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Posts Tagged ‘How Dindim Made João Pereira de Souza an Honorary Penguin’

kid-lit writing wisdom

Read to the end because I share what’s coming next from Kid-Lit Writing Wisdom.

We had so many comments and so much sharing on our posts about writing strong beginnings that I’ve decided to give away three complimentary viewings of the HOW TO WRITE POWERFUL FIRST PAGES LIKE A PRO webinar.

Description of Webinar: In this picture book writing webinar, Alayne uses six mentor texts that are written around a classic arc, and she walks you through all the tricks of the trade that each published picture book has to offer. She shows you how it is done, so you can strengthen your current stories and write powerful and engaging beginnings like a pro for your future stories.

And the lucky winners are . . . 

Claire A. B. Freeland

Donna Rossman

Charlotte Dixon

CONGRATULATIONS! I will be in touch with details soon.

HAPPY FIRST BIRTHDAY!

AN OLD MAN AND HIS PENGUIN: How Dindim Made João Pereira de Souza an Honorary Penguin had its first birthday on August 1. I can’t believe my baby is one already! The beautiful illustrations are by the very talented Milanka Reardon. I always like to point out how clever it is that on the cover she used João’s hat to make his shadow look like a penguin. It’s so sweet that in the shadow the honorary penguin is nose to nose with cute little Dindim. See white circled area below. Isn’t it adorable.

Cover 9781732893566 (1) - Copy shadow circled

I love this true story!

See the book trailer below.

WHAT’S NEXT FOR KID-LIT WRITING WISDOM?

We are taking a little back-to-school break. But we will be back in late September-Early October with our tips for writing captivating middles. And then in late October-Early November, we will finish out the year with our tips on writing satisfying endings.

We will be back in 2022 with many more tips on writing kid lit as well as topics such as submitting, author platforms, and marketing.

In between, I will likely be sharing other interesting posts, too.

FOLLOW THE BLOG, SO YOU ARE NOTIFIED ABOUT EACH OF THE GREAT POSTS

How to follow blog. See screenshot below. The red arrow is pointing to the area to follow by email. All you have to do is enter your email and click on the “follow” button, and you will get notifications of all blog posts.

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Season of Kindness 2THERE’S STILL PLENTY OF TIME TO JOIN IN ON THE “SEASON OF KINDNESS” CONTEST. Look at all the great prizes!!!!

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kid-lit writing wisdom

This month, I asked our wise authors to share thoughts on the importance of powerful first lines along with some tips for writing an outstanding beginning or outstanding first lines. I’m excited to share our many fabulous tips, examples, and mini-lessons. These tips can also be used for revising your stories’ beginnings, so you get double the treasure with these posts. Some authors have shared first lines of books in both Part 1 and Part 2. Study them and see if you can find some of the techniques mentioned in the two parts for this topic. Also notice if they inform you and draw you into the story–hook you. And if so, why? For those of you who are working on nonfiction picture books, Vivian Kirkfield’s first line examples and some of mine are from nonfiction picture books. However, they are good examples for works of fiction as well.

This is such an important topic that we will have three parts for this topic. This is part two, and you can read part one here.

WE HAVE A BONUS!

writing for children webinars and courses

I will give away free access to my webinar HOW TO WRITE POWERFUL FIRST PAGES LIKE A PRO to one lucky winner. To enter for a chance to win, please comment on one of the three posts about writing outstanding beginnings and share the link on Twitter or FB. Please tag me when you share the link, so I can make sure I get your name in the drawing. Now for some great words of wisdom.

Words of Wisdom

WELCOME READERS BY GIVING A PEEK INTO THE STORY WITH GREAT FIRST PAGES

by Ellen Leventhal

I love the topic of tips for writing outstanding beginnings. For me, this ties into last month’s topic about why it’s important for kid lit writers to read a lot of books in their genre. I read picture books with a different eye each time I pick them up, and recently I have been focused on beginnings and endings because they are both so important.

The first few lines matter for several reasons.

Beginnings of books invite the reader in. It’s the place to welcome your readers, so you want to make it welcoming and give a hint of what’s to come.

As picture book writers, we don’t have “the real estate” to give a lot of background. We have a lot to say in only 32 pages! (actually more like 28 pages). We need to give the readers a peek into the book. Is it humorous? Serious? Light hearted? In a picture book with a traditional arc, we need to introduce the character, what that character wants, and what is standing in the way right off the bat.

But we also can’t just jump in to something that doesn’t make sense to the reader so there needs to be some background in the first few lines. We walk a very thin line!

Remember, all of that information doesn’t all have to be in the first line, but it definitely needs to be close to the beginning. And the lines need to be crafted to make the reader want to read on. I recently re-read Jacqueline Woodson’s EACH KINDNESS. Her fist page just tells us it’s snowy…hmm. However, the description of the snow was just a few words, but they kept me engaged and hinted at something that drew me into the story. (HOW you say things matter) By the second page, we know what the story is about. One more page turn, and we know what the conflict is. BOOM! So was ALL this info in the first two or three lines? No, but pretty close, and it worked! Each page beckoned me to turn the page, and there were not a lot of words on each page.

Even concept books should set up the tone and theme from the very beginning. Parents picking up a book for their little ones, have many options. They want something to grab them. Think about CHICKA CHICKA BOOM BOOM by Bill Martin Jr., John Archambault, and Lois Ehlert. The first time I read “A told B and B told C I’ll meet you at the top of the coconut tree,” I was hooked! I knew what it was about, I loved how unique it was, and it stood out from other alphabet books.

So how do writers do all this? It’s hard! I look up to many writer friends who are experts at awesome first lines.

For me, getting those first lines just right (and are they ever just right?) often takes loads of revision. I write my story first, knowing it’s going to go through multiple revisions before I’m even close to being happy with the beginning. I “wordsmith” the beginning as I go along, checking to make sure that the beginning, middle, and end still make sense together. I actually have a list of great first lines I’ve thought of. Of course, a list of first lines doesn’t make a story, but maybe someday they’ll appear in one. You never know!

Here are a few of my first lines that did make it into print.

A FLOOD OF KINDNESS:
The night the river jumped its banks, everything changed.

LOLA CAN’T LEAP:
Lola came from a long line of leapers. She wanted to leap too, but… (second page sets up the conflict)

DON’T EAT THE BLUEBONNETS (Co-written with Ellen Rothberg)
Sue Ellen had a mind of her own. When the other cows mooed, Sue Ellen Whistled. When the other cows strolled, Sue Ellen danced. And when Max put a sign in the South Pasture, Sue Ellen stomped her foot. (First two pages…the words on the sign sets up the conflict)

Happy reading and writing, everyone!

QUOTABLE QUOTES ON BEGINNINGS: ADVICE FROM SOME OF THE GREATS OF WRITING (plus a little extra from me)

By Rob Sanders

To inspire myself when writing and revising, I often look to advice from some of the greats of writing. After all, I’m not the first person who has walked down the road of writing a story. And I’m certainly not the first who has tried to determine the best way to begin a story in hopes of capturing the attention of my audience. That struggle began millions of years ago when our ancestors orally shared tales around roaring fires.

Some seem to think that beginnings (and maybe writing in general) are easy. Lewis Carrol must have known a few folks like that when he said:

“Begin at the beginning and go on till you come to the end: then stop.” -Lewis Carroll

Carroll knew the process of writing was more complex than that, right? We have to remember the complexity of our craft, too. So, let’s back up and begin at the beginning. What is a beginning?

“The beginning is the promise of the end.” -Henry Ward Beecher

The beginning does not exist in isolation. It must be linked to what comes after it—the middle—and the beginning and the middle must lead to a satisfying conclusion. But be warned. You won’t nail the beginning in the beginning.

“Almost all good writing begins with terrible first efforts. You need to start somewhere.” -Anne Lamott

If Anne Lamott says it’s okay for my first efforts to be less-than stellar, that’s good enough for me. But I’m still left wondering what a beginning needs to accomplish. A beginning often (or nearly always) begins with the character, the character’s desire, the character’s problem, or the character’s situation.

“First find out what your hero wants, then just follow him!” -Ray Bradbury

To write about a character we have to know as much as possible about that character. We need to know what motivates the character, what makes them who they are. We need to know the story behind the story.

“Everything must have a beginning . . . and that beginning must be linked to something that went before.” -Mary Shelley

But be cautious—it seems that the biggest problem with beginnings is that they often get lost in back story. While back story is essential to the writer it is usually nonessential to the reader. Find the back story, then edit out as much as possible. Speaking of editing and revision, the beginning will change and grow and develop as the story does.

“By the time I’m nearing the end of a story, the first part will have been reread and altered and corrected at least one hundred and fifty times.” -Roald Dahl

Often it is only after you’ve finished a story (is a story ever finished?) that the beginning becomes clear.

“I write the beginning last.” -Richard Peck

Here’s the thing—we writers often overthink things. Maybe it’s because we spend a lot of time with in our own heads or because we spend so much time in front of a monitor or because we work again and again and again to find the just-right word. Sometimes, we can think so much that we don’t write. So, the best advice for beginnings might come from a race car driver.

“To finish first, you must first finish.” -Rick Mears

Or we could revise that a bit to say, “To finish, you must first begin.” Better yet, we might let a motivational speaker inspire us and our beginnings.

“You don’t have to be great to start, but you have to start to be great.” -Zig Ziglar

You have greatness inside you. You have stories inside you. You have beginnings inside you. Now, go on—begin!

OPENING LINES ARE HOW AN AUTHOR MAKES A STRONG FIRST IMPRESSION ON THE READER

by Vivian Kirkfield

I was always taught that first impressions are really important. You wear a new outfit on the first day of school. You give a firm handshake at a job interview. And in a manuscript, the opening lines are how the author makes a strong first impression on the reader. Opening lines are a doorway into the story – they give the reader a taste of what’s to come and they often set up the promise that will be fulfilled with the satisfying ending. I’m a big fan of concrete examples and so I’ll share a few of my favorite opening lines from some of my own stories – and also the closing lines that mirror them:

The Boys Who Dreamed of Flying: Opening Line: “At a time when most of the world believed human flight was impossible, one boy thought differently.”

Closing Line: “And it all started with Joseph and Etienne Montgolfier, two brothers, as different as could be, who worked together to take the first step in that starry direction.”

Black Forest or Bust: Opening Line: “Something had to be done. And Bertha Benz was tired of waiting for her husband to do it.”

Closing Line: “And in July of 2016, exactly 125 years after a determined young woman tiptoed past her sleeping husband to take her children on a visit to their grandmother’s house, Bertha Benz was inducted into the Automotive Hall of Fame in Dearborn, Michigan, in recognition of her invaluable contribution to the development and design of the modern automobile.”

Raye Draws Her Own Lines: Opening Line: “When Raye Montague was seven years old, she knew exactly what she wanted to be when she grew up.”

Closing Line: “The tour director had been right all those long years ago. Raye didn’t need to worry about becoming an engineer…she just went out and did it!”

Making Their Voices Heard: Opening Line: “Ella and Marilyn. On the outside, you couldn’t find two girls who looked more different. But on the inside, they were alike–full of hopes and dreams, and plans of what might be.”

Closing Line: “On the outside, these two stars couldn’t have looked more different. But on the inside, they both understood that sometimes even stars need a little help to shine.”

One of my favorite ways to get opening line inspiration for a new nonfiction picture book bio is to read some of my favorites…classics or current ones. I study how those authors crafted their opening lines. Then I go to my research and look for something that jumps out at me. It’s not a scientific way of doing it…but somehow, it works.

A MINI-LESSON IN WRITING GREAT BEGINNINGS

by Rosie Pova

For me a great beginning should not only accomplish several important things all at once, but also do so smoothly and organically.

1. Introduce the main character so the reader knows immediately who to root for

Whenever I critique manuscripts, I often see stories that open with a secondary character speaking or “entering” the scene first, and that causes confusion. If I, as the reader, get on board and ready to see the world through the eyes of the first character I encounter only to find that that was not the star of the story, that creates disconnect as my focus was misplaced.

2. Give a sense of the character’s personality

This is where the reader forms a first impression about the main character and they must engage the audience with something interesting, unique, fresh, intriguing etc. about themselves.

3. Establish the premise.

This is very important — it’s the “promise” the story makes to the reader and it’s also what we would come back to to measure up against and see whether that promise has been fulfilled by the resolution.

4. Establish the tone.

There should be no confusion about that.

5. Evoke a strong desire to keep reading and find out more.

Say too much, and you might lose the reader. Say too little, and you might confuse the reader. Make it just right!

So, if your beginning hits all the marks above, you’re golden!

A FEW MORE FIRST LINES FROM MY BOOKS

by Alayne Kay Christian

AN OLD MAN AND HIS PENGUIN: How Dindim Made João Pereira de Souza an Honorary Penguin, illustrated by Milanka Reardon

“On an island off the coast of Brazil, a black blob bobbed on the beach. The tarry figure shimmered and squirmed in flowing sea foam. It squeaked. Joao squinted and moved closer.

Slippery.

            Heavy.

                        Soaked with oil.

The penguin squiggled and wiggled. It could not stand.”

These first lines let you know who, what, and where.

Where: The story occurs on an island off the coast of the Brazil.

Who: João and a dying penguin (you learn the penguin’s name on the next page)

What: João discovers a dying penguin.

It also sets the tone or demonstrates the voice. It creates questions that make the reader want to turn the page. What will João do next? What will happen to the poor little penguin? The next pages connect the reader emotionally to both João and the penguin.  

THE WEED THAT WOKE CHRSITMAS: The Mostly True Tale of the Toledo Christmas Weed, illustrated by Polina Gortman

“When Weed was a seed, it tumbled on a breeze and snuggled in a crack, smack-dab in the middle of a busy traffic island.

Spring rains showered, and Weed sprouted.

Summer sun warmed. Weed grew.

Cars zoomed. People zipped and scurried—always in a hurry.

But no one noticed Weed.”

We know this story is about a weed that wants to be noticed. We can tell the story is set in a big city. And we get a sense of the voice/tone. We are left wondering what will happen to weed. We build a slight emotional connection (especially anyone who can relate to longing to be “seen” in a big world too busy and unaware to see). In this book, the illustrations help tell the story and raise more interest when the reader sees that weed isn’t the only one going unnoticed. What about the homeless man and his dog who are seeking kindness?

BUTTERFLY KISSES FOR GRANDMA AND GRANDPA, illustrated by Joni Stingfield

“Emily loved staying at Grandma and Grandpa’s house. They let her eat sweets, stay up late, and jump on the bed. She could skip her bath, make lots of noise, and run in the house.

Grandma and Grandpa played with her, read her stories, and let her help in the garden.

Emily loved her time with Grandma and Grandpa except for one thing. . . .”

With these first lines the ellipsis is used as discussed in Part 1 on writing outstanding beginnings. This leaves the reader wondering what that “one thing” is, and it compels the reader to turn the page and keep reading–it pulls the reader forward into the story. 

SIENNA, THE COWGIRL FAIRY: COWBOY TROUBLE, illustrated by Blake Marsee

“I was happier than a snake sunning on a woodpile when Aunt Rose asked me to be in her elegant wedding. I was sadder than a rodeo clown on a rainy day when I learned flower girls wear dresses and fancy shoes.”

This is the first paragraph of a chapter book. This book is book 2 in the Sienna, the Cowgirl Fairy series. So, there is a prologue written in the form of a letter from Sienna. Therefore, the reader has a sense of who, what, where and tone before they read this first paragraph. This first paragraph, informs the reader that this is a story about a girl who has a problem. Her Aunt Rose wants her to be in her elegant wedding, but that means wearing a dress and fancy shoes!

The last page in the chapter reveals Sienna’s fears. “I’d look mighty silly in a dress. I’d trip over my own feet in them fancy shoes. And I ain’t much good at manners neither.” We learn she is struggling with those fears but also the fear of of hurting Aunt Rose’s feelings and making her sad if she refuses to be a flower girl.

So, by the end of the chapter, the readers have been informed enough to pull them forward into the story.

MORE TO COME!

Next week Beth Anderson, Marcie Flinchum Atkins, and Michelle Nott will share their wisdom, tips, and even some worksheets for writing outstanding first lines. 

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KID-LIT WRITING WISDOM PRESENTS LONG AND WINDING ROAD: PUBLICATION (USUALLY) DOESN’T HAPPEN OVERNIGHT (Part 1 of 3)

kid-lit writing wisdom

Copy of What was one of the most important lesson learned on your road to publication_

This “Wisdom” round’s question isn’t exactly a question. I asked the team to tell us about their travels down the long and winding road to publication. One of the reasons I wanted us to cover this topic is because every once in a while, you’ll see blog posts from an author who tells you the very first manuscript they sent out was acquired overnight—as though it’s the easiest thing one can do. That is not the norm nor is it reality. I also wanted emerging writers as well as those who have been at it for a long, long time to see similarities and differences in each writer’s experience. My wish for you and all our readers this round is that you might be inspired or pick up just one bit of wisdom that will help you in your journey. But also, that you adjust your expectations, so that if you find yourself on a long and winding road, you’re not disappointed or discouraged. And if you are one of the lucky ones who gets a contract overnight, you will be surprised and appreciate the moment even more than you might have.

Because it has been a long road for the “Wisdom” authors, we all had a lot to say. So, this topic will be shared in three parts over the next three weeks.

I’ve seen some similarities in answers, but everyone’s path has been a little different. I’m going to start with my own answer because it brings up a topic that didn’t pop up in any of the other answers.

Before we get started, I’d like to share some good news and congratulate Rob Sanders has a book birthday coming on May 4 with  TWO GROOMS ON A CAKE: THE STORY OF AMERICA’S FIRST GAY WEDDING. HAPPY BIRTHDAY! I’d like to also congratulate the illustrators of my picture books for winning the Story Monsters Approved Award. Polina Gortman illustrated THE WEED THAT WOKE CHRISTMAS: The Mostly True Tale of the Toledo Christmas Weed. And Milanka Reardon illustrated AN OLD MAN AND HIS PENGUIN: How Dindim Made João Pereira de Souza an Honorary Penguin.

Congratulations!

Two Grooms on a Cake

AWARD WINNER FOR MAKING A DIFFERENCE!Winner for (1)

Words of Wisdom

WHEN YOU SAY “YES” TO ONE THING, YOU ARE SAYING “NO” TO ANOTHER

by Alayne Kay Christian

I’m guessing, as with most team members, it would take an entire book to share my long journey. I’ll do my best to keep this short. My first picture book BUTTERFLY KISSES FOR GRANDMA AND GRANDPA was released way back in 2009. It won some awards and got great reviews, so I thought for sure, this kid-lit writing thing was going to be a breeze. I was wrong. I spent the next several years taking children’s book writing courses, attending SCBWI conferences and workshops, and getting involved in the online writing community. In 2013, I was on top of the world when I signed with an agent (my choice out of three agent offers—wasn’t I something?). I knew for sure that I was going to conquer the kid lit world now! Well, once again, I was wrong. In 2015, I parted ways with the agent. That set my confidence back for a couple of years. I did very little submitting, but I did continued to write, study children’s book writing, and work to grow my online presence. I also started a professional critique service and wrote an independent-study picture book writing course, Art of Arc. I also started working as a critique ninja for Julie Hedlund’s 12 X 12, which I did for three years. In 2016 I signed with a small publisher and in 2017, my chapter book series Sienna, the Cowgirl Fairy was launched. I continued to study children’s book writing and submit. Also in 2017, I helped my husband relaunch Blue Whale Press where I was the acquisitions editor and creative director. In addition to that, I spent the year going back and forth with an agent who I thought was going to sign me for sure. Once again, I was wrong. We even had what I thought was “the call.” But it turned out to be a “let you down easy” call. She loved one of my stories, but didn’t fully connect with the others I offered. That set me back for a while. But I had so much going on with Blue Whale Press and my other writing related work that I didn’t have time to fall into negative thinking. In 2019, I started offering affordable children’s writing webinars. But even with all of the above, I also continued to study, write, and submit. 2020 was an exciting year for me when finally; my next two picture books were published. I am so proud of AN OLD MAN AND HIS PENGUIN and THE WEED THAT WOKE CHRISTMAS and my latest Sienna book COWBOY TROUBLE. I’m so excited that THE WEED THAT WOKE CHRISTMAS recently won the Story Monsters Approved award for books that make a difference. And THE OLD MAN AND HIS PENGUIN won an award in the nonfiction picture book category.

It took thirteen years of hard work, but more than anything, perseverance, to get (soon to be) four published picture books and two chapter books into the world. I tried to include what I consider to be major parts of my journey to demonstrate that it’s not necessarily just about writing and submitting. It’s about learning, growing, and finding ways to apply your knowledge and creative energy when it sometimes feels as though all has failed. And like in the stories that we write, finding our way through our darkest moments will lead us to a satisfying ending.

I don’t regret my path for a minute because I love all the gifts I have given writers and illustrators over the years with my critiques, courses, work with Blue Whale Press and so on. I’ve found that for me, relaxing into where life takes me usually leads me to where I need to be. But a word of warning . . . when you say “yes” to one thing, you are saying “no” to another. In my case, I said a lot of “no” to writing and submitting by saying “yes” to helping others. Where might I have been had I been more focused? That is not a question of regret. It is a question that I pose to you as writers. Following is a little worksheet to help you see your “yes” and “no” choices more clearly. I hope some of you find it helpful. The worksheet was initially part of a much longer post I wrote on the topic. Click here to read it

say yes say no

SHEER LUCK? SOMETIMES. SHEER GRIT? MOST OF THE TIME.

by Kirsti Call

It happened backwards for me. I wrote my first couple of stories, joined a critique group, submitted THE RAINDROP WHO COULDN’T FALL about three months into my writing journey. Character Publishing gave me an offer almost immediately, and my first book came out in 2013. Then for 6 years I wrote and revised and submitted and submitted and submitted again. I FINALLY got my first agent who subsequently sold 4 books for me. Sheer luck led to my first book. Sheer grit led to others.

ALL THE TIME I PUT INTO LIVING LIFE, AND WRITING STORIES, LED ME TO STRENGTHEN MY CRAFT AND FIND MY WRITING VOICE

by Melissa Stoller

My journey to publication was indeed a “long and winding road.” I had started writing when my oldest daughter was a baby and I loved reading picture books to her and making up bedtime stories. Before that, I practiced as an attorney, taught legal research and writing to law students, and worked as a career counselor at a law school. When I received many rejections to my initial book queries, I turned my attention to writing parenting articles and doing freelance editing. But eventually, I returned to my dream of writing for children (and by that point, I had three children and lots more time doing field research into the KidLit world). In fact, I had joined the SCBWI in 1997 (!) and my first book, THE ENCHANTED SNOW GLOBE: RETURN TO CONEY ISLAND, was published in 2017! I am forever grateful to Callie Metler and Clear Fork Publishing for helping me turn my writing dreams into reality. My advice to aspiring writers is to keep pursuing your goals. Your writing journey may detour down some curving roads, like mine did, and your path to publication may not be straight. But all the time I put into living life, and writing stories, led me to strengthen my craft and find my writing voice. So, buckle up, get on whatever type of road best fits your career, and say ready, set, GO!

KEEP YOUR CHIN UP AND YOUR FINGERS ON THE KEYBOARD!

by Rob Sanders

My journey to publishing started back in college. I paid my way through college and graduate school by writing religious educational materials. A few years later, I wound up working for the company for which I’d been writing, eventually becoming an editor and product designer there. But none of those materials were things kids would ever find in their public or school libraries or local bookstores. It wasn’t until I was 50 that I decided to pursue my dream of writing picture books. Two years later I made my first sale through a paid critique at SCBWI LA. A year later, I landed an agent. Selling my second book proved to be as difficult as selling the first and that pattern continues. Each of my manuscripts has to stand on its own merits and find its own home. I often remind myself of the advice my agent gave me when we first started working together: Keep your chin up and your fingers on the keyboard!

FIVE INGREDIENTS THAT ARE NECESSARY FOR SUCCESS IN ANY PROJECT

Vivian Kirkfield

Whenever I do presentations about the path to publication, I talk about how becoming a picture book author was a lot like making a pizza. Whether I’m speaking with six-year-old school kids or sixty-year-old aspiring authors, I share the 5 P’s…5 ingredients that are necessary for success in any project: PASSION, PREPARATION, PRACTICE, PATIENCE, and PERSISTENCE. It’s a process and it takes time. I started my writing journey at the end of 2011 – we signed my first book deal at the end of 2015 – and that book launched in 2019. I had sent out a few submissions to editors on my own, but I knew I wanted an agent because I knew I didn’t want to focus on where to send my manuscripts…I wanted to focus on writing them. However, the path is different for each one of us – and what is right for one person might not be right for another. What is needed, however, whether you have an agent or not, is positivity. Oh…there’s another P…I guess you can tell I’m a picture book writer with all of that alliteration.😅 I remain positive because I know that the rejections…and YES, I do get lots of rejections…are not personal. I try to remember that this is a business…and the publisher/editor must make a profit from the books they produce. Otherwise, they have to close their doors. And if they don’t choose my manuscript, it’s because they don’t think they will make money. I also try to keep in mind that sometimes, publishers are wrong. So, when I get a rejection, I remind myself that I am in good company with J.K Rowling and Louisa May Alcott and Stephen King and many others: https://wildmindcreative.com/bookmarketing/6-famous-authors-who-once-faced-rejection.

COMING IN THE NEXT TWO WEEKS PART 2 AND PART 3

Next week, Ellen Leventhal and Pippa Chorley talk about their journeys, which both include dealing with imposter syndrome. And Beth Anderson shares her thoughts on what it takes to be successful as an author. Finally on May 8th, we’ll wrap up our thoughts on the path to publication with Laura Gehl who talks about how time only serves to make you a better author. Dawn Babb Prochovnic looks at the importance of continuing the work in spite of obstacles. Michelle Nott talks about trends and also demonstrates that it pays to never give up on old stories. Rosie Pova talks about how persistence pays off. Marcie Flinchum Atkins talks about enjoying the rituals of writing and having friends who “get” the writer’s experience.

TO READ THE TEAM MEMBERS’ ANSWERS TO “MY MOST IMPORTANT LESSON LEARNED” click here for Part One and here for Part Two.

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It’s been months since I’ve written a blog post, but it’s time to pick myself up by my bootstraps and get going again. What a year this has been! I’ve bounced around a number of ways to approach this return to my blog. I even started down a path of several paragraphs talking about how when times get tough, the tough keep going. But that path also led me into a “true confessions and soul searching” direction that just didn’t feel right. So, I’m going to try a more direct approach to where I’ve been, what I need to do, and where I’m going. I’ll start with where I’ve been.

Please forgive any weird formatting issues. WordPress decided to change it’s format while I was away. I need a little more time to learn it.

Who Knew?

When my latest books were scheduled for release, who knew that we would be challenged with a pandemic that has changed nearly everyone’s life? Who knew that my first picture book in ages, An Old Man and His Penguin: How Dindim Made João Pereira de Souza an Honorary Penguin, would be released eighteen days after I had knee replacement surgery? Who knew that the surgery would still be holding me back nearly four months later? Who knew that my next picture book, The Weed that Woke Christmas: The Mostly True Tale of the Toledo Christmas Weed, would be released four days after my oldest brother’s death? Who knew that book two in the Sienna, the Cowgirl Fairy chapter book Series, Cowboy Trouble, would be rescheduled for 2021? Who knew, that my first picture book, Butterfly Kisses for Grandma and Grandpa’s tenth anniversary would slip by without acknowledgement or celebration? Who knew that it would be picked up by Clear Fork Publishing under the Blue Whale Press imprint, and continue selling all these years later?

My Brother and Me–I will miss him, but I carry him in my heart.

I didn’t know that my exciting book launches and the wonderful year I had planned for all of my beloved books would all come crashing down around me. I’ve been knocked down, but I’m getting back up (broken heart, bum knee, and all) and moving forward.

Trying to get in the spirit in spite of my challenges.

What I Need to Do and Why I Need to Do It

I need to make up for lost time and share the news of my books with y’all. I feel compelled to do this because I feel it’s only fair to the illustrators (Milanka Reardon and Polina Gortman) who worked so hard on my picture books. And it’s only fair to the beautiful books and heartwarming stories that people should get an opportunity to read them. It’s only fair that the kids and adults who will read them should be made aware that the books even exist. It’s only fair to João Pereira de Souza and Dindim to have their story told. It’s only fair to the citizens of Toledo, Ohio and the little weed that their story of unity be told when it seems we’ve forgotten how to love and care about one another as human beings. Along those same lines, I feel like I have an obligation to humanity to share these stories of love and kindness. They both touched my heart, and I want to reach as many other hearts as I possibly can.

You can help me and the illustrators as well as readers by requesting the books at your library and writing reviews. I would be forever grateful.

Future Posts

Keep an eye out for future posts. I’m going to start a new series called Arc Angels where published authors will analyze each other’s books and share with you how each made their stories shine by using the classic narrative and/or character arcs. I expect there will be prizes and giveaways along the way. I plan to share the very first version of Butterfly Kisses for Grandma and Grandpa with my crude illustrations and all. I will also share how the book started as one thing and ended up being another. And I’ll soon have a book trailer for Cowboy Trouble to share.

There are lots more great posts to come, but I will save them for surprises.

THE WEED THAT WOKE CHRISTMAS: THE MOSTLY TRUE TALE OF THE TOLEDO CHRISTMAS WEED

BOOK TRAILER

Review Excerpts

“A heartwarming holiday tale that proves even the littlest things can make a big difference.” —Kirkus Reviews

“The fine message about holiday spirit makes for a perfect read for parents seeking stories that encourage kids to feel empowered to begin changes that cross age and economic barriers. The Weed That Woke Christmas is a lovely, positive, much-needed story for modern times.” —D. Donovan, Sr. Reviewer, Midwest Book Review

“This sweet story is accompanied by lush illustrations by Gortman, who portrays Toledo’s citizens as diverse. The author manages to convey the importance of charity and community without making the tale mawkish or trite. She closes the text with the real story of the Christmas Weed and the hope that the holiday magic will continue.” —Kirkus Reviews

Description

This heartwarming and inspiring book proves that even the smallest gestures can make a big difference and transform apathy and oblivion into awareness, unity, community, kindness and hope. Partly truth and partly fiction, it is based on the true story of how a weed on a Toledo street corner helped spread the giving spirit far beyond its traffic island home. All Weed wants is to be seen, but people are in too much of a hurry to notice each other, let alone Weed. Weed watches, wishes, and waits until finally someone does see it. But Weed discovers that there is something far bigger and more important than a little weed being noticed.

Where to Buy

Buy wherever books are sold and . . . 

Amazon Hardcover

https://www.amazon.com/Weed-That-Woke-Christmas-Mostly/dp/0981493815

Amazon Softcover

https://www.amazon.com/dp/0981493823/

Booktopia

https://www.booktopia.com.au/the-weed-that-woke-christmas-alayne-kay-christian/book/9780981493817.html

Book Depository

https://www.bookdepository.com/The-Weed-That-Woke-Christmas-Alayne-Kay-Christian-Polina-Gortman/9780981493817

Barnes and Noble

https://www.barnesandnoble.com/w/the-weed-that-woke-christmas-alayne-kay-christian/1137418710?ean=9780981493817

Indie Bound

https://www.indiebound.org/book/9780981493817

Booktopia

https://www.booktopia.com.au/the-weed-that-woke-christmas-alayne-kay-christian/book/9780981493817.html

AN OLD MAN AND HIS PENGUIN: HOW DINDIM MADE JOÃO PEREIRA DE SOUZA AN HONORARY PENGUIN BOOK TRAILER

Review Excerpts

“A moving, affectionate, and joyful tale, all the more so for being true.” – Kirkus Reviews

“An Old Man and His Penguin holds a number of important messages about human/animal relationships, love, oil slicks and their impact on sea life, and loneliness. . . . its underlying focus on letting go and reaping rewards from non-possessiveness offers an outstanding lesson about love for the very young.” —D. Donovan, Senior Reviewer, Midwest Book Review

“Adults looking for an inviting animal story with an important message will welcome this appealingly different seaside tale.” —D. Donovan, Senior Reviewer, Midwest Book Review

“The underlying lesson about compassion and good stewardship is subtle but effective; an author’s note explains the real-life circumstances. Reardon, who also illustrated the penguin-themed Noodles’ & Albie’s Birthday Surprise (2016), deftly captures the story’s charm and expressiveness.” —Kirkus Reviews

Description

Off the coast of Brazil, João rescues a lifeless, oil-covered penguin (Dindim) and nurses him back to health. Dindim adopts João as an honorary penguin, and the steadfast friends do everything together. They swim together, fish together, and stroll the beach together. But there are real penguins somewhere across the sea. So one day, Dindim leaves João. The villagers tell João the penguin will never come back. João cannot say if he will or will not. Are the villagers right? Will Dindim ever patter into his old friend’s loving arms again?

Where to Buy

Wherever books are sold and . . .

Amazon Hardcover

https://www.amazon.com/Old-Man-His-Penguin-Honorary/dp/173289356X/

Amzon Softcover

https://www.amazon.com/dp/1732893578/

Book Depostitory

https://www.bookdepository.com/An-Old-Man-and-His-Penguin-Alayne-Kay-Christian-Milanka-Reardon/9781732893566

Barnes and Noble

https://www.barnesandnoble.com/w/an-old-man-and-his-penguin-alayne-kay-christian/1136805502?ean=9781732893566

Books-A-Million

https://www.booksamillion.com/search?id=7861112761623&query=An+Old+Man+and+His+Penguin&filter=

Indie Bound

https://www.indiebound.org/book/9781732893566

Booktopia

https://www.booktopia.com.au/an-old-man-and-his-penguin/book/9781732893566.html

SHORT NEWS VIDEO ABOUT THE REAL CHRISTMAS WEED

I chose to share this video because the narrator gives a sense of the heart of the story that ended up in my book THE WEED THAT WOKE CHRISTMAS: THE MOSTLY TRUE TALE OF THE TOLEDO CHRISTMAS WEED.

ANOTHER SHORT NEWS VIDEO ABOUT THE REAL CHRISTMAS WEED

I chose to share this video because it does a good job of showing the community coming together.

A SHORT NEWS VIDEO ABOUT JOAO AND DINDIM THE PENGUIN

BOOK LAUNCH POSTS

Thank you to all my friends who helped me share the news of my books via social media when I couldn’t! There are too many to mention, but you know who you are.

Thank you friends who featured my books on your blogs!!!!

My brain is still somewhat foggy, so if I’ve forgotten anyone, please forgive me and feel free to add your post in a comment.

The Weed That Woke Christmas

Vivian Kirkfield’s Picture Book Friday Post 

Perfect Picture Book Friday: THE WEED THAT WOKE CHRISTMAS Plus Giveaway

Kathy Temean shares my book journey on her  Writing and Illustrating blog.

https://kathytemean.wordpress.com/2020/10/11/book-giveaway-the-weed-that-woke-christmas-by-by-alayne-kay-christian/

Rosie Pova interviews me on her Chitchat blog.

https://www.rosiejpova.com/blog/chitchat-with-author-editor-and-publisher-alayne-kay-christian

Keep an eye out for my KidLit411 feature coming in November.

An Old Man and His Penguin

Janie Reinart interviews me on the GROG blog.

https://groggorg.blogspot.com/2020/07/she-wears-many-hatsinterview-with.html

Vivian Kirkfield features An Old Man and His Penguin on her blog.

Alayne Kay Christian: Will Write for Cookies Plus GIVEAWAY

Kathy Temean shares Milanka Reardon’s and my book journey for an Old Man and His Penguin or on her Writing and Illustrating blog.

https://kathytemean.wordpress.com/2020/07/23/book-giveaway-an-old-man-and-his-penguin-how-dindim-made-joao-pereira-de-souza-an-honorary-penguin/

Kathy Temean features Milanka Reardon’s art process for An Old Man and His Penguin.

https://kathytemean.wordpress.com/2020/05/09/illustrator-saturday-milanka-reardon/

 

 

 

 

 

 

 

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Happy Double Book Birthday!

What Will Change?

With Blue Whale Press’s recent announcement about becoming an imprint of Clear Fork Publishing, questions are starting to arise. I will answer a few here.

  • First, let me say I am excited and happy to be working with the amazing Callie Metler-Smith.
  • The simplest way to explain things is to say that nothing is changing with Blue Whale Press when it comes to authors, illustrators, and submissions. Any changes with Blue Whale Press being an imprint of Clear Fork Publishing are about behind-the-scenes business management.
  • Blue Whale Press submissions will remain the same. Visit the BlueWhalePress.com submissions page for guidelines. We will be putting out a special celebration call for submissions very soon. For announcements, follow the Blue Whale Press Facebook Page https://www.facebook.com/BlueWhalePress/ or you can search Facebook with @BlueWhalePress. You can also follow the Blue Whale Press Twitter page @BlueWhalePress.
  • If you have submitted to Blue Whale Press in February THERE IS NO NEED to resubmit.
  • Alayne Kay Christian will remain the acquisitions editor and creative director for Blue Whale Press. Steve Kemp will remain the publisher.
  • Blue Whale Press will still design the books.
  • Any changes in how things work that might impact authors and illustrators will be announced.

What About Submissions? What is Blue Whale Press Looking For?

People often ask what we are looking for. Currently, our focus is on picture books. STEM and clever and/or humorous informational fiction that is written with young readers in mind is at the top of our list. Even the STEM books must have a great hook. To see what a great STEM book hook (or any book hook) is, read RANDALL AND RANDALL, WHO WILL? WILL YOU? and PORCUPETTE AND MOPPET. Blue Whale press is looking for unusual characters, strong narrative arc, strong voice, fresh/unique premises, and surprise twists. We are drawn to unique stories that standout from all the rest. We gravitate toward humor, but we would love some stories that tug at the heartstrings, but again, in a unique, standout way. Alayne also has a soft spot in her heart for nature.

Some have asked what we are not interested in, so I will offer that we are not interested in trends. Trends eventually lead to an abundance of similar stories. If you haven’t seen it before, your chances are probably better with us. We aren’t able to produce board books at this time, so manuscripts for the newborn to three age range are not for us. We are not against faith-based stories that give a mild universal message. However, heavy messages or stories about specific beliefs based on specific religions aren’t a good fit for us.

Remember: Always read the submission guidelines carefully. Do not send attachments other than PDFs for art. We usually discard Word attachments for security reasons. Contact information is not just your email. Provide your name, physical address, phone number, email, and website/blog if you have one/them.

Ask yourself what makes your story different. Read Blue Whale Press books. They will give you a better feel for what appeals to us. If we aren’t able to acquire your story, don’t let that discourage or stop you. But do keep working to hone your craft. Now, having said that, there are many reasons that we pass on manuscripts and sometimes it has nothing at all to do with writing skills. No matter what, always do your best and keep on keeping on.

Always check our website before submitting. If we are closed to submissions and you send a manuscript, it will most likely not be read or responded to.

An Old Man and His Penguin: How Dindim Made João Pereira de Souza an Honorary Penguin is Here!

Can be found at the following and more!

Amazon

Book Depository

Barnes and Noble

Books-A-Million

We are excited about this good news, and I (Alayne) looks forward to working with Callie Metler-Smith and being part of the Clear Fork Family.

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