Archive for April, 2013

My friend Marcie Flinchum Atkins has started a blog series for writers titled WE ARE  ALL IN THIS TOGETHER. Each week, Marcie’s blog will feature a different topic, and her writer friends will share their thoughts on the subject. This week’s topic is REJECTION. Marcie has shared some of my thoughts on her blog. I decided I would have a little more fun by offering additional thoughts on my blog. Following are twelve ideas on how one might cope with receiving a rejection letter. I want to warn you in advance that some are tongue-in-cheek fun and others are a little more serious.

1. Scream, cry, and swear. Wad the rejection letter into a ball, throw it at things and stomp on it. When you are done, if you still don’t feel better, consider using it for toilet paper 🙂

2. Print out a photo of the agent or editor who sent the rejection. Draw a mustache, beard, bushy eyebrows, and scars on his/her face. If she/he is smiling, black out some of her/his teeth. If you still don’t feel better, try drawing a target on the photo and throwing darts at it.

Now that I have had a little fun at the expense of agents and editors, I have to say that their jobs are also difficult. They must weed through tons of submissions and make tough decisions. Yet, many of them are kind enough to let us down easy and sometimes even offer helpful suggestions. They are instrumental in forcing us to grow as writers, so I can’t beat them up too much in the name of fun.

3. Grow more bitter with each rejection until you hate anyone who gets an agent or a contract. Really, really hate the writers who are so successful that it seems they have a new contract every time you turn around. Really, really, really hate the ones who have books going into their third printing and are being published in twenty different languages. Hate until you are so green with envy that you are mistaken for an alien. Hate until you can’t stand yourself.

4. Tell yourself that you have no business writing. Tell yourself that you are worthless when it comes to writing. Tell yourself, “What’s the use in trying. I’ll never get anywhere. I give up.” Then stop writing.

5. Once you give up on writing, spend the time you used to spend on writing and submitting by sleeping, staring at the television (on or off) drinking wine and/or eating the most unhealthy foods you can think of. Of course, there is always the old standby . . . eating ice cream straight from the carton.

6. Journal about your feelings or vent to a friend, then get back on that writing horse and write.

7. Meditate or pray until you are at peace, then get back on that writing horse and write.

8. Write a poem or prayer of release, then read it aloud as you burn the rejection letter (or something that represents the rejection). Let it go, and get back on that writing horse and write.

9. Collect rejections as badges of honor. They honor your hard work and dedication, your resilience and your courage. If a writer plays it safe and never submits, a writer cannot possibly get published. Each rejection is proof that you are one step closer to publication. Remember, there are no publishing ninjas sneaking into writers’ homes in search for the perfect story.

10. Keep all your rejection letters in a nice box with a ribbon or some other place that makes them feel like treasured memories. When you get published, you can encourage other writers by sharing how many rejections you received before your first book was published.

11. No matter how many rejections you get, love every person you know who gets an agent or contract. Really, really love the ones that are so successful that it seems they have a new contract every time you turn around. Really, really, really love the ones who have books going into their third printing and are being published in twenty different languages. Love until your heart is so full of joy that you are viewed as a happy and successful writer. Love until you are so encouraged and inspired by these published writers that you believe it can happen for you.

12. Change your perspective. As weights are important to the body builder’s growth, rejections are important to the writer’s growth. With the right perspective, rejections can build your writing muscles and thicken your skin. You can become stronger. And as you become stronger, you will find that each rejection can energize you and push you to work even harder. You have a choice. You can prove those who have rejected your work to be right, or you can prove them wrong. The only way to prove them wrong is to get back on that writing horse and keep writing until you have reached your destination.


1. What funny things do you do in response to rejections?

2. What self-defeating things do you do in response to rejections?

3. What positive, strength building methods do you have for coping with rejections?

I plan to offer more posts about rejection and perspective. Today I will leave you with the thought that there are many reasons manuscripts get rejected. A lot of them might have to do with personal tastes, requirements, and sometimes even the mood the editor is in. However, sometimes rejections are based on things that the writer can change or improve. Here are a few links that discuss reasons for rejections and one blog post about looking at rejections from a positive perspective.


Jessica P. Morrell’s 25 Reasons Why Manuscripts Get Rejected

Susie Yakowicz, Writing for Kids: 10 Reasons Manuscripts Get Rejected

Romelle Broas, Rejection Letters – From a Positive Perspective

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Wow! Time has slipped past me at lightning speed. I can’t believe it has been so long since I have written a new blog post. I took a little break to travel, spend time with family, and rethink my blog.

When I first started my blog, I thought I knew what direction to go. I would combine my life coaching with my writing knowledge and voila; I would have an instant hit. I was thrilled when I started gaining followers and getting comments. Yippee! I thought. I am a blogger. Then I started putting out feelers, asking my blog readers if I was going in the right direction. I learned that maybe I wasn’t. After considering people’s comments, I concluded that my first posts were possibly too heavy on the life coaching side and too light on the writing side. Today, I continue to try to find my way as a blogger. One thing I know for sure is that my number one goal is to remain authentic in my blogging journey and to have that shine through in my posts. I hope you will bear with me as I plant my blogger seeds, dig in my roots, and grow. In the process, I will do my best to offer value in my posts.


Today, I offer my thoughts on something that picture book writers often use; the ellipsis point (sometimes referred to as the ellipsis mark). We use these marks to indicate the omission of words, faltering or interrupted dialogue, or to create a pause. In my years of reviewing other writer’s work, I have noticed that the ellipsis mark is often used or formatted incorrectly.

According the CHICAGO MANUAL OF STYLE, ellipsis points are three spaced periods (. . .), sometimes preceded or followed by other punctuation. They must always appear together on the same line, but preceding punctuation may appear at the end of the line above. This is a minute portion of what the CHICAGO MANUAL OF STYLE has to say about ellipses.


Most commonly in the US, there is a space between each dot, and there are only three dots, unless other punctuation is involved. When there is no punctuation, there should be a space after the last word before the first dot in the ellipsis point. The following is an example of an ellipsis point used in dialogue to indicate an interruption.

Jack said, “I meant to say . . .”

“Meant to say what?” Emily interrupted.

Following is a breakdown of the above example: “I meant to say(space)(dot)(space)(dot)(space)(dot)”

When an ellipsis is used between words, there should be a space after the last word before the ellipsis. There should also be a space after the last ellipsis dot before the next word. Following is an example.

“I . . . um . . . hmm . . . guess so.”

Following is a breakdown of the above example: “I(space)(dot)(space)(dot)(space)(dot)(space) um(space)(dot)(space)(dot)(space)(dot)(space)hmm(space)(dot)(space)(dot)(space)(dot)(space)guess so.”

If there is a full sentence that ends in a period, there should be four spaced dots with the first dot (period) immediately following the last word of the sentence. Following is an example.

Emily loved her time with her grandparents, except for one thing. . . .

Following is a breakdown of the above example: Emily loved her time with her grandparents, except for one thing(period)(space)(dot)(space)(dot)(space)(dot)

This is only a partial description and explanation of ellipses. There are many rules and uses. The rules get even more complicated when using ellipses to indicate eliminated words in a quote. The purpose of this little blurb is to bring writers’ awareness to the proper spacing and use of these little dot, dot, dots. Not wanting  to risk giving you wrong information by providing further examples, I offer the following: If you want to ensure that you are using these little dots correctly in your writing, I encourage you to go to the library and spend some time with a style or grammar manual. Odds are, if you refer to THE CHICAGO MANUAL OF STYLE, your head will swim, but it will be worth it.

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