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Archive for the ‘children’s writing and publishing’ Category

kid-lit writing wisdom

Copy of What was one of the most important lesson learned on your road to publication_

This “Wisdom” round’s question isn’t exactly a question. I asked the team to tell us about their travels down the long and winding road to publication. You can learn more about why I chose to cover this topic in Publication Doesn’t Happen Overnight Part 1 of 3 here. And you can read part 2 of 3 here. You can read more about the “Wisdom” team members and their books here.

Congratulations!

Cover When Water Make Mud 9781950169443

Before I move on, I’d like to do a little horn tooting and also offer a BIG CONGRATULATIONS to Janie Reinart and Morgan Taylor. Their book WHEN WATER MAKES MUD: A STORY REFUGEE CHILDREN has been rated the #1 new release in Children’s Africa Books on Amazon. So, where does the horn tooting come in? This is one of the last books that I edited, did art direction, designed, and published during my work with Blue Whale Press. Not a bad way to finish!

Now for some . . .

Words of Wisdom

“MY WRITING GREW STRONGER DURING THOSE TEN YEARS, AND MY KNOWLEDGE OF THE INDUSTRY INCREASED EXPONENTIALLY.”

by Laura Gehl

I wrote my first picture book, One Big Pair of Underwear, when my oldest son (now almost 17!) was a baby. The book was published almost exactly a decade later. In between, I wrote a lot of other books, some of which went on to be published. Most did not. My writing grew stronger during those ten years, and my knowledge of the industry increased exponentially. Like most people, I made some embarrassing mistakes before I knew what I was doing!

Now that I have published close to thirty books and have a fabulous agent (I did not have an agent when I sold my first book), I still get rejections. And I still have manuscripts that never end up selling—even books that my agent and my critique partners love. I can’t honestly say that rejections feel much different now either. While I KNOW that each rejection is just about a certain book not being the right fit for a certain editor at a certain time, that doesn’t mean each rejection doesn’t hurt. I once received a rejection for a manuscript that had already been acquired by a different publisher, and it STILL stung. The waiting hasn’t disappeared either. But my critique partners, my agent, and the wonderful teachers/parents/kids who take the time to tell me how much they love my books all help weather the inevitable rejections and the just-as-inevitable waiting that are part of this business!

KEEP DOING THE WORK

by Dawn Babb Prochovnic

My journey certainly has been and remains, long and winding. I attended my first writing conference in the summer of 2004. I knew nothing about the publishing industry, and I came to learn. The guest editor was Arthur A. Levine, of Harry Potter fame. He was kind and generous with his time, feedback, and encouragement. After the conference, I formed a critique group and joined SCBWI. With the support of these groups, I worked diligently on one of the stories I’d workshopped at the conference, and when I felt it was ready, I submitted my first manuscript to Arthur A. Levine Books, (his imprint at Scholastic, at the time.)

Arthur was again kind and encouraging, and I will always treasure the personal letter he sent back to me, gently declining my story. Over the next several years, I continued to do the work of a writer, inventing new stories, revising, and asking for critiques over and over again. As I developed an inventory of submission-ready manuscripts, I studied publishing houses and began the task of submitting. I accumulated several large file boxes filled with manuscripts in various stages of revision and correspondence from editors across the country (this was before submitting electronically was a thing.) Over time, the editorial correspondence I received shifted from form letters to personalized notes with suggestions for revision and/or ideas for other publishers that might be a better fit for my work.

One dark and stormy night in October 2007, I took my kids to a book event in our area to meet Bart King, the author of my daughter’s then-favorite book. At the event, I visited with another exhibiting author, David Michael Slater, whose books with an educational hook struck me as being similar in nature to my stories that incorporated American Sign Language. I told him about my work, and he agreed that it sounded like a strong fit for his publisher, ABDO, and he was kind enough to put me in touch with his editor. ABDO was indeed a good fit for my ready work at the time, and I published 16 books with that editor, from 2009-2012. It was a great experience.

Then I had a dry spell. A long dry spell that didn’t break until 2015 when two author friends in my local area, Elizabeth Rusch and Amber J Keyser, thought of me for an anthology they were working on called Oregon Reads Aloud. Liz reached out to invite me to participate, and I shared a freshly revised version of a story that had received several encouraging “personalized rejections” (so I knew that it was “ready,” it just needed to find the right home.) The story was accepted for the anthology, my dry spell had lifted, and my confidence was restored.

Through the process of participating in a wide variety of marketing events for Oregon Reads Aloud, I met the publishing director and marketing manager for West Margin Press (then Graphic Arts Books.) I’ve since published three picture books with the marvelous team at West Margin Press, including my book that just released in April, Lucy’s Blooms. It is my sincere hope I’ll get to work with them on another book in the future, but alas, they’ve passed on my last three submissions. Not to worry. Those stories will find a home, they just need to find the right home.

With 20 picture books and nearly as many years of experience, there are parts of me that still feel a bit like a newbie in this business. Maybe that’s because I’ve not yet been able to secure an agent (I will keep trying.) Maybe it’s because the publishing industry is hard to break into (over and over again.) Maybe it’s because each book takes a different route to publication, so the path is in fact a bit new each time.

With that said, here are my tips and takeaways: Keep doing the work. Read. Write. Revise. Seek feedback. Revise again. Build a body of ready work. Attend book events. Support others in their work. Make friends. Seek out and accept opportunities that align with your interests. Strive to better understand the market. Submit your work, as it becomes ready. Repeat.

TRENDS COME AND GO

by Michelle Nott

I was first inspired to write children’ stories while living in Belgium. My little girls’ bookshelf was mainly stocked with stories written in French. They were brilliant books, but we had decided to raise our children bilingually. And so I dusted off my Creative Writing degree and got writing … and thinking about turning these bedtime stories into actual books. Luckily, I found SCBWI Belgium (now SCBWI Benelux) to guide me. A couple months into my first critique group, a friend said she thought her editor would like one of my manuscripts. I queried her and after a round of revisions, she offered to publish my first early reader book. But it would take four years to have it in my hands. Once that book came out, she acquired my second early reader that took another four years to see the light of day. In the meantime, I queried agents with picture book and middle grade manuscripts. One of my first picture book stories received many kind rejections, mainly “it’s lovely, but too quiet.” At the time, most agents and editors were asking for action-packed plot-driven stories. Mine was not. But it’s important to remember that trends come and go, and to write the story you are to write. Finally, I sent a middle grade manuscript to an agent who replied that she liked my writing, but asked if I also wrote picture books. I sent her that quiet manuscript,… and she loved it! And then an editor and an illustrator at Enchanted Lion Books loved it. And now I’m thrilled that this book, Teddy Let’s Go!, written when my oldest daughter was in Kindergarten, will be published in time for me to hand it to her on her way to university!

PERSISTENCE CAN CERTAINLY GET YOU TO WHERE YOU WANT TO BE

by Rosie Pova

My journey to publication was definitely long and full of heartbreaks along the way. Given the fact that English is not my native language, and I had no clue how publishing worked, no wonder it took me 13 years to get my first yes from a traditional publisher. I had so much to learn, so much to catch up on as an immigrant, and so much to experience before I found my footing.

But when that yes came, two more came with it as well, so I received three publishing contracts all at once! That was certainly an exciting victory!

Up to that point, I had been submitting to both agents and publishers. But even though I did get an agent before, the book she signed me with didn’t sell.

Fast-forward to today, I have five traditionally published books (four out, one upcoming), and my newly released one, Sunday Rain, was recently featured in The New York Times which is an absolute dream come true!

Overnight success in publishing is rare. But persistence can certainly get you to where you want to be.

And yes, I still get rejections. All the time. And that’s perfectly normal. In fact, those rejections are necessary, because that’s how our work finds the exact right home it’s meant for.

“I HAVE TO LOVE WHAT I’M WORKING ON, I HAVE TO ENJOY MY WRITING RITUALS, AND I HAVE TO RELY ON FRIENDS WHO ARE ON THE SAME JOURNEY.”

by Marcie Flinchum Atkins

It took me many years of writing very diligently to have my first book published. I first published work-for-hire nonfiction for the educational market. My first trade picture book WAIT, REST, PAUSE: DORMANCY IN NATURE was picked up in a call for submissions from Millbrook Press. I already had something to submit that had been getting good feedback, but ultimately kept getting rejected.

I write everyday (I score high on “discipline” in Clifton Strength’s Finders) because it helps me stay connected to my work. If I don’t write, I often feel like things are “off.” I have several projects in circulation—often in different genres and for different age groups. When one project isn’t going quite right, I can work on another project. I always have something percolating or waiting to be worked on. To stay positive, I keep a spot in my bullet journal for celebrations. They often don’t include “book deal.” But they do include things like: finished middle grade novel revision, finished fast draft of chapter book, received positive feedback from editor, participated in panel at XX conference. These celebrations remind me that the journey is important too. When it feels like a long wait for a book deal, these small victories remind me that I’m making progress.

I definitely get rejections—a lot of them. I try to frame rejections in different ways. Sometimes I get rejected because the publisher has already bought something similar. Other times I get rejected because the publisher just didn’t connect with it. If I get feedback from various places that sounds similar or points to the same thing, then I know it’s time to pull back and take another look. In those cases, rejections can make me a better writer. But they definitely don’t make the writing life easy. That’s why, for me, I have to enjoy the journey I’m on. I have to love what I’m working on, I have to enjoy my writing rituals, and I have to rely on friends who are on the same journey.

TO READ PART 1 OF “LONG AND WINDING ROAD TO PUBLICATION” click here and TO READ PART 2 click here. TO READ THE TEAM MEMBERS’ ANSWERS TO “MY MOST IMPORTANT LESSON LEARNED” click here for Part One and here for Part Two. TO READ MORE ABOUT THE KID-LIT WRITING WISDOM TEAM AND THEIR BOOKS click here.

A LITTLE BONUS FEATURE–THE BOOK TRAILER FOR WHEN WATER MAKES MUD

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KID-LIT WRITING WISDOM PRESENTS LONG AND WINDING ROAD: PUBLICATION (USUALLY) DOESN’T HAPPEN OVERNIGHT (Part 1 of 3)

kid-lit writing wisdom

Copy of What was one of the most important lesson learned on your road to publication_

This “Wisdom” round’s question isn’t exactly a question. I asked the team to tell us about their travels down the long and winding road to publication. One of the reasons I wanted us to cover this topic is because every once in a while, you’ll see blog posts from an author who tells you the very first manuscript they sent out was acquired overnight—as though it’s the easiest thing one can do. That is not the norm nor is it reality. I also wanted emerging writers as well as those who have been at it for a long, long time to see similarities and differences in each writer’s experience. My wish for you and all our readers this round is that you might be inspired or pick up just one bit of wisdom that will help you in your journey. But also, that you adjust your expectations, so that if you find yourself on a long and winding road, you’re not disappointed or discouraged. And if you are one of the lucky ones who gets a contract overnight, you will be surprised and appreciate the moment even more than you might have.

Because it has been a long road for the “Wisdom” authors, we all had a lot to say. So, this topic will be shared in three parts over the next three weeks.

I’ve seen some similarities in answers, but everyone’s path has been a little different. I’m going to start with my own answer because it brings up a topic that didn’t pop up in any of the other answers.

Before we get started, I’d like to share some good news and congratulate Rob Sanders has a book birthday coming on May 4 with  TWO GROOMS ON A CAKE: THE STORY OF AMERICA’S FIRST GAY WEDDING. HAPPY BIRTHDAY! I’d like to also congratulate the illustrators of my picture books for winning the Story Monsters Approved Award. Polina Gortman illustrated THE WEED THAT WOKE CHRISTMAS: The Mostly True Tale of the Toledo Christmas Weed. And Milanka Reardon illustrated AN OLD MAN AND HIS PENGUIN: How Dindim Made João Pereira de Souza an Honorary Penguin.

Congratulations!

Two Grooms on a Cake

AWARD WINNER FOR MAKING A DIFFERENCE!Winner for (1)

 

Words of Wisdom

 

WHEN YOU SAY “YES” TO ONE THING, YOU ARE SAYING “NO” TO ANOTHER

by Alayne Kay Christian

I’m guessing, as with most team members, it would take an entire book to share my long journey. I’ll do my best to keep this short. My first picture book BUTTERFLY KISSES FOR GRANDMA AND GRANDPA was released way back in 2009. It won some awards and got great reviews, so I thought for sure, this kid-lit writing thing was going to be a breeze. I was wrong. I spent the next several years taking children’s book writing courses, attending SCBWI conferences and workshops, and getting involved in the online writing community. In 2013, I was on top of the world when I signed with an agent (my choice out of three agent offers—wasn’t I something?). I knew for sure that I was going to conquer the kid lit world now! Well, once again, I was wrong. In 2015, I parted ways with the agent. That set my confidence back for a couple of years. I did very little submitting, but I did continued to write, study children’s book writing, and work to grow my online presence. I also started a professional critique service and wrote an independent-study picture book writing course, Art of Arc. I also started working as a critique ninja for Julie Hedlund’s 12 X 12, which I did for three years. In 2016 I signed with a small publisher and in 2017, my chapter book series Sienna, the Cowgirl Fairy was launched. I continued to study children’s book writing and submit. Also in 2017, I helped my husband relaunch Blue Whale Press where I was the acquisitions editor and creative director. In addition to that, I spent the year going back and forth with an agent who I thought was going to sign me for sure. Once again, I was wrong. We even had what I thought was “the call.” But it turned out to be a “let you down easy” call. She loved one of my stories, but didn’t fully connect with the others I offered. That set me back for a while. But I had so much going on with Blue Whale Press and my other writing related work that I didn’t have time to fall into negative thinking. In 2019, I started offering affordable children’s writing webinars. But even with all of the above, I also continued to study, write, and submit. 2020 was an exciting year for me when finally; my next two picture books were published. I am so proud of AN OLD MAN AND HIS PENGUIN and THE WEED THAT WOKE CHRISTMAS and my latest Sienna book COWBOY TROUBLE. I’m so excited that THE WEED THAT WOKE CHRISTMAS recently won the Story Monsters Approved award for books that make a difference. And THE OLD MAN AND HIS PENGUIN won an award in the nonfiction picture book category.

It took thirteen years of hard work, but more than anything, perseverance, to get (soon to be) four published picture books and two chapter books into the world. I tried to include what I consider to be major parts of my journey to demonstrate that it’s not necessarily just about writing and submitting. It’s about learning, growing, and finding ways to apply your knowledge and creative energy when it sometimes feels as though all has failed. And like in the stories that we write, finding our way through our darkest moments will lead us to a satisfying ending.

I don’t regret my path for a minute because I love all the gifts I have given writers and illustrators over the years with my critiques, courses, work with Blue Whale Press and so on. I’ve found that for me, relaxing into where life takes me usually leads me to where I need to be. But a word of warning . . . when you say “yes” to one thing, you are saying “no” to another. In my case, I said a lot of “no” to writing and submitting by saying “yes” to helping others. Where might I have been had I been more focused? That is not a question of regret. It is a question that I pose to you as writers. Following is a little worksheet to help you see your “yes” and “no” choices more clearly. I hope some of you find it helpful. The worksheet was initially part of a much longer post I wrote on the topic. Click here to read it

say yes say no

SHEER LUCK? SOMETIMES. SHEER GRIT? MOST OF THE TIME.

by Kirsti Call

It happened backwards for me. I wrote my first couple of stories, joined a critique group, submitted THE RAINDROP WHO COULDN’T FALL about three months into my writing journey. Character Publishing gave me an offer almost immediately, and my first book came out in 2013. Then for 6 years I wrote and revised and submitted and submitted and submitted again. I FINALLY got my first agent who subsequently sold 4 books for me. Sheer luck led to my first book. Sheer grit led to others.

ALL THE TIME I PUT INTO LIVING LIFE, AND WRITING STORIES, LED ME TO STRENGTHEN MY CRAFT AND FIND MY WRITING VOICE

by Melissa Stoller

My journey to publication was indeed a “long and winding road.” I had started writing when my oldest daughter was a baby and I loved reading picture books to her and making up bedtime stories. Before that, I practiced as an attorney, taught legal research and writing to law students, and worked as a career counselor at a law school. When I received many rejections to my initial book queries, I turned my attention to writing parenting articles and doing freelance editing. But eventually, I returned to my dream of writing for children (and by that point, I had three children and lots more time doing field research into the KidLit world). In fact, I had joined the SCBWI in 1997 (!) and my first book, THE ENCHANTED SNOW GLOBE: RETURN TO CONEY ISLAND, was published in 2017! I am forever grateful to Callie Metler and Clear Fork Publishing for helping me turn my writing dreams into reality. My advice to aspiring writers is to keep pursuing your goals. Your writing journey may detour down some curving roads, like mine did, and your path to publication may not be straight. But all the time I put into living life, and writing stories, led me to strengthen my craft and find my writing voice. So, buckle up, get on whatever type of road best fits your career, and say ready, set, GO!

KEEP YOUR CHIN UP AND YOUR FINGERS ON THE KEYBOARD!

by Rob Sanders

My journey to publishing started back in college. I paid my way through college and graduate school by writing religious educational materials. A few years later, I wound up working for the company for which I’d been writing, eventually becoming an editor and product designer there. But none of those materials were things kids would ever find in their public or school libraries or local bookstores. It wasn’t until I was 50 that I decided to pursue my dream of writing picture books. Two years later I made my first sale through a paid critique at SCBWI LA. A year later, I landed an agent. Selling my second book proved to be as difficult as selling the first and that pattern continues. Each of my manuscripts has to stand on its own merits and find its own home. I often remind myself of the advice my agent gave me when we first started working together: Keep your chin up and your fingers on the keyboard!

FIVE INGREDIENTS THAT ARE NECESSARY FOR SUCCESS IN ANY PROJECT

Vivian Kirkfield

Whenever I do presentations about the path to publication, I talk about how becoming a picture book author was a lot like making a pizza. Whether I’m speaking with six-year-old school kids or sixty-year-old aspiring authors, I share the 5 P’s…5 ingredients that are necessary for success in any project: PASSION, PREPARATION, PRACTICE, PATIENCE, and PERSISTENCE. It’s a process and it takes time. I started my writing journey at the end of 2011 – we signed my first book deal at the end of 2015 – and that book launched in 2019. I had sent out a few submissions to editors on my own, but I knew I wanted an agent because I knew I didn’t want to focus on where to send my manuscripts…I wanted to focus on writing them. However, the path is different for each one of us – and what is right for one person might not be right for another. What is needed, however, whether you have an agent or not, is positivity. Oh…there’s another P…I guess you can tell I’m a picture book writer with all of that alliteration.😅 I remain positive because I know that the rejections…and YES, I do get lots of rejections…are not personal. I try to remember that this is a business…and the publisher/editor must make a profit from the books they produce. Otherwise, they have to close their doors. And if they don’t choose my manuscript, it’s because they don’t think they will make money. I also try to keep in mind that sometimes, publishers are wrong. So, when I get a rejection, I remind myself that I am in good company with J.K Rowling and Louisa May Alcott and Stephen King and many others: https://wildmindcreative.com/bookmarketing/6-famous-authors-who-once-faced-rejection.

COMING IN THE NEXT TWO WEEKS PART 2 AND PART 3

Next week, Ellen Leventhal and Pippa Chorley talk about their journeys, which both include dealing with imposter syndrome. And Beth Anderson shares her thoughts on what it takes to be successful as an author. Finally on May 8th, we’ll wrap up our thoughts on the path to publication with Laura Gehl who talks about how time only serves to make you a better author. Dawn Babb Prochovnic looks at the importance of continuing the work in spite of obstacles. Michelle Nott talks about trends and also demonstrates that it pays to never give up on old stories. Rosie Pova talks about how persistence pays off. Marcie Flinchum Atkins talks about enjoying the rituals of writing and having friends who “get” the writer’s experience.

TO READ THE TEAM MEMBERS’ ANSWERS TO “MY MOST IMPORTANT LESSON LEARNED” click here for Part One and here for Part Two.

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Welcome to Kid-Lit Writing Wisdom where a team of multi-published kid-lit authors with over 170 years of combined experience as writers share their wisdom. You can read all about our team here. And you can read part one of THE MOST IMPORTANT LESSON LEARNED IN MY PUBLICATION JOURNEY here. Before we get started, I’d like to share some good news and congratulate some of our team members.

Before we get started, I’d like to share some good news and congratulate some of our team members.

 

Ellen Leventhal’s book A FLOOD OF KINDNESS will poke its sweet head out into the world on April 13. Happy early birthday wishes and welcome to the world! Beautiful story.

And another baby book will be born on April 13. Dawn Prochovnic’s LUCY’S BLOOMS will brighten our world. Another weed has captured my heart ; – )

I decided to launch our “wisdom” series with a general question. I half thought that there would be a lot of similar answers. The answers in this second part of “Lessons Learned” demonstrate that although what most of us strive for is the same, everyone’s experience is different. But I also notice a thread in several of the answers, which touch on the importance of community and support from other writers. I often say, it takes a village. Some of the answers shared here confirm that it truly does.

There are so many great online writing communities, but I’ll offer the first two that come to mind. They are both Facebook groups. I’m sure they will lead you to more groups and opportunities to grow as a writer. KidLit411 is a wonderful writing community. They also have a website that offers unlimited resources. Plus they have an illustrator/portfolio critique swap and a  manuscript swap/critique connection group. KidLitCreatives encourages and supports writers and illustrators that are actively writing and submitting. They even offer prizes each month!

And now for our question to the wise. . . .

Answers to “Most Important Lesson Learned”

 

WRITING IS A GIFT TO MYSELF
by Laura Gehl

The most important lesson I have learned is to focus on the happiness I get from the act of writing. I absolutely love to write—that’s probably obvious, or I would have chosen a different career. But it is easy to think that happiness for a writer comes from making a sale, getting a starred review, winning an award, and so on. For me, those things do bring happiness, of course, when they happen. But I can bring myself happiness EVERY SINGLE DAY just by sitting down to write. Sometimes, life gets extra busy and stressful, and I realize it has been a week or more since I actually did any writing. When I force myself to find time to write, voilà—it makes me happy! Writing is like a gift I can keep giving to myself over and over, and it is a gift I love every time. But for some reason, this is a lesson I keep needing to relearn. It’s easy to get pulled back into worrying about the next sale or the next review…and easy to feel like there are so many other things going on that there isn’t time to write. In both of those situations, I need to remind myself that I will feel better if I get back to writing. And then I do!

 

SPEAK UP WITH CONFIDENCE
by Vivian Kirkfield

I realize that every editor has her or his own way of moving forward and that the timeline for the path to publication for each book is going to be different. But I wish I’d had more knowledge of that timeline when I signed my first book deal and I wish I’d had more confidence to speak more decisively when things weren’t moving along smoothly. If you haven’t gotten sketches and you should have…speak up. If you’ve gotten them and there is a problem…gather your proof and speak up. When it comes to historical accuracy and authenticity, we must advocate for our stories to ensure that children receive the best books possible.

 

BY SUBMITTING TOO EARLY, WE BURN BRIDGES. BUT . . . THAT’S ALSO HOW WE LEARN
by Beth Anderson

I wish I’d had a better idea in the beginning about when a manuscript is ready for submission. As with most endeavors, you don’t know what you don’t know, so it’s probably impossible to have known that, and the gap between my “ready” and “submission ready” was significant. Thankfully, I’ve had critique groups that pushed me closer, but they too were working to understand “ready.” I think the only solution is to share your work with people that know more about the business and will be honest with you. And then we must be patient enough, diligent enough, tough-skinned enough, and trust them enough to really listen and keep working on it. By submitting too early, we burn bridges. But…that’s also how we learn. Beth

 

WRITING AND PUBLISHING IS LIKE A BOX OF CHOCOLATES—YOU NEVER KNOW WHAT EXPERIENCE YOU’RE GOING TO GET
by Dawn Prochovnic

I think one of the things I’ve learned (or, more accurately, one of the things I am still learning) is that writing books is somewhat akin to raising (and/or teaching) children. You can read about it and glean ideas about how to handle certain circumstances from others, but in the end, you have to follow your own instincts. What works for one parent/teacher/child or author/book does not necessarily mean it will work for another. And just because you have successfully written/published one (or many) books, does not mean you have it all figured out. Yes, you come to the table with more experience, more confidence, and more tools in your toolbox, but each book will require you to begin again. Each book will journey on its own unique path. And each book will require the depths of your love and commitment—coupled with the right balance of full-on attention and getting out of the way.

Vivian wrote: I LOVE this one, Dawn…so very true…each book and each editor and each illustrator who works on one of our books creates a different recipe…like baking a cake. And for those who have baked cakes, you know that even if you use the same ingredients, the temperature in the oven might fluctuate or someone might slam a door in the house or the baking powder you used isn’t as fresh…and the results may be different.

I’d like to share the link to the animated book trailer and song for LUCY’S BLOOMS

 

WRITING IS LIKE TENDING A GARDEN
by Melissa Stoller

I wish I had known – and I’m still learning – that writing is a bit like tending a garden. You can plant bulbs and water and feed them – but not every one will grow (some bulbs inevitably get eaten by resourceful squirrels!). But if you plant enough then hopefully some will blossom. It’s the same with manuscripts. Not every story will sprout and even those that do still have to go through revisions, editing, an agent search, rounds with an editor, acquisitions committees, and more. But hopefully the story that does make it through will bloom! So my tip is to keep writing and then write some more. Work on your craft. Take classes. Read mentor texts. And surround yourself with excellent critique partners. Hopefully, by tending to our writing gardens, we will cultivate the best stories that will become beloved books.

 

THERE IS STRENGTH IN NUMBERS
by Ellen Leventhal

One very important lesson I learned is that there is strength in numbers when it comes to marketing. I knew that getting a book published was just the beginning, but I didn’t know anything about marketing groups with my first two books. I am in two groups now, and the support has made a huge difference.

 

TAKING PART IN A WRITING COMMUNITY CAN CHANGE EVERYTHING
by Michelle Nott

Besides all the previous tips, I would encourage everyone to find their writing community, be that organizations like SCBWI or CBI, critique groups or at least a partner, and writers and artists on social media. When I first started writing for children, I was in Belgium and didn’t realize there were so many other writers for children in Europe and who were so generous with advice and support. I had been writing alone for a year, and almost gave up, until I noticed an agent from NYC was offering a master class through SCBWI in Paris. That small gathering opened up the entire kid lit world to me. I found a critique group in Brussels, went to Europolitan Conferences, and actually learned about the business side of writing for children (and how much improvement my query letters needed!) Community can also help writers realize that everyone’s journey is unique and that fact, in itself, can avoid a lot of stress and unrealistic expectations. We can all learn something from each other, no matter where we are on our writing and publishing paths.

 

MAKING GENUINE, AUTHENTIC CONNECTIONS WITH FELLOW WRITERS IS GOLD
by Rosie Pova

The most important thing I’ve learned throughout my publication journey is that support is invaluable and that nothing really happens without it. This business is tough! Making it to publication is a huge victory! It means you’ve overcome a mountain of obstacles and heartaches, most likely, but then the hard work starts. So in light of that, I wish I had joined a promotional group or two after the publication of my first few books. Joining forces with peers can take a book so much farther! For years, I’ve struggled with marketing, promotions, spreading the word … solo. Having a support system and teammates makes all the difference! So, my advice is to start thinking about that very early in the process — don’t wait until your book is about to release — and plan wisely. Find a promo group to join or start one. The more heads come together to collaborate and promote, the better. Oh, and don’t forget to be a supporter of others in the kidlit community, too. Making genuine, authentic connections is gold in this business!

 

 

 

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Welcome to Kid-Lit Writing Wisdom where a team of multi-published kid-lit authors with over 170 years of combined experience as writers share their wisdom. You can read all about our team here. Before we get started, I’d like to share some good news and congratulate some of our team members.

Rosie Pova’s lovely book SUNDAY RAIN had a birthday on March 2. Welcome to the world, little one!

Vivian Kirkfield’s new book FROM HERE TO THERE: Inventions That Changed the Way the World Moves is really going places! (See what I did there?) Great collection of stories all in one book!

Kirsti Call’s picture book, COW SAYS MEOW just had an udderly sweet birthday on March 16! Welcome to the world little book!

Laura Gehl‘s rhyming board book BASEBALL BABY will come into the world on March 30. Happy early birthday!

I decided to launch our “wisdom” series with a general question. I half thought that there would be a lot of similar answers. Although, some answers might relate to another in small ways, the answers prove that although what most of us strive for is the same, everyone’s experience is different. I think most of us on the team agree that we are all still learning, but with so many years behind us, we do have a lot to share. The question for this post is . . .

Answers Most Important Lesson Learned

 

I am rudely offering my answer first because it is the longest answer.

 

COMPARISON, CRITICISM, AND JUDGMENT

A WRITER’S WORST ENEMIES
by Alayne Kay Christian

Through my own experience and through observing other writers’ struggle, one important lesson I’ve learned is comparison, criticism, and judgment are a writer’s worst enemies. When it comes to looking outside ourselves to find our worth via comparison and judgment, my experience and observations have been that it usually leads to self-criticism and pain. In the kid-lit writing world, it can be a long hard road to what one might consider success. Most of us see success as getting positive feedback on a manuscript, signing with an agent, getting a book contract, holding that published book in our hand, getting great reviews, having a million-copy seller, and on and on. Unfortunately, success is a moving target. Like a drug addict, we are always looking for the next success fix. But as soon as the pleasure of meeting a goal fades away, sometimes even while we are still enjoying it, we are looking for more of the same or maybe even something different.

In the online writing community, it’s almost a daily occurrence that someone’s good news (usually several people’s good news) is shared. Sometimes, it seems like an hourly event! Isn’t that great? It’s also great the writing community is always there to help celebrate our successes. But I know for sure that when you are surrounded by others’ perceived successes, and you can’t seem to see any successes on your end, comparing, criticizing, and judging is a surefire way to stop or hinder your chances of success. When we compare ourselves, our efforts, and our situations to others, we become our own victims because the next step is self-judgment and usually self-criticism. I suppose for some, the outcome might be inspiration, encouragement, and the strength to keep on keeping on. But for others, comparing, followed by self-judgment and criticism, lead to emotional confusion, discouragement, and sometimes a sense of defeat. Most climb out of it, pick themselves up, and get back on the rough road they have put themselves on in their writing journey. I admire and praise those who have found the peaceful route to their perceived success. But more than anything, I wish peace for those who struggle.

Of course, we all have our own path to follow. And we all have the road that will take us to where we are meant to be. I’d just like my ramblings to leave you with the thought that we have the power to make this writing journey a peaceful and pleasurable ride or to make it a treacherous and tumultuous one. For me, remaining aware of the compare, criticize, judge trap (whether it be directed at self, others, or both) is one of the best things I ever learned to do for myself. But the biggest lesson is to recognize it for what it is—the enemy. See that big flashing red light of discomfort and distraction and STOP looking outside yourself. Then, find a way to bring your focus back to you in the moment where you can find peace and joy in your writing journey. One lovely step at a time.

If doing what you love feels more like a struggle than a peaceful or joyful experience, take a good look within. You will likely find that you are comparing, criticizing, or judging (or maybe all three.) It’s impossible to be in the moment under those circumstances.

Coincidentally, while I was working on the above answer, the following Jane Friedman blog post popped up in my email. I feel like it is too related not to share. Although, I’m not talking about jealousy in my answer, falling into the compare, criticize, judge trap can lead you there. Click here to read The Green-Eyed Monster: Jealousy in the Time of Quarantine by Nancy Stohlman.

It’s funny how once you bring something into your consciousness, it seems to pop up everywhere. As I was preparing this blog post, I received newsletter from Jess Keating. Jess has a different take on jealousy. And she offers her creative guide to jealousy here. It’s definitely worth reading! Thanks, Jess.

 

To learn more about Alayne and her books visit alaynekaychristianauthor.com

 

SUCCESS LIVES IN THE NEIGHBORHOOD OF FAILURE
by Kirsti Call

My most important lesson learned on my publication journey:

Each rejection, each defeat, each failure only teaches resilience and leads to success in this business. Without years of persistence through the failures, I wouldn’t be where I am today. Success lives in the neighborhood of failure.

My book, COW SAYS MEOW came out on March 16! Here’s the 2 minute song my 15 year old daughter wrote for it: https://youtu.be/X14k86vW6FY (And I just got a very unexpected starred review from SLJ!)

Happy Creating!

To learn more about Kirsti and her books visit www.kirsticall.com

 

WRITING AUTHENTICALLY IS A MUST
by Rob Sanders

My most hard-learned lessons seem to be those that are the most obvious. I wrote and published for a few years before I finally owned the lesson that I need to write the stories only I can write and to write with authenticity. I still have to evaluate what I’m working on to see if I’m doing that. Life (and my writing career) is too short to spend time writing things that don’t truly represent who I am.

To learn more about Rob and his books visit www.robsanderswrites.com

 

WRITING IS ONLY THE BEGINNING
by Pippa Chorley

I think the thing I learned from the entire process is that writing is only the start. Once the book is handed over to the illustrator your work does not stop, its then time to begin marketing your book, engaging with other authors, preparing blog tours and launch events for when the book is out on the shelves, as well as school author visits, craft and storytelling sessions. For many authors that is particularly tough as we tend to enjoy the process of writing rather than speaking and shouting loudly about ourselves and our work. I do think in hindsight though that the earlier you begin this process the less pressured and easier it is, and the more you engage with other writers the less scary it feels and more enjoyable. Writers are wonderful people and love to help other writers and once you start talking to them, even via twitter and Facebook, it is easy to become part of this lovely community and gain the confidence you need to put yourself out there. So my tip would be to engage early on in small and meaningful ways and build it up slowly so that it never feels too onerous or overwhelming.

To learn more about Pippa and her books visit pippachorleystories.com

 

EVERYONE’S WRITING PROCESS IS DIFFERENT
by Marcie Flinchum Atkins

I wish I had known much earlier on that everyone’s writing process is different–that it’s okay to lean into what works for me. I’m fascinated by other people’s ways of brainstorming, organizing, and revising, and I learn a lot from the way other writers do things. What I have learned is that I need to think about what works best for my brain. Often, I hear a cool tip from another writer, and now my first step is to spend some time journaling about what that might look like in my own process with my current projects. If I think it might help, I try it out. If I think it needs tweaking, I change it to make it work for me. This means that I’m learning to trust myself more. I do a lot of reflection–weekly, monthly, quarterly, yearly. At every point along the way, I’m asking myself: “What did you learn about yourself as a writer or about your process?” Knowing that I can lean into my own quirks and develop my own unique processes has helped me abandon what is no longer working and feel more confident in my writing. It has helped me embrace the mantra: “Joy in the process.”

To learn more about Marcie and her books visit www.marcieatkins.com

The team will continue to answer the question in part two of THE MOST IMPORTANT LESSON LEARNED IN MY PUBLICATION JOURNEY with some great bits of wisdom from Beth Anderson, Laura Gehl, Vivian Kirkfield, Ellen Leventhal, Michelle Nott, Dawn ProchovnicRosie Pova, and Melissa Stoller.

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On Friday, I announced changes for Blue Whale Press and me. I also announced a new series coming to my blog. I’m going to repeat it here, but also fully introduce you to the KID-LIT WRITING WISDOM team. So here goes . . . I’m resurrecting my “All About” blog series (All About Submissions and All About Platforms) combined with Marcie Flinchum Atkins’s “We’re All In This Together” series—with Marcie’s permission of course. Thanks, Marcie! And boy do we have some fantastic multi-published authors to tackle our old topics and lots of new ones. We’ll be sharing our wisdom and stories about the world of kid lit writing and publishing. And because of all our combined years of kid lit writing experience, we will be giving the series a new name. KID-LIT WRITING WISDOM (Over 170 years of combined experience as authors!)

We believe that kid-lit writers have lots of questions about writing, agents, publishing, editors, submissions, platforms, and more. Our intention is that Kid Lit Writing Wisdom will be a very helpful resource. Do you have a question?

IF YOU HAVE WRITING OR PUBLISHING QUESTIONS THAT YOU’D LIKE TO SEE THE TEAM ADDRESS, PLEASE LEAVE YOUR QUESTION IN A COMMENT.

Please allow me to introduce the Kid-Lit Writing Wisdom team.

All of our team members (except for one) have new picture books coming out or already released this year. We are either members of 2021 Word Birds or Twenty One-derful Picture Books in 2021 or both. Bios and more follow the list.

Beth Anderson
Marcie Flinchum Atkins
Kirsti Call
Pippa Chorley
Alayne Kay Christian
Laura Gehl
Vivian Kirkfield
Ellen Leventhal
Michelle Nott
Rosie Pova
Dawn Prochovnic
Rob Sanders
Melissa Stoller

 

Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. With linguistics and reading degrees, a fascination with language, and a penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Loveland, Colorado where she laughs, ponders, and questions; and hopes to inspire kids to do the same. She’s the award-winning author of TAD LINCOLN’S RESTLESS WRIGGLE (10/2021), “SMELLY” KELLY AND HIS SUPER SENSES, LIZZIE DEMANDS A SEAT!, and AN INCONVENIENT ALPHABET. Beth has more historical gems on the way. Learn more about Beth at bethandersonwriter.com Signed copies of Beth’s books can be found here.

Marcie Flinchum Atkins is a teacher-librarian by day and a children’s book writer in the wee hours of the morning. She holds an M.A. and an M.F.A. in Children’s Literature from Hollins University. Wait, Rest, Pause: Dormancy in Nature (Millbrook Press, 2019) is her most recent book. Marcie also serves as the nonfiction coordinator for the Mid-Atlantic SCBWI region. She muses about mentor texts and making time to write at marcieatkins.com. She’s on Twitter and Instagram as @MarcieFAtkins.

 

Kirsti Call is the co-hosts of the PICTURE BOOK LOOK podcast and co-runs ReFoReMo. She’s a critique ninja and elf for 12×12, a blogger for Writers’ Rumpus, and a Rate Your Story judge. She’s judged the CYBILS award for fiction picture books since 2015. Kirsti is a therapist trained life coach for creatives. Her picture book, MOOTILDA’S BAD MOOD (Little Bee) moooved onto shelves last fall. COW SAYS MEOW (HMH) and COLD TURKEY (Little Brown) release in 2021. Kirsti is represented by Emma Sector at Prospect Agency. Learn more about Kirsti by visiting kirsticall.com.

 

Pippa Chorley is the award-winning author of three picture books. She grew up in a picturesque village in England and now lives in sunny Singapore with her husband and their three children. As a child, she spent her days dreaming up magical worlds on her family dog walks. Today, Pippa can still be found composing stories on her morning walks with their springer spaniel, Jasper.

Trained as a primary school teacher, Pippa loves to write stories that make children giggle and think outside the box. Her newly released picture book, STUFFED! (illustrated by Danny Deeptown) empowers children to use their imaginations and problem solve with courage and kindness. Watch out for Pippa’s next picture book OUT OF THE BOX, which is due to be released at the end of 2021 and is sure to be ‘out of this world’! To learn more about Pippa and her books visit pippachorleystories.com.

 

Alayne Kay Christian is an award-winning children’s book author and the creator and teacher of a picture book writing course Art of Arc. She was the co-founder of Blue Whale Press and the acquisitions editor and art director for three years. In addition, she shares her knowledge with writers through free and affordable webinars at Writing for Children Webinars. She has been a picture book and chapter book critique professional since 2014, and she worked as a 12 X 12 critique ninja for three years. Her published works include the Sienna, the Cowgirl Fairy chapter book series, and picture books BUTTERFLY KISSES FOR GRANDMA AND GRANDPA, AN OLD MAN AND HIS PENGUIN: HOW DINDIM MADE JOÃO PEREIRA DE SOUZA AN HONORARY PENGUIN, and THE WEED THAT WOKE CHRISTMAS: THE MOSTLY TRUE TALE OF THE TOLEDO CHRISTMAS WEED. Her fourth picture book, FAITH BENEATH THE BRIDGE is planned for release in the fall of 2021. Born in the Rockies, raised in Chicago, and now a true-blue Texan, Alayne’s writing shares her creative spirit and the kinship to nature and humanity that reside within her heart. To learn more about Alayne visit alaynekaychristianauthor.com.

 

 

Laura Gehl is the author of more than two dozen board books, picture books, and early readers, including One Big Pair of Underwear, the Peep and Egg series, I Got a Chicken for My Birthday, My Pillow Keeps Moving, Always Looking Up: Nancy Grace Roman, Astronomer, and the Baby Scientist series. Her work has won awards, appeared on state and national reading lists, and been translated into numerous languages. For information about new books and free downloadable teacher’s guides, please visit lauragehl.com.

 

Writer for children—reader forever…that’s Vivian Kirkfield in five words. Her bucket list contains many more words – but she’s already checked off skydiving, parasailing, and visiting kidlit friends all around the world. When she isn’t looking for ways to fall from the sky or sink under the water, she can be found writing picture books in the picturesque town of Bedford, New Hampshire. A retired kindergarten teacher with a masters in Early Childhood Education, Vivian inspires budding writers during classroom visits and shares insights with aspiring authors at conferences and on her blog where she hosts the #50PreciousWords International Writing Contest and the #50PreciousWordsforKids Challenge. Her nonfiction narratives bring history alive for young readers and her picture books have garnered starred reviews and accolades including the Silver Eureka, Social Studies Notable Trade Book, and Junior Library Guild Selection. Vivian’s books are available at Barnes & Noble and indie bookstores, as well as Bookshop.org and Amazon. If you order from her local indie, Toadstool Bookstore in Nashua, you can get a signed copy. If you order from anywhere else and would like a signed bookplate, please email her at: viviankirkfield@gmail.com. To learn more about Vivian and all of her books visit viviankirkfield.com.

 

Ellen Leventhal is an educator and writer in Houston, TX. Ellen is the co-author of Don’t Eat the Bluebonnets, the author of Lola Can’t Leap, and the upcoming A Flood of Kindness, which releases in April 2021 from Worthy Kids/Hachette Book Group. She has been published in magazines, newspapers, as well as in poetry and short story anthologies. Ellen loves school visits (in person or virtual)! When visiting schools, she coordinates with and supports literacy programs as well as diversity and anti-bullying programs. Ellen’s best days are when she can interact directly with the students and spread her love of literacy and kindness. To find out more about Ellen’s books and writing projects, please go to Ellenleventhal.com.

 

Michelle Nott is a freelance editor, published poet, and children’s book author. She writes fiction and nonfiction, in prose and verse. She has authored two early readers, Freddy, Hoppie and the Eyeglasses and Dragon Amy’s Flames. Her debut picture book, Teddy Let’s Go!, is forthcoming from Enchanted Lion Press (Fall 2021). Michelle grew up in the U.S. and has lived in Europe for extended periods of time. She holds American and French citizenship and is bilingual, English and French. Her extensive travel around the U.S., Europe and Africa fuels her imagination and appreciation for story and world cultures. To learn more about Michelle visit authormichellenott.com.

 

Rosie J. Pova is a multi-published, award-winning children’s author, poet, speaker, and writing coach. She’s a Writing Instructor for the Dallas Independent School District through The Writer’s Garret, an instructor with Writing Workshops Dallas, teaching online picture book courses to children’s writers, and also serves as a judge for Rate Your Story.

Rosie speaks on many women’s topics as well and has appeared on radio and print media.

Her upcoming picture book, Sunday Rain, celebrates imagination, the love of books, and new friendships. Her other upcoming picture book, The School of Failure: A Story About Success will be released in spring of 2022. Visit Rosie at rosiejpova.com.

 

Dawn Babb Prochovnic is the author of Lucy’s Blooms (forthcoming, 2021), Where Does a Cowgirl Go Potty?, Where Does a Pirate Go Potty?, and 16 books in the Story Time with Signs & Rhymes Series, including one title that was selected as an Oregon Book Awards finalist. She is a contributing author to the award-winning book, Oregon Reads Aloud. Dawn is a vocal advocate for school and public libraries and was honored as a 2015 Oregon Library Supporter of the Year by the Oregon Library Association. She is a frequent presenter at schools, libraries and educational conferences, and the founder of SmallTalk Learning, which provides American Sign Language and early literacy education. Dawn lives in Portland, Oregon with her husband, two kids, two cats, and a feisty dog. Learn more at dawnprochovnic.com.

 

Rob Sanders is a teacher who writes and a writer who teaches. He is known for his funny and fierce fiction and nonfiction picture books and is recognized as one of the pioneers in the arena of LGBTQ+ literary nonfiction picture books.

This year Rob will release TWO GROOMS ON A CAKE: THE STORY OF AMERICA’S FIRST GAY WEDDING (Little Bee Books) and STITCH-BY-STITCH: CLEVE JONES AND THE AIDS MEMORIAL QUILT (Magination Press). His 2020 releases included THE FIGHTING INFANTRYMAN: THE STORY OF ALBERT D. J. CASHIER, TRANSGENDER CIVIL WAR SOLIDER (Little Bee Books), MAYOR PETE: THE STORY OF PETE BUTTIGIEG (Henry Holt & Co.) and BLING BLAINE: THROW GLITTER, NOT SHADE (Sterling). Rob is co-regional advisor for SCBWI Florida and a frequent speaker, teacher, and critiquer.

A native of Springfield, Missouri, he has lived in Texas, Alabama, and Tennessee. After earning a B.S. in Elementary Education and a Master’s Degree in Religious Education, Rob worked for fifteen years in children’s religious educational publishing as a writer, educational consultant, trainer, editor, editorial group manager, and product developer.

In 2006, Rob moved to Florida and began working as an elementary school teacher. Soon he was serving as a district writing trainer and resource teacher. But he spent most of his career teaching fourth graders about books and words and reading and writing. Rob took retirement in December 2020 and now is writing full time. To learn more about Rob visit robsanderswrites.com/.

He is represented by Rubin Pfeffer.

 

Melissa Stoller is the author of the chapter book series The Enchanted Snow Globe Collection – Return to Coney Island (Clear Fork Publishing); and the picture books Scarlet’s Magic Paintbrush, Ready, Set, GOrilla!, and Sadie’s Shabbat Stories. (Clear Fork). Melissa is a Blogger and Course Assistant for the Children’s Book Academy, a Regional Ambassador for The Chapter Book Challenge, a volunteer with SCBWI/MetroNY, and a founding member of The Book Meshuggenahs. In other chapters of her life, Melissa has worked as a lawyer, legal writing instructor, freelance writer and editor, and early childhood educator. She lives in New York City with her family, and enjoys theatre, museums, and long beach walks. To learn more about Melissa and her books visit MelissaStoller.com.

IF YOU HAVE WRITING OR PUBLISHING QUESTIONS THAT YOU’D LIKE TO SEE THE TEAM ADDRESS, PLEASE LEAVE YOUR QUESTION IN A COMMENT.

We’ll be back soon with our first words of wisdom.

 

 

 

 

 

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Change is in the air for me, Blue Whale Press, and my blog. I have some announcements today and more to come. Where to start?

Well, I’ve been waiting for a big announcement to be made, but I let the cat out of the bag the other day during an interview with Mel Rosenberg. I loved the interview. It was like talking with a longtime friend.

I figured I should lead with the biggest news, which I just did on the above video. After very long consideration, I’ve made the tough decision to step down from my roles as acquisitions editor and art director at Blue Whale Press. It’s time for me to practice a little self-care and step into some new adventures (or maybe I should say ventures????), which time will slowly reveal. I recommended Jackie Kruzie to be my replacement, and I’m happy to share that she is stepping up to the challenge as acquisition editor. To learn more about Jackie at Blue Whale Press, click here. You can also find Jackie’s wish list and temporary submissions page here. I believe Callie will be doing a blog post about the change, which explains why I recommended Jackie for my replacement, and you’ll gain deeper knowledge about Jackie’s excellent credentials and kid lit experience.

It has been an honor for Steve and me to bring Blue Whale Press up to this point. We are extremely proud of our little press, and even more proud of the books we’ve produced and the wonderful authors and illustrators who entrusted their precious work to us. We are grateful for each and every author and illustrator and the relationships we have built with them. Knowing that Blue Whale Press will live on as an imprint of Clear Fork Publishing under the fine guidance of Callie Metler and Jackie Kruzie makes this difficult life choice much more palatable.

I am no longer taking submissions. However, I will continue with art directing and design through May 15, 2021. This will give the last four books that I acquired a good head start before I fully pass the baton to Callie and Jackie. After May 15, I will likely take a sorely needed hiatus. Once I regroup, I will be back better than ever with more surprises for kid lit writers and friends.

As for Blue Whale Press’s future, we would love to see Blue Whale Press continue to grow. After that, our wish for Blue Whale Press is that it will continue to publish quality books that have so much staying power that they have potential to one day be called a classic. I believe Blue Whale Press books will continue to entertain, inspire, and educate readers of all ages. From the beginning, one of our dreams was to launch authors and illustrators into long-lasting careers that they love and are proud of. We continue to want that for Blue Whale Press authors and illustrators. And we’d love to see our vision of many Blue Whale Press books becoming award winners on best-sellers lists.

I can’t say it enough; I’m extremely proud of Blue Whale Press and my accomplishments there. Maybe one day, I’ll write a blog post about it. For now, I will offer my latest photo (although slightly blurred) of my office Blue Whale shelf (top shelf). With four more books in production, I’m honored to share that I played a role in bringing 17 Blue Whale Press books into the world. It has been a beautiful and fulfilling ride. More to come in Callie’s blog post.

There are some changes coming to my blog as well. I’m resurrecting my “All About” blog series (All About Submissions and All About Platforms combined with Marcie Flinchum Atkins’s “We’re All In This Together” series—with Marcie’s permission of course. Thanks, Marcie! And boy do we have some fantastic multi-published authors to tackle our old topics and lots of new ones. We’ll be sharing our wisdom and stories about the world of kid lit writing and publishing. And because of all our combined years of kid lit writing experience, we will be giving the series a new name. KID LIT WRITING WISDOM (Over 170 years of combined experience as authors!) I will introduce the team after one more announcement.

As many of you know authors are always happy when another one of their babies comes into the world. So, I’m thrilled to see Sienna, the Cowgirl Fairy series bring a new story to readers. This time Sienna is having some COWBOY TROUBLE. Here’s the trailer.

Please allow me to introduce the Kid Lit Writing Wisdom team.

All of our team members (except for one) have new picture books coming out or already released this year. We are either members of 2021 Word Birds or Twenty One-derful Picture Books in 2021 or both.

Beth Anderson
Marcie Flinchum Atkins
Kirsti Call
Pippa Chorley
Alayne Kay Christian
Laura Gehl
Vivian Kirkfield
Ellen Leventhal
Michelle Nott
Rosie Pova
Dawn Prochovnic
Rob Sanders
Melissa Stoller

On Sunday, I will fully introduce you to the team with bios and images and links.

IN THE MEANTIME, IF YOU HAVE WRITING OR PUBLISHING QUESTIONS THAT YOU’D LIKE TO SEE THE TEAM ADDRESS, PLEASE LEAVE YOUR QUESTION IN A COMMENT.

 

 

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It’s been months since I’ve written a blog post, but it’s time to pick myself up by my bootstraps and get going again. What a year this has been! I’ve bounced around a number of ways to approach this return to my blog. I even started down a path of several paragraphs talking about how when times get tough, the tough keep going. But that path also led me into a “true confessions and soul searching” direction that just didn’t feel right. So, I’m going to try a more direct approach to where I’ve been, what I need to do, and where I’m going. I’ll start with where I’ve been.

Please forgive any weird formatting issues. WordPress decided to change it’s format while I was away. I need a little more time to learn it.

Who Knew?

When my latest books were scheduled for release, who knew that we would be challenged with a pandemic that has changed nearly everyone’s life? Who knew that my first picture book in ages, An Old Man and His Penguin: How Dindim Made João Pereira de Souza an Honorary Penguin, would be released eighteen days after I had knee replacement surgery? Who knew that the surgery would still be holding me back nearly four months later? Who knew that my next picture book, The Weed that Woke Christmas: The Mostly True Tale of the Toledo Christmas Weed, would be released four days after my oldest brother’s death? Who knew that book two in the Sienna, the Cowgirl Fairy chapter book Series, Cowboy Trouble, would be rescheduled for 2021? Who knew, that my first picture book, Butterfly Kisses for Grandma and Grandpa’s tenth anniversary would slip by without acknowledgement or celebration? Who knew that it would be picked up by Clear Fork Publishing under the Blue Whale Press imprint, and continue selling all these years later?

My Brother and Me–I will miss him, but I carry him in my heart.

I didn’t know that my exciting book launches and the wonderful year I had planned for all of my beloved books would all come crashing down around me. I’ve been knocked down, but I’m getting back up (broken heart, bum knee, and all) and moving forward.

Trying to get in the spirit in spite of my challenges.

What I Need to Do and Why I Need to Do It

I need to make up for lost time and share the news of my books with y’all. I feel compelled to do this because I feel it’s only fair to the illustrators (Milanka Reardon and Polina Gortman) who worked so hard on my picture books. And it’s only fair to the beautiful books and heartwarming stories that people should get an opportunity to read them. It’s only fair that the kids and adults who will read them should be made aware that the books even exist. It’s only fair to João Pereira de Souza and Dindim to have their story told. It’s only fair to the citizens of Toledo, Ohio and the little weed that their story of unity be told when it seems we’ve forgotten how to love and care about one another as human beings. Along those same lines, I feel like I have an obligation to humanity to share these stories of love and kindness. They both touched my heart, and I want to reach as many other hearts as I possibly can.

You can help me and the illustrators as well as readers by requesting the books at your library and writing reviews. I would be forever grateful.

Future Posts

Keep an eye out for future posts. I’m going to start a new series called Arc Angels where published authors will analyze each other’s books and share with you how each made their stories shine by using the classic narrative and/or character arcs. I expect there will be prizes and giveaways along the way. I plan to share the very first version of Butterfly Kisses for Grandma and Grandpa with my crude illustrations and all. I will also share how the book started as one thing and ended up being another. And I’ll soon have a book trailer for Cowboy Trouble to share.

There are lots more great posts to come, but I will save them for surprises.

THE WEED THAT WOKE CHRISTMAS: THE MOSTLY TRUE TALE OF THE TOLEDO CHRISTMAS WEED

BOOK TRAILER

Review Excerpts

“A heartwarming holiday tale that proves even the littlest things can make a big difference.” —Kirkus Reviews

“The fine message about holiday spirit makes for a perfect read for parents seeking stories that encourage kids to feel empowered to begin changes that cross age and economic barriers. The Weed That Woke Christmas is a lovely, positive, much-needed story for modern times.” —D. Donovan, Sr. Reviewer, Midwest Book Review

“This sweet story is accompanied by lush illustrations by Gortman, who portrays Toledo’s citizens as diverse. The author manages to convey the importance of charity and community without making the tale mawkish or trite. She closes the text with the real story of the Christmas Weed and the hope that the holiday magic will continue.” —Kirkus Reviews

Description

This heartwarming and inspiring book proves that even the smallest gestures can make a big difference and transform apathy and oblivion into awareness, unity, community, kindness and hope. Partly truth and partly fiction, it is based on the true story of how a weed on a Toledo street corner helped spread the giving spirit far beyond its traffic island home. All Weed wants is to be seen, but people are in too much of a hurry to notice each other, let alone Weed. Weed watches, wishes, and waits until finally someone does see it. But Weed discovers that there is something far bigger and more important than a little weed being noticed.

Where to Buy

Buy wherever books are sold and . . . 

Amazon Hardcover

https://www.amazon.com/Weed-That-Woke-Christmas-Mostly/dp/0981493815

Amazon Softcover

https://www.amazon.com/dp/0981493823/

Booktopia

https://www.booktopia.com.au/the-weed-that-woke-christmas-alayne-kay-christian/book/9780981493817.html

Book Depository

https://www.bookdepository.com/The-Weed-That-Woke-Christmas-Alayne-Kay-Christian-Polina-Gortman/9780981493817

Barnes and Noble

https://www.barnesandnoble.com/w/the-weed-that-woke-christmas-alayne-kay-christian/1137418710?ean=9780981493817

Indie Bound

https://www.indiebound.org/book/9780981493817

Booktopia

https://www.booktopia.com.au/the-weed-that-woke-christmas-alayne-kay-christian/book/9780981493817.html

AN OLD MAN AND HIS PENGUIN: HOW DINDIM MADE JOÃO PEREIRA DE SOUZA AN HONORARY PENGUIN BOOK TRAILER

Review Excerpts

“A moving, affectionate, and joyful tale, all the more so for being true.” – Kirkus Reviews

“An Old Man and His Penguin holds a number of important messages about human/animal relationships, love, oil slicks and their impact on sea life, and loneliness. . . . its underlying focus on letting go and reaping rewards from non-possessiveness offers an outstanding lesson about love for the very young.” —D. Donovan, Senior Reviewer, Midwest Book Review

“Adults looking for an inviting animal story with an important message will welcome this appealingly different seaside tale.” —D. Donovan, Senior Reviewer, Midwest Book Review

“The underlying lesson about compassion and good stewardship is subtle but effective; an author’s note explains the real-life circumstances. Reardon, who also illustrated the penguin-themed Noodles’ & Albie’s Birthday Surprise (2016), deftly captures the story’s charm and expressiveness.” —Kirkus Reviews

Description

Off the coast of Brazil, João rescues a lifeless, oil-covered penguin (Dindim) and nurses him back to health. Dindim adopts João as an honorary penguin, and the steadfast friends do everything together. They swim together, fish together, and stroll the beach together. But there are real penguins somewhere across the sea. So one day, Dindim leaves João. The villagers tell João the penguin will never come back. João cannot say if he will or will not. Are the villagers right? Will Dindim ever patter into his old friend’s loving arms again?

Where to Buy

Wherever books are sold and . . .

Amazon Hardcover

https://www.amazon.com/Old-Man-His-Penguin-Honorary/dp/173289356X/

Amzon Softcover

https://www.amazon.com/dp/1732893578/

Book Depostitory

https://www.bookdepository.com/An-Old-Man-and-His-Penguin-Alayne-Kay-Christian-Milanka-Reardon/9781732893566

Barnes and Noble

https://www.barnesandnoble.com/w/an-old-man-and-his-penguin-alayne-kay-christian/1136805502?ean=9781732893566

Books-A-Million

https://www.booksamillion.com/search?id=7861112761623&query=An+Old+Man+and+His+Penguin&filter=

Indie Bound

https://www.indiebound.org/book/9781732893566

Booktopia

https://www.booktopia.com.au/an-old-man-and-his-penguin/book/9781732893566.html

SHORT NEWS VIDEO ABOUT THE REAL CHRISTMAS WEED

I chose to share this video because the narrator gives a sense of the heart of the story that ended up in my book THE WEED THAT WOKE CHRISTMAS: THE MOSTLY TRUE TALE OF THE TOLEDO CHRISTMAS WEED.

ANOTHER SHORT NEWS VIDEO ABOUT THE REAL CHRISTMAS WEED

I chose to share this video because it does a good job of showing the community coming together.

A SHORT NEWS VIDEO ABOUT JOAO AND DINDIM THE PENGUIN

BOOK LAUNCH POSTS

Thank you to all my friends who helped me share the news of my books via social media when I couldn’t! There are too many to mention, but you know who you are.

Thank you friends who featured my books on your blogs!!!!

My brain is still somewhat foggy, so if I’ve forgotten anyone, please forgive me and feel free to add your post in a comment.

The Weed That Woke Christmas

Vivian Kirkfield’s Picture Book Friday Post 

Perfect Picture Book Friday: THE WEED THAT WOKE CHRISTMAS Plus Giveaway

Kathy Temean shares my book journey on her  Writing and Illustrating blog.

https://kathytemean.wordpress.com/2020/10/11/book-giveaway-the-weed-that-woke-christmas-by-by-alayne-kay-christian/

Rosie Pova interviews me on her Chitchat blog.

https://www.rosiejpova.com/blog/chitchat-with-author-editor-and-publisher-alayne-kay-christian

Keep an eye out for my KidLit411 feature coming in November.

An Old Man and His Penguin

Janie Reinart interviews me on the GROG blog.

https://groggorg.blogspot.com/2020/07/she-wears-many-hatsinterview-with.html

Vivian Kirkfield features An Old Man and His Penguin on her blog.

Alayne Kay Christian: Will Write for Cookies Plus GIVEAWAY

Kathy Temean shares Milanka Reardon’s and my book journey for an Old Man and His Penguin or on her Writing and Illustrating blog.

https://kathytemean.wordpress.com/2020/07/23/book-giveaway-an-old-man-and-his-penguin-how-dindim-made-joao-pereira-de-souza-an-honorary-penguin/

Kathy Temean features Milanka Reardon’s art process for An Old Man and His Penguin.

https://kathytemean.wordpress.com/2020/05/09/illustrator-saturday-milanka-reardon/

 

 

 

 

 

 

 

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Sarah Hoppe Headshot

 

I’d like to introduce Sarah Hoppe, the author of the wonderful picture book Who Will? Will You?—illustrated by Milanka Reardon and published by Blue Whale Press. First, I will share a book trailer and couple reviews for her sweet and educational story. And then you will find an interesting interview with Sarah about her experience as an author and a photographer. She offers tips for writers, too! You will find some of Sarah’s lovely photography as you read.

 

 

Kirkus Review

“A girl tries to find help for a stray baby animal in this picture book from debut author Hoppe and illustrator Reardon (Noodles’ and Albie’s Birthday Surprise, 2016).

When Lottie and her dog, Rufus, find a lone “pup” (who’s not initially shown in the illustrations) on a trash-filled beach, they’re eager to help him. The girl approaches several people about helping the pup, each time answering questions about what he can do, but no one’s willing to take it in. The animal shelter worker assumes the pup is a dog—but when she gets a good look, she refuses to help. A park ranger thinks the pup might be a bat, and a sea lion keeper guesses it’s a sea lion, but they’re mistaken. . . . Reardon’s realistic pastel-and-ink illustrations, populated with humans with a variety of skin tones, do an excellent job of hiding the identity of the pup and showing the adults’ shocked expressions. Hoppe uses clever science-related questions (“Does the pup have super-cool senses to help find its food?”) to encourage readers to guess the animal’s identity and to think about how different animals share similar qualities.

A beautifully illustrated tale that’s sure to appeal to animal lovers and budding environmentalists.”

Midwest Review

“Who Will? Will You? is a picture book for ages 4-8 that receives lovely colorful illustrations by Milanka Reardon as it explores a young beachcomber’s unusual find at the seashore.

Lottie never expected to find something bigger than a shell, but a little pup tugs at her heartstrings and poses a problem far greater than locating the perfect shell.

Many are interested in adopting Lottie’s find . . . until they look into her wagon after initial excitement. The story evolves to question not only who will take charge of a stray, but why nobody will do so.

A fun, unexpected conclusion teaches kids not only about shore life, but about what makes a welcoming home for a stray.

Kids who love beaches and parents who love thought-provoking messages will find Who Will? Will You? engrossing and fun.”

Diane C. Donovan, Senior Reviewer
Donovan’s Literary Services
www. donovansliteraryservices. com

Interview

Alayne: How did you get your start as a children’s book writer? What brought you to this world?

Sarah: I’ve been an avid reader since I was small. Books were my friends when I was too shy to make others, and they were friends to share with others once I got a little braver.

While I was studying to be a teacher, my favorite class was Children’s Literature. I got to read books for credit! I aced that class, and my love for picture books only grew.

Alayne: You are also a wonderful photographer. Which came first? Writing or photography?

Sarah: Thank you. I’ve written stories for fun since I was a kid. I took my first photography class in high school, and in college, I got to experience the joy of a dark room before everything went digital.

I got serious about being a writer first. Then I decided to do something with all my photographs, started an Etsy shop, and I sell my work locally.

Alayne: Does your photographer’s eye influence your writing?

Sarah: Sometimes it does. My favorite kind of photo to take is a macro photo. Insects, flower petals, and dewdrops are often taken as a macro photo. It’s when you get up and personal with your subject, revealing details and showing them true to size or larger than life.

I was practicing macro shots with slugs. Slugs and snails are great subjects for this as they are happy to stick around for a while. The slime trail they leave behind is beautiful, and that little trail, sparkling in the sun, inspired another book.

 

Alayne: Do you think you would ever do a children’s book using photography as illustrations?

Sarah: It is definitely something I’ve thought about. An alphabet book was the first thing that came to mind, and I’m still pondering that. If I can figure out a good story arc that works with my style of photography, I’ll dive right in.

Alayne: Do your children influence your writing?

Sarah: Yes, but in a roundabout way. I’ve never taken anything they’ve said or done and plopped it right into a story, but so much of their spark and joy finds its way to the page.

Alayne: What was it like to see your children read your picture book for the first time?

Sarah: They were so proud! They loved it. Of course, they knew the plot and I’d shown them some of the illustrations, but being able to hold a physical copy made it real. They were telling people for years that I am an author, but now they can show people the book.

Alayne: Who Will? Will You? is a sweet story, but it is also educational, which we at Blue Whale love. Where did you get the inspiration for the story?

Sarah: One of my kids and his love of nonfiction, and my dad and his love of quizzes. Between a quiz about animal babies and a stack of animal books by my kid’s bed, an idea started brewing

Dog babies are called pups, but so are many other animal babies. A case of pup confusion would make an interesting story. The outline fell into place as I delved into research.

Alayne: Blue Whale Press changed the title of your story and offered quite a few edit suggestions. You have been very gracious and such a pleasure to work with in all ways. Do you have any tips for authors regarding how to keep from taking edits personally?

Sarah: Thank you. Blue Whale has been a pleasure to work with as well, and it honestly didn’t feel like there were a ton of edits. I suspected the title would need a change, and I knew there would be other edits as well.

The thing to remember is that everyone involved in your manuscript wants it to succeed. We’re all on the same team. Like any team, its members have different strengths. Trust that each member is doing their best in their area of expertise, just as you have given your very best manuscript for the team to work with. Not one member has all the answers, but together you can figure it out.

Alayne: I like that answer a lot, Sarah. I often remind people that everyone’s name is going on the book, so the author, illustrator, and the publisher all want it to be the best that it can be. Trust is truly key.

Alayne: Lottie and Rufus are wonderful characters. Where did you find your inspiration for them?

Sarah: Lottie is curious, kind, and determined. Those qualities show up time and time again in kids all over the world. Lottie could be anyone and everyone. I also wanted a brave adventurous girl like my nieces for my main character. So, Lottie is full of adventure and bravery. I thought about all the amazing kids I know and poured their traits into Lottie.

An amazing kid needs an amazing best friend. I have a dog named Rufus who has been my companion for the last fourteen years. Lottie needed a young Rufus to keep up with her adventures. Milanka and I made the perfect friend for our spunky, big-hearted main character.

Alayne: This is your debut picture book. How long had you been writing and submitting before signing with Blue Whale Press?

Sarah: I had been playing around with story ideas for a while but got serious when I joined Julie Hedlund’s 12×12 Picture Book Writing Challenge. I was in my second year of 12×12 when I signed with Blue Whale.

Alayne: Do you have any advice for writers and illustrators who are waiting for their first contract?

Sarah: Patience and perseverance. Keep writing, and find people who write what you write. Connect with people, on-line or in person, get and give feedback, and work on your craft.

Alayne: Now, I will put on the spot, even more than I already have 😉 Why do you write?

Sarah: Books evoke emotions. To bring joy, laughter, or even sorrow to someone through your words is powerful. Now add illustrations! The words and pictures together tell a story that, without the other, would be impossible. That’s magic, and to have a small part in something so wonderful is all I ever wanted.

Alayne: It is an absolute pleasure to work with you, Sarah. Your story has brought us so many smiles and heartfelt moments. We love the last spread in the story. It is so touching. And it’s wordless! So why would I compliment an author on a wordless spread? Because your story inspired it! Thank you for helping us make a wonderful book that we are so proud of.

Sarah: Thank you, it’s been my pleasure.

LOOK INSIDE THE WHO WILL? WILL YOU? ACTIVITY GUIDE BELOW. To get your free download, go to Blue Whale Press and click on the link provided under the Who Will? Will You? book description. Coloring sheets, word puzzles, crafts for children, worksheets and more!

About Sarah

Sarah Hoppe is a born and bred Minnesotan, a photographer, and an author who loves to write weird stories and be outside with nature. When she isn’t with her camera and family traipsing about the woods, she can be found inside working at her computer and creating different worlds.

Sarah loves dogs, books, campfires and pizza, and used to be a third-grade teacher. Living in Rochester, Minnesota with her husband, two boys and two dogs, you can often find Sarah and her family out on an adventure or trying craft projects with lots of hot glue. To learn more about Sarah, click here. To learn more about Sarah’s lovely photography click here.

Who Will? Will You? Can be found wherever books are sold. Some online stores are listed below.

Amazon

Barnes & Noble

Books-a-Million

Indie Bound

Booktopia

More Interviews and Blog Posts with Sarah

Susanna Hill’s Blog

https://susannahill. com/2019/06/04/tuesday-debut-presenting-sarah-hoppe/

On the Scene in 19 Blog

https://onthescenein19. weebly. com/blog/previous/4

Kathy Temean’s Writing and Illustrating Blog

https://kathytemean. wordpress. com/2019/07/25/book-giveaway-who-will-will-you-by-sarah-hoppe/

The GROG Blog

https://groggorg. blogspot. com/2019/03/picture-book-debut-interview-with-sarah. html

Post Bulletin Minnesota Newspaper

https://www. postbulletin. com/life/lifestyles/first-time-author-makes-her-mark-in-picture-books/article_d50f0654-a4f9-11e9-9491-3f9511893d8f. html

https://www. grandrapidsmn. com/eedition/page-c/page_dcea1c8c-d497-5adc-a46a-05fe1fd9b40e. html

This last one won’t work unless you have a subscription.

Photographs copyright © 2019 Sarah Hoppe

All art copyright © 2019 Blue Whale Press and Milanka Reardon

 

 

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Developing as an Illustrator, Interview with Tara J. Hannon

tara-hannon head shotI’d like to introduce author/illustrator Tara J. Hannon. Tara did the fun and expressive illustrations for No Bears Allowed—picture book written by Lydia Lukidis and published by Blue Whale Press. In this interview, Tara shares excellent tips for remaining consistent from page to page, illustrating facial expressions and body language, dealing with creative direction, having the courage to help tell the story with your art, and more!

Interview Q & A

How did you get your start as a children’s book illustrator?

I always knew I wanted to be a children’s book illustrator. I went to college for illustration and after I graduated, I steered myself towards every possible artistic outlet that I could find and said “yes” whenever anyone came knocking. Slowly but surely, experience led to growth and knowledge, and I was able to secure jobs illustrating books with self-publishing authors. The books that I have been able to illustrate for self-publishing authors helped me stay focused on my craft, improve my skills, and enjoy the kid lit world. I am thrilled that No Bears Allowed will be my first traditionally published book.

Cover from BWP site 978-0-9814938-9-3

How has your business Meant for a Moment Designs influenced your illustration career or visa versa? Which passion came first?

Meant for a Moment (M4AM) was born from my desire to make art my career. So the answer to this question might be a ‘chicken or the egg’ kind of thing. I always knew I wanted to write and illustrate children’s books, but it took me a very long time to learn how to do that. Years ago, I had a graphic design job that was unfulfilling and terribly boring. I was starving for something more. So I created tons of little sketches on my lunch breaks that I turned into greeting cards. Meant for a Moment was born from these drawings and slowly evolved from there. M4AM gave me the platform that I needed to take on custom work. And every custom piece that I created gave me more knowledge and skill and time at my drawing desk, which was a dream come true for me.

You are also a writer. Which came first? Writing or art?

Illustration definitely came first. I went to school for illustration, and I still kick myself a little for not having the foresight to have snagged a creative writing class while I was there. Writing came much later. But I found that I loved it just as much as I loved illustrating. And when I discovered the magic that happens by balancing words and images, I was forever hooked. To me, a good picture book is like a good song. I could read it over and over again.

I’ve had the pleasure of seeing one of your author/illustrator pieces, and it truly is magic!

Others have described your art as whimsical, playful, and quirky. I tend to agree with them. Do you have any artistic influences? If not, what does influence your style?

NBA_Page23_Color

My love affair with children’s literature and illustration began with Dr. Seuss and Shel Silverstein. I also used to spend hours copying Mary Engelbreit illustrations when I was in Middle School. In my early work, you can see strong influence from these artists. I think my style has evolved into its own space now but every so often, I can see a trace of them slip in. I still love their artwork so much, but have found so many contemporary artists to admire, like Peter Brown, Anita Jeram, and Kelly Light.

Do you have a preferred medium?

I really enjoy drawing digitally. About a year ago, I transitioned from primarily pencil and paper to a drawing tablet (Wacom Cintiq). I found that with a tablet I could take more risks, add more detail and LAYER to my heart’s content. It has been a really fun learning process for me and I am thrilled about it.

NBA_title page

What medium and process did you use for No Bears Allowed?

No Bears Allowed was one of the first books I illustrated with my tablet. I really enjoyed creating the textures of Bear and Rabbit’s fur and layering in all of the bits of nature in those outdoor scenes.

NBA_Page11-ColorD1

Blue Whale Press is involved in the illustration process throughout book development. What was it like following a publisher’s process versus working independently?

Blue Whale Press was wonderful to work with. They were supportive throughout every step and they gave me a lot of independence to create. I’d say the biggest difference between working with BWP vs. working independently would be the technical support I received. At each phase of every illustration Steve was there to ensure that there was enough space for bleed, text etc. which was really helpful. It was also really nice having extra eyes to look out for any inconsistencies. It was a wonderful team effort.

You have been very gracious and such a pleasure to work with in all ways, but also in the area of creative direction. Do you have any tips for illustrators regarding how to keep from taking direction personally?

Oh wow, that is really nice to hear, thank you. I do think it is helpful to understand that when you are illustrating a picture book you are part of a team. And that team is stacked with experts. Trusting the input of others is certainly easier when you believe that you are part of a team of people who are all working towards the same goal. Feeling like a part of the team is helpful too and BWP did a great job of making me feel valued and heard.

I love that tip of remembering that everyone is working toward the same goal. This is so true!

Poster correctI love the little extras you put on every page of No Bears Allowed. Of course, my favorite is the illustration with the survival list. It cracks me up. How do you get over the natural instinct to show only what is in the text and instead put some of yourself into the story by doing a little something extra or special on each page? Does it take courage to express yourself and help tell the story? Do you have any tips for illustrators for going beyond the text with your expression?

Oh yes, it does take courage. It has taken many years of picture book observation to understand that illustrations are allowed, and encouraged to go beyond the text. No Bears Allowed has such a playful tone (my favorite kind of story) so it felt really natural to add those bits into the images. I think every added detail should add to the story in some way. And when you think of it that way, the illustrations become a lot more about storytelling and less about simply mirroring the text. Example: If you are drawing a messy room, are the undies on the floor white? Or do they have super heroes on them? Or is the character so wild that they’ve thrown them on the lamp instead of the floor? Does the character have a ton of stuffed animals? Or just one ratty overloved teddy? Is there evidence of a tea party still set up? (You get the idea right?) It is really fun to make decisions in artwork that compliment a character’s disposition and help tell a history of the scene. And I think every detail that you add like this will be noticed by a child, and that is a really cool thing.

Wow! These are fantastic tips!

In No Bears Allowed, you do an excellent job of showing mood and emotion via facial expression and body language. And on animals, to top it all off! How did you learn to do that? And do you have any tips for illustrators on developing that skill?

NBA_Page14-15_ColorD2

Bear and Rabbit have a ton of personality, so it was a lot of fun creating their expressions. I suppose I learned this through observation. I think it is common for artists to observe the world in a unique way. I tend to dissect art as I view it. An example of what I mean is, when I watch a cartoon with my daughters, I notice the way the art is drawn. I watch how the eyes squint or widen during certain scenes or how the posture changes with the mood of the character. It is a really fun practice and has actually been very helpful. I do this in real life too. And I often make the face or gesture that I am drawing to work out exactly how it should look.

I really like that idea of studying cartoons. And making the face yourself is an excellent tip. Shadra Strickland has a course where she actually looks in the mirror to see how her face changes with different expressions and emotions.

I believe one of the most difficult things for an illustrator is to remain consistent from page to page—especially with characters. What is your trick for remaining consistent?

Yes, consistency is very challenging! Character sketches are super helpful and very important. I used them obsessively while creating the art for No Bears Allowed. Beyond that, one thing that helped me for consistency was that the characters felt really natural to draw. I drew Bear and Rabbit a bunch of times in rough sketches to give my hand a muscle memory of their shape and proportions. So when it came time to start the book I really “knew” the characters.

Interesting, muscle memory and really getting to know the characters by living with them by drawing them for a long time makes so much sense. Another great tip!

You recently signed with an agent as an author/illustrator! I was so excited to get that news. Congratulations! 

Thank you so much, Alayne! I am so grateful and excited to see what is next.

It is an absolute pleasure to work with you, Tara. Your work has brought us so many smiles and chuckles over the last year. And the visual story you have told is amazing!

I couldn’t be more grateful for the opportunity to work with you and Steve. This experience has been nothing but a joy for me. Thank you so much for choosing me for this awesome book. XO

About Tara

Tara Hannon has always loved to illustrate. As a child, her wish lists included only one desire: more art stuff! Now that she is an adult, her wish lists really haven’t changed—the more art stuff the better! She is truly grateful to be doing what she loves for a living.

Tara’s illustrations have been described as whimsical, playful, and quirky. She works happily from her home studio in Crownsville, Maryland.

When Tara is not illustrating, she can be found playing in the sand with her two daughters, jogging, and drinking strong coffee. It is her dream to find a way to do all of these things at once. To learn more about Tara, visit her website.

Get tips about writing and surviving the writer’s life and learn more about author Lydia Ludikis and her journey to publication here.

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experiment

THE EXPERIMENT IS OVER. For an explanation, see my next blog post here.

Last week I offered a new webinar with a mini course in plot and arc as well as a very informative discussion on ten reasons for manuscript rejection, which also teaches about writing kid lit. I know that I’m offering valuable information, and I thought that I was offering it at a reasonable price. However, I got very little response. Also last week, I was following a thread about someone wanting to start a new course, and a couple people asked, “Can you make it affordable?” I tried to engage those people in a discussion on what affordable means to them, with no luck. But it got me thinking . . . affordable probably means something different to everyone.

I thought about doing a poll. Then I decided to try an experiment. What if I offered the webinar for anyone to watch with a request that they contribute what they would consider affordable? I know this means it will be free to some, $5.00 to others, and maybe $25.00 or more to others.

My goal has always been to offer services, courses, and webinars that may be affordable to those who cannot afford the more pricey services, courses, and webinars. I would love to offer everything I do for free, but my time and knowledge are valuable to me, and I want to respect that to some degree. So, for now, with these Writing for Children Webinars, I want to try an experiment and offer this first webinar on a donation basis. So, you will find the link to the video below. You can get a bigger screen in YouTube by putting it in theater mode. Once you watch the webinar, if you have found value in it, please donate whatever works for you at https://paypal.me/BlueWhalePress. Also, please note with your payment that it is for the EXPERIMENT.

THE VIDEO LINK HAS BEEN REMOVED.  If you would still like to watch the webinar, see my next blog post here.

 

If you found this webinar valuable, please DONATE HERE and note that it is for the EXPERIMENT.

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