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Posts Tagged ‘Butterfly Kisses for Grandma and Grandpa’

On Sunday, I shared my personal story and the inspiration for BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. Yesterday, I shared the homemade book that I made for my granddaughter’s third birthday. This was the very first version of BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. I also shared a little bit about the path to publication and an update on my granddaughter. 

In today’s video, I read the published version of BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. I hope you enjoy it. My next video will demonstrate ways teachers, parents, and adults reading to children can help the kids remain engaged by interactive sounds and motions. 

Don’t forget to leave a comment to win a copy of BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. Also, if you want a copy in time for a Grandparents’ Day gift, there is still time to buy it on Amazon, Barnes & Noble, Walmart, Book Depository (with free shipping around the world) and more.

I offer some projects and activities for kids to do to feel close to their loved ones on one of my old websites here.

For teachers:

I’ve found when doing school visits around Grandparents’ Day that prior to reading the book, kids like to share about their grandparents. It’s a good way to bring understanding to the kids that some kids have the same situation as them and others have very different from their situation. Some kids have grandparents in other parts of the country, some have grandparents in other countries, some have parents somewhat nearby, some have grandparents just down the street or next door, some have grandparents who live with them, and some have grandparents who are in nursing homes, hospitals, or have died. To save time, you can have more of a survey type thing where kids raise their hands if the question you ask matches their situation with their grandparent.

 

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Yesterday, I shared my personal story and the inspiration for BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. Because I wrote that story a long time ago, I ended it with me imagining Jenni tucking Elle in and giving her a special butterfly kiss from Grandma and Grandpa. Today, Elle is way past the “tucking in” stage. She is now driving . . . sort of : – ) . She made varsity in tennis. She competes in Arabian horse shows. She recently started her first paying job. She has been invited to the National Honor Society. And so much more. And of course she towers over Grandma in height.

Elle in arena

 

Elle calloge

 

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In today’s video, I read the original handmade book and talk a little bit about its path to publication as BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. In the video, I mention a blog post about what it took to become a publisher and start up Blue Whale Press. I’m so glad and proud that before I retired from publishing, Blue Whale Press was able to accomplish Steve’s goal of bringing many more books to market and hopefully help launch many authors’ and illustrators’ careers. To read the blog post about starting a publishing company click here.

Don’t forget to leave a comment to win a copy of BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. Also, if you want a copy in time for a Grandparents’ Day gift, there is still time to buy it on Amazon, Barnes & Noble, Walmart, Book Depository (with free shipping around the world) and more.

The next video will be a reading of the published version of BUTTERFLY KISSES FOR GRANDMA AND GRANDPA.

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With Grandparents’ Day coming on September 12, I thought it’s time I share the story behind the book. Today, and in coming days, I will share many videos as listed below. Today’s video shares my inspiration for the book.

I also plan to give away a copy of BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. All you have to do is leave a comment on this post or any of the other four forthcoming posts about the book. The first video is at the end of this post. Enjoy!

UPCOMING VIDEOS

  • I will share the original handmade book that I made as a gift to my granddaughter. This book was the very first version of BUTTERFLY KISSES FOR GRANDMA AND GRANDPA. I also talk about what occurred between this version and the published version.
  • I will share a reading of the published version of BUTTERFLY KISSES FOR GRANDMA AND GRANDPA.
  • I will share a video demonstrating how to hold younger children’s attention by having them interact with the story via sounds and motions.
  • I will share a video talking about how this book can be used to help children who are separated by their loved ones for a variety of reasons.

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kid-lit writing wisdom

This month, I asked our wise authors to share thoughts on the importance of powerful first lines along with some tips for writing an outstanding beginning or outstanding first lines. I’m excited to share our many fabulous tips, examples, and mini-lessons. These tips can also be used for revising your stories’ beginnings, so you get double the treasure with these posts. Some authors have shared first lines of books in both Part 1 and Part 2. Study them and see if you can find some of the techniques mentioned in the two parts for this topic. Also notice if they inform you and draw you into the story–hook you. And if so, why? For those of you who are working on nonfiction picture books, Vivian Kirkfield’s first line examples and some of mine are from nonfiction picture books. However, they are good examples for works of fiction as well.

This is such an important topic that we will have three parts for this topic. This is part two, and you can read part one here.

WE HAVE A BONUS!

writing for children webinars and courses

I will give away free access to my webinar HOW TO WRITE POWERFUL FIRST PAGES LIKE A PRO to one lucky winner. To enter for a chance to win, please comment on one of the three posts about writing outstanding beginnings and share the link on Twitter or FB. Please tag me when you share the link, so I can make sure I get your name in the drawing. Now for some great words of wisdom.

Words of Wisdom

WELCOME READERS BY GIVING A PEEK INTO THE STORY WITH GREAT FIRST PAGES

by Ellen Leventhal

I love the topic of tips for writing outstanding beginnings. For me, this ties into last month’s topic about why it’s important for kid lit writers to read a lot of books in their genre. I read picture books with a different eye each time I pick them up, and recently I have been focused on beginnings and endings because they are both so important.

The first few lines matter for several reasons.

Beginnings of books invite the reader in. It’s the place to welcome your readers, so you want to make it welcoming and give a hint of what’s to come.

As picture book writers, we don’t have “the real estate” to give a lot of background. We have a lot to say in only 32 pages! (actually more like 28 pages). We need to give the readers a peek into the book. Is it humorous? Serious? Light hearted? In a picture book with a traditional arc, we need to introduce the character, what that character wants, and what is standing in the way right off the bat.

But we also can’t just jump in to something that doesn’t make sense to the reader so there needs to be some background in the first few lines. We walk a very thin line!

Remember, all of that information doesn’t all have to be in the first line, but it definitely needs to be close to the beginning. And the lines need to be crafted to make the reader want to read on. I recently re-read Jacqueline Woodson’s EACH KINDNESS. Her fist page just tells us it’s snowy…hmm. However, the description of the snow was just a few words, but they kept me engaged and hinted at something that drew me into the story. (HOW you say things matter) By the second page, we know what the story is about. One more page turn, and we know what the conflict is. BOOM! So was ALL this info in the first two or three lines? No, but pretty close, and it worked! Each page beckoned me to turn the page, and there were not a lot of words on each page.

Even concept books should set up the tone and theme from the very beginning. Parents picking up a book for their little ones, have many options. They want something to grab them. Think about CHICKA CHICKA BOOM BOOM by Bill Martin Jr., John Archambault, and Lois Ehlert. The first time I read “A told B and B told C I’ll meet you at the top of the coconut tree,” I was hooked! I knew what it was about, I loved how unique it was, and it stood out from other alphabet books.

So how do writers do all this? It’s hard! I look up to many writer friends who are experts at awesome first lines.

For me, getting those first lines just right (and are they ever just right?) often takes loads of revision. I write my story first, knowing it’s going to go through multiple revisions before I’m even close to being happy with the beginning. I “wordsmith” the beginning as I go along, checking to make sure that the beginning, middle, and end still make sense together. I actually have a list of great first lines I’ve thought of. Of course, a list of first lines doesn’t make a story, but maybe someday they’ll appear in one. You never know!

Here are a few of my first lines that did make it into print.

A FLOOD OF KINDNESS:
The night the river jumped its banks, everything changed.

LOLA CAN’T LEAP:
Lola came from a long line of leapers. She wanted to leap too, but… (second page sets up the conflict)

DON’T EAT THE BLUEBONNETS (Co-written with Ellen Rothberg)
Sue Ellen had a mind of her own. When the other cows mooed, Sue Ellen Whistled. When the other cows strolled, Sue Ellen danced. And when Max put a sign in the South Pasture, Sue Ellen stomped her foot. (First two pages…the words on the sign sets up the conflict)

Happy reading and writing, everyone!

QUOTABLE QUOTES ON BEGINNINGS: ADVICE FROM SOME OF THE GREATS OF WRITING (plus a little extra from me)

By Rob Sanders

To inspire myself when writing and revising, I often look to advice from some of the greats of writing. After all, I’m not the first person who has walked down the road of writing a story. And I’m certainly not the first who has tried to determine the best way to begin a story in hopes of capturing the attention of my audience. That struggle began millions of years ago when our ancestors orally shared tales around roaring fires.

Some seem to think that beginnings (and maybe writing in general) are easy. Lewis Carrol must have known a few folks like that when he said:

“Begin at the beginning and go on till you come to the end: then stop.” -Lewis Carroll

Carroll knew the process of writing was more complex than that, right? We have to remember the complexity of our craft, too. So, let’s back up and begin at the beginning. What is a beginning?

“The beginning is the promise of the end.” -Henry Ward Beecher

The beginning does not exist in isolation. It must be linked to what comes after it—the middle—and the beginning and the middle must lead to a satisfying conclusion. But be warned. You won’t nail the beginning in the beginning.

“Almost all good writing begins with terrible first efforts. You need to start somewhere.” -Anne Lamott

If Anne Lamott says it’s okay for my first efforts to be less-than stellar, that’s good enough for me. But I’m still left wondering what a beginning needs to accomplish. A beginning often (or nearly always) begins with the character, the character’s desire, the character’s problem, or the character’s situation.

“First find out what your hero wants, then just follow him!” -Ray Bradbury

To write about a character we have to know as much as possible about that character. We need to know what motivates the character, what makes them who they are. We need to know the story behind the story.

“Everything must have a beginning . . . and that beginning must be linked to something that went before.” -Mary Shelley

But be cautious—it seems that the biggest problem with beginnings is that they often get lost in back story. While back story is essential to the writer it is usually nonessential to the reader. Find the back story, then edit out as much as possible. Speaking of editing and revision, the beginning will change and grow and develop as the story does.

“By the time I’m nearing the end of a story, the first part will have been reread and altered and corrected at least one hundred and fifty times.” -Roald Dahl

Often it is only after you’ve finished a story (is a story ever finished?) that the beginning becomes clear.

“I write the beginning last.” -Richard Peck

Here’s the thing—we writers often overthink things. Maybe it’s because we spend a lot of time with in our own heads or because we spend so much time in front of a monitor or because we work again and again and again to find the just-right word. Sometimes, we can think so much that we don’t write. So, the best advice for beginnings might come from a race car driver.

“To finish first, you must first finish.” -Rick Mears

Or we could revise that a bit to say, “To finish, you must first begin.” Better yet, we might let a motivational speaker inspire us and our beginnings.

“You don’t have to be great to start, but you have to start to be great.” -Zig Ziglar

You have greatness inside you. You have stories inside you. You have beginnings inside you. Now, go on—begin!

OPENING LINES ARE HOW AN AUTHOR MAKES A STRONG FIRST IMPRESSION ON THE READER

by Vivian Kirkfield

I was always taught that first impressions are really important. You wear a new outfit on the first day of school. You give a firm handshake at a job interview. And in a manuscript, the opening lines are how the author makes a strong first impression on the reader. Opening lines are a doorway into the story – they give the reader a taste of what’s to come and they often set up the promise that will be fulfilled with the satisfying ending. I’m a big fan of concrete examples and so I’ll share a few of my favorite opening lines from some of my own stories – and also the closing lines that mirror them:

The Boys Who Dreamed of Flying: Opening Line: “At a time when most of the world believed human flight was impossible, one boy thought differently.”

Closing Line: “And it all started with Joseph and Etienne Montgolfier, two brothers, as different as could be, who worked together to take the first step in that starry direction.”

Black Forest or Bust: Opening Line: “Something had to be done. And Bertha Benz was tired of waiting for her husband to do it.”

Closing Line: “And in July of 2016, exactly 125 years after a determined young woman tiptoed past her sleeping husband to take her children on a visit to their grandmother’s house, Bertha Benz was inducted into the Automotive Hall of Fame in Dearborn, Michigan, in recognition of her invaluable contribution to the development and design of the modern automobile.”

Raye Draws Her Own Lines: Opening Line: “When Raye Montague was seven years old, she knew exactly what she wanted to be when she grew up.”

Closing Line: “The tour director had been right all those long years ago. Raye didn’t need to worry about becoming an engineer…she just went out and did it!”

Making Their Voices Heard: Opening Line: “Ella and Marilyn. On the outside, you couldn’t find two girls who looked more different. But on the inside, they were alike–full of hopes and dreams, and plans of what might be.”

Closing Line: “On the outside, these two stars couldn’t have looked more different. But on the inside, they both understood that sometimes even stars need a little help to shine.”

One of my favorite ways to get opening line inspiration for a new nonfiction picture book bio is to read some of my favorites…classics or current ones. I study how those authors crafted their opening lines. Then I go to my research and look for something that jumps out at me. It’s not a scientific way of doing it…but somehow, it works.

A MINI-LESSON IN WRITING GREAT BEGINNINGS

by Rosie Pova

For me a great beginning should not only accomplish several important things all at once, but also do so smoothly and organically.

1. Introduce the main character so the reader knows immediately who to root for

Whenever I critique manuscripts, I often see stories that open with a secondary character speaking or “entering” the scene first, and that causes confusion. If I, as the reader, get on board and ready to see the world through the eyes of the first character I encounter only to find that that was not the star of the story, that creates disconnect as my focus was misplaced.

2. Give a sense of the character’s personality

This is where the reader forms a first impression about the main character and they must engage the audience with something interesting, unique, fresh, intriguing etc. about themselves.

3. Establish the premise.

This is very important — it’s the “promise” the story makes to the reader and it’s also what we would come back to to measure up against and see whether that promise has been fulfilled by the resolution.

4. Establish the tone.

There should be no confusion about that.

5. Evoke a strong desire to keep reading and find out more.

Say too much, and you might lose the reader. Say too little, and you might confuse the reader. Make it just right!

So, if your beginning hits all the marks above, you’re golden!

A FEW MORE FIRST LINES FROM MY BOOKS

by Alayne Kay Christian

AN OLD MAN AND HIS PENGUIN: How Dindim Made João Pereira de Souza an Honorary Penguin, illustrated by Milanka Reardon

“On an island off the coast of Brazil, a black blob bobbed on the beach. The tarry figure shimmered and squirmed in flowing sea foam. It squeaked. Joao squinted and moved closer.

Slippery.

            Heavy.

                        Soaked with oil.

The penguin squiggled and wiggled. It could not stand.”

These first lines let you know who, what, and where.

Where: The story occurs on an island off the coast of the Brazil.

Who: João and a dying penguin (you learn the penguin’s name on the next page)

What: João discovers a dying penguin.

It also sets the tone or demonstrates the voice. It creates questions that make the reader want to turn the page. What will João do next? What will happen to the poor little penguin? The next pages connect the reader emotionally to both João and the penguin.  

THE WEED THAT WOKE CHRSITMAS: The Mostly True Tale of the Toledo Christmas Weed, illustrated by Polina Gortman

“When Weed was a seed, it tumbled on a breeze and snuggled in a crack, smack-dab in the middle of a busy traffic island.

Spring rains showered, and Weed sprouted.

Summer sun warmed. Weed grew.

Cars zoomed. People zipped and scurried—always in a hurry.

But no one noticed Weed.”

We know this story is about a weed that wants to be noticed. We can tell the story is set in a big city. And we get a sense of the voice/tone. We are left wondering what will happen to weed. We build a slight emotional connection (especially anyone who can relate to longing to be “seen” in a big world too busy and unaware to see). In this book, the illustrations help tell the story and raise more interest when the reader sees that weed isn’t the only one going unnoticed. What about the homeless man and his dog who are seeking kindness?

BUTTERFLY KISSES FOR GRANDMA AND GRANDPA, illustrated by Joni Stingfield

“Emily loved staying at Grandma and Grandpa’s house. They let her eat sweets, stay up late, and jump on the bed. She could skip her bath, make lots of noise, and run in the house.

Grandma and Grandpa played with her, read her stories, and let her help in the garden.

Emily loved her time with Grandma and Grandpa except for one thing. . . .”

With these first lines the ellipsis is used as discussed in Part 1 on writing outstanding beginnings. This leaves the reader wondering what that “one thing” is, and it compels the reader to turn the page and keep reading–it pulls the reader forward into the story. 

SIENNA, THE COWGIRL FAIRY: COWBOY TROUBLE, illustrated by Blake Marsee

“I was happier than a snake sunning on a woodpile when Aunt Rose asked me to be in her elegant wedding. I was sadder than a rodeo clown on a rainy day when I learned flower girls wear dresses and fancy shoes.”

This is the first paragraph of a chapter book. This book is book 2 in the Sienna, the Cowgirl Fairy series. So, there is a prologue written in the form of a letter from Sienna. Therefore, the reader has a sense of who, what, where and tone before they read this first paragraph. This first paragraph, informs the reader that this is a story about a girl who has a problem. Her Aunt Rose wants her to be in her elegant wedding, but that means wearing a dress and fancy shoes!

The last page in the chapter reveals Sienna’s fears. “I’d look mighty silly in a dress. I’d trip over my own feet in them fancy shoes. And I ain’t much good at manners neither.” We learn she is struggling with those fears but also the fear of of hurting Aunt Rose’s feelings and making her sad if she refuses to be a flower girl.

So, by the end of the chapter, the readers have been informed enough to pull them forward into the story.

MORE TO COME!

Next week Beth Anderson, Marcie Flinchum Atkins, and Michelle Nott will share their wisdom, tips, and even some worksheets for writing outstanding first lines. 

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KID-LIT WRITING WISDOM PRESENTS LONG AND WINDING ROAD: PUBLICATION (USUALLY) DOESN’T HAPPEN OVERNIGHT (Part 1 of 3)

kid-lit writing wisdom

Copy of What was one of the most important lesson learned on your road to publication_

This “Wisdom” round’s question isn’t exactly a question. I asked the team to tell us about their travels down the long and winding road to publication. One of the reasons I wanted us to cover this topic is because every once in a while, you’ll see blog posts from an author who tells you the very first manuscript they sent out was acquired overnight—as though it’s the easiest thing one can do. That is not the norm nor is it reality. I also wanted emerging writers as well as those who have been at it for a long, long time to see similarities and differences in each writer’s experience. My wish for you and all our readers this round is that you might be inspired or pick up just one bit of wisdom that will help you in your journey. But also, that you adjust your expectations, so that if you find yourself on a long and winding road, you’re not disappointed or discouraged. And if you are one of the lucky ones who gets a contract overnight, you will be surprised and appreciate the moment even more than you might have.

Because it has been a long road for the “Wisdom” authors, we all had a lot to say. So, this topic will be shared in three parts over the next three weeks.

I’ve seen some similarities in answers, but everyone’s path has been a little different. I’m going to start with my own answer because it brings up a topic that didn’t pop up in any of the other answers.

Before we get started, I’d like to share some good news and congratulate Rob Sanders has a book birthday coming on May 4 with  TWO GROOMS ON A CAKE: THE STORY OF AMERICA’S FIRST GAY WEDDING. HAPPY BIRTHDAY! I’d like to also congratulate the illustrators of my picture books for winning the Story Monsters Approved Award. Polina Gortman illustrated THE WEED THAT WOKE CHRISTMAS: The Mostly True Tale of the Toledo Christmas Weed. And Milanka Reardon illustrated AN OLD MAN AND HIS PENGUIN: How Dindim Made João Pereira de Souza an Honorary Penguin.

Congratulations!

Two Grooms on a Cake

AWARD WINNER FOR MAKING A DIFFERENCE!Winner for (1)

Words of Wisdom

WHEN YOU SAY “YES” TO ONE THING, YOU ARE SAYING “NO” TO ANOTHER

by Alayne Kay Christian

I’m guessing, as with most team members, it would take an entire book to share my long journey. I’ll do my best to keep this short. My first picture book BUTTERFLY KISSES FOR GRANDMA AND GRANDPA was released way back in 2009. It won some awards and got great reviews, so I thought for sure, this kid-lit writing thing was going to be a breeze. I was wrong. I spent the next several years taking children’s book writing courses, attending SCBWI conferences and workshops, and getting involved in the online writing community. In 2013, I was on top of the world when I signed with an agent (my choice out of three agent offers—wasn’t I something?). I knew for sure that I was going to conquer the kid lit world now! Well, once again, I was wrong. In 2015, I parted ways with the agent. That set my confidence back for a couple of years. I did very little submitting, but I did continued to write, study children’s book writing, and work to grow my online presence. I also started a professional critique service and wrote an independent-study picture book writing course, Art of Arc. I also started working as a critique ninja for Julie Hedlund’s 12 X 12, which I did for three years. In 2016 I signed with a small publisher and in 2017, my chapter book series Sienna, the Cowgirl Fairy was launched. I continued to study children’s book writing and submit. Also in 2017, I helped my husband relaunch Blue Whale Press where I was the acquisitions editor and creative director. In addition to that, I spent the year going back and forth with an agent who I thought was going to sign me for sure. Once again, I was wrong. We even had what I thought was “the call.” But it turned out to be a “let you down easy” call. She loved one of my stories, but didn’t fully connect with the others I offered. That set me back for a while. But I had so much going on with Blue Whale Press and my other writing related work that I didn’t have time to fall into negative thinking. In 2019, I started offering affordable children’s writing webinars. But even with all of the above, I also continued to study, write, and submit. 2020 was an exciting year for me when finally; my next two picture books were published. I am so proud of AN OLD MAN AND HIS PENGUIN and THE WEED THAT WOKE CHRISTMAS and my latest Sienna book COWBOY TROUBLE. I’m so excited that THE WEED THAT WOKE CHRISTMAS recently won the Story Monsters Approved award for books that make a difference. And THE OLD MAN AND HIS PENGUIN won an award in the nonfiction picture book category.

It took thirteen years of hard work, but more than anything, perseverance, to get (soon to be) four published picture books and two chapter books into the world. I tried to include what I consider to be major parts of my journey to demonstrate that it’s not necessarily just about writing and submitting. It’s about learning, growing, and finding ways to apply your knowledge and creative energy when it sometimes feels as though all has failed. And like in the stories that we write, finding our way through our darkest moments will lead us to a satisfying ending.

I don’t regret my path for a minute because I love all the gifts I have given writers and illustrators over the years with my critiques, courses, work with Blue Whale Press and so on. I’ve found that for me, relaxing into where life takes me usually leads me to where I need to be. But a word of warning . . . when you say “yes” to one thing, you are saying “no” to another. In my case, I said a lot of “no” to writing and submitting by saying “yes” to helping others. Where might I have been had I been more focused? That is not a question of regret. It is a question that I pose to you as writers. Following is a little worksheet to help you see your “yes” and “no” choices more clearly. I hope some of you find it helpful. The worksheet was initially part of a much longer post I wrote on the topic. Click here to read it

say yes say no

SHEER LUCK? SOMETIMES. SHEER GRIT? MOST OF THE TIME.

by Kirsti Call

It happened backwards for me. I wrote my first couple of stories, joined a critique group, submitted THE RAINDROP WHO COULDN’T FALL about three months into my writing journey. Character Publishing gave me an offer almost immediately, and my first book came out in 2013. Then for 6 years I wrote and revised and submitted and submitted and submitted again. I FINALLY got my first agent who subsequently sold 4 books for me. Sheer luck led to my first book. Sheer grit led to others.

ALL THE TIME I PUT INTO LIVING LIFE, AND WRITING STORIES, LED ME TO STRENGTHEN MY CRAFT AND FIND MY WRITING VOICE

by Melissa Stoller

My journey to publication was indeed a “long and winding road.” I had started writing when my oldest daughter was a baby and I loved reading picture books to her and making up bedtime stories. Before that, I practiced as an attorney, taught legal research and writing to law students, and worked as a career counselor at a law school. When I received many rejections to my initial book queries, I turned my attention to writing parenting articles and doing freelance editing. But eventually, I returned to my dream of writing for children (and by that point, I had three children and lots more time doing field research into the KidLit world). In fact, I had joined the SCBWI in 1997 (!) and my first book, THE ENCHANTED SNOW GLOBE: RETURN TO CONEY ISLAND, was published in 2017! I am forever grateful to Callie Metler and Clear Fork Publishing for helping me turn my writing dreams into reality. My advice to aspiring writers is to keep pursuing your goals. Your writing journey may detour down some curving roads, like mine did, and your path to publication may not be straight. But all the time I put into living life, and writing stories, led me to strengthen my craft and find my writing voice. So, buckle up, get on whatever type of road best fits your career, and say ready, set, GO!

KEEP YOUR CHIN UP AND YOUR FINGERS ON THE KEYBOARD!

by Rob Sanders

My journey to publishing started back in college. I paid my way through college and graduate school by writing religious educational materials. A few years later, I wound up working for the company for which I’d been writing, eventually becoming an editor and product designer there. But none of those materials were things kids would ever find in their public or school libraries or local bookstores. It wasn’t until I was 50 that I decided to pursue my dream of writing picture books. Two years later I made my first sale through a paid critique at SCBWI LA. A year later, I landed an agent. Selling my second book proved to be as difficult as selling the first and that pattern continues. Each of my manuscripts has to stand on its own merits and find its own home. I often remind myself of the advice my agent gave me when we first started working together: Keep your chin up and your fingers on the keyboard!

FIVE INGREDIENTS THAT ARE NECESSARY FOR SUCCESS IN ANY PROJECT

Vivian Kirkfield

Whenever I do presentations about the path to publication, I talk about how becoming a picture book author was a lot like making a pizza. Whether I’m speaking with six-year-old school kids or sixty-year-old aspiring authors, I share the 5 P’s…5 ingredients that are necessary for success in any project: PASSION, PREPARATION, PRACTICE, PATIENCE, and PERSISTENCE. It’s a process and it takes time. I started my writing journey at the end of 2011 – we signed my first book deal at the end of 2015 – and that book launched in 2019. I had sent out a few submissions to editors on my own, but I knew I wanted an agent because I knew I didn’t want to focus on where to send my manuscripts…I wanted to focus on writing them. However, the path is different for each one of us – and what is right for one person might not be right for another. What is needed, however, whether you have an agent or not, is positivity. Oh…there’s another P…I guess you can tell I’m a picture book writer with all of that alliteration.😅 I remain positive because I know that the rejections…and YES, I do get lots of rejections…are not personal. I try to remember that this is a business…and the publisher/editor must make a profit from the books they produce. Otherwise, they have to close their doors. And if they don’t choose my manuscript, it’s because they don’t think they will make money. I also try to keep in mind that sometimes, publishers are wrong. So, when I get a rejection, I remind myself that I am in good company with J.K Rowling and Louisa May Alcott and Stephen King and many others: https://wildmindcreative.com/bookmarketing/6-famous-authors-who-once-faced-rejection.

COMING IN THE NEXT TWO WEEKS PART 2 AND PART 3

Next week, Ellen Leventhal and Pippa Chorley talk about their journeys, which both include dealing with imposter syndrome. And Beth Anderson shares her thoughts on what it takes to be successful as an author. Finally on May 8th, we’ll wrap up our thoughts on the path to publication with Laura Gehl who talks about how time only serves to make you a better author. Dawn Babb Prochovnic looks at the importance of continuing the work in spite of obstacles. Michelle Nott talks about trends and also demonstrates that it pays to never give up on old stories. Rosie Pova talks about how persistence pays off. Marcie Flinchum Atkins talks about enjoying the rituals of writing and having friends who “get” the writer’s experience.

TO READ THE TEAM MEMBERS’ ANSWERS TO “MY MOST IMPORTANT LESSON LEARNED” click here for Part One and here for Part Two.

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On Friday, I announced changes for Blue Whale Press and me. I also announced a new series coming to my blog. I’m going to repeat it here, but also fully introduce you to the KID-LIT WRITING WISDOM team. So here goes . . . I’m resurrecting my “All About” blog series (All About Submissions and All About Platforms) combined with Marcie Flinchum Atkins’s “We’re All In This Together” series—with Marcie’s permission of course. Thanks, Marcie! And boy do we have some fantastic multi-published authors to tackle our old topics and lots of new ones. We’ll be sharing our wisdom and stories about the world of kid lit writing and publishing. And because of all our combined years of kid lit writing experience, we will be giving the series a new name. KID-LIT WRITING WISDOM (Over 170 years of combined experience as authors!)

We believe that kid-lit writers have lots of questions about writing, agents, publishing, editors, submissions, platforms, and more. Our intention is that Kid Lit Writing Wisdom will be a very helpful resource. Do you have a question?

IF YOU HAVE WRITING OR PUBLISHING QUESTIONS THAT YOU’D LIKE TO SEE THE TEAM ADDRESS, PLEASE LEAVE YOUR QUESTION IN A COMMENT.

Please allow me to introduce the Kid-Lit Writing Wisdom team.

All of our team members (except for one) have new picture books coming out or already released this year. We are either members of 2021 Word Birds or Twenty One-derful Picture Books in 2021 or both. Bios and more follow the list.

Beth Anderson
Marcie Flinchum Atkins
Kirsti Call
Pippa Chorley
Alayne Kay Christian
Laura Gehl
Vivian Kirkfield
Ellen Leventhal
Michelle Nott
Rosie Pova
Dawn Prochovnic
Rob Sanders
Melissa Stoller

 

Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. With linguistics and reading degrees, a fascination with language, and a penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Loveland, Colorado where she laughs, ponders, and questions; and hopes to inspire kids to do the same. She’s the award-winning author of TAD LINCOLN’S RESTLESS WRIGGLE (10/2021), “SMELLY” KELLY AND HIS SUPER SENSES, LIZZIE DEMANDS A SEAT!, and AN INCONVENIENT ALPHABET. Beth has more historical gems on the way. Learn more about Beth at bethandersonwriter.com Signed copies of Beth’s books can be found here.

Marcie Flinchum Atkins is a teacher-librarian by day and a children’s book writer in the wee hours of the morning. She holds an M.A. and an M.F.A. in Children’s Literature from Hollins University. Wait, Rest, Pause: Dormancy in Nature (Millbrook Press, 2019) is her most recent book. Marcie also serves as the nonfiction coordinator for the Mid-Atlantic SCBWI region. She muses about mentor texts and making time to write at marcieatkins.com. She’s on Twitter and Instagram as @MarcieFAtkins.

 

Kirsti Call is the co-hosts of the PICTURE BOOK LOOK podcast and co-runs ReFoReMo. She’s a critique ninja and elf for 12×12, a blogger for Writers’ Rumpus, and a Rate Your Story judge. She’s judged the CYBILS award for fiction picture books since 2015. Kirsti is a therapist trained life coach for creatives. Her picture book, MOOTILDA’S BAD MOOD (Little Bee) moooved onto shelves last fall. COW SAYS MEOW (HMH) and COLD TURKEY (Little Brown) release in 2021. Kirsti is represented by Emma Sector at Prospect Agency. Learn more about Kirsti by visiting kirsticall.com.

 

Pippa Chorley is the award-winning author of three picture books. She grew up in a picturesque village in England and now lives in sunny Singapore with her husband and their three children. As a child, she spent her days dreaming up magical worlds on her family dog walks. Today, Pippa can still be found composing stories on her morning walks with their springer spaniel, Jasper.

Trained as a primary school teacher, Pippa loves to write stories that make children giggle and think outside the box. Her newly released picture book, STUFFED! (illustrated by Danny Deeptown) empowers children to use their imaginations and problem solve with courage and kindness. Watch out for Pippa’s next picture book OUT OF THE BOX, which is due to be released at the end of 2021 and is sure to be ‘out of this world’! To learn more about Pippa and her books visit pippachorleystories.com.

 

Alayne Kay Christian is an award-winning children’s book author and the creator and teacher of a picture book writing course Art of Arc. She was the co-founder of Blue Whale Press and the acquisitions editor and art director for three years. In addition, she shares her knowledge with writers through free and affordable webinars at Writing for Children Webinars. She has been a picture book and chapter book critique professional since 2014, and she worked as a 12 X 12 critique ninja for three years. Her published works include the Sienna, the Cowgirl Fairy chapter book series, and picture books BUTTERFLY KISSES FOR GRANDMA AND GRANDPA, AN OLD MAN AND HIS PENGUIN: HOW DINDIM MADE JOÃO PEREIRA DE SOUZA AN HONORARY PENGUIN, and THE WEED THAT WOKE CHRISTMAS: THE MOSTLY TRUE TALE OF THE TOLEDO CHRISTMAS WEED. Her fourth picture book, FAITH BENEATH THE BRIDGE is planned for release in the fall of 2021. Born in the Rockies, raised in Chicago, and now a true-blue Texan, Alayne’s writing shares her creative spirit and the kinship to nature and humanity that reside within her heart. To learn more about Alayne visit alaynekaychristianauthor.com.

 

 

Laura Gehl is the author of more than two dozen board books, picture books, and early readers, including One Big Pair of Underwear, the Peep and Egg series, I Got a Chicken for My Birthday, My Pillow Keeps Moving, Always Looking Up: Nancy Grace Roman, Astronomer, and the Baby Scientist series. Her work has won awards, appeared on state and national reading lists, and been translated into numerous languages. For information about new books and free downloadable teacher’s guides, please visit lauragehl.com.

 

Writer for children—reader forever…that’s Vivian Kirkfield in five words. Her bucket list contains many more words – but she’s already checked off skydiving, parasailing, and visiting kidlit friends all around the world. When she isn’t looking for ways to fall from the sky or sink under the water, she can be found writing picture books in the picturesque town of Bedford, New Hampshire. A retired kindergarten teacher with a masters in Early Childhood Education, Vivian inspires budding writers during classroom visits and shares insights with aspiring authors at conferences and on her blog where she hosts the #50PreciousWords International Writing Contest and the #50PreciousWordsforKids Challenge. Her nonfiction narratives bring history alive for young readers and her picture books have garnered starred reviews and accolades including the Silver Eureka, Social Studies Notable Trade Book, and Junior Library Guild Selection. Vivian’s books are available at Barnes & Noble and indie bookstores, as well as Bookshop.org and Amazon. If you order from her local indie, Toadstool Bookstore in Nashua, you can get a signed copy. If you order from anywhere else and would like a signed bookplate, please email her at: viviankirkfield@gmail.com. To learn more about Vivian and all of her books visit viviankirkfield.com.

 

Ellen Leventhal is an educator and writer in Houston, TX. Ellen is the co-author of Don’t Eat the Bluebonnets, the author of Lola Can’t Leap, and the upcoming A Flood of Kindness, which releases in April 2021 from Worthy Kids/Hachette Book Group. She has been published in magazines, newspapers, as well as in poetry and short story anthologies. Ellen loves school visits (in person or virtual)! When visiting schools, she coordinates with and supports literacy programs as well as diversity and anti-bullying programs. Ellen’s best days are when she can interact directly with the students and spread her love of literacy and kindness. To find out more about Ellen’s books and writing projects, please go to Ellenleventhal.com.

 

Michelle Nott is a freelance editor, published poet, and children’s book author. She writes fiction and nonfiction, in prose and verse. She has authored two early readers, Freddy, Hoppie and the Eyeglasses and Dragon Amy’s Flames. Her debut picture book, Teddy Let’s Go!, is forthcoming from Enchanted Lion Press (Fall 2021). Michelle grew up in the U.S. and has lived in Europe for extended periods of time. She holds American and French citizenship and is bilingual, English and French. Her extensive travel around the U.S., Europe and Africa fuels her imagination and appreciation for story and world cultures. To learn more about Michelle visit authormichellenott.com.

 

Rosie J. Pova is a multi-published, award-winning children’s author, poet, speaker, and writing coach. She’s a Writing Instructor for the Dallas Independent School District through The Writer’s Garret, an instructor with Writing Workshops Dallas, teaching online picture book courses to children’s writers, and also serves as a judge for Rate Your Story.

Rosie speaks on many women’s topics as well and has appeared on radio and print media.

Her upcoming picture book, Sunday Rain, celebrates imagination, the love of books, and new friendships. Her other upcoming picture book, The School of Failure: A Story About Success will be released in spring of 2022. Visit Rosie at rosiejpova.com.

 

Dawn Babb Prochovnic is the author of Lucy’s Blooms (forthcoming, 2021), Where Does a Cowgirl Go Potty?, Where Does a Pirate Go Potty?, and 16 books in the Story Time with Signs & Rhymes Series, including one title that was selected as an Oregon Book Awards finalist. She is a contributing author to the award-winning book, Oregon Reads Aloud. Dawn is a vocal advocate for school and public libraries and was honored as a 2015 Oregon Library Supporter of the Year by the Oregon Library Association. She is a frequent presenter at schools, libraries and educational conferences, and the founder of SmallTalk Learning, which provides American Sign Language and early literacy education. Dawn lives in Portland, Oregon with her husband, two kids, two cats, and a feisty dog. Learn more at dawnprochovnic.com.

 

Rob Sanders is a teacher who writes and a writer who teaches. He is known for his funny and fierce fiction and nonfiction picture books and is recognized as one of the pioneers in the arena of LGBTQ+ literary nonfiction picture books.

This year Rob will release TWO GROOMS ON A CAKE: THE STORY OF AMERICA’S FIRST GAY WEDDING (Little Bee Books) and STITCH-BY-STITCH: CLEVE JONES AND THE AIDS MEMORIAL QUILT (Magination Press). His 2020 releases included THE FIGHTING INFANTRYMAN: THE STORY OF ALBERT D. J. CASHIER, TRANSGENDER CIVIL WAR SOLIDER (Little Bee Books), MAYOR PETE: THE STORY OF PETE BUTTIGIEG (Henry Holt & Co.) and BLING BLAINE: THROW GLITTER, NOT SHADE (Sterling). Rob is co-regional advisor for SCBWI Florida and a frequent speaker, teacher, and critiquer.

A native of Springfield, Missouri, he has lived in Texas, Alabama, and Tennessee. After earning a B.S. in Elementary Education and a Master’s Degree in Religious Education, Rob worked for fifteen years in children’s religious educational publishing as a writer, educational consultant, trainer, editor, editorial group manager, and product developer.

In 2006, Rob moved to Florida and began working as an elementary school teacher. Soon he was serving as a district writing trainer and resource teacher. But he spent most of his career teaching fourth graders about books and words and reading and writing. Rob took retirement in December 2020 and now is writing full time. To learn more about Rob visit robsanderswrites.com/.

He is represented by Rubin Pfeffer.

 

Melissa Stoller is the author of the chapter book series The Enchanted Snow Globe Collection – Return to Coney Island (Clear Fork Publishing); and the picture books Scarlet’s Magic Paintbrush, Ready, Set, GOrilla!, and Sadie’s Shabbat Stories. (Clear Fork). Melissa is a Blogger and Course Assistant for the Children’s Book Academy, a Regional Ambassador for The Chapter Book Challenge, a volunteer with SCBWI/MetroNY, and a founding member of The Book Meshuggenahs. In other chapters of her life, Melissa has worked as a lawyer, legal writing instructor, freelance writer and editor, and early childhood educator. She lives in New York City with her family, and enjoys theatre, museums, and long beach walks. To learn more about Melissa and her books visit MelissaStoller.com.

IF YOU HAVE WRITING OR PUBLISHING QUESTIONS THAT YOU’D LIKE TO SEE THE TEAM ADDRESS, PLEASE LEAVE YOUR QUESTION IN A COMMENT.

We’ll be back soon with our first words of wisdom.

 

 

 

 

 

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It’s been months since I’ve written a blog post, but it’s time to pick myself up by my bootstraps and get going again. What a year this has been! I’ve bounced around a number of ways to approach this return to my blog. I even started down a path of several paragraphs talking about how when times get tough, the tough keep going. But that path also led me into a “true confessions and soul searching” direction that just didn’t feel right. So, I’m going to try a more direct approach to where I’ve been, what I need to do, and where I’m going. I’ll start with where I’ve been.

Please forgive any weird formatting issues. WordPress decided to change it’s format while I was away. I need a little more time to learn it.

Who Knew?

When my latest books were scheduled for release, who knew that we would be challenged with a pandemic that has changed nearly everyone’s life? Who knew that my first picture book in ages, An Old Man and His Penguin: How Dindim Made João Pereira de Souza an Honorary Penguin, would be released eighteen days after I had knee replacement surgery? Who knew that the surgery would still be holding me back nearly four months later? Who knew that my next picture book, The Weed that Woke Christmas: The Mostly True Tale of the Toledo Christmas Weed, would be released four days after my oldest brother’s death? Who knew that book two in the Sienna, the Cowgirl Fairy chapter book Series, Cowboy Trouble, would be rescheduled for 2021? Who knew, that my first picture book, Butterfly Kisses for Grandma and Grandpa’s tenth anniversary would slip by without acknowledgement or celebration? Who knew that it would be picked up by Clear Fork Publishing under the Blue Whale Press imprint, and continue selling all these years later?

My Brother and Me–I will miss him, but I carry him in my heart.

I didn’t know that my exciting book launches and the wonderful year I had planned for all of my beloved books would all come crashing down around me. I’ve been knocked down, but I’m getting back up (broken heart, bum knee, and all) and moving forward.

Trying to get in the spirit in spite of my challenges.

What I Need to Do and Why I Need to Do It

I need to make up for lost time and share the news of my books with y’all. I feel compelled to do this because I feel it’s only fair to the illustrators (Milanka Reardon and Polina Gortman) who worked so hard on my picture books. And it’s only fair to the beautiful books and heartwarming stories that people should get an opportunity to read them. It’s only fair that the kids and adults who will read them should be made aware that the books even exist. It’s only fair to João Pereira de Souza and Dindim to have their story told. It’s only fair to the citizens of Toledo, Ohio and the little weed that their story of unity be told when it seems we’ve forgotten how to love and care about one another as human beings. Along those same lines, I feel like I have an obligation to humanity to share these stories of love and kindness. They both touched my heart, and I want to reach as many other hearts as I possibly can.

You can help me and the illustrators as well as readers by requesting the books at your library and writing reviews. I would be forever grateful.

Future Posts

Keep an eye out for future posts. I’m going to start a new series called Arc Angels where published authors will analyze each other’s books and share with you how each made their stories shine by using the classic narrative and/or character arcs. I expect there will be prizes and giveaways along the way. I plan to share the very first version of Butterfly Kisses for Grandma and Grandpa with my crude illustrations and all. I will also share how the book started as one thing and ended up being another. And I’ll soon have a book trailer for Cowboy Trouble to share.

There are lots more great posts to come, but I will save them for surprises.

THE WEED THAT WOKE CHRISTMAS: THE MOSTLY TRUE TALE OF THE TOLEDO CHRISTMAS WEED

BOOK TRAILER

Review Excerpts

“A heartwarming holiday tale that proves even the littlest things can make a big difference.” —Kirkus Reviews

“The fine message about holiday spirit makes for a perfect read for parents seeking stories that encourage kids to feel empowered to begin changes that cross age and economic barriers. The Weed That Woke Christmas is a lovely, positive, much-needed story for modern times.” —D. Donovan, Sr. Reviewer, Midwest Book Review

“This sweet story is accompanied by lush illustrations by Gortman, who portrays Toledo’s citizens as diverse. The author manages to convey the importance of charity and community without making the tale mawkish or trite. She closes the text with the real story of the Christmas Weed and the hope that the holiday magic will continue.” —Kirkus Reviews

Description

This heartwarming and inspiring book proves that even the smallest gestures can make a big difference and transform apathy and oblivion into awareness, unity, community, kindness and hope. Partly truth and partly fiction, it is based on the true story of how a weed on a Toledo street corner helped spread the giving spirit far beyond its traffic island home. All Weed wants is to be seen, but people are in too much of a hurry to notice each other, let alone Weed. Weed watches, wishes, and waits until finally someone does see it. But Weed discovers that there is something far bigger and more important than a little weed being noticed.

Where to Buy

Buy wherever books are sold and . . . 

Amazon Hardcover

https://www.amazon.com/Weed-That-Woke-Christmas-Mostly/dp/0981493815

Amazon Softcover

https://www.amazon.com/dp/0981493823/

Booktopia

https://www.booktopia.com.au/the-weed-that-woke-christmas-alayne-kay-christian/book/9780981493817.html

Book Depository

https://www.bookdepository.com/The-Weed-That-Woke-Christmas-Alayne-Kay-Christian-Polina-Gortman/9780981493817

Barnes and Noble

https://www.barnesandnoble.com/w/the-weed-that-woke-christmas-alayne-kay-christian/1137418710?ean=9780981493817

Indie Bound

https://www.indiebound.org/book/9780981493817

Booktopia

https://www.booktopia.com.au/the-weed-that-woke-christmas-alayne-kay-christian/book/9780981493817.html

AN OLD MAN AND HIS PENGUIN: HOW DINDIM MADE JOÃO PEREIRA DE SOUZA AN HONORARY PENGUIN BOOK TRAILER

Review Excerpts

“A moving, affectionate, and joyful tale, all the more so for being true.” – Kirkus Reviews

“An Old Man and His Penguin holds a number of important messages about human/animal relationships, love, oil slicks and their impact on sea life, and loneliness. . . . its underlying focus on letting go and reaping rewards from non-possessiveness offers an outstanding lesson about love for the very young.” —D. Donovan, Senior Reviewer, Midwest Book Review

“Adults looking for an inviting animal story with an important message will welcome this appealingly different seaside tale.” —D. Donovan, Senior Reviewer, Midwest Book Review

“The underlying lesson about compassion and good stewardship is subtle but effective; an author’s note explains the real-life circumstances. Reardon, who also illustrated the penguin-themed Noodles’ & Albie’s Birthday Surprise (2016), deftly captures the story’s charm and expressiveness.” —Kirkus Reviews

Description

Off the coast of Brazil, João rescues a lifeless, oil-covered penguin (Dindim) and nurses him back to health. Dindim adopts João as an honorary penguin, and the steadfast friends do everything together. They swim together, fish together, and stroll the beach together. But there are real penguins somewhere across the sea. So one day, Dindim leaves João. The villagers tell João the penguin will never come back. João cannot say if he will or will not. Are the villagers right? Will Dindim ever patter into his old friend’s loving arms again?

Where to Buy

Wherever books are sold and . . .

Amazon Hardcover

https://www.amazon.com/Old-Man-His-Penguin-Honorary/dp/173289356X/

Amzon Softcover

https://www.amazon.com/dp/1732893578/

Book Depostitory

https://www.bookdepository.com/An-Old-Man-and-His-Penguin-Alayne-Kay-Christian-Milanka-Reardon/9781732893566

Barnes and Noble

https://www.barnesandnoble.com/w/an-old-man-and-his-penguin-alayne-kay-christian/1136805502?ean=9781732893566

Books-A-Million

https://www.booksamillion.com/search?id=7861112761623&query=An+Old+Man+and+His+Penguin&filter=

Indie Bound

https://www.indiebound.org/book/9781732893566

Booktopia

https://www.booktopia.com.au/an-old-man-and-his-penguin/book/9781732893566.html

SHORT NEWS VIDEO ABOUT THE REAL CHRISTMAS WEED

I chose to share this video because the narrator gives a sense of the heart of the story that ended up in my book THE WEED THAT WOKE CHRISTMAS: THE MOSTLY TRUE TALE OF THE TOLEDO CHRISTMAS WEED.

ANOTHER SHORT NEWS VIDEO ABOUT THE REAL CHRISTMAS WEED

I chose to share this video because it does a good job of showing the community coming together.

A SHORT NEWS VIDEO ABOUT JOAO AND DINDIM THE PENGUIN

BOOK LAUNCH POSTS

Thank you to all my friends who helped me share the news of my books via social media when I couldn’t! There are too many to mention, but you know who you are.

Thank you friends who featured my books on your blogs!!!!

My brain is still somewhat foggy, so if I’ve forgotten anyone, please forgive me and feel free to add your post in a comment.

The Weed That Woke Christmas

Vivian Kirkfield’s Picture Book Friday Post 

Perfect Picture Book Friday: THE WEED THAT WOKE CHRISTMAS Plus Giveaway

Kathy Temean shares my book journey on her  Writing and Illustrating blog.

https://kathytemean.wordpress.com/2020/10/11/book-giveaway-the-weed-that-woke-christmas-by-by-alayne-kay-christian/

Rosie Pova interviews me on her Chitchat blog.

https://www.rosiejpova.com/blog/chitchat-with-author-editor-and-publisher-alayne-kay-christian

Keep an eye out for my KidLit411 feature coming in November.

An Old Man and His Penguin

Janie Reinart interviews me on the GROG blog.

https://groggorg.blogspot.com/2020/07/she-wears-many-hatsinterview-with.html

Vivian Kirkfield features An Old Man and His Penguin on her blog.

Alayne Kay Christian: Will Write for Cookies Plus GIVEAWAY

Kathy Temean shares Milanka Reardon’s and my book journey for an Old Man and His Penguin or on her Writing and Illustrating blog.

https://kathytemean.wordpress.com/2020/07/23/book-giveaway-an-old-man-and-his-penguin-how-dindim-made-joao-pereira-de-souza-an-honorary-penguin/

Kathy Temean features Milanka Reardon’s art process for An Old Man and His Penguin.

https://kathytemean.wordpress.com/2020/05/09/illustrator-saturday-milanka-reardon/

 

 

 

 

 

 

 

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This two-part Q&A with Kathryn Otoshi was originally posted way back in 2013. I’m sure a lot has changed for Kathryn since then. But one thing I know for sure is her success continues to grow. I thought it might be fun to bring this oldie but goodie back for all you Kathryn fans. Following is the interview as it appeared in 2013.

I first became aware of Kathryn Otoshi’s talents when her book, “One,” was awarded the gold medal in the Independent Publisher Book Awards. My book, “Butterfly Kisses for Grandma and Grandpa,” won the silver, and I became curious about my competition, so I purchased a copy of “One.” It did not take me long to understand why “One” took the gold. I sure am proud to be in such excellent company. Kathryn’s second picture book “Zero,” has been just as successful as “One.” During this interview, I was excited to learn that “Two,” the third book in the number series, will be released next year.

Obviously, I have kept my eye on Ms. Otoshi’s amazing success as an independent publisher. The more I observed, the more my curiosity about this award-winning author/illustrator grew until one day, I thought, Why not introduce yourself, and see if she would be willing to answer some questions. And that is exactly what I did. Kathryn was extremely responsive, very sweet and gracious. It has been my pleasure to get to know her. And now, it is my honor to introduce this lovely woman to you.

KathrynOtoshi_crop

Kathryn Otoshi is a children’s book author and illustrator living in the San Francisco Bay Area. Prior to this, Otoshi worked in the film industry at Disney’s ImageMovers Digital (Christmas Carol) as well as George Lucas’s Industrial Light & Magic (Star Wars) as the Graphic Design and Multimedia Art Director.

Otoshi’s first book as author and illustrator was “What Emily Saw”, a Borders Original New Voice Nominee. This was followed by “Simon & the Sock Monster”, short listed as a USA Book News Honoree, and “The Saddest Little Robot” (2004), a BookSense Pick. She teamed up with author Liz Hockinson and created the illustrations for “Marcello the Movie Mouse”(2005). Marcello garnered the Writer’s Digest Award for Best Children’s Book, the DIY Best Children’s Book, the Hollywood Book Festival Award, and the Eric Hoffer Notable Award.

Her book “One”, winner of 16 awards, including the E.B. White Read Aloud Honor Book and the Teacher’s Choice Award, is an anti-bullying  book introducing colors, numbers, and counting while playing on larger themes of acceptance, tolerance, and the power of one voice. Her newest book, “Zero”, is about finding value in ourselves and in others.

Otoshi has been a guest speaker at over 100 venues, including the San Francisco Writers Conference and a keynote speaker at the International Reading Association (Canada).

ON WITH THE INTERVIEW!

My curiosity got the best of me, and I swamped Kathryn with 25 detailed and probing questions. Like most writers and illustrators, Kathryn is busier than busy. Yet, she was kind enough to choose the questions that appealed to her the most. This resulted in 15 questions and answers that allow us to step into Kathryn Otoshi’s creative world for a while. The interview will be posted in two sections. Part 1 covers Independent Publishing. Part 2 is about Kathryn’s experience and her advice related to writing and illustrating.  I will share Part 1 today and Part 2 next week.

INDEPENDENT PUBLISHING

AKC: Are you the sole proprietor of KO Kids Books? If so, what is it like to wear so many hats?

KO: Hi Alayne.  KO Kids Books is currently a DBA under the corporation, Baytree Entertainment, Inc. But yes, I do wear many hats!  It’s a bit of a balancing act, but what I find most interesting about having all these different job positions  (Creative Director/Graphic Designer/Illustrator/Editor/Writer/Sales Marketer/Publisher) – is that you have a much clearer understanding of how each position impacts the other. For example, you can easily see how deciding to make an oversized book might accommodate the Illustrator’s desire to have more expansive pictures. But the Publisher and Marketer part of you would inherently know this might not be a great idea, due to the high cost to produce a book like this and the fact that your book might not fit on a standard shelf.

AKC: I believe next year will be the tenth anniversary of KO Kids Books’ first two releases, “What Emily Saw” and “Simon and the Sock Monster” (both copyright 2004). I know that publishing independently is hard work and costly. How do you manage to continue publishing independently given the cost and work involved?

KO:  Well, when I first started KO Kids Books, I had my own graphic design freelance company. I was fine keeping my ‘day job’ and having KO Kids Books be what I lovingly called ‘my expensive hobby’.  Later I started working freelance at Disney’s ImageMovers Digital.  When the company closed at the end of 2010, my fourth KO Kids book, “ONE,” had already taken off. My expensive hobby had suddenly and surprisingly turned into something more. So I phased out doing a lot of graphic design work. I’ve been focusing on KO Kids Books and the children’s book industry ever since.

AKC: Do you have any advice for those who might be considering independent publishing?

KO: Sure do. Talk to a few indie publishers you admire. Ask them the pros and cons of being a publisher and really be willing to listen to the cons – not just the pros. Writing and illustrating is a creative process. Having a publishing company is a business. So realize that up front, and accept that you will have to be fiscally responsible for it. I would also join a local indie publishers association or organization to get to know more presses. Lastly, I would read Dan Poynter’s “Self Publishing Manual”. I wish I had read that book when I was first starting out!

AKC: What is the best part of independent publishing?

KO: Having the creative control and final say over the writing, illustrating and design of my books.

AKC: What is the most difficult part of independent publishing?

KO: For me, it’s the business side. That’s why I have someone dear to me, Daniel Jeannette, who has given me sage fiscal advice on the business side of the organization.

INDEPENDENT PUBLISHING – MAINSTREAM PUBLISHING

AKC: I know, in addition to KO Kids Books, you have also illustrated the following books:

“The Saddest Little Robot” by Brian Cage, Soft Shell Press/Red Rattle Books 2004

Maneki Neko: The Tale of the Beckoning Cat” by Susan Lendroth, Shen’s Books 2010

What was it like illustrating for other publishers versus KO Kids Books?

KO:  I enjoyed working with other publishers and seeing how they worked. It was great getting a different perspective and working with a team as I generally fly solo.

They have final say, of course.  Once I said I was done…I really had to be DONE. If there was indeed a valid last minute change I had to make in the illustration, it would have to be a very compelling reason why I needed to do this. It affects a lot of people when changes are made in the 11th hour – the writer, the editor, the designer, the printer are all impacted by this. And of course, the publisher, would ultimately need to approve it.

Versus if I did work under my own company, if there was a moment of inspiration that came to me,  or a more clever way to show the illustrations, I could make that tweak or change on the spot – even if the book was right about to go to press.

AKC: In your experience, what is the average process time to get a book into publication (from writing/illustrating to release)? Was there a difference in process time between KO Kids Books and the other publisher’s books?

KO: I’d say from the time the contract is signed, it takes about 2 to 3 years to get a children’s book published – and that might be considered fast by some publishers! When I published my first two books under KO Kids, it was done in less than a year. But I realized what a disservice I was doing by not spending more time working on the marketing and promo aspects of things before the books were released. Now, I’d say it takes a good solid 2 years for KO Kids Books to release a new book, which include all marketing/promo, a plan for a tour, and shows and conferences I plan to attend.

AKC: In 2006, KO Kids Books released “Marcello the Movie Mouse” by Liz Hockinson. This appears to be the only book, so far, that was written by an author besides you. Why did KO Kids Books decide to take on this project? What was the experience like for you?

KO: At the time, I had been thinking about considering submissions from other authors.  I met writer Liz Hockinson in a children’s picture book class at my local indie bookstore, Book Passage.  I really liked her writing style, and admired her dedication to the craft. We ended up in a writing critique group together and became good friends. One day she told me she wanted to write a story about a moxie little mouse named Marcello who had a big dream:  he wanted to make a movie!  I loved the idea and told her I wanted to hear more. After many writing drafts from Liz, and hours of illustration from me, “Marcello the Movie Mouse” was released a year and a half later. We had a great time marketing the book together. Currently though that’s the only book I plan to publish from another author. I’ve decided our focus for KO Kids will be on the Number Series: ZERO, ONE…and now TWO, which will be released next year.

* * *

Jenkins Group, Inc., the organizers of the Independent Publisher Book Awards, define “independent” as 1) independently owned and operated; 2) operated by a foundation or university; or 3) long-time independents that became incorporated but operate autonomously and publish fewer than 50 titles a year.

Sometime in the future, I plan to share my experiences with independent publishing and offer more thoughts on independent publishing companies versus self-publishing. I’ll keep you updated regarding when this might happen.

Be sure to come back next week when Kathryn shares more about herself and gives a little advice to both writers and illustrators.

KO Kids Books

Kathryn’s Amazon Page

Zero

ZERO
By Kathryn Otoshi
ISBN: 978-0-9723946-3-5
List: $17.95

“Zero”, the follow up to “One” is about a big round number, Zero. When she
looks at herself, she just sees a hole right through her center. She admires
the other numbers who can count. She wants to count too, but wonders how can
a number worth nothing become something? Thus begins the story of Zero’s
search to find value in herself and in others.

OneONE
By Kathryn Otoshi
PUBLISHER: KO Kids Books
ISBN: 978-0-9723946-4-2
List: $16.95

“One”, winner of 10 awards including the Teacher’s Choice Award and the
Mom’s Choice Award, is an anti-bullying, number/color book that introduces
the concepts of acceptance, tolerance, and what it means to count!

Movie MouseMARCELLO THE MOVIE MOUSE
By Liz Hockinson, illustrator by Kathryn Otoshi
PUBLISHER: KO Kids Books
ISBN: 978-0-9723946-2-8
List: $16.95

“Marcello the Movie Mouse”: Marcello, has a big dream: he wants to make a
movie. But without a camera, a crew, and Ravioli the theater cat lurking
around every corner, can this moxie little mouse make tail ends meet? A fun,
inspirational story which includes a glossary of movie terms to wrap it all up.

Simon & the Sock MonsterSIMON & THE SOCK MONSTER
By Kathryn Otoshi
PUBLISHER: KO Kids Books
ISBN: 978-0-9723946-1-1
List: $16.95

“Simon & the Sock Monster”: A little boy loses his lucky soccer sock right
before his championship game, and his older sister tells him the Sock
Monster ate it for dinner. Simon enlists the help of his friend to rescue it, but what they discover in the end will have everyone laughing.

What Emily SawWHAT EMILY SAW
By Kathryn Otoshi
PUBLISHER: KO Kids Books
ISBN: 978-0-9723946-0-4
List: $16.95

“What Emily Saw”: A story about a day of discovery through the eyes of an
imaginative little girl. She sees mice getting married in her room, men with
balloons having tea in the sky, and meets a friendly dinosaur to play
hide-and-seek with, but in the end, she finds the true magic comes from home.

Maneki NekoMANEKI NEKO: The Tale of the Beckoning Cat

Published by Shen’s Books
By Susan Lendroth, illustrated by Kathryn Otoshi
PUBLISHER: Shen’s Books
ISBN: 978-1885008398
List: $17.95
“Mankei Neko: the Tale of the Beckoning Cat”: When a young samurai gets
caught in a terrible storm, the cat who lives in the monastery saves him by beckoning
him out of danger with her raised paw. Discover the legend behind Japan’s most famous cat!

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I’ve been busy working on the next Sienna, the Cowgirl Fairy book and rewriting my picture book writing course, Art of Arc. That’s only part of what I’ve been up to. But what’s important here is that I haven’t written a blog post in a while, so it’s high time I wrote one.

Today, I thought I would take a little time to share a few other things that I’ve been up to because I want to share some news, opportunities, and resources.

Teachers, librarians, parents – this one is for you.

I was just invited to be a judge for a fun writing contest for children in grades 3-5. Rosie Pova is offering the contest on her blog. This is a nationwide competition for creative writing with a theme, a twist and, of course, PRIZES! Teachers and librarians have 30 days from the contest opening date to submit the best entries that they select.

The contest began January 18 and will end at 11:59 pm February 16, 2018.

Writers, this one is for you.

I’ve signed up for my sixth year as a 12 X 12 member and my third year as a 12 X 12 critique ninja. As a member of Julie Hedlund’s 12 x 12, you get the motivation and accountability you need to write picture book drafts in 2018. There are opportunities to learn from industry experts, receive advice on the craft of writing picture books from published authors, literary agents, and editors, and enjoy the fellowship of community. Registration is open until February 28.

Just so you know, a critique ninja is a person who works in the 12 X 12 forum offering critiques on posted picture book manuscripts. There is a whole team of critique ninjas – all professional critique writers.

Another one for writers.

I’ve joined Tara Lazar’s Storystorm challenge for, I think, my sixth year. The Storystorm challenge is to create 30 story ideas in 30 days. You don’t have to write a manuscript (but you can if the mood strikes). You don’t need potential best-seller ideas. The registration is over and the challenge is more than half over, but you can still get some great inspiration for finding ideas from the month-long Storystorm posts on Tara’s blog. Once upon a time, Storystorm was called PiBoIdMo or  Picture Book Idea Month.

This one is for illustrators, artists, and illustrator wannabes (like me 😉 )  

I have bounced around the idea of trying my hand at art with this KIDLIT411 illustration contest, but I haven’t gained the courage. But YOU might want to give it a try. Excellent opportunity! The deadline is February 9.

Another one for illustrators, artists, and illustrator wannabes (like me 😉 )

I’ve been practicing art using a bunch of different books, but I also recently signed up with the Society of Visual Storytelling (SVS). Here’s a little blurb from their site. Our videos are custom made to show you how to get the skills necessary to break into the dynamic field of illustration. We have a wide range of subjects that fit any interest you may have in art. On top of our huge video library of art videos, we are now offering multi-week interactive classes where you get direct feedback from the instructor. In addition to our video content, we offer a forum where you can chat with other students and ask for help or just show off your stuff!

Now, if only I could get reliable Internet access on the road so I can watch my courses!

And one last bit of fun for writers.

If you don’t know about it, Sub Six is a Facebook support group for kid lit writers who are focusing on submitting their work. I’ve had a hard time keeping up with it, and the wonderfully smart and talented Manju Gulati Howard has volunteered to help. And boy has she helped. She does so much to inspire and encourage the group. She’s secured monthly prizes for the whole year from generous donors. And now, she has started Rejection Bingo, which is a blast. The game is in play until June 1.

 

  

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AAS Q&A 4This month, I asked the All about Submissions team the following questions: How do you cope with rejections? What do you do with the rejection letters – even if they are just form letters? I shared some of our answers yesterday in Part One. Here are the remaining answers plus links to some excellent posts. Please feel free to comment and share your tips for coping with rejections. And remember, if you have questions you would like answered, either ask it in the comment section or contact me by clicking the “contact” button at the top of this page.

* * *

Teresa Robeson, author and artist

teresarobeson.com

Rejections used to get me into a deep funk. I think that’s partly why I gave up writing for a while in the 2000s (that, combined with the stress of homeschooling two young kids during that period). I had some wonderfully encouraging, personalized rejections among the form ones, but it was still so depressing.

I think that, with age, I have grown a thicker skin and now rejections don’t bother me as much. They still do, but they don’t define my self-worth. Also, I’ve gotten fan letters and compliments (from readers and editors) on my published works, and that really helps to sustain me when I receive a rejection.

Because I’m semi-organized (more hypothetically than in practice), I save all my rejection letters in files, either real or virtual. I occasionally, like once every seven years, pull out the encouraging ones to look at, but I don’t do anything with them otherwise. No need to re-live the angst of the form rejections, and I hold the good ones in my heart anyway.

As much as rejections pain me, in today’s world of “we’ll reply only if interested,” I would rather receive a form rejection than no rejection at all!

* * *

Sophia Mallonée, Children’s Writer

www.sophiamallonee.com

Rejections suck. Yeah, your skin might grow a little thicker over time, but there really is no getting used to the rejection process.

For me, my coping mechanisms vary from rejection to rejection. The best rejections are the personalized ones. With those, I like to pick apart the letter and try to view my manuscript the way the agent or editor did. Can I utilize their advice? I’ll pour over my manuscript and try to find any weak links that I might be able to strengthen. I take these rejections as learning experiences. Yes, it still sucks to be rejected. But at least in these cases (most often) I’ve received a little bit of knowledge as a consolation prize.

It’s the form rejections that are the worst. It’s more difficult to take away a great lesson when you receive an “It’s wonderful…but just not for me” type of letter. That always stings. It’s like a breakup where you’re never able to say how you felt in the end, and the closure is never had. Why? Just give me something. If it’s so wonderful, then why is it not for you? It took me a while to let go of those rejections. But I get it. I know that a manuscript can be good and still not connect with you – I read stories like that all of the time – for no particular reason. I understand that to respond to every single query/submission would be a ridiculous waste of time. But still, just because I understand the rejection process, doesn’t mean I have to like it. I definitely allow myself to have a mini pity-party, followed by a phone call or lunch with my critique buddies, where we all commiserate. After that, I’ll write something new. Nothing makes me feel more accomplished and happy than diving into a new story.

I like to keep my rejection letters. I keep all of my electronic rejection letters filed away (even if they’re form) in my email. That way, if I query or submit to the same agent/editor again in the future, I can reference back to any correspondence we might have had in the past.

I don’t, however, keep any paper rejections unless they’re personalized and mailed to me. I don’t have the time or space for extra paperwork.

I’ll mention that I also have a running “Submission Tracking” spreadsheet that I maintain. I track all letters received, dates and any specific notes next to the agent/editor info on this sheet. That way, even if I don’t have the letters themselves, I’m still able to reference specifics quickly.

* * *

Cindy Williams Schrauben, Children’s Writer

Raising Book Monsters – kids who devour books and hunger for knowledge

http://www.RaisingBookMonsters.com

What do I do with form rejections? I log them (on my submission spreadsheet) and forget them. Done.

How do I cope with rejections? This question sounds very straight forward, but there are many variables. I can say, though, that my coping mechanisms have become much stronger over time and I can even say that I am grateful for them – okay, not grateful that they said NO, but grateful for the fact that they responded at all.

My first few rejections were very difficult – I, simply, didn’t know how it worked. I had written a story – a good story, so I thought – and put it out there for the world to see. Time for agents to start knocking at my door, right? Finding that others didn’t share my passion for this manuscript was, initially, really tough. I know now that it isn’t quite that easy. But I can say that I ALWAYS read a rejection like a critique, quickly the first time… let it sit… and then read it again later with less emotion and more objectivity.

Call it rationalization if you like, but I cope with rejections by asking myself a couple questions:

Was this a dream agent? If the answer is no, I tell myself that this rejection is just getting me closer to the right one. If the answer is yes, well, I blubber away for a while and then I eat some ice cream.

Another determining factor is the type of rejection – they are not all created equal. Form rejections, for example just suck; that’s all there is to it. There is nothing to learn from them other than perseverance and a tough skin. One way to help is to go to Literary Rejections and read about all the hugely successful authors who have been rejected hundreds of times.  Their tagline is: “helping writers persevere through rejection.” Their web and Facebook sites both offer commiseration and inspiration.

Personalized rejections are a different story entirely. I recently received one from an agent that included real reasons for rejecting my work. It wasn’t a copy/paste response like: “I wasn’t in love” blah, blah, blah, or “not a good fit” blah, blah, blah, but offered some constructive criticism.  I treat these rejections like gold. They are, in fact, critiques from someone who truly knows the business. Sure, it is just another opinion, but an informed one to say the least.

My final piece of advice/rationalization is to tell myself that I want an agent who LOVES my work. Period. If they don’t… well, they aren’t right for me.

* * *

Sylvia Liu, Writer-illustrator

portfolio: www.enjoyingplanetearth.com

blog: www.sylvialiuland.com

Sylvia Liu is a winner of the Lee & Low New Voices Award. http://blog.leeandlow.com/2014/01/15/announcing-our-2013-new-voices-award-winner/

I am very practical and dispassionate about rejections. I figure it’s a numbers game and I will need to rack up many rejections before I find the right fit. I also look on the bright side. If I get deafening silence, I can imagine that the agent or publisher is still pondering the story. If I get a form letter, I get closure. If I get a quick rejection, I’m happy to move on. If I get personalized feedback, I am thrilled to improve my story and am buoyed by the prospect that it is one step further out of the slush pile.

The hardest rejections are after an agent has requested more work and they end up passing on my work. It’s hard not take that personally, but it does spur me to keep strengthening all my pieces.

I keep all my rejections. In the olden days, I’d get photocopies of form letters that I still have in an accordion file. Nowadays, I keep an “Agent Correspondence” file in my emails. My favorite rejection was one where my husband and I submitted a piece he wrote and I illustrated about six years ago. The rejection was addressed to him, but the line, “Tell Ms. Liu her illustrations are brilliant,” still sustains me today.

* * *

Alayne Kay Christian, Award Winning Children’s Author

Butterfly Kisses for Grandma and Grandpa

Represented by Erzsi Deak, Hen&ink Literary Studio

Before I share this month’s links, I want to make one point. Many of the All about Submissions team members mentioned developing tough or thick skin. First I want to say that a form letter rejection, a kind/helpful rejection, or the emptiness of no response from a manuscript submission can all be perceived as criticism. I believe one excellent way to develop thick skin and practice coping with criticism is to join a critique group. But here’s the thing about critique groups, a critique partner who is afraid of hurting someone’s feelings and therefore is not as honest as they can be about their crit partners’ manuscripts is doing a disservice to their fellow writers. Be honest. Tell what you see, think, feel. Critiques are like dress rehearsals for rejections. The author of the manuscript can decide if they agree with you or not. Of course, you want to give positive feedback as well. Ask your critique partners to help you out by honestly telling it as they see it.

Links:

From Jessica P. Morrell

Three posts (all appear on the same page – if you click on any one of the three links below, you will access the page):

What Editor’s Notice

Top Eleven Reasons Why a Manuscript is Rejected

Tips for staying out of the rejection pile

 * * *

From OneWildWorld.com:  SIX GUIDELINES FOR TURNING REJECTION INTO SUCCESS by Carol Despeaux

 * * *

From Distractify: 10 PAINFUL REJECTION LETTERS TO FAMOUS PEOPLE PROVING YOU SHOULD NEVER GIVE UP YOUR DREAMS by Averi Clements

* * *

From Kristin Lamb’s blog: HOW TO TAKE CRITICISM LIKE A PRO by J.E. Fishman

* * *

From MORE online magazine: KATHRYN STOCKETT’S “THE HELP” TURNED DOWN 60 TIMES BEFORE BECOMING A BEST SELLER

by Kathryn Stockett

 * * *

TOP 10 FAMOUS BOOKS THAT WERE ORIGINALLY REJECTED

* * *

From Schuler Books Weblog: 30 FAMOUS AUTHORS WHOSE WORKS WERE REJECTED, by Michelle Kerns

* * *

Romelle Broas shares a humorous post, REJECTION LETTERS FROM A POSITIVE PERSPECTIVE

* * *

Tidbits from Alayne

Two responses to rejections that I see in the writing community that I enjoy are as follows:

Onword and upword! (spelling intentional)

Now I’m one step closer to publication (variations: signing with an agent, a book contract)

A list of all the ALL ABOUT SUBMISSIONS posts.

 

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