So far, this year, I’ve been taking a break and being kind to myself. Meanwhile, the Kid-Lit Writing Wisdom team members have been doing their own thing. I believe that in the future I will be offering periodic guest posts from wise authors and/or illustrators, so keep an eye out. Before I move on to talking about picture book structures, I want to mention that my book BUTTERFLY KISSES FOR GRANDMA AND GRANDPA is featured in the summer reading section of the recent County Line Magazine. There are a couple cool things about this nice surprise. First, they put me in the great company of two other Texas authors Rosie Pova and Jen Betton. Rosie’s book SUNDAY RAIN (illustrated by Amariah Rauscher) is featured and author/illustrator Jen Betton’s cute book HEDGEHOG NEEDS A HUG is featured. The other thing that surprised me about BUTTERFLY KISSES FOR GRANDMA AND GRANDPA is that out of all my books, they picked the one that has been around the longest. What I love about this is the fact that my first picture book has had such a long life. I believe it may be the top seller of all my books, even after all these years.
The message that I want to leave with you is that some books do have long lives. One never really knows what the future will bring for our precious babies. You can see the magazine feature here.
Now I will move on to picture book structures.
PICTURE BOOK STRUCTURES
A few months back, someone inquired about my course ART OF ARC, asking if it covers the many different picture book structures. The answer is yes, but not extensively. There is certainly enough information and lists of mentor texts to get one very familiar with books that don’t fall into the traditional story structure. This is not to say that many of the different structures don’t still have an arc of some sort. Anyway, after that inquiry, I decided it might be nice if I could share a little bit about the various structures with you. The best and wisest way to do that is to share what others have already created. So here is a list of links where you can learn all about picture book structures.
Enjoy!
2016 ReFoReMo Day 5: TAMMI SAUER MODELS HOW-TO DO THE STRUCTURE STRUT (ReFoReMo is now March on with Mentor Texts)
INTERVIEW WITH MIDDLE GRADE AUTHOR AND ILLUSTRATOR LAURIE SMOLLETT KUTSCERA
I’d like to introduce Laurie Smollett Kutscera, author and illustrator of the exciting middle grade book Misadventures of a Magician’s Son, published by Blue Whale Press. Her book launched on April 1, 2020. Today, I share an interesting interview with Laurie about her experience as an author and illustrator. She also offers tips for writers and illustrators!
First, I’ll share excerpts of a recent review of Misadventures of a Magician’s Son, and I will follow that with the book trailer.
Midwest Book Review
“. . . Laurie Smollett Kutscera weaves a strong story of personal struggle and achievement into a tale that takes some unusual twists and turns as Alex continues to learn about the magic of human emotion, recovery, and resiliency from his unusual mentors: “Isn’t it possible everyone would appreciate you for who you are?” What could have been a singular story of a boy’s special talents thus evolves into an unusual exploration of the roots of magic, ability, and support systems that come into play when loss changes one’s familiar life patterns. . . .
Readers who choose the book anticipating a dose of magical encounters will not be disappointed, while those who like interpersonal relationships, intrigue, and growth as subplots in their stories will find Misadventures of a Magician’s Son holds an action-packed touch of all three to keep readers guessing about Alex’s future and incredible adventure, right up to the end.”
— by Diane Donavan, Sr. Reviewer, Midwest Book Review
Book Trailer
Interview
Alayne:How did you get your start as a children’s book writer? And illustrator? What brought you to this world?
Laurie: Thank you for that lovely introduction. It’s a pleasure to be here with you!
I knew art was always going to be my path from a young age. As a teenager, flipping through the pages of Mademoiselle, I reveled at Betsey Johnson’s quirky illustrations with dreams of being a fashion illustrator. But once I entered Queens College, my drawing teacher Marvin Bileck, introduced me to the magic of children’s books and changed the course of my life. He was a remarkably talented artist and an award-winning children’s book illustrator. He taught drawing, printmaking, and book design, all of which were filled with energy and exploration. He invited other illustrators to the class including his dear friend Ashley Bryan. What a talented artist and author. And when I was ready to show my portfolio- Professor Bileck arranged for me to meet with Margaret McElderry! I was terrified. I’ll never forget, sitting beside her, she paused at one of my illustrations and smiled.
After college, I spent the next eight years freelancing as a graphic designer when two dear friends approached me about illustrating a story they had written about a cliff dwelling tribe and a fearless girl named Ravita. I was thrilled. I decided to work in pastel—a medium I had never used before. I used my handy dandy Xerox machine and made dummies that the three of us sent to various publishers. Rizzoli Books in NY loved the story and a year and a half later, Ravita and the Land of Unknown Shadows was published and in the windows of Barnes and Noble all over Manhattan!
Ferdinand and Joker from Misadventures of a Magician’s Son by Laurie Smollett Kutscera copyright 2020
It never dawned on me that I would ever be an author. In truth, I hadn’t thought about writing seriously until ten years later. A writer friend suggested I take an essay writing workshop that lead me to a memoir class. Memoir was fascinating. I learned so much about world building, dialogue and writing in the moment. But knowing memoir is a challenging sell, I decided to take elements of what I had written, and incorporate it into Misadventures of a Magician’s Son. Soon after, I found a critique group at Media Bistro that focused on MG/YA. Once I opened a Twitter account, I discovered Julie Hedlund’s 12×12 Picture Book Challenge. What a find! I learned so much about the craft of writing picture books and also connected with my current (and may I say, amazing) critique partners.
Alayne:You are also a wonderful illustrator. Which came first? Writing or illustrating?
Laurie: Thank you Alayne. Can you guess? Following is a photo of me with my first paint set when I was 3 or so. ( Nice bangs!) My mother was an artist so I was lucky in that I received plenty of encouragement, (even when I drew people with wheels for feet!) In school, art was always the best class. One of the few I paid attention in. As I grew older, I loved writing poetry and in high school I wrote a fractured fairy-tale that made my English teacher laugh out loud. That always stayed with me, but that was as far as I took it. I didn’t have the confidence to take a writing course until much later. Art was always going to be my profession, or so I thought.
Laurie with her first paint set at age three.
Alayne:Does your art influence your writing or does your writing influence your art?
Laurie: That’s a great question. Most of the time, I think the tone of the story affects the art. It doesn’t happen often, but I have written a few stories based on an illustration.
Alayne:Do you think you would ever do a wordless picture book or a graphic novel?
Wordless picture book dummy THE RED BALL, pastel (2019) Laurie Smollett Kutscera
Laurie: As daunting as that sounds, I just recently finished a dummy for my first wordless picture book and am excited to find a home for it. I’d love to learn more about graphic novels, then get down to some serious playing!
Alayne:What is it like to see your printed book for the first time?
Laurie: As you yourself know, there are no words to describe what it feels like to hold your book, years of hard work in your hands. Writing, editing, sweat. Re-writing, editing, tears. Re-writing editing, prayers. Blue Whale Press did such a lovely job designing it. I am beyond thrilled to finally share Alex’s adventure with everyone!
Alayne:Misadventures of a Magician’s Son is super creative and unique. The characters are so special. Where did you get the inspiration for the story?
Laurie: It was a kind of perfect storm. I had just finished a long conversation with a dear friend who was trying to help me out of an emotional slump. We both agreed I needed to find a creative project to delve into. Later that week, I was sitting in a movie theater with my husband watching the opening credits of Casino Royale. I was immediately struck by the graphics that filled the screen. These larger than life card characters suddenly consumed me, and became the impetus for Misadventures of a Magician’s Son. Had I not had the conversation with my friend, I don’t think I would have been as receptive. This was before Tara Lazar’s Storystorm, which for those of us who join every year know has the same powerful intention.
Alex and King Anton from Misadventures of a Magician’s Son by Laurie Kutscera copyright 2020
Alayne:Blue Whale Press offered quite a few edit suggestions. I know we all had trying times with that process. But you have been very gracious and such a pleasure to work with in all ways. Do you have any tips for authors regarding how to keep from taking edits personally?
Laurie: Well that’s the key really, not taking it personally. I think most creative people are super sensitive to begin with, so having an editor revise what seems like a brilliantly crafted sentence can feel like a stab in the heart, LOL. I think communication, intention and flexibility play a big part here. Editing takes on many surprising facets, including when the author and editor live in different parts of the country, or world for that matter! But stepping back always helps. Take a break and come back to it. Have someone unfamiliar with the story read the revisions. The bottom line, editing is part of the process and will only make your work stronger.
Alayne:I’ve mentioned your wonderful characters before, but only asked where you found the inspiration for your “story.” Where did you find your inspiration for so many great characters and their voices?
Laurie: This is a fun question to answer. In high school and college, I was totally into acting in plays and tried to tap into the personalities around me. I guess I still do. In our charter boat business, I’ve met and worked with some interesting people. Not all were delightful. Joker for example, (who is hilarious and whom I love dearly!) was based on two extremely annoying people I worked with. They were beyond self-involved and snapped their fingers at everyone. I found myself shaking my head in disbelief at many of their comments. Queen Olivia was based on a very dear neighbor who reminded me of Eleanor Roosevelt. With her queen-like demeanor, she always found something nice to say about people…most of the time. Alex’s character was inspired by my nephew. He is insightful and resilient, but struggled quite a bit when it came to navigating relationships in school. There are parts of me in Alex, too. We moved when I was 10 and I felt so lost in a new school, and I’m pretty sure my teacher had it out for me, too!
Alexander Finn and friends from Misadventures of a Magician’s Son by Laurie Kutscera copyright 2020
Alayne:Are you a pantser or a planner? Did you plan and outline, or did you just let the story flow out of you organically.
Laurie: I am a total pantser! Before I understood the definition, I would sit at the kitchen counter, open my laptop and begin typing, anxious to see where the story was headed. It was a bit freaky, like I was being channeled and had nothing to do with the outcome. Undiagnosed, that first draft was an exciting process!
Alayne:I recently did a Chapter Book Challenge guest post where I analyzed Misadventures of a Magician’s Son using The Hero’s Journey. Did you study that storytelling structure before writing the book, our do you just have that natural storytelling ability?
Laurie: Wow. That sounds interesting. I was not familiar with The Hero’s Journey when I began writing. I approached Misadventures of a Magician’s Son much like I was watching a movie unfold. I tried to build an arc to the story line based on lots of visual action. Once I joined that MG/YA critique group at Media Bistro, I learned more about structure and was able to strengthen Alex’s voice, clarify details, and build more tension using short sentences.
Alayne:This is your debut middle grade book. How long had you been writing and submitting before signing with Blue Whale Press?
Laurie: I began writing in 2007, but with only a few winter months to devote to the process, it took me several years to complete it. I took a break for a year to work on another project, then came back to it in 2012. In 2014, I began subbing with no bites. The following year, I signed up for the Writer’s Digest Pitch Slam Event in NYC. I created a deck of cards with the characters, fanned them open, and pitched my heart out to a number of agents. 500 people, 1 hour and lines 15 minutes long, I was so nervous, I left my bag somewhere in the ballroom–but I found my agent! She pitched it to a number of publishers including Simon & Schuster who loved the manuscript and asked for revisions. That was the high point. But unfortunately, they passed. (I think they had another project in the works about magic.) Soon after, my agent left the company. That was the low point. I took some time off to clear my head. When I started subbing again I discovered Blue Whale Press was open to submissions. That was 2018. And here we are!
Alayne:How long did it take you to the write the book—from first line until confident enough to submit?
Laurie: I don’t want to frighten people because my experience (and work schedule) are probably not quite the norm. But from the time I began to write until I started submitting took 8 years.
Alayne:Did you have the book critiqued or edited before submitting?
Laurie: Yes, first through my critique group at Media Bistro. I received feedback on every chapter and once I revised the manuscript based on their feedback, I hired an editor to review again. He had some excellent ideas regarding juggling and strengthening a few scenes and suggested I write a prologue for the ending. He also recommended I call the book- Dance of Suits: An Alexander Finn Magical Adventure, which I was never crazy about, but submitted it for a while with that title. I think it confused people. I finally changed it to Misadventures of a Magician’s Son a year later.
Alayne:Did you have beta readers at any time?
Laurie: Yes, I had a few beta readers, including a middle grade librarian.
Alayne:We’ve touched a little on the illustrator side of you, but I’d like to dig into that a little deeper. I’ll start with the question, Do you have a preferred medium?
Laurie: So much has changed since I opened that first paint set. In truth my work used to be very linear and detailed. Now I’m trying to find a more ethereal approach to my art. I love working in pastel–it’s dreamy and soft and likes to take the lead which is kind of cool. I love playing with colored pencil and watercolor then fine tuning in Photoshop. I also love working in Pro-Create. I’ve recently gotten to a place where I don’t need a sketch as a starting point. OK…that in itself is an amazing accomplishment especially for a control freak like me!
Polar Bears by Laurie Smollett Kutscera – pastels and Procreate
Illustration from Painted Desert Dummy by Laurie Smollett Kutscera – Pastel
Illustration from Maya’s Treasure by Laurie Smollett Kutscera – Pastel
Alayne:Have any other artists or children’s literature illustrators influenced you during your journey so far?
There are so many illustrators that have inspired me. After reading The Miraculous Journey of Edward Tulane, I was elated to see that illustrations for middle grade readers didn’t necessarily have to be cartoony. Cartoony is fine, but Bagram IbatoulIine’s artwork evokes such depth and warmth. It was the perfect choice for Kate DiCamillos work.
Illustrators I love: Brian Selznick, Erin E. Stead, James Christopher Carroll, Brian Lies, Sophie Blackall, and Pamela Zagarenski just to name a few. I love Gauguin, Degas, Toulouse Lautrec, and my all-time favorite, Leon Bakst. He was a costume and set designer, and his illustrations are exquisite. I can only imagine what he would have brought to picture book illustrations.
Alayne:What medium and process did you use for Misadventures of a Magician’s Son?
Laurie: Many of the original illustrations were done in colored pencil. Soon after, an editor I met at the SCBWI conference in NY explain to me that middle grade readers prefer black and white illustrations. At first, I was disappointed to learn that, but once I converted all my work into grayscale, I was happily surprised at the results. The rich grays and deep blacks added quite a bit of mystery that complimented to tone of the story. I did the remaining illustrations in black and gray Prisma pencils on vellum paper and adjusted them in Photoshop.
Alayne:Where did you find the inspiration for the illustrations of the book’s characters?
Theo and Mr. Raymond from Misadventures of a Magician’s Son by Laurie Smollett Kutscera copyright 2020
Laurie: I always try to take advantage of the resources around me…like friends. I started eyeing them up right away. For instance, the model I used for Joker is a very dear friend who was born in England and lives up in the Adirondacks. Unlike Jokers snarky character, Chris is charming and brilliant and was unbelievably patient as I took photo after photo of him. Two of our first mates posed as Theo and Mr. Raymond, and another friend’s grandson posed for Alex. I also had Joel, my technical magician/adviser pose while Alex shuffles the cards. And our dearest neighbors posed as the King and Queen of Hearts.
Alex from Misadventures of a Magician’s Son by Laurie Smollett Kutscera copyright 2020
Alayne:How is illustrating a middle grade different from illustrating a picture book?
Laurie: There are always exceptions to the rules, which I love, but in general, there are fewer illustrations in middle grade books and most are created in black and white. Picture books are different in that much of the story is told through the illustrations and are done in full color.
Alayne:How many years did you work on the art for Misadventures of a Magician’s Son? When did you do the very first drawing?
Laurie: I started working on the first illustrations back in 2007. Mostly character studies, lots of hands and card tricks in motion. I finished the last illustration a few weeks ago. All in all, twelve and a half years of illustrating.
Alayne:For this specific project, Did the drawings inspire your writing? Or did your writing inspire the drawings.
Laurie: I visualized many of the scenes before I started illustrating them. So, in a sense, the illustrations in my head inspired the writing. Once I began, I jumped back and forth between writing and illustrating. Working this way helped me visualize specific scenes and details I might otherwise have missed.
Alayne:Do you have any advice for illustrators who are waiting for their first contract?
Jack from Misadventures from a Magician’s Son by Laurie Smollett Kutscera copyright 2020
Laurie: Try not to focus on the contract. I know it’s easier said than done, but if you focus on crafting wonderful stories, the contract will follow. Keep submitting, try to develop a thick skin—someone just told me this, so again easier said than done. If you’ve received feedback, try to take a step back. Put it away and re-read it again later. It’s easier to grasp when you’re not so close to it.
Alayne: I know that being a writer/illustrator submissions are different than those who are writers or illustrators only. Do you ever submit as a writer/illustrator?
Laurie: Most of the time. It’s a bit more work. Not only are you offering a polished manuscript but you’re creating an entire book with illustrations. This is the heart and soul of your story.
Alayne:Do you ever submit as a writer only? Or as an illustrator only.
Laurie: The answer is yes to both. I actually have several manuscripts that I feel would be better using an illustrator with a more whimsical approach. I also just completed a wordless picture book that I just started submitting.
Alayne: Do you have any advice for writer/illustrators?
Laurie: Read out loud. Savor every word. Have fun with your dummies. Don’t be afraid to take chances. Break rules!
Alayne:Now, I will put on you the spot, even more than I already have 😉 Why do you write?
Laurie: I have to! I love sharing stories that will touch young readers and adults. Maybe Alex’s journey will help someone who’s having a difficult time navigating this ever-changing world we live in. Maybe I can get them to laugh and see the light is closer than they think.
Alayne: It is an absolute pleasure to work with you, Laurie. Your story has brought me so many smiles. You know I am in love with Joker 😉 Thank you for helping Blue Whale Press make a wonderful book that we are so proud of.
Joker and his scepter Emilio. King Anton, Queen Olivia, and Jack. Characters from Misadventures of a Magician’s Son by Laurie Smollett Kutcera copyright 2020
Thank you Alayne–for believing in me and Alex’s journey. C#&sffinxaagpzzz@l. OHHH, hey, no. Wait! UGH! Joker just climbed on my laptop. He wants me to tell you…you haven’t heard the last of him!
Misadventures of a Magician’s Son is available wherever books are sold. Some places currently are
Laurie Smollett Kutscera was born in Greenwich Village and grew up in Queens, New York. At the age of 11, she performed her first magic trick and was destined to be a ventriloquist with the aid of her childhood friend, Neil, who today is a real magician! But rather than follow in the footsteps of Houdini, she went on to study fine art and children’s book illustration at Queens College with Caldecott medalist Marvin Bileck. She is an award-winning graphic designer, a published children’s book illustrator, and toy designer.
Laurie’s passion for writing began 12 years ago while cruising the eastern seaboard from Nantucket to the Virgin Islands. Today she continues to write and illustrate and is currently working on several contemporary picture books and middle grade novels.
Laurie lives on the North Shore of Long Island with her husband Nick and rescue doggie, Cody. You can learn more about Laurie by going to lskillustration.com.
For Aspiring Magician’s
Laurie has interviewed the young man who helped her learn about magic as part of her research for Misadventures of a Magician’s Son. He offers some tips on to get started and improve as a magician.
I’ve been busy working on the next Sienna, the Cowgirl Fairy book and rewriting my picture book writing course, Art of Arc. That’s only part of what I’ve been up to. But what’s important here is that I haven’t written a blog post in a while, so it’s high time I wrote one.
Today, I thought I would take a little time to share a few other things that I’ve been up to because I want to share some news, opportunities, and resources.
Teachers, librarians, parents – this one is for you.
I was just invited to be a judge for a fun writing contest for children in grades 3-5. Rosie Pova is offering the contest on her blog. This is a nationwide competition for creative writing with a theme, a twist and, of course, PRIZES! Teachers and librarians have 30 days from the contest opening date to submit the best entries that they select.
The contest began January 18 and will end at 11:59 pm February 16, 2018.
Writers, this one is for you.
I’ve signed up for my sixth year as a 12 X 12 member and my third year as a 12 X 12 critique ninja. As a member of Julie Hedlund’s 12 x 12, you get the motivation and accountability you need to write picture book drafts in 2018. There are opportunities to learn from industry experts, receive advice on the craft of writing picture books from published authors, literary agents, and editors, and enjoy the fellowship of community. Registration is open until February 28.
Just so you know, a critique ninja is a person who works in the 12 X 12 forum offering critiques on posted picture book manuscripts. There is a whole team of critique ninjas – all professional critique writers.
Another one for writers.
I’ve joined Tara Lazar’s Storystorm challenge for, I think, my sixth year. The Storystorm challenge is to create 30 story ideas in 30 days. You don’t have to write a manuscript (but you can if the mood strikes). You don’t need potential best-seller ideas. The registration is over and the challenge is more than half over, but you can still get some great inspiration for finding ideas from the month-long Storystorm posts on Tara’s blog. Once upon a time, Storystorm was called PiBoIdMo or Picture Book Idea Month.
This one is for illustrators, artists, and illustrator wannabes (like me 😉 )
I have bounced around the idea of trying my hand at art with this KIDLIT411 illustration contest, but I haven’t gained the courage. But YOU might want to give it a try. Excellent opportunity! The deadline is February 9.
Another one for illustrators, artists, and illustrator wannabes (like me 😉 )
I’ve been practicing art using a bunch of different books, but I also recently signed up with the Society of Visual Storytelling (SVS). Here’s a little blurb from their site. Our videos are custom made to show you how to get the skills necessary to break into the dynamic field of illustration. We have a wide range of subjects that fit any interest you may have in art. On top of our huge video library of art videos, we are now offering multi-week interactive classes where you get direct feedback from the instructor. In addition to our video content, we offer a forum where you can chat with other students and ask for help or just show off your stuff!
Now, if only I could get reliable Internet access on the road so I can watch my courses!
And one last bit of fun for writers.
If you don’t know about it, Sub Six is a Facebook support group for kid lit writers who are focusing on submitting their work. I’ve had a hard time keeping up with it, and the wonderfully smart and talented Manju Gulati Howard has volunteered to help. And boy has she helped. She does so much to inspire and encourage the group. She’s secured monthly prizes for the whole year from generous donors. And now, she has started Rejection Bingo, which is a blast. The game is in play until June 1.
In my last post MY GIFT – YOUR GIFT, I asked people to share inspirational quotes or short stories as gifts to others. In return, those who participated were included in a drawing to win complimentary admission to my picture book writing course Art of Arc. I also offered two Art of Arc students or alumni complimentary picture book critiques. I’ve decided to give a bonus gift, so three people have won the course and two have won critiques. Congratulations to the following winners!
COMPLIMENTARY ART OF ARC COURSE
Ann Magee
Julie Bergmann Lacombe
Chris M. Regier
COMPLIMENTARY CRITIQUE
Gabrielle Schoeffield
Linda Schueler
A fun drawing by Teresa Robeson from her blog ONE GOOD THING. Click on the image to see more of her work.
JUST SAY NO TO NEW YEAR’S RESOLUTIONS
I first offered a version of this post in 2012. It was titled THIRTY-ONE JUST FOR FUN. Each year since, I’ve modified my original post and reposted it. Before I share the 2016 modified version, I’d like to thank everyone who has supported my blog and me throughout the year. I wish you all a very Happy New Year. May the New Year bring each of you all that your heart desires.
Now for JUST SAY NO TO NEW YEAR’S RESOLUTIONS. . . .
A common question in life coaching is, “What’s the difference between a life coach and a therapist?” The answer goes something like this: Imagine you are driving a car through life with a psychotherapist as your driving instructor. The psychotherapist will spend a lot of time instructing you to look through your rearview mirror at where you have been. A “life coach” driving instructor will encourage you to look out your windshield at where you are going.
A NEGATIVE DRAIN
Today, I am going to swim against the life coaching current and ask you to look back at where you have been. New Year’s resolutions often have roots in the past. We look back, with a certain amount of regret, at what we failed to accomplish in the outgoing year. Focusing on our shortcomings, we resolve to make up for them in the New Year; usually with bigger and better plans than before. Although setting these goals can leave you feeling hopeful, looking back with self-judgment can sap your confidence and drain your spirit.
ENERGIZE YOUR SPIRIT
Instead of looking back at your shortcomings with regret, look back at your successes with confidence and gratitude. Looking back and acknowledging your accomplishments will give you the opportunity to celebrate your successes and energize your spirit as you look forward to your new year.
YOUR LIST
Over the next couple of weeks, take some time to reflect on 2016 and list the things that you accomplished throughout the year. I hope you will celebrate your successes by coming back and sharing some of your discoveries in the comments section of this post or share them on your own blog. The most important part of this challenge is recognizing the positive, energizing events of 2016.
QUESTIONS TO HELP YOU GET STARTED ON YOUR LIST
How did you grow personally, professionally or as a writer?
Did you have a positive impact on others?
What writing skills did you learn or strengthen?
Did you improve organizational skills?
Did you find the secret to time management?
Did you complete any writing challenges?
Did you join any groups?
What personal strengths did you gain?
What goals did you achieve?
What unplanned accomplishments did you achieve?
What character qualities did you strengthen?
Have you improved your communication skills?
Have you gotten better at saying no to others, to yourself, or to activities that drain you?
What acts of kindness did you share?
What special, memory building moment did you have with family, friends, writing groups, by yourself and so on?
Did you submit any of your writing? If you want to challenge yourself to submit more in 2016 join my Sub Six private manuscript submission support group on Facebook.
Did any submissions get accepted for publication?
Did you get any rejections with encouraging notes?
Did you find a positive way to accept rejections?
For tips on celebrating your achievements see CELEBRATE YOUR ACHIEVEMENTS BIG AND SMALL. Be sure to scroll down to the section about the achievement jar, so you can celebrate all through 2017.
Below I share some my 2016 achievements.
I signed a four-book deal for my chapter book series SIENNA THE COWGIRL FAIRY with Clear Fork Publishing. In the process, I met some great new friends and my fantastic editor Callie Metler-Smith.
I attended the Big Sur Cape Cod workshop and spent time with my lovely friends Sylvia Liu, Victoria Warneck, and Teresa Robeson.
I continued to help other writers via my Art of Arc course and critiques. And other writers helped me with some great critiques and brainstorming.
I completed the Nonfiction Archaeology course.
I made my first serious attempts at writing two different nonfiction picture books. And I found the courage to submit them!
I celebrated many, many friends’ successes – book contracts, book releases, agent representation and so on. Go Kid lit Community!
I took care of myself during rough times and celebrated my fun times with joy.
I continued to practice one of my favorite author survival skills, which is write from the heart – submit with detachment. I also encouraged others with positive and inspirational quotes on Facebook and Twitter.
I completed my 5th 12 X 12 writing challenge and had the pleasure of working as a 12 x 12 Critique Ninja.
Now it’s your turn. Celebrate with us by sharing your accomplishments.
Best wishes in 2017! Wait, there’s more. This would have been my sixth year of participating in Tara Lazar’s PiBoIdMo (Picture Book Idea Month) challenge, but there have been some changes. My sixth year will have to wait until January 2017, and I will be participating in STORYSTORM instead. To read about the changes and how to register click on the following badge. Thirty story ideas in thirty days, with inspiration, great faculty, and prizes, too!
So far, this year, I’ve been taking a break and being kind to myself. Meanwhile, the Kid-Lit Writing Wisdom team members have been doing their own thing. I believe that in the future I will be offering periodic guest posts from wise authors and/or illustrators, so keep an eye out. Before I move on to talking about picture book structures, I want to mention that my book BUTTERFLY KISSES FOR GRANDMA AND GRANDPA is featured in the summer reading section of the recent County Line Magazine. There are a couple cool things about this nice surprise. First, they put me in the great company of two other Texas authors Rosie Pova and Jen Betton. Rosie’s book SUNDAY RAIN (illustrated by Amariah Rauscher) is featured and author/illustrator Jen Betton’s cute book HEDGEHOG NEEDS A HUG is featured. The other thing that surprised me about BUTTERFLY KISSES FOR GRANDMA AND GRANDPA is that out of all my books, they picked the one that has been around the longest. What I love about this is the fact that my first picture book has had such a long life. I believe it may be the top seller of all my books, even after all these years.
Laurie Smollett Kutscera was born in Greenwich Village and grew up in Queens, New York. At the age of 11, she performed her first magic trick and was destined to be a ventriloquist with the aid of her childhood friend, Neil, who today is a real magician! But rather than follow in the footsteps of Houdini, she went on to study fine art and children’s book illustration at Queens College with Caldecott medalist Marvin Bileck. She is an award-winning graphic designer, a published children’s book illustrator, and toy designer.
Alayne Kay Christian 