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Archive for the ‘Manuscript Submissions’ Category

kid-lit writing wisdom

The Kid-Lit Writing Wisdom team is gradually working our way into topics such as submission and marketing. But we feel it’s important to talk about the craft of writing along with the writer’s life first, which will also include the topic of critiques and critique groups. So, it seems the best place to start is the beginning. When I was acquisitions editor for Blue Whale Press, if the first lines of a manuscript didn’t capture me, the story usually didn’t engage me. I always say, if the first lines don’t hook the agent or editor you’ve submitted to, what will make them think they will capture readers?

This month, I asked our wise authors to share thoughts on the importance of powerful first lines along with some tips for writing an outstanding beginning or outstanding first lines. I’m excited to share our many fabulous tips and examples. These tips can also be used for revising your stories’ beginnings, so you get double the treasure with these posts. This is such an important topic that we will have three parts for this topic. You’ll notice that some of our wise authors talk about the ending of the story as much as the beginning. There is good reason for this. In my picture book writing course Art of Arc, I interrupt the lessons on writing beginnings to talk about endings. Following are a few excerpts from Art of Arc to explain why it’s smart to think about endings when writing your beginning. You’ll also find more on the subject of endings in some of the wise-authors’ answers in this post and the two to come.

Excerpts from Art of Arc

“You might think that endings would be the final lesson presented in a course on writing and analyzing picture books, but another common problem that I have found in writing critiques is there is often a disconnect between the beginning of the story and the end. The ending has so much to do with the beginning and the rest of the story that it is important to start thinking about it at the beginning.”

“. . . From the beginning and all the way through the story, the destination is the ending. Therefore, every word, sentence, and scene should relate to the ending. And the ending should relate to the beginning.”

WE HAVE A BONUS!

writing for children webinars and courses
I will give away free access to my webinar HOW TO WRITE POWERFUL FIRST PAGES LIKE A PRO to one lucky winner. To enter for a chance to win, please comment on one of the three posts about writing outstanding beginnings and share the link on Twitter or FB. Please tag me when you share the link, so I can make sure I get your name in the drawing.

Happy Book Birthday

Listen_coverMost of the people in this group are from my groups for 2021 picture book releases: 2021 Word Birds and Twenty One-derful Picture Books. Before I move on, I’d like to congratulate one of our Twenty One-derful group members Gabi Snyder. Her picture book LISTEN, illustrated by Stephanie Graegin, will be coming into the world on July 13. Happy Early Birthday baby LISTEN!

Peach and Cream Photo Spring Quote Twitter Post

Also, friends have made me aware that I failed to let the world know about my latest Sienna, the Cowgirl Fairy Book: COWBOY TROUBLE. So, I thought this would be a good time to let everyone know it is there and would make an excellent summer reading book. You and your children can read the first three chapters on You Tube (see below). The “cowboy trouble” begins in chapter three. I also share the book trailer for anyone who is interested.

Words of Wisdom

Since, as usual, my answer is the most wordy, I will lead with it.

THE FIRST LINES OF A BOOK ARE THE DOOR TO YOUR STORY. THE WORDS INVITE THE READER TO STEP OVER THE THRESHOLD AND ENTER THE STORY WORLD.

by Alayne Kay Christian

I decided to take the easy way out and pull some excerpts from my picture book writing course Art of Arc. Unfortunately, it ended up being a hard way to go because I struggled to choose just a few words to share from the course. I thought it might be fun to introduce some of the reasons a strong beginning is so important. So here goes. . . .

Have you ever seen carnival barkers in old movies? “Step right up!” they shout to people passing by. They describe attractions. They emphasize variety; advertise novelty, oddity, beauty, challenge, and fun. Their barks are intended to create curiosity, generate excitement, and entice listeners to buy tickets to entertainment. Sometimes, they conduct short shows for free, where they introduce performers and describe acts. Their promises of entertainment are all intended to entice and incite the passersby to come on in!

In the old days, or in old movies, a newspaper boy shouted things like, “Extra! Extra! Read all about it! Bonnie and Clyde shot dead!” The purpose of this? All to create excitement and curiosity that would entice people to buy an extra edition of the newspaper.

Without the red carpet and fanfare on Oscar night, would the event be nearly as exciting, inviting, or enticing?

In the movie, The Wizard of Oz, would the beginning have been nearly as engaging without the yellow brick road, the fantastic send-off song, and Dorothy’s cheerful dance down the road? Not to mention, the switch from black and white images to color. What if Dorothy had just said, “Okay—I’ll go find the wizard.” and then shuffled along aimlessly in silence through a black and white setting, sans the road? Would we have been as eager to follow her into the story?

The barkers, the newsboys, the red carpet, and the yellow brick road all pave the way for an event, an experience, a journey, an adventure, or whatever it might be, to unfold. The first lines in our books pave the way for our idea/story/plot and our protagonist’s and readers’ journey to unfold. The whole objective of first lines is to capture readers’ attention and make them want more. We want to entice and incite them to come on in, buy into the experience, and commit to taking the journey with our protagonist. This is often referred to as the hook.

A good hook creates questions and curiosity. It makes a promise that says, “This is what the story is about.” It also sets expectations and maybe even evokes emotions. Wow! That’s a lot to accomplish in a picture book page or two. This is true, but writers do it all the time, proving that it can be done. . . .

. . . In picture books, we often incite the reader’s interest with words such as the following, “but,” “until,” “one day,” and we use the three little dots . . . called the ellipsis. Interestingly enough, these words and punctuation that incite the reader to turn the page usually lead to the inciting incident—the event that energizes the story’s progression. This event moves your protagonist into the action of the story. It also pulls him out of his ordinary world into a new world where change can occur—the door to our story.

Why are these words (“but,” “one day,” “until” and so on) or the ellipsis used so frequently? They work to keep the reader reading. How? They create a pause or a moment of silence that gives the reader an opportunity to think, imagine, guess, ask questions, and experience emotions. It makes them stop and pay closer attention. Using these techniques hint at what’s to come, which in turn creates curiosity. Sometimes they are the arrow that points to the heart of the story. Using these techniques are great ways to hook a reader. They all suggest there is something coming, and they create anticipation. It could lead to an answer, reveal a secret, hint at danger, present the unexpected, and so on. All of the above hook the reader. When the reader is hooked, she is pulled into the story far enough that she wants to read more.

I’d love to share more, but we have many great words of wisdom waiting for you, so let’s move on.

HOW DO WE KEEP OUR READERS INTRIGUED AND WANTING MORE?

by Kirsti Call

Richard Peck said: “You’re only as good as your opening line.” How do we keep our readers intrigued and wanting more?

Ask a question. Asking a question gets readers thinking. Not a Box immediately asks: “Why are you sitting in a box?” We want to turn the page to find out the answer. The Day the Babies Crawled Away questions: “Remember the day the babies crawled away?” This piques our interest. We want to know what happened on that fateful day. Did the babies survive? Where did they go?

Take People by Surprise. Mustache Baby declares: “When Baby Billy was born, his family noticed something odd: He had a mustache.” A baby with a mustache? We have to read on. Leonardo the Terrible Monster tells us: “Leonardo was a terrible monster…he couldn’t scare anyone.” A monster who isn’t scary? I can’t wait to turn the page.

Use word play. Being Frank starts with: “Frank was always frank” and Bridget’s Beret is similar: “Bridget was drawn to drawing.” There’s nothing better than the clever use of words to get people wanting more.

Using questions, surprise, wonder, opinion and word play makes the first sentences of our stories irresistible.

FIRST LINES THAT ECHO THROUGHOUT THE STORY—AN EFFECTIVE TECHNIQUE

by Laura Gehl

One of my favorite techniques when I am writing is to use a first line that will be echoed throughout the book.

For example, the first line of Juniper Kai: Super Spy reads, “Juniper Kai was born to be a spy.” This line comes back in the middle, when Juniper is feeling left out: “It didn’t matter if she had nobody to play with. Because Juniper Kai was born to be a spy. And spies work alone.” Then the line comes back a third time at the end: “Juniper Kai was born to be a spy. And spies work alone. Sometimes. But sometimes a spy needs a good co-agent. And Juniper Kai knew she was born to be…a spy-tacular big sister.”

Another example is in I Got a Chicken For My Birthday. Like the title, the first line reads, “I got a chicken for my birthday.” This line is repeated throughout the book: ”I got a chicken for my birthday. And the chicken has a list.” “I got a chicken for my birthday. And now the chicken stole my dog.” The line then comes back at the end. “I got a chicken for my birthday. And it was the Best. Present. Ever.”

The reason I like this technique so much is that you can see your character growing and changing by the way that repeated line is used at the end compared with at the beginning. In Juniper Kai: Super Spy, Juniper goes from being a lonely only child to wondering what secret her parents are hiding, to being an eager big sister. In I Got a Chicken For My Birthday, Ana goes from feeling perplexed (and a bit annoyed) by the strange birthday gift from her grandmother, to even more perplexed (and more annoyed) as the chicken begins recruiting her pets to build something huge in the backyard, to feeling absolutely thrilled (and realizing that her grandmother knew exactly what she was doing all along).

I also love this technique when I see it in other people’s writing! Any book that starts and ends with a similar line tends to leave me smiling and satisfied!

FIRST LINES PROVIDE A PEEK INTO THE WORLD OF THE STORY

by Melissa Stoller

First lines in a picture book set the tone and the mood for the story. Like an invitation that might provide an initial glimpse into the theme of a party, a first line can provide a peek into the world of a story. When I draft the first few lines, I try to give the reader an idea of what will come next, what the character might want, and a little bit about the setting, if possible. Of course, I write, rewrite, revise, and tweak as the story evolves. The first line that I start with is usually not the first line that is printed. Also, when I finish writing the story, I go back to ensure that the ending works with the beginning. I love to have first and last lines that complement each other, that show growth of the main character, and that leave the reader with that special something that makes them want to read the story over and over.

Here are examples of first and last lines from two of my picture books:

SCARLET’S MAGIC PAINTBRUSH

First line: One day, Scarlet found a magic paintbrush and everything changed.

Last line: With her own magic, she painted what she saw in her heart, Scarlet’s masterpiece.

Throughout the story, Scarlet realizes that she wants to rely on her own magical creativity instead of the magic of the paintbrush.

READY, SET, GORILLA!

First lines: Gorilla liked racing his school pals. But most of all, he loved to win . . . at any cost.

Last lines: The friends all lined up. They crouched down. Together, they shouted . . . Ready, Set, GO! Off they raced . . . and everyone was a winner.

Over the course of the story, Gorilla realizes that playing fair, good sportsmanship, and being a good friend make him a winner.

Happy writing and editing as you draft the best first lines for your stories!

FIRST LINES IN EARLY DRAFTS ARE OFTEN A TYPE OF WARM UP WRITING UNTIL YOU FIND THE PERFECT WORDS

by Dawn Babb Prochovnic

The beginning of a story is still very much a draft until I write and then polish the ending. Eventually, I return to the beginning and rework it until I’m satisfied that it aligns with (and is worthy of) the ending I have carefully crafted. Sometimes I discover that the “beginning” is actually several sentences into the story I have written, which means I have to cut some (often many) of my beloved words. To make this process easier on myself, I usually create a document called “darlings I had to cut” that I can copy and paste these tender words into, so I can bare to part with them in the working draft of my story. I rarely, if ever, go back and retrieve these “darlings,” but saving them “just in case,” allows me the creative freedom to vigorously revise, so the story can start right where it needs to, and without all of the unnecessary “throat clearing” that often shows up at the beginning of my earlier drafts.

I will also mention that Richard Peck offered his wisdom on this topic (as it relates to writing novels, but widely applicable), in this 2006 article for The Horn Book: In the Beginning: What Makes a Good Beginning? 

MORE TO COME!

There will be two more posts (July 10 and July 17) on this topic with lots of great information coming from the following wise authors: Vivian Kirkfield, Beth Anderson, Marcie Flinchum Atkins, Pippa Chorley, Ellen Leventhal, Michelle Nott, Rosie Pova, and Rob Sanders. 

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KID-LIT WRITING WISDOM PRESENTS LONG AND WINDING ROAD: PUBLICATION (USUALLY) DOESN’T HAPPEN OVERNIGHT (Part 1 of 3)

kid-lit writing wisdom

Copy of What was one of the most important lesson learned on your road to publication_

This “Wisdom” round’s question isn’t exactly a question. I asked the team to tell us about their travels down the long and winding road to publication. One of the reasons I wanted us to cover this topic is because every once in a while, you’ll see blog posts from an author who tells you the very first manuscript they sent out was acquired overnight—as though it’s the easiest thing one can do. That is not the norm nor is it reality. I also wanted emerging writers as well as those who have been at it for a long, long time to see similarities and differences in each writer’s experience. My wish for you and all our readers this round is that you might be inspired or pick up just one bit of wisdom that will help you in your journey. But also, that you adjust your expectations, so that if you find yourself on a long and winding road, you’re not disappointed or discouraged. And if you are one of the lucky ones who gets a contract overnight, you will be surprised and appreciate the moment even more than you might have.

Because it has been a long road for the “Wisdom” authors, we all had a lot to say. So, this topic will be shared in three parts over the next three weeks.

I’ve seen some similarities in answers, but everyone’s path has been a little different. I’m going to start with my own answer because it brings up a topic that didn’t pop up in any of the other answers.

Before we get started, I’d like to share some good news and congratulate Rob Sanders has a book birthday coming on May 4 with  TWO GROOMS ON A CAKE: THE STORY OF AMERICA’S FIRST GAY WEDDING. HAPPY BIRTHDAY! I’d like to also congratulate the illustrators of my picture books for winning the Story Monsters Approved Award. Polina Gortman illustrated THE WEED THAT WOKE CHRISTMAS: The Mostly True Tale of the Toledo Christmas Weed. And Milanka Reardon illustrated AN OLD MAN AND HIS PENGUIN: How Dindim Made João Pereira de Souza an Honorary Penguin.

Congratulations!

Two Grooms on a Cake

AWARD WINNER FOR MAKING A DIFFERENCE!Winner for (1)

Words of Wisdom

WHEN YOU SAY “YES” TO ONE THING, YOU ARE SAYING “NO” TO ANOTHER

by Alayne Kay Christian

I’m guessing, as with most team members, it would take an entire book to share my long journey. I’ll do my best to keep this short. My first picture book BUTTERFLY KISSES FOR GRANDMA AND GRANDPA was released way back in 2009. It won some awards and got great reviews, so I thought for sure, this kid-lit writing thing was going to be a breeze. I was wrong. I spent the next several years taking children’s book writing courses, attending SCBWI conferences and workshops, and getting involved in the online writing community. In 2013, I was on top of the world when I signed with an agent (my choice out of three agent offers—wasn’t I something?). I knew for sure that I was going to conquer the kid lit world now! Well, once again, I was wrong. In 2015, I parted ways with the agent. That set my confidence back for a couple of years. I did very little submitting, but I did continued to write, study children’s book writing, and work to grow my online presence. I also started a professional critique service and wrote an independent-study picture book writing course, Art of Arc. I also started working as a critique ninja for Julie Hedlund’s 12 X 12, which I did for three years. In 2016 I signed with a small publisher and in 2017, my chapter book series Sienna, the Cowgirl Fairy was launched. I continued to study children’s book writing and submit. Also in 2017, I helped my husband relaunch Blue Whale Press where I was the acquisitions editor and creative director. In addition to that, I spent the year going back and forth with an agent who I thought was going to sign me for sure. Once again, I was wrong. We even had what I thought was “the call.” But it turned out to be a “let you down easy” call. She loved one of my stories, but didn’t fully connect with the others I offered. That set me back for a while. But I had so much going on with Blue Whale Press and my other writing related work that I didn’t have time to fall into negative thinking. In 2019, I started offering affordable children’s writing webinars. But even with all of the above, I also continued to study, write, and submit. 2020 was an exciting year for me when finally; my next two picture books were published. I am so proud of AN OLD MAN AND HIS PENGUIN and THE WEED THAT WOKE CHRISTMAS and my latest Sienna book COWBOY TROUBLE. I’m so excited that THE WEED THAT WOKE CHRISTMAS recently won the Story Monsters Approved award for books that make a difference. And THE OLD MAN AND HIS PENGUIN won an award in the nonfiction picture book category.

It took thirteen years of hard work, but more than anything, perseverance, to get (soon to be) four published picture books and two chapter books into the world. I tried to include what I consider to be major parts of my journey to demonstrate that it’s not necessarily just about writing and submitting. It’s about learning, growing, and finding ways to apply your knowledge and creative energy when it sometimes feels as though all has failed. And like in the stories that we write, finding our way through our darkest moments will lead us to a satisfying ending.

I don’t regret my path for a minute because I love all the gifts I have given writers and illustrators over the years with my critiques, courses, work with Blue Whale Press and so on. I’ve found that for me, relaxing into where life takes me usually leads me to where I need to be. But a word of warning . . . when you say “yes” to one thing, you are saying “no” to another. In my case, I said a lot of “no” to writing and submitting by saying “yes” to helping others. Where might I have been had I been more focused? That is not a question of regret. It is a question that I pose to you as writers. Following is a little worksheet to help you see your “yes” and “no” choices more clearly. I hope some of you find it helpful. The worksheet was initially part of a much longer post I wrote on the topic. Click here to read it

say yes say no

SHEER LUCK? SOMETIMES. SHEER GRIT? MOST OF THE TIME.

by Kirsti Call

It happened backwards for me. I wrote my first couple of stories, joined a critique group, submitted THE RAINDROP WHO COULDN’T FALL about three months into my writing journey. Character Publishing gave me an offer almost immediately, and my first book came out in 2013. Then for 6 years I wrote and revised and submitted and submitted and submitted again. I FINALLY got my first agent who subsequently sold 4 books for me. Sheer luck led to my first book. Sheer grit led to others.

ALL THE TIME I PUT INTO LIVING LIFE, AND WRITING STORIES, LED ME TO STRENGTHEN MY CRAFT AND FIND MY WRITING VOICE

by Melissa Stoller

My journey to publication was indeed a “long and winding road.” I had started writing when my oldest daughter was a baby and I loved reading picture books to her and making up bedtime stories. Before that, I practiced as an attorney, taught legal research and writing to law students, and worked as a career counselor at a law school. When I received many rejections to my initial book queries, I turned my attention to writing parenting articles and doing freelance editing. But eventually, I returned to my dream of writing for children (and by that point, I had three children and lots more time doing field research into the KidLit world). In fact, I had joined the SCBWI in 1997 (!) and my first book, THE ENCHANTED SNOW GLOBE: RETURN TO CONEY ISLAND, was published in 2017! I am forever grateful to Callie Metler and Clear Fork Publishing for helping me turn my writing dreams into reality. My advice to aspiring writers is to keep pursuing your goals. Your writing journey may detour down some curving roads, like mine did, and your path to publication may not be straight. But all the time I put into living life, and writing stories, led me to strengthen my craft and find my writing voice. So, buckle up, get on whatever type of road best fits your career, and say ready, set, GO!

KEEP YOUR CHIN UP AND YOUR FINGERS ON THE KEYBOARD!

by Rob Sanders

My journey to publishing started back in college. I paid my way through college and graduate school by writing religious educational materials. A few years later, I wound up working for the company for which I’d been writing, eventually becoming an editor and product designer there. But none of those materials were things kids would ever find in their public or school libraries or local bookstores. It wasn’t until I was 50 that I decided to pursue my dream of writing picture books. Two years later I made my first sale through a paid critique at SCBWI LA. A year later, I landed an agent. Selling my second book proved to be as difficult as selling the first and that pattern continues. Each of my manuscripts has to stand on its own merits and find its own home. I often remind myself of the advice my agent gave me when we first started working together: Keep your chin up and your fingers on the keyboard!

FIVE INGREDIENTS THAT ARE NECESSARY FOR SUCCESS IN ANY PROJECT

Vivian Kirkfield

Whenever I do presentations about the path to publication, I talk about how becoming a picture book author was a lot like making a pizza. Whether I’m speaking with six-year-old school kids or sixty-year-old aspiring authors, I share the 5 P’s…5 ingredients that are necessary for success in any project: PASSION, PREPARATION, PRACTICE, PATIENCE, and PERSISTENCE. It’s a process and it takes time. I started my writing journey at the end of 2011 – we signed my first book deal at the end of 2015 – and that book launched in 2019. I had sent out a few submissions to editors on my own, but I knew I wanted an agent because I knew I didn’t want to focus on where to send my manuscripts…I wanted to focus on writing them. However, the path is different for each one of us – and what is right for one person might not be right for another. What is needed, however, whether you have an agent or not, is positivity. Oh…there’s another P…I guess you can tell I’m a picture book writer with all of that alliteration.😅 I remain positive because I know that the rejections…and YES, I do get lots of rejections…are not personal. I try to remember that this is a business…and the publisher/editor must make a profit from the books they produce. Otherwise, they have to close their doors. And if they don’t choose my manuscript, it’s because they don’t think they will make money. I also try to keep in mind that sometimes, publishers are wrong. So, when I get a rejection, I remind myself that I am in good company with J.K Rowling and Louisa May Alcott and Stephen King and many others: https://wildmindcreative.com/bookmarketing/6-famous-authors-who-once-faced-rejection.

COMING IN THE NEXT TWO WEEKS PART 2 AND PART 3

Next week, Ellen Leventhal and Pippa Chorley talk about their journeys, which both include dealing with imposter syndrome. And Beth Anderson shares her thoughts on what it takes to be successful as an author. Finally on May 8th, we’ll wrap up our thoughts on the path to publication with Laura Gehl who talks about how time only serves to make you a better author. Dawn Babb Prochovnic looks at the importance of continuing the work in spite of obstacles. Michelle Nott talks about trends and also demonstrates that it pays to never give up on old stories. Rosie Pova talks about how persistence pays off. Marcie Flinchum Atkins talks about enjoying the rituals of writing and having friends who “get” the writer’s experience.

TO READ THE TEAM MEMBERS’ ANSWERS TO “MY MOST IMPORTANT LESSON LEARNED” click here for Part One and here for Part Two.

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Welcome to Kid-Lit Writing Wisdom where a team of multi-published kid-lit authors with over 170 years of combined experience as writers share their wisdom. You can read all about our team here. And you can read part one of THE MOST IMPORTANT LESSON LEARNED IN MY PUBLICATION JOURNEY here. Before we get started, I’d like to share some good news and congratulate some of our team members.

Before we get started, I’d like to share some good news and congratulate some of our team members.

Ellen Leventhal’s book A FLOOD OF KINDNESS will poke its sweet head out into the world on April 13. Happy early birthday wishes and welcome to the world! Beautiful story.

And another baby book will be born on April 13. Dawn Prochovnic’s LUCY’S BLOOMS will brighten our world. Another weed has captured my heart ; – )

I decided to launch our “wisdom” series with a general question. I half thought that there would be a lot of similar answers. The answers in this second part of “Lessons Learned” demonstrate that although what most of us strive for is the same, everyone’s experience is different. But I also notice a thread in several of the answers, which touch on the importance of community and support from other writers. I often say, it takes a village. Some of the answers shared here confirm that it truly does.

There are so many great online writing communities, but I’ll offer the first two that come to mind. They are both Facebook groups. I’m sure they will lead you to more groups and opportunities to grow as a writer. KidLit411 is a wonderful writing community. They also have a website that offers unlimited resources. Plus they have an illustrator/portfolio critique swap and a  manuscript swap/critique connection group. KidLitCreatives encourages and supports writers and illustrators that are actively writing and submitting. They even offer prizes each month!

And now for our question to the wise. . . .

Answers to “Most Important Lesson Learned”

WRITING IS A GIFT TO MYSELF
by Laura Gehl

The most important lesson I have learned is to focus on the happiness I get from the act of writing. I absolutely love to write—that’s probably obvious, or I would have chosen a different career. But it is easy to think that happiness for a writer comes from making a sale, getting a starred review, winning an award, and so on. For me, those things do bring happiness, of course, when they happen. But I can bring myself happiness EVERY SINGLE DAY just by sitting down to write. Sometimes, life gets extra busy and stressful, and I realize it has been a week or more since I actually did any writing. When I force myself to find time to write, voilà—it makes me happy! Writing is like a gift I can keep giving to myself over and over, and it is a gift I love every time. But for some reason, this is a lesson I keep needing to relearn. It’s easy to get pulled back into worrying about the next sale or the next review…and easy to feel like there are so many other things going on that there isn’t time to write. In both of those situations, I need to remind myself that I will feel better if I get back to writing. And then I do!

SPEAK UP WITH CONFIDENCE
by Vivian Kirkfield

I realize that every editor has her or his own way of moving forward and that the timeline for the path to publication for each book is going to be different. But I wish I’d had more knowledge of that timeline when I signed my first book deal and I wish I’d had more confidence to speak more decisively when things weren’t moving along smoothly. If you haven’t gotten sketches and you should have…speak up. If you’ve gotten them and there is a problem…gather your proof and speak up. When it comes to historical accuracy and authenticity, we must advocate for our stories to ensure that children receive the best books possible.

BY SUBMITTING TOO EARLY, WE BURN BRIDGES. BUT . . . THAT’S ALSO HOW WE LEARN
by Beth Anderson

I wish I’d had a better idea in the beginning about when a manuscript is ready for submission. As with most endeavors, you don’t know what you don’t know, so it’s probably impossible to have known that, and the gap between my “ready” and “submission ready” was significant. Thankfully, I’ve had critique groups that pushed me closer, but they too were working to understand “ready.” I think the only solution is to share your work with people that know more about the business and will be honest with you. And then we must be patient enough, diligent enough, tough-skinned enough, and trust them enough to really listen and keep working on it. By submitting too early, we burn bridges. But…that’s also how we learn. Beth

WRITING AND PUBLISHING IS LIKE A BOX OF CHOCOLATES—YOU NEVER KNOW WHAT EXPERIENCE YOU’RE GOING TO GET
by Dawn Prochovnic

I think one of the things I’ve learned (or, more accurately, one of the things I am still learning) is that writing books is somewhat akin to raising (and/or teaching) children. You can read about it and glean ideas about how to handle certain circumstances from others, but in the end, you have to follow your own instincts. What works for one parent/teacher/child or author/book does not necessarily mean it will work for another. And just because you have successfully written/published one (or many) books, does not mean you have it all figured out. Yes, you come to the table with more experience, more confidence, and more tools in your toolbox, but each book will require you to begin again. Each book will journey on its own unique path. And each book will require the depths of your love and commitment—coupled with the right balance of full-on attention and getting out of the way.

Vivian wrote: I LOVE this one, Dawn…so very true…each book and each editor and each illustrator who works on one of our books creates a different recipe…like baking a cake. And for those who have baked cakes, you know that even if you use the same ingredients, the temperature in the oven might fluctuate or someone might slam a door in the house or the baking powder you used isn’t as fresh…and the results may be different.

I’d like to share the link to the animated book trailer and song for LUCY’S BLOOMS

WRITING IS LIKE TENDING A GARDEN
by Melissa Stoller

I wish I had known – and I’m still learning – that writing is a bit like tending a garden. You can plant bulbs and water and feed them – but not every one will grow (some bulbs inevitably get eaten by resourceful squirrels!). But if you plant enough then hopefully some will blossom. It’s the same with manuscripts. Not every story will sprout and even those that do still have to go through revisions, editing, an agent search, rounds with an editor, acquisitions committees, and more. But hopefully the story that does make it through will bloom! So my tip is to keep writing and then write some more. Work on your craft. Take classes. Read mentor texts. And surround yourself with excellent critique partners. Hopefully, by tending to our writing gardens, we will cultivate the best stories that will become beloved books.

THERE IS STRENGTH IN NUMBERS
by Ellen Leventhal

One very important lesson I learned is that there is strength in numbers when it comes to marketing. I knew that getting a book published was just the beginning, but I didn’t know anything about marketing groups with my first two books. I am in two groups now, and the support has made a huge difference.

TAKING PART IN A WRITING COMMUNITY CAN CHANGE EVERYTHING
by Michelle Nott

Besides all the previous tips, I would encourage everyone to find their writing community, be that organizations like SCBWI or CBI, critique groups or at least a partner, and writers and artists on social media. When I first started writing for children, I was in Belgium and didn’t realize there were so many other writers for children in Europe and who were so generous with advice and support. I had been writing alone for a year, and almost gave up, until I noticed an agent from NYC was offering a master class through SCBWI in Paris. That small gathering opened up the entire kid lit world to me. I found a critique group in Brussels, went to Europolitan Conferences, and actually learned about the business side of writing for children (and how much improvement my query letters needed!) Community can also help writers realize that everyone’s journey is unique and that fact, in itself, can avoid a lot of stress and unrealistic expectations. We can all learn something from each other, no matter where we are on our writing and publishing paths.

MAKING GENUINE, AUTHENTIC CONNECTIONS WITH FELLOW WRITERS IS GOLD
by Rosie Pova

The most important thing I’ve learned throughout my publication journey is that support is invaluable and that nothing really happens without it. This business is tough! Making it to publication is a huge victory! It means you’ve overcome a mountain of obstacles and heartaches, most likely, but then the hard work starts. So in light of that, I wish I had joined a promotional group or two after the publication of my first few books. Joining forces with peers can take a book so much farther! For years, I’ve struggled with marketing, promotions, spreading the word … solo. Having a support system and teammates makes all the difference! So, my advice is to start thinking about that very early in the process — don’t wait until your book is about to release — and plan wisely. Find a promo group to join or start one. The more heads come together to collaborate and promote, the better. Oh, and don’t forget to be a supporter of others in the kidlit community, too. Making genuine, authentic connections is gold in this business!

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Change is in the air for me, Blue Whale Press, and my blog. I have some announcements today and more to come. Where to start?

Well, I’ve been waiting for a big announcement to be made, but I let the cat out of the bag the other day during an interview with Mel Rosenberg. I loved the interview. It was like talking with a longtime friend.

I figured I should lead with the biggest news, which I just did on the above video. After very long consideration, I’ve made the tough decision to step down from my roles as acquisitions editor and art director at Blue Whale Press. It’s time for me to practice a little self-care and step into some new adventures (or maybe I should say ventures????), which time will slowly reveal. I recommended Jackie Kruzie to be my replacement, and I’m happy to share that she is stepping up to the challenge as acquisition editor. To learn more about Jackie at Blue Whale Press, click here. You can also find Jackie’s wish list and temporary submissions page here. I believe Callie will be doing a blog post about the change, which explains why I recommended Jackie for my replacement, and you’ll gain deeper knowledge about Jackie’s excellent credentials and kid lit experience.

It has been an honor for Steve and me to bring Blue Whale Press up to this point. We are extremely proud of our little press, and even more proud of the books we’ve produced and the wonderful authors and illustrators who entrusted their precious work to us. We are grateful for each and every author and illustrator and the relationships we have built with them. Knowing that Blue Whale Press will live on as an imprint of Clear Fork Publishing under the fine guidance of Callie Metler and Jackie Kruzie makes this difficult life choice much more palatable.

I am no longer taking submissions. However, I will continue with art directing and design through May 15, 2021. This will give the last four books that I acquired a good head start before I fully pass the baton to Callie and Jackie. After May 15, I will likely take a sorely needed hiatus. Once I regroup, I will be back better than ever with more surprises for kid lit writers and friends.

As for Blue Whale Press’s future, we would love to see Blue Whale Press continue to grow. After that, our wish for Blue Whale Press is that it will continue to publish quality books that have so much staying power that they have potential to one day be called a classic. I believe Blue Whale Press books will continue to entertain, inspire, and educate readers of all ages. From the beginning, one of our dreams was to launch authors and illustrators into long-lasting careers that they love and are proud of. We continue to want that for Blue Whale Press authors and illustrators. And we’d love to see our vision of many Blue Whale Press books becoming award winners on best-sellers lists.

I can’t say it enough; I’m extremely proud of Blue Whale Press and my accomplishments there. Maybe one day, I’ll write a blog post about it. For now, I will offer my latest photo (although slightly blurred) of my office Blue Whale shelf (top shelf). With four more books in production, I’m honored to share that I played a role in bringing 17 Blue Whale Press books into the world. It has been a beautiful and fulfilling ride. More to come in Callie’s blog post.

There are some changes coming to my blog as well. I’m resurrecting my “All About” blog series (All About Submissions and All About Platforms combined with Marcie Flinchum Atkins’s “We’re All In This Together” series—with Marcie’s permission of course. Thanks, Marcie! And boy do we have some fantastic multi-published authors to tackle our old topics and lots of new ones. We’ll be sharing our wisdom and stories about the world of kid lit writing and publishing. And because of all our combined years of kid lit writing experience, we will be giving the series a new name. KID LIT WRITING WISDOM (Over 170 years of combined experience as authors!) I will introduce the team after one more announcement.

As many of you know authors are always happy when another one of their babies comes into the world. So, I’m thrilled to see Sienna, the Cowgirl Fairy series bring a new story to readers. This time Sienna is having some COWBOY TROUBLE. Here’s the trailer.

Please allow me to introduce the Kid Lit Writing Wisdom team.

All of our team members (except for one) have new picture books coming out or already released this year. We are either members of 2021 Word Birds or Twenty One-derful Picture Books in 2021 or both.

Beth Anderson
Marcie Flinchum Atkins
Kirsti Call
Pippa Chorley
Alayne Kay Christian
Laura Gehl
Vivian Kirkfield
Ellen Leventhal
Michelle Nott
Rosie Pova
Dawn Prochovnic
Rob Sanders
Melissa Stoller

On Sunday, I will fully introduce you to the team with bios and images and links.

IN THE MEANTIME, IF YOU HAVE WRITING OR PUBLISHING QUESTIONS THAT YOU’D LIKE TO SEE THE TEAM ADDRESS, PLEASE LEAVE YOUR QUESTION IN A COMMENT.

 

 

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giftPRIZE ANNOUNCEMENT

In my last post MY GIFT – YOUR GIFT, I asked people to share inspirational quotes or short stories as gifts to others. In return, those who participated were included in a drawing to win complimentary admission to my picture book writing course Art of Arc. I also offered two Art of Arc students or alumni complimentary picture book critiques. I’ve decided to give a bonus gift, so three people have won the course and two have won critiques. Congratulations to the following winners!

COMPLIMENTARY ART OF ARC COURSE

Ann Magee

Julie Bergmann Lacombe

Chris M. Regier

COMPLIMENTARY CRITIQUE

Gabrielle Schoeffield

Linda Schueler

 

A fun drawing by Teresa Robeson from her blog ONE GOOD THING.

A fun drawing by Teresa Robeson from her blog ONE GOOD THING. Click on the image to see more of her work.

 

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JUST SAY NO TO NEW YEAR’S RESOLUTIONS 

I first offered a version of this post in 2012. It was titled THIRTY-ONE JUST FOR FUN. Each year since, I’ve modified my original post and reposted it. Before I share the 2016 modified version, I’d like to thank everyone who has supported my blog and me throughout the year. I wish you all a very Happy New Year. May the New Year bring each of you all that your heart desires.

Now for JUST SAY NO TO NEW YEAR’S RESOLUTIONS. . . .

A common question in life coaching is, “What’s the difference between a life coach and a therapist?” The answer goes something like this: Imagine you are driving a car through life with a psychotherapist as your driving instructor. The psychotherapist will spend a lot of time instructing you to look through your rearview mirror at where you have been. A “life coach” driving instructor will encourage you to look out your windshield at where you are going.

A NEGATIVE DRAIN

Today, I am going to swim against the life coaching current and ask you to look back at where you have been. New Year’s resolutions often have roots in the past. We look back, with a certain amount of regret, at what we failed to accomplish in the outgoing year. Focusing on our shortcomings, we resolve to make up for them in the New Year; usually with bigger and better plans than before. Although setting these goals can leave you feeling hopeful, looking back with self-judgment can sap your confidence and drain your spirit.

ENERGIZE YOUR SPIRIT

Instead of looking back at your shortcomings with regret, look back at your successes with confidence and gratitude. Looking back and acknowledging your accomplishments will give you the opportunity to celebrate your successes and energize your spirit as you look forward to your new year.

YOUR LIST

Over the next couple of weeks, take some time to reflect on 2016 and list the things that you accomplished throughout the year. I hope you will celebrate your successes by coming back and sharing some of your discoveries in the comments section of this post or share them on your own blog. The most important part of this challenge is recognizing the positive, energizing events of 2016.

QUESTIONS TO HELP YOU GET STARTED ON YOUR LIST

  • How did you grow personally, professionally or as a writer?
  • Did you have a positive impact on others?
  • What writing skills did you learn or strengthen?
  • Did you improve organizational skills?
  • Did you find the secret to time management?
  • Did you complete any writing challenges?
  • Did you join any groups?
  • What personal strengths did you gain?
  • What goals did you achieve?
  • What unplanned accomplishments did you achieve?
  • What character qualities did you strengthen?
  • Have you improved your communication skills?
  • Have you gotten better at saying no to others, to yourself, or to activities that drain you?
  • What acts of kindness did you share?
  • What special, memory building moment did you have with family, friends, writing groups, by yourself and so on?
  • Did you submit any of your writing? If you want to challenge yourself to submit more in 2016 join my Sub Six private manuscript submission support group on Facebook.
  • Did any submissions get accepted for publication?
  • Did you get any rejections with encouraging notes?
  • Did you find a positive way to accept rejections?

For tips on celebrating your achievements see CELEBRATE YOUR ACHIEVEMENTS BIG AND SMALL. Be sure to scroll down to the section about the achievement jar, so you can celebrate all through 2017.

Below I share some my 2016 achievements.

  1. I signed a four-book deal for my chapter book series SIENNA THE COWGIRL FAIRY with Clear Fork Publishing. In the process, I met some great new friends and my fantastic editor Callie Metler-Smith.
  2. I attended the Big Sur Cape Cod workshop and spent time with my lovely friends Sylvia Liu, Victoria Warneck, and Teresa Robeson.
  3. I continued to help other writers via my Art of Arc course and critiques. And other writers helped me with some great critiques and brainstorming.
  4. I completed the Nonfiction Archaeology course.
  5. I made my first serious attempts at writing two different nonfiction picture books. And I found the courage to submit them!
  6. I celebrated many, many friends’ successes – book contracts, book releases, agent representation and so on. Go Kid lit Community!
  7. I took care of myself during rough times and celebrated my fun times with joy.
  8. I continued to practice one of my favorite author survival skills, which is write from the heart – submit with detachment. I also encouraged others with positive and inspirational quotes on Facebook and Twitter.
  9. I completed my 5th 12 X 12 writing challenge and had the pleasure of working as a 12 x 12 Critique Ninja.
  10. I ended 2016 by gifting my picture book writing course ART OF ARC: How to Analyze Your Picture Book Manuscript (deepen your understanding of picture books written with a classic arc) and some picture book critiques.

Now it’s your turn. Celebrate with us by sharing your accomplishments.

Best wishes in 2017! Wait, there’s more. This would have been my sixth year of participating in Tara Lazar’s PiBoIdMo (Picture Book Idea Month) challenge, but there have been some changes. My sixth year will have to wait until January 2017, and I will be participating in STORYSTORM instead. To read about the changes and how to register click on the following badge. Thirty story ideas in thirty days, with inspiration, great faculty, and prizes, too!

storystorm-badge

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th (1)JUST SAY NO TO NEW YEAR’S RESOLUTIONS WITH THIRTY-ONE JUST FOR FUN

I offered my first THIRTY-ONE JUST FOR FUN CHALLENGE in 2012. Each year since, I have modified my original post and reposted it. Before I share the modified version, I’d like to thank everyone who has supported my blog throughout the year. I wish you all a very Happy New Year. May the new year bring each of you all that your heart desires.

Now for THIRTY-ONE JUST FOR FUN. . . .

A common question in life coaching is, “What’s the difference between a life coach and a therapist?” The answer goes something like this: Imagine you are driving a car through life with a psychotherapist as your driving instructor. The psychotherapist will spend a lot of time instructing you to look through your rearview mirror at where you have been. A “life coach” driving instructor will encourage you to look out your windshield at where you are going.

A NEGATIVE DRAIN

Today, I am going to swim against the life coaching current and ask you to look back at where you have been. New Year’s resolutions often have roots in the past. We look back, with a certain amount of regret, at what we failed to accomplish in the outgoing year. Focusing on our shortcomings, we resolve to make up for them in the New Year; usually with bigger and better plans than before. Although setting these goals can leave you feeling hopeful, looking back with self-judgment can sap your confidence and drain your spirit.

ENERGIZE YOUR SPIRIT

Instead of looking back at your shortcomings with regret, look back at your successes with confidence and gratitude. Looking back and acknowledging your accomplishments will give you the opportunity to celebrate your successes and energize your spirit as you look forward to your new year.

THIRTY-ONE JUST FOR FUN

Over the next couple of weeks, take some time to reflect on 2015 and list 31 things that you accomplished throughout the year. I hope you will celebrate your successes by coming back and sharing some of your discoveries in the comments section of this post or share them on your own blog. The most important part of this challenge is recognizing the positive, energizing events of 2015. Even if you are unable to list 31 achievements, come back and celebrate with us by bragging a little about your year.

QUESTIONS TO HELP YOU GET STARTED ON YOUR LIST

  • How did you grow personally, professionally or as a writer?
  • Did you have a positive impact on others?
  • What writing skills did you learn or strengthen?
  • Did you improve organizational skills?
  • Did you find the secret to time management?
  • Did you complete any writing challenges?
  • Did you join any groups?
  • What personal strengths did you gain?
  • What goals did you achieve?
  • What unplanned accomplishments did you achieve?
  • What character qualities did you strengthen?
  • Have you improved your communication skills?
  • Have you gotten better at saying no to others, to yourself, or to activities that drain you?
  • What acts of kindness did you share?
  • What special, memory building moment did you have with family, friends, writing groups, by yourself and so on?
  • Did you submit any of your writing? If you want to challenge yourself to submit more in 2016 join my Sub Six private manuscript submission support group on Facebook.
  • Did any submissions get accepted for publication?
  • Did you get any rejections with encouraging notes?
  • Did you find a positive way to accept rejections?

For tips on celebrating your achievements see CELEBRATE YOUR ACHIEVEMENTS BIG AND SMALL. Be sure to scroll down to the section about the achievement jar, so you can celebrate all through 2016.

Below I share ten of my thirty-one achievements.

  1. I started 2015 with my first SCBWI annual winter conference in New York where I met many of my friends in person for the first time, including four out of six of my Penguin Posse critique partners.
  2. I developed a highly detailed picture book writing course. This was a long and challenging process that I must celebrate by sharing. I consider it a huge achievement. Yay!
  3. I completed Renee LaTulippe’s fantastic course  The Lyrical Language Lab: Punching Up Prose with Poetry
  4. I attended the excellent SCBWI workshop, Tammi’s Top Picture Book Writing Secrets with Tammi Sauer and Janee Trasler
  5. I started art classes.
  6. I completed Sudipta Bardhan-Quallen’s and Kami Kinard’s Kid Lit Summer School: The Plot Thickens
  7. I helped as many fellow writers as possible with their manuscripts.
  8. I learned to practice one of my favorite survival skills, which is write from the heart – submit with detachment.
  9. I completed my 4th 12 X 12 writing challenge and my 5th PiBoIdMo challenge.
  10. I ended 2015 with a very successful launch of my picture book writing course ART OF ARC: How to Analyze Your Picture Book Manuscript (deepen your understanding of picture books written with a classic arc).

I’m already planning for next year. I recently signed up for the 2016 Big Sur at Cape Cod, Andrea Brown Literary workshop. This is doubly exciting for me because I will be meeting up with some of my Penguin Posse sisters once again.

Best wishes in 2016!

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ALL ABOUT PLATFORM BUILDING V2It’s been a while since I’ve posted. I’ve been away regrouping in preparation for my upcoming blog series on platform building. I’ve also been busy with my critique service. I’ve added many more testimonials to my website, and I’m working on some new ideas and services. I continue to plug away at my picture book and chapter book writing and edits with my fingers crossed that some of them will soon meet with Erzsi’s approval, and the submission fun will begin.

Speaking of submissions, before I move on with my DON’T BE AFRAID TO FALL post and my announcement about my new blog series, I want to thank the ALL ABOUT SUBMISSIONS team for sharing so much of themselves during the series. Thank you: Cindy Williams Schrauben, Elaine Kiely Kearns, Heather Ayris Burnell, Julie Falatko, Kirsti Call, Marcie Flinchum Atkins, Sophia Mallonée, Sylvia Liu, Teresa Robeson. Your posts continue to help writers who visit my blog.

When it comes to submissions or the business of writing, it can sometimes seem much easier to get discouraged than encouraged. Today, I offer some food for thought about discouragement, or perceived failure. I’ve had the following piece in my collection for many, many years. I’m guessing since the early seventies. You can tell it’s old because of the people and events mentioned. I’m sure we could find some remarkable statistics on more current people. But what really matters is the message. I’ve modified the piece slightly and interjected a little in parenthesis.

FALLINGDON’T BE AFRAID TO FALL

Author unknown

 You’ve failed many times, although you may not remember. You fell down the first time you tried to walk. You almost drowned the first time you tried to swim, didn’t you?

Did you hit the ball the first time you swung a bat? Heavy hitters, the ones who hit the most home runs, also strike out a lot. Babe Ruth struck out 1,330 times, but he also hit 714 homeruns.

R.H. Macy failed seven times before his store in New York caught on. (Macy’s now has 800 stores. They are in every major geographic market in the United States plus their Macy’s.com website.) English novelist, John Creasey, got 752 rejection slips before he published 564 books. (I’ve read elsewhere that it took him 14 years to sell his first story, and he wrote 600 books, using 28 pseudonyms.)

Don’t worry about failure. Worry about THE CHANCES YOU MISS WHEN YOU DON’T EVEN TRY.

ANNOUNCING MY NEW BLOG SERIES 

ALL ABOUT PLATFORM BUILDING

In the ALL ABOUT PLATFORM BUILDING series, ten awe-inspiring social media mavens will share their key lessons or tips for building strong, engaging, and of course, successful social media platforms. I’m excited about this series because I think it will be a great service to the writing community. I’m also excited to have the opportunity to work with each of these phenomenal women. I am so proud to be able to feature them on my blog. One of the many things that I love about this series is each team member has developed a unique platform. I believe that the guest posts will be as unique as each of these talented people and their successful platforms. I expect that their posts will show others that ingenuity and the thing that all writers have, creativity, is the key to a strong platform.

piboidmo2014In celebration of the quickly approaching Sixth Annual Picture Book Idea Month and her upcoming picture books I THOUGHT THIS WAS A BEAR BOOK and LITTLE RED GLIDING HOOD, the one and only Tara Lazar will kick off the series on October 25.

It is also my pleasure to introduce the rest of the team:

Elaine Kiely Kearns and Sylvia Liu – Children’s Book Authors, Founders of KIDLIT411, and more

Heather Ayris Burnell – Children’s Book Author, Founder of Sub It Club, and more

Julie Hedlund – Children’s Book Author and Founder of the 12 x 12 Writing, and more

Katie Davis – Author, Founder of Brain Burps about Books, Video Boot Camp, Author, and more

Marcie Flinchum Atkins – Children’s Book Author, Queen of Teaching about Mentor Texts for Writers and Teachers

Michelle Lynn Senters – Children’s Writer and Founder of Kids are Writers

Miranda Paul – Children’s Book Author, Founder of Rate Your Story, and more

Susanna Leonard Hill – Children’s Book Author and Founder of Making Picture Book Magic, and more

See you in a few weeks.

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sub six series 2

The ALL ABOUT SUBMISSIONS series is winding down. Only two more posts before we move on. The final guest bloggers will be Emma Walton Hamilton and Julie Hedlund. They will be joining together to talk about submissions. Beginning in the fall, a team of platform building, awe inspiring, social media mavens will share their knowledge and tips in a Platform Building series as guest bloggers. I will be sharing their names next month. Also in the fall, I will be adding more testimonials and some new advanced plans to my critique service, so keep an eye out for announcements.

Today, author and creator of Sub It Club, Heather Ayris Burnell, shares her tips on writing query and cover letters. A big thank you to Heather for her words of wisdom and for taking the time to write this post.

 

SubItClub Badge (175x88)

 

CREATE A GREAT INTRODUCTION: QUERY AND COVER LETTERS

By Heather Ayris Burnell

 

Query and cover letters—lots of writers dread them, but I say embrace those words! Your letter is your chance to talk about the manuscript you’ve worked so hard on. It’s time to think like a sales team and feature your work, and yourself, in the best light possible. Nope, no bragging is necessary, or even advisable.

Don’t stress out! Remember, query and cover letters are business letters. Your one-page letter is an introduction to your manuscript and you. Whether you’re sending in an unsolicited submission, submitting after a conference, or following up on a request, you’re going to need one. Make your letter easy to read and to the point. Agents and editors don’t have time to wade through a bunch of fluff to get to what they need to know.

Let’s get down to business!

COVER LETTER OR QUERY LETTER, WHAT’S THE DIFFERENCE?

These two letters can be very similar, but at the most basic:

A QUERY LETTER asks if you can send the work for consideration. It hooks the reader in a clear, concise manner, ideally making the reader want to request the manuscript.

The COVER LETTER is sent with the manuscript. It teases, making the reader want to move on and read those manuscript pages.

THE BASIC PARTS

HOOK – Sell your story in one short paragraph. (My hook is usually 1-3 sentences long.)

SUMMARY – Give your genre and word count. Expound on your story if needed. This is a great place to show what makes your manuscript unique.

BIO – This is about you. Publication credits, memberships to writing organizations, or work in an area that has to do with books can be great things to put in your bio. Unique experience or qualifications that have to do with the subject of your manuscript can be of interest as well.

If you don’t have anything, it’s okay! Don’t force it. Saying your kids love the story or simply talking about yourself in general isn’t likely to help sell you as a writer. A bio is not a 100% requirement in your letter. If you wow someone with your hook, it won’t matter much what your bio says.

I have read of agents who like to see all sorts of things in bios from the fact that you belong to a critique group to clueing them in on your online presence. But, there are definitely preferences on this. It is always a must to research whomever you are querying! Often times, you’ll discover partialities. If not, go with your gut.

Just be sure to keep your bio short and to the point!

PERSONALIZATION – Why did you choose to send this particular letter about this particular manuscript to this particular person? From something you learned via Twitter that made you choose to submit to comparable books you found while doing research, personalization can be tough, but it can go a long way and shows you are dedicated and educated in your craft.

Again, don’t force it. Personalization is not a 100% requirement. A factitious reason for submitting your work is worse than none at all.

CLOSING – Thank the person reading the letter for their time. Tell them what’s enclosed (cover letter) or ask if you can send the manuscript (query letter).

THE FORMAT

Letters should be one page or less, usually consisting of 3-4 paragraphs, the shorter and more concise the better, of course.

What is the #1 most important thing that the person you’re sending your letter to should read? That is what you want at the top, first paragraph.

If you have a connection from a conference or contest, a manuscript request, or just a really great reason for asking for your work to be considered, putting it front and center can grab the reader’s attention and keep them reading on.

Just have a regular reason for submitting, such as thinking your book might fit their style? Starting off with your hook right from the beginning is a great way to go.

Either way, get to the point. You have seconds to grab a busy agent or editor’s attention with your letter.

DO:

Show not tell. Just like in your manuscript. Create a visual for the reader.

Keep your letter to one page.

Learn the correct format for both paper and email queries.

Address your letter to an actual person. There is a rare .001% of the time, usually at publishing houses, where you cannot find a name of any actual person or are even told to sub to “The Editors”. It’s okay to do this if you absolutely have to.

Have someone else look over your letter. The person you’re submitting to won’t know your story. You want it to be clear to someone who doesn’t know it like you do. Getting your letter critiqued will help you make a strong presentation.

Proofread your query more than once before sending. Reading out loud helps catch mistakes.

Submit to more than one agent or publisher at a time (unless an exclusive is specified in the guidelines). Hearing back on submissions can take a very long time. Keep moving forward!

DON’T:

Write your query as your character.

Worry about the type of paper you use for mailed submissions. Clean, white printer paper is fine. If you want to spend more on high quality paper that’s fine too, just don’t use colored or patterned paper. It’s your letter you want them to take note of!

Resend your query because of a tiny mistake you didn’t catch before you sent it.

Waffle. Know your story. Your genre. For example, don’t offer to change your picture book to a chapter book. If changes are wanted, they will be asked for.

Put sticky notes, photos, or any other sort of extra to “personalize” your query. Everything the reader needs to know to make a decision should be in your letter.

REMEMBER

Creating your letter takes time. Most likely more time than you feel it should! Personalizing each submission takes time. Don’t rush it. You only have one chance to submit your work to someone; you want to make the best presentation possible.

Studying letters that worked is helpful when creating a great query or cover. There are many variations, but one thing stays true, the letter serves to sell the story. Check out the Query Letters That Worked at Sub It Club for some examples of letters that sold manuscripts.

You’ve worked hard to create the best manuscript you can. You need to work just as hard on your query letter. You can do it, you are a writer!

Heather Ayris BurnellABOUT HEATHER

Heather Ayris Burnell loves writing query letters and she loves helping others with them, that’s why she created Sub It Club where they talk about all things subbing and share cover and query letter critiques in their private Facebook group. She also does query and picture book critiques, as well as private consulting with writers to help them figure out the ins and outs of publishing, submitting in particular. She is the author of BEDTIME MONSTER published by Raven Tree Press and is represented by Sean McCarthy Literary Agency.

BedtimeMonster

You can find Heather on her blog,  where she curates the Monster List of Picture Book Agents, on Twitter @heatherayris, and on Facebook.

BONUS LINKS FROM ALAYNE

Note: These days,  many people use the term “query letter” for both a “true” query letter and a cover letter. As Heather pointed out, technically, there is a difference. Make sure when you read the following posts that you are researching the one you really need for your submission.

Heather’s blog post on Picture Book  Manuscript Formatting

Harold Underdown Query Letters That Worked and Cover Letters and Query Letters

Writing Picture Books for Children Writing a Cover Letter and Sample Cover Letter

Rob Sanders Hovering Over Cover Letters

Query Shark Revising Query Letters so the Actually Work

Kathleen Temean Successful Query Letters and Writing Examples

Children’s Atheneum Query Letter Woes or Writing an Honest Query Letter

Carol Brendler (Emu’s Debuts) The Only Way to Write a Query Letter

Writer Unboxed, Chuck Sambuchino, Query Letter FAQs

Jessica Schmeider Query Workshop part 2 of 5 –  Find Links to the whole query workshop here

KIDLIT411.com Submissions: Agents and Editors

 

 

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sub six series 2

 

A big thank you to Vivian Kirkfield for sharing her thoughts on manuscript submissions with us today.

 

 

TRYING BACK DOORS: A FEW THOUGHTS ABOUT SUBMITTING TO

SMALL PRESS PUBLISHERS

by Vivian Kirkfield

 

Did you ever lock yourself out of your house? Back in 1996, we arrived at our new home in Colorado Springs, having driven 2000 miles from Connecticut. We climbed out of the car, walked up to the front door of our new house, and quickly realized we had packed the keys in one of the many boxes that were being transported by the moving company. They would not arrive for several days.

Fortunately, I was able to get in the back door. Well, sort of. There was a dog door at the back of the house. I’m pretty small, so I scrambled through the flap and ran around to unlock the front door for the rest of the family.

There are a couple of ‘back doors’ in the publishing world as well, and writers can sometimes find success using them. I’d like to share a couple of thoughts that might be helpful to all of you.

SMALL PRESSES

A small press publisher can be a good place to start your climb to the top of the publishing pile. There are thousands of small press publishers in North America alone. Of course, you still need to do your homework: check their reputation, check their submission guidelines, research their book list to target your submission, and only send your work when it is the best it can be.

What are the advantages of working with a small press publisher?

  1. You may get much more personal attention because a small-press editor works with fewer writers and can afford to take a personal interest in each book.
  2. Small presses are less numbers-driven and more interested in quality.
  3. Many small presses specialize in a niche market. Your queries can be focused much more precisely, and you can often find a publisher who is a perfect fit for your book.
  4. A small press may be able to afford to keep a relatively large backlist. Your book will stay in print longer, maybe even for years, providing a lot more time for word-of-mouth to take effect.

What are the disadvantages of working with a small press publisher?

  1. Small presses only publish a limited number of new titles each year, some only one or two.
  2. Small presses cannot afford to market your book the way a larger publisher can. They list it in their catalog, but tours, signings, and any other marketing will probably be up to you, the author. However, these days, even major publishing houses do not spend very much in marketing dollars for unknown authors. If you want your book out there, you will have to hustle it yourself.
  3. Small presses do not have the distribution capability of major houses. The large book wholesalers, like Baker and Taylor or Ingram, don’t carry many small press titles and the superstores usually only buy from these major distributors.
  4. Most small presses operate on very tight budgets and unforeseen problems can sometimes push a small press into bankruptcy. If you decide to sign with a small publisher, make sure you have a contract provision that allows you to reclaim the rights to your manuscript.

How to Approach a Small Press Publisher

I had an interesting experience with a small press this past year. One of my manuscripts seemed to be a good fit for a small niche publisher. I did some research and found them on Facebook and left a comment about how I was going to submit something to them. There was an immediate response and an invitation to submit, which I did. About two months later, I received a lovely email from the acquisitions editor, encouraging me to revise the story and resubmit it. Unfortunately, by the time I revised and resubmitted it, the editorial staff had been reorganized, my contact was no longer there, and they were no longer interested in the manuscript. But I’ve sent it on to several other places. I won’t cross my fingers because I am too busy writing and revising more manuscripts.

Here are a couple of submission tips for small presses and niche publishers:

  1. Know what they publish.  Don’t query a regional nature manuscript to a press that publishes stories about military families.
  2. Read and follow their submission guidelines to the letter and prepare your submission package carefully.
  3. Be patient. Be courteous. Be considerate.
  4. If you don’t have an agent to represent you, make sure you know what you are signing away and what you are getting.

And here are some online resources to get you started:

Fantastic article from Science Fiction and Fantasy Writer’s Association for EVERY writer who is submitting to agents or to editors. It includes important links to check out both publishers and agents: http://www.sfwa.org/other-resources/for-authors/writer-beware/small/

Agent Query — http://www.agentquery.com/publishing_ip.aspx

Literary Market Place — http://www.literarymarketplace.com/lmp/us/index_us.asp (free registration required)

Bonus link from Alayne: From Writer’s Digest – THE PROS AND CONS OF PUBLISHING WITH A SMALL PUBLISHER by Brian Klems —  http://www.writersdigest.com/online-editor/the-pros-and-cons-of-publishing-with-a-small-publisher

 

I wish you all the best of luck with whatever submissions you bravely put out there this year.

I’d like to thank Alayne for the opportunity to participate in the ALL ABOUT SUBMISSIONS series.

 

About VivPicture 054 Bian

Vivian Kirkfield loves being surrounded by picture books and children. A former kindergarten teacher, she has a master’s in early childhood education…and when she isn’t scribbling stories, she is hiking and fly-fishing with her hubby, reading, crafting, cooking with kids, and sharing self-esteem and literacy tips with parents. Although she is not a fan of heights and was always a rather timid child, Vivian is constantly taking leaps of faith. In 2010, she self-published her award-winning parenting resource, Show Me How! Build Your Child’s Self-Esteem Through Reading, Crafting and Cooking. Three years ago, she went skydiving with her son. In May of 2013, she flew half-way around the globe to speak at the 2013AFCC/SCBWI conference in Singapore, and she is amassing a respectable pile of picture book manuscript rejections. To learn more about her mission to help every child become a lover of books and reading, you can follow her on Twitter, connect with her on Facebook, like her Show Me How page on Facebook, visit her blog at Picture Books Help Kids Soar or contact her by email.

book pic from wordpress blog

 

 

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sub six series 2

I apologize for hijacking Jan’s informative post with a few announcements. I feel it is important to let you know that I have decided to let ALL ABOUT SUBMISSIONS Q & A rest for the summer. However, there are still some ALL ABOUT SUBMISSIONS guest posts coming up. The two main reasons for the summer break with the Q & A are:

1) It’s a busy time for everyone, so I thought it might be nice to give the team a break.

2) I am busy with writing projects and my new picture book critique service.

Many of our Q & A members have had good news since we started the team. I am hoping to share some of it with you in the future.

I would like to thank today’s guest blogger, Jan Godown Annino, for sharing some of the things she has learned in her writing journey. Here’s Jan. . . .

 

Admissions about Submissions:

Things Learned from my Crackerjack Critique Partners

 by Jan Godown Annino

 

It could be that at the end of this day, you won’t submit that poem, story, article or book. I’m talking about that manuscript glowing over there in your To-Go queue.

Why not?

1. There is a time to submit.

2. And there is a time to delay a submission.

Having spent plenty of time around the table with my prize-winning poetry critique partner and two groups of published writers / editors, I’ve been privileged with an inside view of their submission experiences, results, and hopes.

Jan's crackerjack  critique group L to R : Debra, Ann, Jan & M.R. Photo by Paolo Annino

Jan’s crackerjack critique group
L to R : Debra, Ann, Jan & M.R.
Photo by Anna Annino

As the leader of a writing workshop in a retirement community for several years, I discovered a surprising reason to hold back on submissions. Also, in attending crackerjack workshops at the Hollins University summer children’s literature program, I learned a lot about submission attitudes from fellow writers.

Today, I share what I learned about manuscript submissions and writing from the above mentioned experiences.

This blog post is about moving a voluntary, not required writing for everyday employment, submission along. Moving it the long, long, miles from the keyboard toward publication. NOTE:  Writing required for everyday employment such as, works-for-hire, paid/staff writing assignments, writing in other employment settings, or other similar pieces are not in the hopper for this discussion.

Two Little Reasons to Hold Back on Submitting

Little reason one: The poem, article, story or book manuscript ain’t poifect. It’s not the best.

Some things that might get overlooked or might need a little extra attention are: the idea, research, writing, revisions, fact-checking, copy editing, formatting & agreements / commitments previously made with an agent or editor.

Although flush with the thrill of creation earlier, the writer now realizes that all the words don’t work well. The next revisions might start with arrangements for hiring an expert copy-editor where they will work together to provide polish before submitting. They might look for things such as, lax formatting, missing significant facts and so on.

The best work moves forward. The less than best, no.

Now for a word about partial manuscripts. Sometimes, upon request from editors or agents, a writer sends out work that is partially written. But those requests for partials do not mean that those professionals on the receiving end hope to read work without sparkle. Those partials must be the best they can be, not hurry up, rough-and-tumble drafts.

As for the writer who has an arrangement with an agent or editor to peek at works-in-progress that are covered in construction dust, well, that writer owns a unique send button. Brava! Not every keyboard has ’em.

For most of us, it works in our favor to leave the typos, wonky formatting, and blobby ideas at home.

Little reason two for holding back on submitting, with three aspects to it: An unready, unprepared writer.

1. Not the writer’s true topic.

A writer may realize they dislike the topic that they are messing around with in Microsoft Word, longhand, or however it is they bring something to the page.

As a community college adult education writing instructor, I had big ears for the round-the-world adventures of active retirees. They are the ones who taught me about this “wrong topic” problem.

Out of about 20 fascinating writers with lively stories to tell, each semester, usually one-fourth shared that they were slogging away at a piece that they didn’t want to write. But they were dully plodding because a spouse, child, sibling, college group, former employer, etc. tasked them with it. Someone had complimented them on their writing, rhyme, annual family newsletter, vacation report, or anecdote about Uncle Mortimer and the wasp in his armpit by telling them, “You have to publish this!”

If you don’t want to write the piece you are working on, give yourself permission to write something you want to write. (Note – again, under discussion is voluntary writing, not required writing for everyday employment.)

 2)     Scrutiny

A smaller part of little reason two is that an author is unready, at this particular moment, to be out there for scrutiny. Consider the following scenario: An author’s pal runs interference and sets up a pitch session with their editor or agent. The unprepared author doesn’t have the pitch polished, is sick with the ick, is distracted by several serious family kerfuffles, etc. The editor is faced with either wasting time with an unprepared author or a string of cancelled appointments due to the author’s personal issues.

The remedy is to always try to be ready, but to understand if the time is truly not right. Ask the editor/agent if you can be in touch soon, like in two weeks?

3)     Unwilling to budge

A third aspect of little reason two is that the writer is emotionally tied to the story exactly the way it is submitted. The connection, often from a heartfelt childhood experience or other event, is so vivid to the author that any manuscript changes suggested by an editor or publisher feel wrong . . . or it seems as though it would be a betrayal of this emotional material to make changes for improvement.

So why send a piece to a traditional publisher, whose job is to find ways to make the piece better, and whose experience guides them to do this, when the writer’s thinking from the get-go is,  I’m not open to substantial changes. You must be open to changes to work with a top-drawer editor and publisher.

There may be other reasons a writer is unready; please share a comment.

COMMENT prize

The prize(s): A surprise item (or items) from Jan’s writer’s vault (U.S. & Canada postal mail, only.)

To be considered for a prize, leave a comment, by June 30 midnighty and include your real name if that is not the automatic comment name.

I appreciate those who helped. In acknowledging assistance (Ann, Debra, M.R, especially, thank you) any foolishness of thought, fact or interpretation, is my own. I’d like to also express gratitude for Sub Six/Alayne and your supporting cast, and more thanks to Kristen Fulton for the enthusiasm she shares in the writing community.

Photo by M.R. Street

Photo by M.R. Street

About Jan

Jan Godown Annino’s picture book biography of Betty Mae Tiger Jumper, SHE SANG PROMISE, is an ALA Amelia Bloomer Top Ten book. ​The New Jersey native moved to south Florida as a teen and now ​​lives with her family safe from pythons,​ ​crocodiles and most tourists,​ ​in North Florida​.​ ​Her ​poems for children are published in a 2014 Peace Corps anthology for Ethiopian schools, and her poetry for young readers also appears in Milkweed’s STORIES FROM WHERE WE LIVE, Literary Field Guide Series (Piedmont & South Atlantic edition).  ​Her Florida nonfiction books​ ​ ​are also well-regarded. Jan is​  ​an active reader in schools.

Visit Jan’s blog

Learn more about Jan on Twitter

You can also find Jan on GROG a group blog offering guidance and support to writers. 

CLICK HERE TO FIND A COMPLETE LIST OF “ALL ABOUT SUBMISSION” POSTS

CLICK HERE FOR INFORMATION ON ALAYNE’S PICTURE BOOK CRITIQUE SERVICE

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