbiotic relationship. He even provided her with photos that he took personally under the sea. And Dr. Randall graciously obliged when Nadine asked him if he would write a foreword.
When Nadine asked Dr. Randall how the fish and shrimp species came to bear his name, he responded with the following: “If you see the two-part scientific name Alpheus randalli, Alpheus is the generic name for a group of very similar shrimps, and randalli is the species name which was given by the person who prepared the scientific description of the genus to honor me. . . .”
I’m going to assume the same goes for the goby (Amblyeleotris randalli). And it makes sense, given the interesting relationship between the shrimp and goby (Randall and Randall).
Live goby fish and pistol shrimp, compliments of Dr. Randall
A real-life view under the sea. Goby fish guarding the burrow and protecting a pistol shrimp while it digs their home. Compliments of Dr. John E. Randall
As I was writing this post, the Kirkus review for Randall and Randall arrived . . .
and I cannot resist hijacking this Dr. Randall post to share an excerpt from it (in green below). Well, I’m not fully hijacking it because they do mention ichthyologist Dr. John Randall. But the really exciting thing about this review isit is starred review!According to Kirkus, only 10 percent of the 10,000 reviews they do a year earn a blue star. And according to Washington Post, only 2 percent of independently published books earn a blue star. This also means that Randall and Randall will automatically be entered into the Kirkus awards!
Young readers get a slice of science in this undersea tale about symbiosis.
Randall the pistol shrimp accidentally gets a new roommate when he snaps at a fish he believes is a threat. But the goby fish, also named Randall, offers to let the shrimp know when genuine predators are around. Unfortunately, the goby misidentifies plankton, a sand dollar, and a sea cucumber as dangerous foes, all the while singing songs that drive the shrimp to distraction. Likewise, the noises the shrimp’s snapping claws make irritate the goby. After a huge fight, the goby leaves, only to run into a real killer . . . Based on a real-life symbiotic relationship, this silly tale makes the science approachable through the goby’s giggle-worthy antics. Notes from ichthyologist Dr. John Randall describe the phenomenon for adults, and Gortman’s (Fishing for Turkey, 2016) closing illustrations supply diagrams of the charismatic creatures. The picture book’s cartoonish interior images deftly mix human and animal characteristics, showing the shrimp’s long antennae as mustaches. Poper’s (Frank Stinks, 2017, etc.) simple English text seamlessly introduces a few straightforward Spanish-language phrases (“mi casa”) due to the coastal Mexico setting. The ingenious aquatic tale also encourages readers to realize they can find friendship even if they don’t see eye to eye with their cohorts.
A clever introduction to a scientific concept with an accessible moral.
Written byNadine Poper Illustrated byPolina Gortman. Dr. Randall’s foreword does a fantastic job of explaining all about the goby and pistol shrimp and their special relationship.
Published by Blue Whale Press
Randall, the pistol shrimp, is a master at excavation. Randall, the goby fish, is his skittish, yet happy-go-lucky watchman. The problem is that both have quirks that drive each other bananas until one day their relationship is driven to the breaking point. This very funny informational-fiction story about one of the sea’s naturally-existent odd couples illustrates how certain species depend upon their symbiotic relationship for survival. It also shows children how two very different beings can embrace each other’s peculiarities and become best of friends.
INTERVIEW WITH MIDDLE GRADE AUTHOR AND ILLUSTRATOR LAURIE SMOLLETT KUTSCERA
I’d like to introduce Laurie Smollett Kutscera, author and illustrator of the exciting middle grade book Misadventures of a Magician’s Son, published by Blue Whale Press. Her book launched on April 1, 2020. Today, I share an interesting interview with Laurie about her experience as an author and illustrator. She also offers tips for writers and illustrators!
First, I’ll share excerpts of a recent review of Misadventures of a Magician’s Son, and I will follow that with the book trailer.
Midwest Book Review
“. . . Laurie Smollett Kutscera weaves a strong story of personal struggle and achievement into a tale that takes some unusual twists and turns as Alex continues to learn about the magic of human emotion, recovery, and resiliency from his unusual mentors: “Isn’t it possible everyone would appreciate you for who you are?” What could have been a singular story of a boy’s special talents thus evolves into an unusual exploration of the roots of magic, ability, and support systems that come into play when loss changes one’s familiar life patterns. . . .
Readers who choose the book anticipating a dose of magical encounters will not be disappointed, while those who like interpersonal relationships, intrigue, and growth as subplots in their stories will find Misadventures of a Magician’s Son holds an action-packed touch of all three to keep readers guessing about Alex’s future and incredible adventure, right up to the end.”
— by Diane Donavan, Sr. Reviewer, Midwest Book Review
Book Trailer
Interview
Alayne:How did you get your start as a children’s book writer? And illustrator? What brought you to this world?
Laurie: Thank you for that lovely introduction. It’s a pleasure to be here with you!
I knew art was always going to be my path from a young age. As a teenager, flipping through the pages of Mademoiselle, I reveled at Betsey Johnson’s quirky illustrations with dreams of being a fashion illustrator. But once I entered Queens College, my drawing teacher Marvin Bileck, introduced me to the magic of children’s books and changed the course of my life. He was a remarkably talented artist and an award-winning children’s book illustrator. He taught drawing, printmaking, and book design, all of which were filled with energy and exploration. He invited other illustrators to the class including his dear friend Ashley Bryan. What a talented artist and author. And when I was ready to show my portfolio- Professor Bileck arranged for me to meet with Margaret McElderry! I was terrified. I’ll never forget, sitting beside her, she paused at one of my illustrations and smiled.
After college, I spent the next eight years freelancing as a graphic designer when two dear friends approached me about illustrating a story they had written about a cliff dwelling tribe and a fearless girl named Ravita. I was thrilled. I decided to work in pastel—a medium I had never used before. I used my handy dandy Xerox machine and made dummies that the three of us sent to various publishers. Rizzoli Books in NY loved the story and a year and a half later, Ravita and the Land of Unknown Shadows was published and in the windows of Barnes and Noble all over Manhattan!
Ferdinand and Joker from Misadventures of a Magician’s Son by Laurie Smollett Kutscera copyright 2020
It never dawned on me that I would ever be an author. In truth, I hadn’t thought about writing seriously until ten years later. A writer friend suggested I take an essay writing workshop that lead me to a memoir class. Memoir was fascinating. I learned so much about world building, dialogue and writing in the moment. But knowing memoir is a challenging sell, I decided to take elements of what I had written, and incorporate it into Misadventures of a Magician’s Son. Soon after, I found a critique group at Media Bistro that focused on MG/YA. Once I opened a Twitter account, I discovered Julie Hedlund’s 12×12 Picture Book Challenge. What a find! I learned so much about the craft of writing picture books and also connected with my current (and may I say, amazing) critique partners.
Alayne:You are also a wonderful illustrator. Which came first? Writing or illustrating?
Laurie: Thank you Alayne. Can you guess? Following is a photo of me with my first paint set when I was 3 or so. ( Nice bangs!) My mother was an artist so I was lucky in that I received plenty of encouragement, (even when I drew people with wheels for feet!) In school, art was always the best class. One of the few I paid attention in. As I grew older, I loved writing poetry and in high school I wrote a fractured fairy-tale that made my English teacher laugh out loud. That always stayed with me, but that was as far as I took it. I didn’t have the confidence to take a writing course until much later. Art was always going to be my profession, or so I thought.
Laurie with her first paint set at age three.
Alayne:Does your art influence your writing or does your writing influence your art?
Laurie: That’s a great question. Most of the time, I think the tone of the story affects the art. It doesn’t happen often, but I have written a few stories based on an illustration.
Alayne:Do you think you would ever do a wordless picture book or a graphic novel?
Wordless picture book dummy THE RED BALL, pastel (2019) Laurie Smollett Kutscera
Laurie: As daunting as that sounds, I just recently finished a dummy for my first wordless picture book and am excited to find a home for it. I’d love to learn more about graphic novels, then get down to some serious playing!
Alayne:What is it like to see your printed book for the first time?
Laurie: As you yourself know, there are no words to describe what it feels like to hold your book, years of hard work in your hands. Writing, editing, sweat. Re-writing, editing, tears. Re-writing editing, prayers. Blue Whale Press did such a lovely job designing it. I am beyond thrilled to finally share Alex’s adventure with everyone!
Alayne:Misadventures of a Magician’s Son is super creative and unique. The characters are so special. Where did you get the inspiration for the story?
Laurie: It was a kind of perfect storm. I had just finished a long conversation with a dear friend who was trying to help me out of an emotional slump. We both agreed I needed to find a creative project to delve into. Later that week, I was sitting in a movie theater with my husband watching the opening credits of Casino Royale. I was immediately struck by the graphics that filled the screen. These larger than life card characters suddenly consumed me, and became the impetus for Misadventures of a Magician’s Son. Had I not had the conversation with my friend, I don’t think I would have been as receptive. This was before Tara Lazar’s Storystorm, which for those of us who join every year know has the same powerful intention.
Alex and King Anton from Misadventures of a Magician’s Son by Laurie Kutscera copyright 2020
Alayne:Blue Whale Press offered quite a few edit suggestions. I know we all had trying times with that process. But you have been very gracious and such a pleasure to work with in all ways. Do you have any tips for authors regarding how to keep from taking edits personally?
Laurie: Well that’s the key really, not taking it personally. I think most creative people are super sensitive to begin with, so having an editor revise what seems like a brilliantly crafted sentence can feel like a stab in the heart, LOL. I think communication, intention and flexibility play a big part here. Editing takes on many surprising facets, including when the author and editor live in different parts of the country, or world for that matter! But stepping back always helps. Take a break and come back to it. Have someone unfamiliar with the story read the revisions. The bottom line, editing is part of the process and will only make your work stronger.
Alayne:I’ve mentioned your wonderful characters before, but only asked where you found the inspiration for your “story.” Where did you find your inspiration for so many great characters and their voices?
Laurie: This is a fun question to answer. In high school and college, I was totally into acting in plays and tried to tap into the personalities around me. I guess I still do. In our charter boat business, I’ve met and worked with some interesting people. Not all were delightful. Joker for example, (who is hilarious and whom I love dearly!) was based on two extremely annoying people I worked with. They were beyond self-involved and snapped their fingers at everyone. I found myself shaking my head in disbelief at many of their comments. Queen Olivia was based on a very dear neighbor who reminded me of Eleanor Roosevelt. With her queen-like demeanor, she always found something nice to say about people…most of the time. Alex’s character was inspired by my nephew. He is insightful and resilient, but struggled quite a bit when it came to navigating relationships in school. There are parts of me in Alex, too. We moved when I was 10 and I felt so lost in a new school, and I’m pretty sure my teacher had it out for me, too!
Alexander Finn and friends from Misadventures of a Magician’s Son by Laurie Kutscera copyright 2020
Alayne:Are you a pantser or a planner? Did you plan and outline, or did you just let the story flow out of you organically.
Laurie: I am a total pantser! Before I understood the definition, I would sit at the kitchen counter, open my laptop and begin typing, anxious to see where the story was headed. It was a bit freaky, like I was being channeled and had nothing to do with the outcome. Undiagnosed, that first draft was an exciting process!
Alayne:I recently did a Chapter Book Challenge guest post where I analyzed Misadventures of a Magician’s Son using The Hero’s Journey. Did you study that storytelling structure before writing the book, our do you just have that natural storytelling ability?
Laurie: Wow. That sounds interesting. I was not familiar with The Hero’s Journey when I began writing. I approached Misadventures of a Magician’s Son much like I was watching a movie unfold. I tried to build an arc to the story line based on lots of visual action. Once I joined that MG/YA critique group at Media Bistro, I learned more about structure and was able to strengthen Alex’s voice, clarify details, and build more tension using short sentences.
Alayne:This is your debut middle grade book. How long had you been writing and submitting before signing with Blue Whale Press?
Laurie: I began writing in 2007, but with only a few winter months to devote to the process, it took me several years to complete it. I took a break for a year to work on another project, then came back to it in 2012. In 2014, I began subbing with no bites. The following year, I signed up for the Writer’s Digest Pitch Slam Event in NYC. I created a deck of cards with the characters, fanned them open, and pitched my heart out to a number of agents. 500 people, 1 hour and lines 15 minutes long, I was so nervous, I left my bag somewhere in the ballroom–but I found my agent! She pitched it to a number of publishers including Simon & Schuster who loved the manuscript and asked for revisions. That was the high point. But unfortunately, they passed. (I think they had another project in the works about magic.) Soon after, my agent left the company. That was the low point. I took some time off to clear my head. When I started subbing again I discovered Blue Whale Press was open to submissions. That was 2018. And here we are!
Alayne:How long did it take you to the write the book—from first line until confident enough to submit?
Laurie: I don’t want to frighten people because my experience (and work schedule) are probably not quite the norm. But from the time I began to write until I started submitting took 8 years.
Alayne:Did you have the book critiqued or edited before submitting?
Laurie: Yes, first through my critique group at Media Bistro. I received feedback on every chapter and once I revised the manuscript based on their feedback, I hired an editor to review again. He had some excellent ideas regarding juggling and strengthening a few scenes and suggested I write a prologue for the ending. He also recommended I call the book- Dance of Suits: An Alexander Finn Magical Adventure, which I was never crazy about, but submitted it for a while with that title. I think it confused people. I finally changed it to Misadventures of a Magician’s Son a year later.
Alayne:Did you have beta readers at any time?
Laurie: Yes, I had a few beta readers, including a middle grade librarian.
Alayne:We’ve touched a little on the illustrator side of you, but I’d like to dig into that a little deeper. I’ll start with the question, Do you have a preferred medium?
Laurie: So much has changed since I opened that first paint set. In truth my work used to be very linear and detailed. Now I’m trying to find a more ethereal approach to my art. I love working in pastel–it’s dreamy and soft and likes to take the lead which is kind of cool. I love playing with colored pencil and watercolor then fine tuning in Photoshop. I also love working in Pro-Create. I’ve recently gotten to a place where I don’t need a sketch as a starting point. OK…that in itself is an amazing accomplishment especially for a control freak like me!
Polar Bears by Laurie Smollett Kutscera – pastels and Procreate
Illustration from Painted Desert Dummy by Laurie Smollett Kutscera – Pastel
Illustration from Maya’s Treasure by Laurie Smollett Kutscera – Pastel
Alayne:Have any other artists or children’s literature illustrators influenced you during your journey so far?
There are so many illustrators that have inspired me. After reading The Miraculous Journey of Edward Tulane, I was elated to see that illustrations for middle grade readers didn’t necessarily have to be cartoony. Cartoony is fine, but Bagram IbatoulIine’s artwork evokes such depth and warmth. It was the perfect choice for Kate DiCamillos work.
Illustrators I love: Brian Selznick, Erin E. Stead, James Christopher Carroll, Brian Lies, Sophie Blackall, and Pamela Zagarenski just to name a few. I love Gauguin, Degas, Toulouse Lautrec, and my all-time favorite, Leon Bakst. He was a costume and set designer, and his illustrations are exquisite. I can only imagine what he would have brought to picture book illustrations.
Alayne:What medium and process did you use for Misadventures of a Magician’s Son?
Laurie: Many of the original illustrations were done in colored pencil. Soon after, an editor I met at the SCBWI conference in NY explain to me that middle grade readers prefer black and white illustrations. At first, I was disappointed to learn that, but once I converted all my work into grayscale, I was happily surprised at the results. The rich grays and deep blacks added quite a bit of mystery that complimented to tone of the story. I did the remaining illustrations in black and gray Prisma pencils on vellum paper and adjusted them in Photoshop.
Alayne:Where did you find the inspiration for the illustrations of the book’s characters?
Theo and Mr. Raymond from Misadventures of a Magician’s Son by Laurie Smollett Kutscera copyright 2020
Laurie: I always try to take advantage of the resources around me…like friends. I started eyeing them up right away. For instance, the model I used for Joker is a very dear friend who was born in England and lives up in the Adirondacks. Unlike Jokers snarky character, Chris is charming and brilliant and was unbelievably patient as I took photo after photo of him. Two of our first mates posed as Theo and Mr. Raymond, and another friend’s grandson posed for Alex. I also had Joel, my technical magician/adviser pose while Alex shuffles the cards. And our dearest neighbors posed as the King and Queen of Hearts.
Alex from Misadventures of a Magician’s Son by Laurie Smollett Kutscera copyright 2020
Alayne:How is illustrating a middle grade different from illustrating a picture book?
Laurie: There are always exceptions to the rules, which I love, but in general, there are fewer illustrations in middle grade books and most are created in black and white. Picture books are different in that much of the story is told through the illustrations and are done in full color.
Alayne:How many years did you work on the art for Misadventures of a Magician’s Son? When did you do the very first drawing?
Laurie: I started working on the first illustrations back in 2007. Mostly character studies, lots of hands and card tricks in motion. I finished the last illustration a few weeks ago. All in all, twelve and a half years of illustrating.
Alayne:For this specific project, Did the drawings inspire your writing? Or did your writing inspire the drawings.
Laurie: I visualized many of the scenes before I started illustrating them. So, in a sense, the illustrations in my head inspired the writing. Once I began, I jumped back and forth between writing and illustrating. Working this way helped me visualize specific scenes and details I might otherwise have missed.
Alayne:Do you have any advice for illustrators who are waiting for their first contract?
Jack from Misadventures from a Magician’s Son by Laurie Smollett Kutscera copyright 2020
Laurie: Try not to focus on the contract. I know it’s easier said than done, but if you focus on crafting wonderful stories, the contract will follow. Keep submitting, try to develop a thick skin—someone just told me this, so again easier said than done. If you’ve received feedback, try to take a step back. Put it away and re-read it again later. It’s easier to grasp when you’re not so close to it.
Alayne: I know that being a writer/illustrator submissions are different than those who are writers or illustrators only. Do you ever submit as a writer/illustrator?
Laurie: Most of the time. It’s a bit more work. Not only are you offering a polished manuscript but you’re creating an entire book with illustrations. This is the heart and soul of your story.
Alayne:Do you ever submit as a writer only? Or as an illustrator only.
Laurie: The answer is yes to both. I actually have several manuscripts that I feel would be better using an illustrator with a more whimsical approach. I also just completed a wordless picture book that I just started submitting.
Alayne: Do you have any advice for writer/illustrators?
Laurie: Read out loud. Savor every word. Have fun with your dummies. Don’t be afraid to take chances. Break rules!
Alayne:Now, I will put on you the spot, even more than I already have 😉 Why do you write?
Laurie: I have to! I love sharing stories that will touch young readers and adults. Maybe Alex’s journey will help someone who’s having a difficult time navigating this ever-changing world we live in. Maybe I can get them to laugh and see the light is closer than they think.
Alayne: It is an absolute pleasure to work with you, Laurie. Your story has brought me so many smiles. You know I am in love with Joker 😉 Thank you for helping Blue Whale Press make a wonderful book that we are so proud of.
Joker and his scepter Emilio. King Anton, Queen Olivia, and Jack. Characters from Misadventures of a Magician’s Son by Laurie Smollett Kutcera copyright 2020
Thank you Alayne–for believing in me and Alex’s journey. C#&sffinxaagpzzz@l. OHHH, hey, no. Wait! UGH! Joker just climbed on my laptop. He wants me to tell you…you haven’t heard the last of him!
Misadventures of a Magician’s Son is available wherever books are sold. Some places currently are
Laurie Smollett Kutscera was born in Greenwich Village and grew up in Queens, New York. At the age of 11, she performed her first magic trick and was destined to be a ventriloquist with the aid of her childhood friend, Neil, who today is a real magician! But rather than follow in the footsteps of Houdini, she went on to study fine art and children’s book illustration at Queens College with Caldecott medalist Marvin Bileck. She is an award-winning graphic designer, a published children’s book illustrator, and toy designer.
Laurie’s passion for writing began 12 years ago while cruising the eastern seaboard from Nantucket to the Virgin Islands. Today she continues to write and illustrate and is currently working on several contemporary picture books and middle grade novels.
Laurie lives on the North Shore of Long Island with her husband Nick and rescue doggie, Cody. You can learn more about Laurie by going to lskillustration.com.
For Aspiring Magician’s
Laurie has interviewed the young man who helped her learn about magic as part of her research for Misadventures of a Magician’s Son. He offers some tips on to get started and improve as a magician.
Thanks to everyone who participated in the fun. We have some great caption entries. Most of them are funny and one is sweet. They are all creative. And the stories for What’s in Lottie’s Wagon? are all entertaining, and some are very touching. Each writer did an excellent job with the limited word count of 100 words. And then trying to fit in the required words the contest rules listed on top of that? Wowza! Hats off to you all.
We’ll start with the caption contest winners and then move on to the writing contest winners. But before I move on, I want to wish everyone a joyous holiday season. May 2020 bring each of you all that your heart desires.
Also, I want to share an old-old blog post from 2013 Just Say No to New Year’s Resolutions. It offers up a perfect way for writers, artists, or anyone really, to end a year and begin a new one.
PHOTO CAPTION WINNERS
First place goes to . . .
Pamela Courtney
Pamela has won a pre-release proof (hardcover) of No Bears Allowed and a fifteen-minute “first impressions” critique from me (Alayne) via Skype or telephone.
Winners who placed second through fourth will each win a softcover copy of No Bears Allowed. If outside of the U.S., the prize will be an e-ARC
Second place goes to . . .
Ciara O’neal
Third place goes to . . .
Tara Cerven
And fourth place goes to . . .
Katie Williams
WHAT’S IN LOTTIE’S WAGON WRITING CONTEST WINNERS
I must say, the judges struggled to choose the first place winner. If there could have been a tie, we would have had one. You can read the winning stories at the end of this blog post. Spoiler alert! I give away the ending of each story in the prize announcements. If you want to read the stories and be surprised by the ending, jump to the end of the blog post and then come back to see where each story placed.
First place goes to . . .
What’s In Lottie’s Wagon?
By Mona Pease
In Mona’s story, Lottie’s wagon is filled with found treasures, love, hope, and dreams. Lovely story.
Mona has won a pre-release proof (hardcover) of Who Will? Will You? along with a picture book critique from the author of the book Sarah Hoppe, PLUS a fifteen-minute “first impressions” critique from me (Alayne) via Skype or telephone. If outside of the U.S., the prize will be an e-ARC and Alayne’s critique will have to be Skype or written.
Winners who placed second through fourth will each win a soft cover ARC of Who Will? Will You? If outside of the U.S., the prize will be an e-ARC
Second place goes to . . .
Lottie’s Little Treasure
by Kristen Reinsel
In Kristen’s story, a sea turtle is in Lottie’s wagon. A creative and poetic story filled with imagery.
Third place goes to . . .
Precious Cargo
by Linda Staszak
In Linda’s story, Lottie’s aging dog is in her wagon. A very touching story.
Fourth place goes to . . .
The Mystery of the Missing Sandwich
by Kiley Orchard
In Kiley’s story Lottie’s wagon holds mysterious bread crusts, a beach pail, and one sandal. A humorous ending with a twist.
Congratulations to all the winners!
Please come back in 2020 for more giftaways and informative blog posts. And visit Blue Whale Press to see what’s coming next year.
AND JUST IN CASE YOU’RE CURIOUS, HERE ARE THE WINNING STORIES
What’s In Lottie’s Wagon?
By Mona Pease
98 Words
Lottie felt sad. It was almost Christmas. Mom and Dad were deployed. Grandma tried to help make things special. Still, nothing felt right.
No snow.
No live tree.
No Mom and Dad.
Gazing toward the horizon, Lottie’s mood lightened. “Come on Pup. Let’s walk along the beach and fill our wagon with treasures.”
Afterwards, she decorated Grandma’s shrub with shells, sea glass, driftwood.
Then, Lottie took her rarest finds from the wagon: blue glass, wishing rock, and large shell that whispered sea songs.
Lottie listened. Mom and Dad felt close. Grandma listened. She smiled. What songs did that shell whisper?
Lottie’s Little Treasure
by Kristen Reinsel
88 Words
Lottie gently pulled her wagon
Toward the shore with urgency
She knew her precious cargo
Was indeed an emergency.
She found this little treasure
In a surprising sort of spot
While on a beach vacation
In the hotel parking lot!
Green and gold, yet hidden
In the grass nearby their space
Her helpful pup ol’ Rufus
Was quickly on the case.
Placed in her wagon with great care
For it was lost and lured to roam
Away from sea, toward the lights
A baby turtle… far from home.
Precious Cargo
by Linda Staszak
90 Words
Lottie tugged on her squeaky wagon. She inched her way down the beach, walking past the rainbow shells and sparkly stones.
The wagon was hard to move through the deep sand.
“Do you need help?” a lady asked.
“No thank you,” Lottie said. She dragged the wagon close to the water and sat next to it.
“You liked the beach when you were a puppy,” she said to the wagon.
A tail thumped. Lottie gently patted her old dog’s head.
“I thought you’d like to be here one more time.”
The Mystery of the Missing Sandwich
by Kiley Orchard
100 Words
“Lottie, I found another clue!” Pup dropped two bread crusts into the wagon. SOMEONE had eaten Lottie’s sandwich—but who? Pup considered the clues: bread crusts, a beach pail, and one sandal.
“Maybe our thief doesn’t like crusts,” said Pup.
“Crusts are gross,” said Lottie.
“And was on their way to the beach,” Pup continued.
“Just like us!”
“And they’re probably only wearing one sandal.”
“Great thinking!” said Lottie. Pup was so helpful!
I hope that you will be patient and watch the video to the end because that is where the whole story that Polina created comes together. This visual story is all Polina’s creation–no one told her to tell the story, no one told her what characters to create, and there is no bakery, baker, or older woman with a dog mentioned in the text at all. I know that without the text it’s hard to know what Polina created in addition to the story told via text. But I can’t give the whole book away. My publisher wouldn’t like that 😉 Also, I intentionally left the text out because I wanted the visual story to stand on its own with just a little help from my guidance. I hope this video inspires both illustrators and writers, and if it does, please leave a comment to let us know.
During Nadine Poper’s research for this book, she was eventually led to Dr. Randall, and they became friends. Dr. Randall told Nadine anything she wanted to know about these creatures and their symbiotic relationship. He even provided her with photos that he took personally under the sea. And Dr. Randall graciously obliged when Nadine asked him if he would write a foreword.
Laurie Smollett Kutscera was born in Greenwich Village and grew up in Queens, New York. At the age of 11, she performed her first magic trick and was destined to be a ventriloquist with the aid of her childhood friend, Neil, who today is a real magician! But rather than follow in the footsteps of Houdini, she went on to study fine art and children’s book illustration at Queens College with Caldecott medalist Marvin Bileck. She is an award-winning graphic designer, a published children’s book illustrator, and toy designer.
Alayne Kay Christian 